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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
Sunday, March 10, 2013
Ella Hums The Blues - Don Abney And His Quartet
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Thursday, February 7, 2013
Shifty Blues - Eubie Blake
Friday, December 21, 2012
Washboard Serenaders / Jerome Darr
Sunday, July 22, 2012
Saint Louis Blues - Joe "Stride" Turner
Joe Turner (November 3, 1907 – July 21, 1990) was an American jazz pianist.
Joseph H. Turner was born in Baltimore, Maryland, United States. One of the masters of the stride piano style associated with Harlem, New York City, Turner got his first big musical break in 1928 with his hiring by the Benny Carter Orchestra. He also played with Louis Armstrong. After World War II, he settled in Europe, living in Paris from 1962. He played at La Calavados, a nightclub situated on the Champs Elysees until his death from a heart attack in 1990, at the age of 82
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Saturday, July 21, 2012
Live at the Temecula Theater DVD - Dennis Jones Band - New Recording Review
I just received Live at the Temecula Theater featuring the Dennis Jones Band. Dennis is a young axe slinger with a tight backing made up of Michael Turner on Drums and Sam Correa on Bass (both on vocals). The band opens with Kill The Pain, a blues rock track with the underlying rhythm of a Jeff Beck like track (solid) and featuring Jones out front with his honey burst Les Paul. Jones has a very versatile voice and has mastered the guitar quite well. His vocal styling is definitely influenced by Jimi and certainly not a bad choice. His riffs, played in a modern style have their roots in the delta. Next up is Him Or Me, which actually has the construction of a Hendrix track but of course is totally original. Jones seems to prefer Bogner amplification for his dirty sound and Fender Blonde Vibrolux Custom for his clean channel. This is a cool song with again a blues rock feel there are definitely some Jimi influenced riffs on this track. Jones, now on a sunburst Stratocaster with a rosewood board, plays I'm Good, built around Hookers One Bourbon concept, takes on a new life and sounds very fresh. Brand New Day, a fast boogie track finds the band driving quite hard. This is a pretty cool track with limited guitar work but really solid. Passion For Blues, title track of Jones' second release, is laid over a solid bass/drum riff and gives Jones the opportunity to play some more fingered chord style rhythm and hold the volume back for the clean solos which follow. A Strat and a Vibrolux belong together. The Best That I Can brings the tempo up a little and exhibits a more modern approach to the blues with rock riffs. Jones demonstrates once again his clean mastery of the fretboard and I'm watching. Big Black Cat has a great classic driving bass line and Jones fires up the fretboard like he's from Texas. Riffs are red hot and driving but with a little jazz in the mix. Very cool track! The second set starts off with Don't Worry About Me, a strong blues infused rocker. When I Die again demonstrates how important a bottom end is to a trio with the drums and bass setting the table for Jones to lay out his pallet if musical colors. Home Tonight has a modern R&B style feel but doesn't inhibit Jones from demonstrating a short burst of pyrotechnics. Back on Les Paul, Jones plays Try Not To Lie, a straight up boogie giving the band a chance to break loose and even finds Jones with a Chuck Berry riff in there. Back on his Strat, Jones leads the way with some beautiful clean guitar riffs on Fresh Out Of Love. Although this concert is filled with terrific guitar playing, this particular track really shows Jones mastery of sensitivity and articulation on his axe. Super Deluxe is back on the boogie train with the walking bass line and Jones raking the chords in rhythm. Hot Sauce see's Jones stripped down to a "wife beater" and cowboy hat and playing a butterscotch black guard Tele demonstrating that he can cross the lines and play a hot country based blues rocker to finish up the set.
There are 4 Bonus Tracks included on this DVD, Something Good, a slow blues track which may be one of the best tracks on the recording; Falling Up, a more airplay oriented track; the hard driving You're Wrong based on Jimmy Reed riff and pushed into a modern rocker and Stray Bullet, a soul style ballad with strong guitar work.
The people who attended this show got their money's worth and when you check this DVD out, you will too!!
If you like what I’m doing, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
Monday, March 26, 2012
SEVERN RECORDS SIGNS BLUES GUITARIST BRYAN LEE AND SOUL/BLUES SINGER URSULA RICKS
NEW CDS ON BOTH IN PRODUCTION AT SEVERN STUDIOS FOR RELEASE LATER THIS YEAR
ANNAPOLIS, MD – David Earl, president of Severn Records, has announced the signing of New Orleans-based blues guitarist/singer Bryan Lee and Baltimore-based soul and blues singer Ursula Ricks to the label. Both artists are recording albums at Severn’s new state-of-the-art studios in Annapolis for release later this year. Severn Records is distributed in the U.S. by City Hall Records.
Although raised in a small Wisconsin town near the shores of Lake Michigan, Bryan Lee has been a New Orleans resident since 1982, so much so that he’s been called a “New Orleans Blues Institution;” and is also known as the “Braille Blues Daddy,” dubbed so because he’s been blind since the age of eight. Eric Clapton called Bryan Lee “one of the best bluesmen I have ever heard.” He's played the prestigious New Orleans Jazz and Heritage Festival over 25 years and his new Severn CD will be his debut for an American label, with previous albums appearing on the Canadian imprint, Justin Time.
