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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
Friday, April 20, 2012
Don't Slam That Door - Johnny Fuller
Johnny Fuller was a West Coast bluesman who left behind a spate of 1950s recordings that jumped all kinds of genre fences with seemingly no trace of his Mississippi born roots. He was equally at home with low down blues, gospel, R&B, and rock & roll, all of it imbued with strong vocals and a driving guitar style.
Although his Mississippi roots were never far below the surface of his best work, Johnny is usually categorized as a West Coast bluesman. Making the Bay Area his home throughout his career, Fuller turned in classic sides for Heritage, Aladdin, Specialty, Flair, Checker, and Hollywood; all but one of them West Coast-based concerns. His two biggest hits, “All Night Long” and the original version of “The Haunted House,” improbably found him in the late ’50s on rock & roll package shows, touring with the likes of Paul Anka and Frankie Avalon!
By and large retiring from the music scene in the ’60s (with the exception of one excellent album in 1974), Fuller worked as a garage mechanic until his passing in 1985.
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Labels:
Johnny Fuller,
Mississippi
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