Mark T. Small Wins “Acoustic Blues Album of the
Year” Award at 2014 Blues Blast Magazine Awards Show
CHAMPAIGN, IL – Blues singer/guitarist Mark T. Small won the
“Acoustic Blues Album of the Year” award at the 2014 Blues Blast Magazine Awards
Ceremonies, held October 23 at the Fluid Events Center in Champaign, Illinois.
Small also performed during the gala held to honor blues music artists and CD
releases for the year. "It was an honor to be
part of such a fine event and be associated with such a fantastic publication,”
said Mark T. Small. “Winning the award was the icing on the cake.”
The Somerset, Massachusetts-based artist garnered the
recognition for his January, 2014, release, Smokin’ Blues, on the
Lead Foot Music label imprint. The dozen tracks on Smokin’ Blues,
Small’s fourth CD, solidified his place as an emerging master of
the guitar, whose styles range from Delta and Chicago blues to the intricate,
flatpicking style from his early days in “Newgrass” bands. The 12 songs on the
CD reflect music originally performed by such early blues legends as Blind Boy
Fuller, Tampa Red, Charley Patton and Reverend Gary Davis to post-war icons John
Lee Hooker, Howlin’ Wolf, Elmore James and even a Stax/Memphis soul vibe with
the inclusion of a Rufus Thomas tune.
“Smokin' Blues is a
sampler of the guitar grooves that make up my solo show,” said Mark T. Small
upon the album’s release. “My main objective for this CD was to produce a
recording that sounds and feels like I am playing in a small room with the
listener. The only effect that was added, other than the ‘radio tone’ on the
song, ‘Daddy Was a Jockey,’ was a touch of reverb to further simulate listening
in a small room.”
Upon its release, reviews for the
CD were over-the-top in their praise. “Smokin’ Blues lives up to
its title from start to finish,” wrote Malcolm Kennedy in his review for the
Washington Blues Society. “I give it my highest recommendation,
simply fabulous!” “He's as good a guitarist as you will hear and if you listen
to Smokin’ Blues, you will hear plenty of evidence of that, as
Small tears through a dozen of his favorite songs,” said Graham Clarke in
Friday Blues Fix. “With vocals as strong as sweet as his fret
work, Small has made one memorable and amazingly versatile album right here that
guitar fans will love.”
Mark T. Small
has been playing music since his early teens, when he began listening to Old
Time Music. He learned to play fiddle tunes on the guitar in the styles of Doc
Watson and Norman Blake and also learned to play the Dobro. In 1981, this music
took Mark to Indiana to play and record with a five-piece “Newgrass Band” called
The Brown County Band. At the same time, he was playing harmonica and listening
to Junior Wells and Charlie Musselwhite.
After
returning to the East Coast, Mark dug deeper into the blues, playing more
electric guitar. When he was playing progressive Newgrass, his style had the
influence of the blues. Now delving into the blues, his playing has the razors
edge and speed that was developed from years of flat-picking. This combination
of the lightning fast bluegrass style and soulful blues playing are the key
components of Mark’s sound. .
Beginning in
the late 1980s, Mark started his own Chicago-style blues band that ranged
anywhere from three to ten pieces on a given night and was a staple on the New
England club circuit for over a dozen years. Many of the gigs were played as a
“power trio” with Mark singing and filling the band out with scorching electric
blues guitar. Other times, the band included a keyboard or sax player and/or the
addition of the Newport Navy Band Horn Section.
In 2000, Mark
began to gravitate back to his acoustic roots and the studio became his
classroom. After making a decision to pursue a solo career, Mark took all of the
lessons that he had learned over the last 25 years and constructed an act that
was as hard- hitting as the band, but all in a one-man show. As such, he’s
opened for Johnny Winter, Robert Cray, James Cotton and others.
Today, his
show includes many traditional Delta blues numbers with a Chicago blues slant
that transforms each tune into a “tour de force.” Included are the blazing
flat-picking techniques that grabbed audiences in Mark’s bluegrass days, the hot
slide guitar playing that creates a mood and timbre change in each set and the
showmanship that was developed from his years of experience.
“On
Smokin' Blues I tried to match the intensity of playing in a club
setting,” Mark said at the time. “In these settings I take the tunes that I
love, interpret them and do everything possible to make that connection with the
audience.”
To download a
photo of Mark at the Blues Blast Awards with his trophy, click here: marktsmallbbaward
For more
information, visit www.marktsmall.com.
Upcoming Mark T. Small Performances
December 12 / The Amazing Things Arts Center -
Framingham, MA
A Night Of Acoustic Blues / Co-Bill with Danielle Miraglia
January 17 / The Narrows Center For The Arts - Fall River, MA - Winter Blues Fest / On the bill with Young Neal & The Vipers, Mike Zito & The Wheel, Johnny Hoy & The Bluefish
A Night Of Acoustic Blues / Co-Bill with Danielle Miraglia
January 17 / The Narrows Center For The Arts - Fall River, MA - Winter Blues Fest / On the bill with Young Neal & The Vipers, Mike Zito & The Wheel, Johnny Hoy & The Bluefish
January 24th / The Cotuit Cultural Center - Cotuit, MA
- With James Montgomery & Bruce Marshal
In residence every Thursday at The New World Tavern, Plymouth, MA (7:00-10:00 PM)
In residence every Thursday at The New World Tavern, Plymouth, MA (7:00-10:00 PM)
No comments:
Post a Comment