I just received the newest release (June 17, 2014), 444, from the Nighthawks and it's a lot of fun. Opening with the Du Droppers' Walk That Walk, the Nighthawks are really swinging with really nicely blended vocal harmonies and super harp work from Mark Wenner. On Livin' the Blues, a traditional 12 bar with a casual lope to it, vocal harmonies are again a key part of the track. Wenner again lays down some nice harp riffs joined by Paul Bell on vocal and guitar, Johnny Castle on bass and vocal and Mark Stutso on drums and vocal. Title track 444 A.M. is a real rocker with flaming guitar riffs from Bell pulling out some really cool rockin solos. You're gone has a twist of country and a radio style arrangement. Honky Tonk Queen continues along with a country flavor and an even stronger radio presence. Got A Lot of Livin' has strong Rockabilly roots with cooking bass work by Castle and crisp riffs from Bell. Authentic roots style vocals punctuate the track. Crawfish has a swampy feel with a repetitive guitar chime and tom tom work. Wenner echo's the vocals nicely on harp. Price Of Love has a stomp to it with nice over driven slide work. The most straight forward blues rocker so far, gives Bell a lot of room to slide and Wenner plays back a nice compliment for each hot riff from Bell. High Snakes is possibly the coolest track on the release with a slow tex/mex rhythm and creative writing. Bell plays subtle but sensuous guitar riffs on this track and Wenner compliments him well. Very nice. Nothin' But The Blues gets into a solid blues groove. The lead vocals are really super on this track and Bell takes a really nice guitar ride on this track. Wenner also steps up with icing for a nice cake. No Secrets is a more prominent blues rocker with Stutso leading the way on drums. Bell cuts it loose again on slide and this track simmers on white hot sliding action. Wenner knows how to work the harp and does a really nice job on this track. On Morganfield's Louisiana Blues, the band is just a few steps from stripped down with fairly raw acoustic guitar and harp. Wrapping the release with Roadside Cross the band is joined by Akira Otsuka on mandolin. A quiet acoustic ballad this is a nice close to a nicely done release.
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
Showing posts with label 444. Show all posts
Showing posts with label 444. Show all posts
Monday, June 16, 2014
Monday, May 5, 2014
The Nighthawks Are Back with a New CD, "444," on a New Label, EllerSoul Records, Coming June 17
The Nighthawks
Are Back with a New CD, 444, on a New Label, EllerSoul Records, Coming
June 17
In their Fifth
Decade, America’s Seminal American Roots Music Band Remains Vibrant & a
Must-See Live Performance Group
WASHINGTON, DC – America’s favorite
roots music band, The Nighthawks, announce a June 17 release date for their
latest album, 444, on EllerSoul Records, their label debut.
Produced by the band and recorded at Montrose Studio in Richmond, Virginia,
444 is jam-packed with 13 tracks of blues, soul, rock ‘n’ roll and
roadhouse country music – all given the trademark Nighthawks combination of
talent, passion, energy and showmanship that has made the Blues Music Award
winners a truly one-of-a-kind live listening experience, conveniently packaged
on disc and ready to take home to enjoy.
Now in their fifth decade of recording and live performing,
the 21st century Nighthawks are a tight, cohesive unit – the kind
that comes only from years and miles. Guitarist Paul Bell and bassist Johnny
Castle have been in the band for more than a decade; drummer Mark Stutso, the
“new kid,” is starting his fifth year; and singer/harmonica player Mark Wenner
is counting 40-plus. The nightly consensus from fans is that this version of The
Nighthawks is the best ever. The concept that was mapped out in the liner notes
of their 1974 debut recording, Rock and Roll, has grown into a
powerful expression of the American musical tradition.
444 draws from the deep roots the band has
always mined: an organic mix of originals and classic cover tunes. Some are well
known, like Muddy Waters’ “Louisiana Blues,” and some more obscure, like the Du
Droppers’ “Walk That Walk.” But they all blend to make a rich American stew.
