One of the best blues players of all time.... Mr Skip James!!
Nehemiah Curtis "Skip" James (June 9,[1] 1902 – October 3, 1969) was an American Delta blues singer, guitarist, pianist and songwriter. Born in Bentonia, Mississippi, he died in Philadelphia, Pennsylvania.
He first learned to play guitar from another bluesman from the area, Henry Stuckey. His guitar playing is noted for its dark, minor sound, played in an open D-minor tuning with an intricate fingerpicking technique. James first recorded for Paramount Records in 1931, but these recordings sold poorly due to the Great Depression, and he drifted into obscurity. After a long absence from the public eye, James was "rediscovered" in 1964 by three blues enthusiasts, helping further the blues and folk music revival of the 1950s and early 60s. During this period, James appeared at several folk and blues festivals and gave live concerts around the country, also recording several albums for various record labels.
His songs have influenced several generations of musicians, being adapted or covered by Kansas Joe McCoy, Robert Johnson, Cream, Deep Purple, Chris Thomas King, Alvin Youngblood Hart, The Derek Trucks Band, Beck, Big Sugar, and Rory Block. He is hailed as "one of the seminal figures of the blues.
James was born near Bentonia, Mississippi. His father was a converted bootlegger turned preacher. As a youth, James heard local musicians such as Henry Stuckey and brothers Charlie and Jesse Sims and began playing the organ in his teens. He worked on road construction and levee-building crews in his native Mississippi in the early 1920s, and wrote what is perhaps his earliest song, "Illinois Blues", about his experiences as a laborer.
In the '20s he sharecropped and made bootleg whiskey in the Bentonia area. He began playing guitar in open D-minor tuning and developed the three-finger picking technique heard in his recordings. In addition, he began to practice piano-playing, drawing inspiration from the Mississippi blues pianist Little Brother Montgomery.
In early 1931, James auditioned for Jackson, Mississippi record shop owner and talent scout H. C. Speir, who placed blues performers with a variety of record labels including Paramount Records. On the strength of this audition, James traveled to Grafton, Wisconsin to record for Paramount.[4] James's 1931 work is considered idiosyncratic among pre-war blues recordings, and formed the basis of his reputation as a musician.
As is typical of his era, James recorded a variety of material — blues and spirituals, cover versions and original compositions — frequently blurring the lines between genres and sources. For example, "I'm So Glad" was derived from a 1927 song by Art Sizemore and George A. Little entitled "So Tired", which had been recorded in 1928 by both Gene Austin and Lonnie Johnson (the latter under the title "I'm So Tired of Livin' All Alone"). Biographer Stephen Calt, echoing the opinion of several critics, considered the finished product totally original, "one of the most extraordinary examples of fingerpicking found in guitar music".
Several of the Grafton recordings, such as "Hard Time Killing Floor Blues", "Devil Got My Woman", "Jesus Is A Mighty Good Leader", and "22-20 Blues" (the basis for Robert Johnson's better-known "32-20 Blues", and the band name for the English group 22-20s), have proven similarly influential. Very few original copies of James's Paramount 78 RPMs have survived.
The Great Depression struck just as James' recordings were hitting the market. Sales were poor as a result, and James gave up performing the blues to become the choir director in his father's church. James himself was later ordained as a minister in both the Baptist and Methodist denominations, but the extent of his involvement in religious activities is unknown
For the next thirty years, James recorded nothing and drifted in and out of music. He was virtually unknown to listeners until about 1960. In 1964 blues enthusiasts John Fahey, Bill Barth and Henry Vestine found him in a hospital in Tunica, Mississippi. According to Calt, the "rediscovery" of both James and of Son House at virtually the same moment was the start of the "blues revival" in the US. In July 1964 James, along with other rediscovered performers, appeared at the Newport Folk Festival. Several photographs by Dick Waterman captured this first performance in over 30 years. Throughout the remainder of the decade, he recorded for the Takoma, Melodeon, and Vanguard labels and played various engagements until his death in Philadelphia from cancer in 1969.
Although James was not initially covered as frequently as other rediscovered musicians, British rock band Cream recorded "I'm So Glad" (a studio version and a live version), providing James with the only windfall of his career. Deep Purple also covered "I'm So Glad," on Shades of Deep Purple, and English blues rock band 22-20s named themselves after "22-20 Blues." Singer Dion DiMucci released an album in November 2007 titled Son of Skip James.
Since his death, James's music has become more available and prevalent than during his lifetime — his 1931 recordings, along with several rediscovery recordings and concerts, have found their way on to numerous compact discs, drifting in and out of print. His influence is still felt among contemporary bluesmen. James also left a mark on Hollywood, as well, with Chris Thomas King's cover of "Hard Time Killing Floor Blues" on O Brother, Where Art Thou?, and the 1931 "Devil Got My Woman" featured in the plot and soundtrack of Ghost World. In recent times, British post-rock band Hope of the States released a song partially focused on the life of Skip James entitled "Nehemiah", which charted at number 30 in the UK Singles Chart. "He's a Mighty Good Leader" was also covered by Beck on his 1994 album One Foot in the Grave.
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