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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
Thursday, May 19, 2011
Oreo Cookie Blues - Lonnie mack with SRV
If you've never seen Stevie Ray play acoustic slide and you don't know Lonnie Mack this will be a double treat. I know I really enjoy it.
Lonnie Mack (born Lonnie McIntosh, 18 July 1941, Dearborn County, Indiana) is an American rock and blues guitarist/vocalist.
In 1963 and early 1964, he recorded a succession of full-length electric guitar instrumentals which combined blues stylism with fast-picking techniques and a rock 'n' roll beat. The best-known of these are "Memphis", "Wham!", "Chicken Pickin'" and "Suzie-Q". These instrumentals established the standard of virtuosity for a generation of rock guitarists and formed the leading edge of the "blues-rock" guitar genre. Reportedly, the tremolo arm commonly found on electric guitars became known as the "whammy bar", following Mack's singularly aggressive use of the device in 1963's "Wham!".
In 1979, music historian Richard T. Pinnell, Ph. D., called 1963's "Memphis" a "milestone of early rock guitar". In 1980, the editors of Guitar World magazine ranked "Memphis" first among rock's top five "landmark" guitar recordings.
Mack is also renowned for his early "blue-eyed soul" ballads. Crediting both Mack's R&B vocals and his guitar solos, music critic Jimmy Guterman ranked Mack's first album, 1963's The Wham of that Memphis Man!, No. 16 in his book The 100 Best Rock 'n' Roll Records of All Time.
Mack released several singles in the '50s and '60s, as well as thirteen original albums spanning a variety of genres between 1963 and 1990. He enjoyed his greatest recognition as a blues-rock performer, with productive periods during the '60s and the latter half of the '80s. However, an aversion to notoriety led him to switch musical genres and sporadically withdraw from the public eye for years at a time. Despite a modest all-career recording output as a rock artist, he is widely regarded today as "one of the great rock guitarists of all-time", as well as an innovative and pivotal figure in expanding the role of the electric guitar in rock.
Beyond his career as a solo artist, Mack recorded with The Doors, Stevie Ray Vaughan, James Brown, Freddie King, Joe Simon, Ronnie Hawkins, Albert Collins, Roy Buchanan, Dobie Gray and the sons of blues legend Arthur "Big Boy" Crudup, among others.
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Labels:
Indiana,
Lonnie Mack,
SRV
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