Exclusive Blues Interviews, Blues Reviews, Blues Videos, Top Blues Artists, New Blues Artists.
Pages
- Home
- Essential Listening A-L
- Essential Listening M-Z
- About
- Advertising
- Bman's Year In Review 2011-12
- Bman's Picks 2013
- Bman's Picks 2014
- Bman's Picks 2015
- Bman's Picks 2016
- Bman's Picks 2017
- Bman's Picks 2018
- Bman's Picks 2019
- Bman's Picks 2020
- Bman's Picks 2021
- Bman's Picks 2022
- Bman's Picks 2023
- Bman's Picks 2024
CLICK ON TITLE BELOW TO GO TO PURCHASE!!!!
CD submissions accepted! Guest writers always welcome!!
I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
Saturday, September 8, 2012
Tore Up - Harmonica Fats
Harmonica Fats was actually Harvey Blackston, a former Louisianan who learned the blues growing up on his grandfather's farm; his longtime partner, Bernie Pearl, a native Angeleno, learned the blues from the musicians who frequented the fabled Ash Grove (a folk and blues club run by Pearl's brother Ed), including Lightnin' Hopkins and Mance Lipscomb.
In the early '50s, Fats took up harmonica as self-prescribed therapy while recuperating from an auto accident. Once confident, he formed a band, playing clubs around Los Angeles, and was known then as "Heavy Juice." Just as carefully, he perfected his songwriting, scoring on the R&B charts in 1961 with the self-penned single "Tore Up." After changing his name to Harmonica Fats, this success led to work as a studio musician, playing dates with performers as diverse as Bill Cosby, Ringo Starr, and Lou Rawls. He even did a stint as a traveling solo musician, seeking gigs as he drove in a station wagon around the country.
Pearl, through the Ash Grove, backed artists Big Mama Thornton, Bukka White, Mississippi Fred McDowell, Freddie King, and more. In the late '60s,'80s, and early '90s, he was a blues DJ, not only entertaining but educating with the knowledge he acquired during the Ash Grove days. Perhaps his best-known accomplishment was founding one of the West Coast's top blues events, the Long Beach Blues Festival, and he was also the promoter of the Big Time Blues Festival, also held in Long Beach.
I Had to Get Nasty
The Bernie Pearl Blues Band originated in 1984, with Robert Lucas on harmonica. Fats replaced Lucas in 1986. Fats' witty songs and on-stage magnetism is captured on Live at Cafe Lido, an album originally intended as a demo. The high demand for that album led Fats and Pearl to form Bee Bump Records, with its first release being I Had to Get Nasty. Pearl convinced Fats to work as an acoustic duo, releasing Two Heads Are Better in 1995. The following year, they released Blow, Fat Daddy, Blow!, dedicated to the memory of Fats' wife and civil rights activist Johnnie Tillman.
If you like what I’m doing, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
Labels:
Harmonica Fats,
Louisiana
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment