VIZZTONE NEWS — IMPORTANT STUFF YOU NEED TO KNOW NOW!
NEW DENNIS GRUENLING CD
Rockin' All Day!
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VizzTone Proudly Welcomes Dennis Gruenling! DENNIS GRUENLING is without a doubt one of the baddest, swingingest, most innovative harmonica blowers on the planet. His dynamic style draws inspiration not only from Blues icons like Little Walter, but also from great jazz horn players like Lester Young and Illinois Jacquet. Equally adept at chromatic and diatonic harmonica, Dennis rocks and swings with a vengeance — snapping his fingers, blowing cool and soulful lines with a natural ease as the band drives with a steady, swinging beat.
“ROCKIN’ ALL DAY” is a solid house party record. It features Gruenling’s touring partner, singer/guitarist DOUG DEMING,
who is also a recently-signed VizzTone artist. Serious road dogs, in
August 2012 Dennis, Doug and the band embarked on an East Coast tour of
28 shows in 26 days! Doug shares Dennis’s passion for the jump blues
that once dominated the airwaves. He can turn heads with his tasty
guitar licks, as his scintillating vocals are punctuated by Gruenling’s
potent harp fills. Half the tracks feature Doug’s regular band, The
Jewel Tones –the rest of the cuts feature players Dennis has worked with
over the years in his road band. The record was recorded in Sarasota,
FL, by Ed Kinder, and in Glen Ridge, NJ, by frequent collaborator and
VizzTone labelmate DAVE GROSS.
In his spare time, Dennis can be found teaching other harp players, and every Thursday afternoon you can hear his “Blues & the Beat” radio program on WFDU-FM in New Jersey, with Dennis playing a host of rare records from his vast collection. |
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A Harp Player's Take on Dennis Gruenling's Technique
—by Richard Rosenblatt
(Non harp-playing readers beware: Turn
back now, read no further, lest you catch a glimpse into the dark
recesses of a harmonica player's brain. It's not pretty, and you may
turn to salt.)
ROCKIN' ALL DAY by DENNIS GRUENLING
is, among other things, a very advanced Blues Harmonica Master Class.
Dennis is above all things MUSICAL, never letting his technical prowess
overshadow the feel of the song —
nonetheless, his technique is nothing short of monstrous. He favors
third position, chromatics and low-tuned harmonicas (some VERY low), not
using anything above a standard Bb diatonic harp on the entire album.
He kicks it off playing "Rockin' All Day" in the key of Bb - 3rd
position on a G chromatic (button mostly IN.) He uses that same harp and
position on "Saturday Night Fish Fry" and "The Rev", which starts in A
(button mostly out) and modulates up to Bb. For the Wynonie Harris
classic "Bloodshot Eyes", Dennis blows 3rd position on a Bb chromatic.
While Dennis totally nails the big, tongue-blocked chromatic tone
pioneered by Little Walter and George Smith, he moves up and down the
big harp with a supple, fluid feel that recalls the great Big Band horn
players.
Hohner has
been custom-manufacturing low-tuned harps for Dennis Gruenling for some
time. Now that they're distributing them to the general public as
“Thunderbird” harmonicas, Dennis's picture is on the box, and it's no
surprise — he totally OWNS the lower octaves of this instrument. It
takes a special embouchure to control the harmonica's reeds once they go
below a "standard" tuning, and Dennis hits every bend with precision,
every note with clarity and punch. "Roll Your Money Maker" begins with
Dennis playing a Bb harp, 2nd position in the key of F, then halfway
through the solo it drops a full octave as he switches to a LOW Bb harp.
I never even knew these things existed! He plays a low D in "You Can
Do No Wrong", a LOW low G on "Actin' Crazy", and a SUPER LOW F on
"What's Wrong With Me." When he picks up a regular Low F harp for a
gorgeous 3rd position take on "One Scotch, One Bourbon, One Beer", it
seems positively midrange.
Believe me,
this is no novelty act. Dennis works the lower registers with power and
grace, but he also breathes significant new life into the "standard"
harmonica tunings. "She's So Pretty", cross harp on a standard Bb, has a
classic Chicago attack, much like Walter or Cotton behind Muddy Waters;
"It Went Down Easy" is a cool, down-tempo swing played in 2nd
position on an Ab harp; "2:22 A.M.", 2nd position on a Bb harp, gives a
nod to Walter's "Sad Hours" (and it IS a couple hours past Quarter to
Twelve…) with gigantic tone and tongue flutters; and "Hotso" is a
rockin' 3rd position romp on a standard A harp. Dennis blazes new ground
with taste and substance, avoiding show-offy riffs for the perfect,
swinging groove.
As a harp
player, listening to this album is a humbling experience… but if your
ego can take the blow, repeated listens will make you a better player,
and a better MUSICIAN.
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