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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
Sunday, September 25, 2011
Bass improvisation - Chester Zardis
Chester Zardis (May 27, 1900, New Orleans - August 14, 1990, New Orleans) was an American jazz double-bassist.
Zardis played bass from a young age, and studied under Billy Marrero of the Superior Orchestra. In his teens he was involved in a fistfight at a New Orleans theater, which resulted in his being sent to the Jones Waif Home. While there he began playing with another of the Home's residents, Louis Armstrong. He joined Buddy Petit's orchestra at age 16, and worked as a bassist in nightclubs and a tubist in brass bands in New Orleans in the 1920s, playing with Kid Rena, A.J. Piron, Punch Miller, Kid Howard, Jack Carey, Fate Marable, and Duke Dejan's Dixie Rhythm Band.
He was given the nickname "Little Bear" by Fats Pichon, a bandleader with whom Zardis played on the riverboat S.S. Capital in the 1930s. During that decade he also played with Count Basie in New York City, and recorded with George Lewis and Bunk Johnson. During the Second World War Zardis served in the Army, then worked briefly as a sheriff in the Western United States. Upon his return to New Orleans he played with Andy Anderson, but quit music between 1954 and 1964.
When he returned to active performance, Zardis played often at Preservation Hall with Lewis and Percy Humphrey among many others. He continued to be a fixture of the New Orleans jazz scene up until his death in 1990, including several international tours.
Zardis was regularly featured in documentaries; he is himself the subject of three of them, Liberty Street Blues, Chester Zardis: Spirit of New Orleans, and Three Men of Jazz.
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Labels:
Chester Zardis,
Louisiana,
New Orleans
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