In My One Room Little Cabin - Sonny Boy Williamson II

SONNY BOY WILLIAMSON II aka RICE MILLER - Born Dec 5, 1899, lower Tallahatchie County near Glendora, MS, Died May 25, 1965, Helena, AK. He claimed to fans and Blues researchers that he was the original 'Sonny Boy' (John Lee Williamson) who came from Jackson, Tennessee and recorded for Bluebird and later RCA Victor until his untimely death at the hands of an assailant on a Chicago street in the late 1940's. But according to his sister, Mary Ashford of Tutwiler, his real name was Alex 'Rice' Miller. "He was born a Miller and his father's name was Miller" she says of her musician brother who died in Helena, AK, 1965 of failed health. Born as Alex Miller (pronounced "Aleck") on the Sara Jones Plantation in Tallahatchie County, Mississippi, his date and year of birth are a matter of uncertainty. He claimed to have been born on December 5, 1899, but Dr. David Evans, professor of music and an ethnomusicologist at the University of Memphis, claims to have found census record evidence that he was born around 1912, being seven on February 2, 1920, the day of the census. His gravestone, set up by record company owner Lillian McMurry twelve years after his death, gives his date of birth as March 11, 1908, but the death date on that stone is certainly incorrect.
Some of his better known songs include "Don't Start Me To Talkin'" (his only major hit, it reached the #3 position on the national Billboard R&B charts in 1955),"Fattenin' Frogs for Snakes", "Keep It To Yourself", "Your Funeral and My Trial", "Bye Bye Bird", "Nine Below Zero", "Help Me", "Checkin' Up on My Baby", and the infamous "Little Village", with dialogue 'unsuitable for airplay' with Leonard Chess. His song "Eyesight to the Blind" was performed by The Who as a key song in their rock opera Tommy (the only song in that opus not written by a band member) and it was later covered on the Aerosmith album Honkin' on Bobo. His "One Way Out", reworked from Elmore James and recorded twice in the early 1960s, became popularized by The Allman Brothers Band in the early 1970s. In interviews in The Last Waltz, roots-rockers The Band recount jamming with Miller prior to their initial fame as Bob Dylan's electric backing band, and making never-realized plans to become his backing band. Many of his most famous recordings appeared on The Essential Sonny Boy Williamson and His Best.
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