Exclusive Blues Interviews, Blues Reviews, Blues Videos, Top Blues Artists, New Blues Artists.
Pages
- Home
- Essential Listening A-L
- Essential Listening M-Z
- About
- Advertising
- Bman's Year In Review 2011-12
- Bman's Picks 2013
- Bman's Picks 2014
- Bman's Picks 2015
- Bman's Picks 2016
- Bman's Picks 2017
- Bman's Picks 2018
- Bman's Picks 2019
- Bman's Picks 2020
- Bman's Picks 2021
- Bman's Picks 2022
- Bman's Picks 2023
- Bman's Picks 2024
CLICK ON TITLE BELOW TO GO TO PURCHASE!!!!
CD submissions accepted! Guest writers always welcome!!
I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
Friday, October 19, 2012
The Lazy J. - L.C. Williams w/Lightning Hopkins
b. 12 March 1930, Crockett, Texas, USA, d. 18 October 1960, Houston, Texas, USA. Another artist whose given names are initials, Williams grew up in Mullican, Texas, before moving to Houston around 1945. There he worked in dancehalls and bars as both singer and dancer. He also learned to play drums. Having made the acquaintance of Lightnin’ Hopkins, he recorded for Bill Quinn’s Gold Star label, nicknamed ‘Lightnin’ Jnr.’, with Hopkins backing him on guitar and piano on three singles, and pianists Leroy Carter and Elmore Nixon on one side each of a fourth, all subsequently reissued. He also recorded for Freedom, another Houston label owned by Solomon Kahal, making six records, one combining ‘My Darkest Hour’ and ‘I Want My Baby Back’ reissued on Imperial Records, mostly with Conrad Johnson’s Conney’s Combo. In 1951 he recorded at least four titles, including ‘Baby Child’ and ‘Fannie Mae’, for Sittin In With, owned by New Yorker Bob Shad. Shad probably produced Williams’ final commercial session, made the same year for Mercury Records with backing by saxophonist Henry Hayes And His Rhythm Kings. Williams, addicted to cheap wine, also suffered from tuberculosis. Just prior to his death, he recorded one title with Hopkins and harmonica player Luke ‘Long Gone’ Miles. When asked the significance of his initials, Williams’ reply was ‘love crazy’. Ironic, then, that his death was from lung collapse.
“To laugh often and much; to win the respect of intelligent people and the affection of children; to earn the appreciation of honest critics and endure the betrayal of false friends; to appreciate beauty; to find the best in others; to leave the world a bit better, whether by a healthy child, a garden patch or a redeemed social condition; to know even one life has breathed easier because you have lived. This is to have succeeded.” - Ralph Waldo Emerson
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, - ”LIKE” ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!
Labels:
L.C. Williams,
Lightning Hopkins,
Texas
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment