FORTY CLASSIC SIDES FROM SOUTHERN SOUL LABEL
MINARET
RECORDS
REISSUED
ON OMNIVORE RECORDS AUGUST 13
The
South Side of Soul Street: The Minaret Soul Singles
1967-1976 features
Willie
Cobbs, Big John
Hamilton, Leroy Lloyd & the Dukes, Doris Allen
and
other under-the-radar soul greats.
VALPARAISO,
Fla. — For decades, Memphis and Muscle Shoals have been praised as the
premier Southern soul recording capitals, and rightly so. But any comprehensive
list of important R&B studio destinations should also include Valparaiso,
located on Florida’s Panhandle, not far from the Alabama state line. That’s
where Finley Duncan established the Playground Recording Studio in 1969,
producing a series of stunning singles for his Minaret Records label
(distributed by Shelby Singleton’s SSS International Records) that inexplicably
avoided the charts but stand tall with legions of R&B
aficionados.
Having
explored the California East Bay’s vibrant soul/funk scene with its three-volume
Music City Sessions, and solo outings by Darondo (Listen to My
Song: The Music City Sessions) and The Two Things in One (Together
Forever: The Music City Sessions), Omnivore Recordings now celebrates Southern
R&B with The South Side of Soul Street: The Minaret Soul
Singles 1967-1976. Street date is August 13, 2013.
This two-CD,
40-track collection gathers all of the A’s and B’s of Minaret’s soulful sides
for the very first time. Many of these tracks have been out of print for
decades, commanding top dollar on the collector’s market. While the music is
enticing enough, the package features a full-color booklet with extensive liner
notes by music historian Bill Dahl detailing the history of the label and
studio, as well as the stories of the artists whose work is showcased on these
20 singles.
Minaret
boasted a stable of soul and blues artists who were rich in talent, even if not
in hits. Big John Hamilton was one of Minaret’s anchoring artists, represented
here with 18 tracks (including four duets with Doris Allen). Among his backing
musicians were Muscle Shoals stalwart Spooner Oldham and the Memphis Horns.
Hamilton was managed by fellow Minaret artist and guitarist Leroy Lloyd, whose
instrumental “Sewanee Strut” is featured here. No Minaret artist boasted the
track record of harpist Willie Cobbs, best known for the widely covered blues
classic “You Don’t Love Me.” His 1968 session (“I’ll Love Only You” “Don’t Worry
About Me”) is included in this collection.
Featuring
photographs and commentary from Playground staff past and present, The South
Side of Soul Street: The Minaret Soul Singles 1967-1976 adds to Omnivore’s
reputation as “the Smithsonian of record labels, finding, preserving and
championing some of the greatest (and most endangered) music of the past 50
years,” according to Popshifter’s Cait Brennan.
If you’re
wondering which side of the street has the best music, it’s South Side of
Soul Street: The Minaret Soul Singles 1967-1976.
DISC ONE
Big
John Hamilton: “The Train,” “Big Bad John,” “I Have No One,” “I Just
Want To Thank You” (1967)
Genie
Brooks: “Fine Time,” “Juanita” (1967)
The
Double Soul: “Blue Diamonds,” “I Can’t Use You” (1968)
Big
John Hamilton: “Big Fanny,” “How Much Can a Man Take”
(1969)
Big
John Hamilton: “Pretty Girls,” “Before the Next Teardrop Falls”
(1969)
Johnny
Dynamite: “The Night the Angels Cried,” “Everybody’s Clown”
(1969)
Genie
Brooks: “Helping Hand,” “South Side of Soul Street” (1969)
Big
John Hamilton: “Breaking Up is Hard to Do,” “Love Comes and It Goes.”
(1969)
Leroy
Lloyd and The Dukes: “Sewanee Strut,” “A Taste of the Blues
(1969)
DISC TWO
Willie
Cobbs: “I’ll Love Only You,” “Don’t Worry About Me” (1969)
Big
John Hamilton: “If You’re Looking for a Fool,” “Take This Hurt Off Me
Fool” (1969)
Doris
Allen: “A Shell of a Woman,” “Kiss Yourself for Me” (1969)
Gable
Reed: “I’m Your Man,” “Who’s Been Warming My Oven” (1969)
Big
John Hamilton & Doris Allen: “A Place in My Heart,” “Let a Little
Love In” (1969)
Willie
Gable: “Row Row Row,” “Eternally” (1969)
John
Hamilton & Doris Allen: “Them Changes,” “Bright Star”
(1970)
Big
John Hamilton: “Lift Me Up,” “Just Seeing You Again”
(1970)
Count Willie with LRL and The Dukes: “I’ve Got To Tell You” (1975) LRL and The Dukes: “Double Funk” (1975)
Big
John Hamilton: “I Got To Get Myself Somebody,” “Free Me”
(1976)
Hear
a preview of Omnivore Recordings' The South Side of Soul
Street: The Minaret Soul Singles 1967-1976 here:
About Omnivore
Recordings:
Founded in
2010 by highly respected, longtime industry veterans Cheryl Pawelski, Greg
Allen, Dutch Cramblitt, and Brad Rosenberger, Omnivore Recordings preserves the
legacies and music created by historical, heritage, and catalog artists while
also releasing previously unissued, newly found “lost” recordings and making
them available for music-loving audiences to discover. Omnivore Recordings is
distributed by Caroline.
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
Monday, June 10, 2013
Classic Southern soul from Minaret Records reissued on Omnivore Recordings August 13
Labels:
Conqueroo,
Omnivore Records
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