“Honky Tonk Queen,” a Wenner original that sounds as if it could have come from
an old Rolling Stones’ session outtake; “No Secrets,” (another Wenner song) and
“Price of Love” (written by The Everly Brothers) are previously recorded
Nighthawks songs presented here with new depth and breadth. “The King” is
well-represented on the new disc, as well. Two early Elvis Presley movie numbers
-- “Got a Lot of Livin’” the final song in his 1957 film, Lovin’ You
(which Elvis sings out in the audience that includes his mother Gladys)
and “Crawfish,” which opens his 1958 movie, King Creole -- date
from the magic period in the 1950s when Mark Wenner was most under the spell of
the radical new star.
Johnny Castle contributes three originals to
444, including the hard-charging “444 A.M.” that gives the new CD
its title. “High Snakes,” a swampy, haunting cry of lost love, was written and
recorded by Johnny and his former DC-cohort, guitarist Bill Kirchen. Johnny’s
lovely “Roadside Cross,” is unusual for The Nighthawks and gives the otherwise
rockin' CD a gentle and beautiful finish. It also features the only guest
appearance on the album, the delicate mandolin part by Akira Otsuka, a pal of
Johnny’s from his bluegrass days.
Mark Stutso borrowed a bluegrass original from his
brother-in-law and turned it into a Texas funk groove in “You're Gone.” For
“Nothin' but the Blues,” he drew on his friendship with Grammy-winner Gary
Nicholson. The band had learned “Livin' the Blues” backing up on a tour with
Tracy Nelson, who co-wrote it with Gary. Mark Wenner takes the lead vocal on the
“Hawks version, with just one little word change.
As always, the essential flavors and textures of this rich American stew come from the electric and acoustic guitar work of the incomparable Paul Bell, who continues to thrive in his role as lead guitarist, forever expanding his horizons on the instrument with the best of tone and taste.
As always, the essential flavors and textures of this rich American stew come from the electric and acoustic guitar work of the incomparable Paul Bell, who continues to thrive in his role as lead guitarist, forever expanding his horizons on the instrument with the best of tone and taste.
Almost every Nighthawks recording has featured at least one
Muddy Waters tune, and 444 is no exception. This time the band
showcases its acoustic version of Muddy's “Louisiana Blues” (staying close to
the country blues tone of Muddy’s original version), recalling their Blues Music
Award-winning acoustic release, Last Train to Bluesville, and
Muddy's live introduction on the band’s Open All Night album. As
the legend said that night way back when, “They have a beautiful name. They are
THE NIGHTHAWKS.”
The Nighthawks are booked by Blue Mountain artists (www.bmatours.com). To watch the trailer for
their upcoming 2015 documentary film, “The Nighthawks: That Band on the Blue
Highway,” directed by Michael Streissguth, click on this link: https://vimeo.com/88276223
For more information on the band, visit www.thenighthawks.com.
THE NIGHTHAWKS TOUR
ITINERARY
5/7 The Zoo
Bar
Lincoln, NE
5/8 21st
Saloon
Omaha, NE
5/9 Uncle Bo’s T-Town Bar – Ramada
Inn Downtown Topeka, KS
5/16 Bright Box
Theatre
Winchester, VA
5/7 Poolesville
Springfest
Poolesville, MD
5/29 34th Annual Herndon
Festival Herndon,
VA
5/30 Ramshead
Tavern
Annapolis, MD
6/7 National Whitewater
Center Charlotte,
NC
6/20 The
Birchmere
Alexandria, VA
6/22 Capital Ale House Music Hall (CD
Release – 6pm) Richmond, VA .
6/26 Thunder in the
Valley
Johnstown, PA
6/27 Blues, Brews & BBQ
Festival Charleston,
WV
6/28 The State
Theatre
Culpepper, VA
7/4 Evenings on
Main
Luray, VA
7/5 High Tides on
Potomac
Colonial Beach, VA
7/6 A Blues Night Out – Bethesda
Blues & Jazz Bethesda, MD
7/20 Gilligan’s
Pier
Newberg, MD
7/26 Peekskill Rock & Blues
Festival Peekskill,
NY
Labels:
444,
Eller Soul Records,
Nighthawks
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