I just received the newest reissue from Concord Music Group (April 2, 2013), Albert King's Born Under A Bad Sign. With addition of liner notes by Bill Dahl, this release has a full spectrum picture of Kings work. Featuring the Stax "House Band"; Steve Cropper (guitar), Booker T Jones (piano), Isaac Hayes (piano), Donald "Duck" Dunn, and Al Jackson Jr, (also known as Booker T and the MG's)and Wayne Jackson, Andrew love and Joe Arnold (also known as the Memphis Horns); King has the backing that can deliver anything he may want. The release opens with one of King's most well know tracks, Born Under A Bad Sign. Yes, Eric Clapton and Cream didn't hurt any by covering it, but it was Albert King that really breathed the life into it and it was his gateway to stardom. King has a very distinctive guitar playing style often attributed to his playing left handed (although the guitar was strung right handed) giving it a unique sound but I personally think Albert had his own feel later mimicked by SRV among others. It oozed blues. Next up is Crosscut Saw set to a Latin rhythm, a common maneuver for King. Albert had a great voice and his playing dominated most anything he touched. Did Eric borrow some of King's riffs... just listen! On Leiber and Stoller track Kansas City, King takes a standard pop track (hey, the Beatles even covered this track) and made it into a swing blues track. The horns really shine on this track and King riffs out but this really is a radio track. Another track showing a melding of styles is Pretty Woman. King again carries this largely based upon his vocal skills but never misses the opportunity to throw the hot riffs into the fire. King really is one of the fathers of the "modern" blues as we know it. On King original, Down Don't Bother Me, Albert gets a real solid Texas blues lope and his guitar phrasing is just perfect. On Ivory Joe Hunter's soul classic, I Almost Lost My Mind, King melds blues with jazz keeping his "V" under control with light riffs to accommodate a loose jam. Another original track, Personal Manager, shows King at a relaxed pace, taking the time to sing quietly before knocking the doors down with classic ripping blues smoke! On Laundromat Blues, King uses his call and response technique to the extreme answering his own vocal call with a guitar riff response. Listen to these riffs ...and think of how many of your favorites have played them like their own. Yes, Albert was the King! One of my personal favorites on the release, As The Years Go Passing By, shows a perfect balance between the horns, Kings rich voice and his incredible guitar phrasing. This is THE track to hear by Albert King!
Also included on this release are alternate takes of Born Under A Bad Sign, Crosscut Saw, The Hunter and Personal Manager. These tracks are all really nice additions and give you different riffs and backing. Very cool. Lastly, there is an untitled instrumental of Albert jamming out with the horns. Dunn shows a bass slide and you can just sit back and listen to the King doing the Kings thing.
Great release and one that you should definitely check out!If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE” Yes, you're right... this is a live track and the release is a studio cut. Enjoy Mr King in full color!
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