Blues For Monet - George Adams

George Rufus Adams (April 29, 1940 Covington, Georgia – November 14, 1992 New York City, New York) was an American jazz musician who played tenor saxophone, flute and bass clarinet. He is best known for his work with Charles Mingus, Gil Evans, Roy Haynes and in the quartet he co-led with pianist Don Pullen, featuring bassist Cameron Brown and drummer Dannie Richmond. He was also known for his idiosyncratic singing. George Adams's musical style was rooted in the blues and in primarily that of African-American popular music. As a saxophonist his greatest influences seem to have been Rahsaan Roland Kirk, with whom he played in Mingus's band on occasion, as well as the adventurous edginess of John Coltrane and Albert Ayler. He played with tremendous intensity and passion, as well as lyricism and subtlety. At times he bent over backwards when playing, almost ending up on his back. His singing varied from wild wailing blues to ballads.[citation needed] Adams and Don Pullen shared a musical vision and their quartet straddled the range from R&B to the avant-garde. (The quartet was sometimes known as the "George Adams–Don Pullen Quartet", and sometimes as the "Don Pullen–George Adams Quartet"). After Adams' death, Pullen dedicated to his memory the 1993 CD Ode To Life, recorded by his African-Brazilian Connection, and in particular the ballad "Ah George, We Hardly Knew Ya". One of his last recordings was America on the Blue Note label. This album consists of classic American songs like "Tennessee Waltz", "You Are My Sunshine" and "Take Me Out to the Ballgame" as well as a few original songs that articulate Adams's positive view of his country and the gifts it had given him. It also includes "The Star-Spangled Banner" and "America the Beautiful". George Adams was a member of the band that played Epitaph by Charles Mingus.

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