Exclusive Blues Interviews, Blues Reviews, Blues Videos, Top Blues Artists, New Blues Artists.
Pages
- Home
- Essential Listening A-L
- Essential Listening M-Z
- About
- Advertising
- Bman's Year In Review 2011-12
- Bman's Picks 2013
- Bman's Picks 2014
- Bman's Picks 2015
- Bman's Picks 2016
- Bman's Picks 2017
- Bman's Picks 2018
- Bman's Picks 2019
- Bman's Picks 2020
- Bman's Picks 2021
- Bman's Picks 2022
- Bman's Picks 2023
- Bman's Picks 2024
CLICK ON TITLE BELOW TO GO TO PURCHASE!!!!
CD submissions accepted! Guest writers always welcome!!
I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
Wednesday, August 8, 2012
Deak Harp One Man Band
Actually, Deak has been playing the blues harp since the early age of 12...inspired by a school classmate. The 1980's found Deak learning from - and eventually doing shows with the great harmonica master James Cotton, who played with the legendary Muddy Waters and became an important blues artist of today in his own right. Deak also struck an ongoing correspondence and friendship with the late, great West Coast Harmonica King, William Clarke around that time.
The concept of the Deak Harp Blues Band have their beginnings that go back from the early lineup in the 1990's to just a short while ago, to the summer of 2007, when Deak himself was given the red carpet treatment at the Pocono Blues Fest, along with David Beardsley of STLBlues.net. Deak sat in with many of the artists there, including Eddie Van Shaw...son of Howlin' Wolf sideman and sax legend Eddie Shaw. A climactic moment of the festival occurred when Deak fronted the band, singing and blowing harp at the end-of-festival party...and Deak, with the encouragement of festival promoter Michael Cloren, began to think of how it might be a great idea, and a great time to reform his old band again.
Another event that helped inspire this turn of mind happened later in October of 2007, where Deak Harp showed up at the Arkansas Blues and Heritage Festival (formerly the King Biscuit Blues Festival) playing on Cherry Street in front of the KFFA Radio Station, and later sitting in with Mississippi one-man-band artist Bill Abel at the Houston Stackhouse Stage. A cool clip of this performance can easily be seen on Deaks video page
If you like what I’m doing, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
Labels:
Arkansas,
Deak Harp One Man Band
Subscribe to:
Post Comments (Atom)
Earlier this year an Encyclopaedia was published devoted to one-man-bands and Deak has an entry therein.
ReplyDeleteLong live the one-man-band tradition and may it prosper.
See the following for a description of this book:
http://www.charliegillett.com/bb/viewtopic.php?f=45&t=20413
plus lengthy review here:
http://www.thecountryblues.com/op-ed/book-review/
Thank you very much Alan! I am a huge one man band fan! Best
ReplyDeleteBman
Hotlink for the above:
Book description
Review