EDUARDO SOTO, born in Caracas, acquires the pleasure for interpreting the FLUTE and HARMONICA from very young, instruments in whose execution he began self-paced. He started at the school Jos.. Lorenzo Llamozas and carried out formal studies with Alejandra Rodr..guez and in the school Lino Gallardo where he completed music theory with Salvador Toromoya and Violeta Lares, and Flute with Ernesto Santini and Jos.. Antonio Naranjo .
Simultaneously, he continued his studies in the Conservatory of Music Sim..n Bol..var. It is important to highlight in this artist’s career the teachings that he received between 1980 and 1988 with the outstanding musician and teacher Antonio Est..vez at an artistic-musical level, one of the most important Venezuelan composers. Likewise, he studied with Gerry Weil, a well-known figure in the jazz world in Venezuela. Eduardo Soto has taken masterful courses of improvement for the interpretation and repertoire of the flute with Pedro Eustache and Jos.. Garc..a (Venezuela), Barbara Jones ( USA), Jean Pierre Pinet (France), Nels Lindebland (France), Jorge Caryerschi (Holland) and Shignori Kudo (Japan). He has been constantly in the Venezuelan musical arena with Rock, Jazz, Blues, Folkloric Music, Music of Camera and Symphonic Music with the Cuarteto Avilanes, Top Latin Band, the duet Soto-De Los Reyes, the Quartet Miranda (Flute and Trio of Strings), and the Symphonic Orchestra of Miranda.
He has also studied the HARMONICA, Diatonic as Chromatic from early age. Between 1989 and 1991 he has mastered the interpretation of BLUES with Dr. David Evans (Memphis State University, Tennessee, USA); a notable guitarist of this gender, winner of numerous distinctions in this field, among those the Grammy and the W.C. Handy Award in 1983.
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Simply the best harmonica player in Venezuela.
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