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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
Tuesday, December 6, 2011
The Sermon - Jimmy Smith
Jimmy Smith (December 8, 1925 or 1928 – February 8, 2005) was a jazz musician whose performances on the Hammond B-3 electric organ helped to popularize this instrument. In 2005, Smith was awarded the NEA Jazz Masters Award from the National Endowment for the Arts, the highest honor that the United States bestows upon jazz musicians
Smith influenced a constellation of jazz organists, including Jimmy McGriff, Brother Jack McDuff, Richard "Groove" Holmes, Joey DeFrancesco and Larry Goldings, as well as rock keyboardists like Jon Lord, Brian Auger and Keith Emerson. More recently, Smith influenced bands such as the Beastie Boys, who sampled the bassline from "Root Down (and Get It)" from Root Down—and saluted Smith in the lyrics—for their own hit "Root Down," Medeski, Martin & Wood, and The Hayden-Eckert Ensemble. Often called the father of acid jazz, Smith lived to see that movement come to reflects Smith's organ style. In 1999, Smith guested on two tracks of a live album, Incredible!, the hit from the 1960s, with his protégé, Joey DeFrancesco, a then 28-year-old organist. Smith and DeFrancesco later played together on the collaborative album Legacy, released in 2005 shortly after Smith's death. In the 1990s, Smith went to Nashville, taking a break from his ongoing gigs at his Sacramento restaurant which he owned and, in Music City, Nashville he continued his cutting edge work, he worked with a webmaster to produce Dot Com Blues, his last Verve album.
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Jimmy Smith
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