Bryan Lee’s new album was produced by Kevin Anker, David Earl and Steve Gomes, with Lee backed by the illustrious Severn House Band of Kevin Anker (keyboards), Steve Gomes (bass), Johnny Moeller (guitar) and Robb Stupka (drums). The new disc is a mix of originals and covers of Bobby Womack’s “When Love Begins Friendship Ends,” Howlin Wolf’s “Evil” (with a guest harmonica performance by Kim Wilson) and a beautiful rendition of the George Jackson classic, “Aretha Play One for Me.”
“We are thrilled to have Bryan Lee as part of the Severn family of artists,” said David Earl. “He is a consummate professional and has had a long recording career. The process of recording this album has opened new musical doors for Bryan and Severn. We look forward to working with him for a long time.”
Growing up, Lee listened to clear channel station WLAC in Nashville and became enamored with the sound of the blues he heard on the radio. By the time he was 15, Lee was playing guitar in a variety of rock and blues-rock bands, and in his late teens he befriended legendary guitar slinger Luther Allison. In 1981, Lee and his band opened for Muddy Waters at Summerfest in Milwaukee, and he got a chance to talk with his hero backstage. After Lee told Muddy how honored he was to be opening for such a legend, Waters told the youngster, “Bryan, stay with this. One day you’re going to be a living legend.” Those words of encouragement have become an inspiration to Bryan Lee throughout his career.
Bryan Lee’s recognition in the Crescent City began in 1982 with a long residency at the Old Absinthe House in the French Quarter. One of the formative blues guitarists who caught his act was a young Kenny Wayne Shepherd, whose time sitting in with Lee’s band proved to be a revelatory experience for him. Many years later, Shepherd would return the favor by including Lee in his documentary, 10 Days Out: Blues from the Backroads.
Lee, whose New Orleans studio became a victim of Hurricane Katrina’s wrath, was later nominated for a Blues Music Award for his Katrina Was Her Name CD. For more on Bryan, visit http://www.braillebluesdaddy.com/.
For Baltimore’s own Ursula Ricks, this Severn Records release will be her debut album. Ursula’s new CD was also produced by the Severn team of Kevin Anker, David Earl and Steve Gomes and features her bluesy, soulful vocals backed by Kevin Anker (keyboards), Steve Gomes (bass), Johnny Moeller (guitar) and Robb Stupka (drums). Kim Wilson is a special guest, adding his harmonica talents on the original track, “Tobacco Road.”
Ursula Ricks’ new album includes eight original songs, as well as her unique interpretations of songs by Bobby Rush (”Mary Jane” - a very funky/soul version) and Curtis Mayfield’s “Just a Little Bit of Love.”
“Ursula's unique vision and vocal ability made recording her debut album a real pleasure,” said David Earl. “Like any seasoned pro, she knows what she wants to hear.
Ursula has flown under the radar for so long. We are excited that the world will finally get an opportunity to experience her incredible music.”
Ursula Ricks fell in love with the blues listening to her mom sing in the living room, and she wrote her first song at the age of 16. In her early twenties, she formed an all-female band, began writing original music and playing in local clubs. She was later introduced to and educated further in the art of blues music by the players who came into perform at a local club called the Full Moon Saloon. She called her band “Ursula Ricks Project,” for all the players she has been fortunate to share the stage with. Ursula has opened for Johnny Lang in Baltimore and even played the very first annual Baltimore Blues Festival.
She has been playing along the East Coast from New York to Florida for over 20 years and has played with some of the best artists alive.
Monday, May 2, 2011
Black Napkins - Frank Zappa
Is this Blues?
Frank Vincent Zappa (play /ˈzæpə/; December 21, 1940 – December 4, 1993) was an American composer, singer-songwriter, electric guitarist, record producer, and film director. In a career spanning more than 30 years, Zappa wrote rock, jazz, electronic, orchestral, and musique concrète works. He also directed feature-length films and music videos, and designed album covers. Zappa produced almost all of the more than 60 albums he released with the band The Mothers of Invention and as a solo artist.
While in his teens, he acquired a taste for percussion-based avant-garde composers such as Edgard Varèse and 1950s rhythm and blues music. He began writing classical music in high school, while at the same time playing drums in rhythm and blues bands—he later switched to electric guitar. He was a self-taught composer and performer, and his diverse musical influences led him to create music that was often impossible to categorize. His 1966 debut album with the Mothers of Invention, Freak Out!, combined songs in conventional rock and roll format with collective improvisations and studio-generated sound collages. His later albums shared this eclectic and experimental approach, irrespective of whether the fundamental format was one of rock, jazz or classical. He wrote the lyrics to all his songs, which—often humorously—reflected his iconoclastic view of established social and political processes, structures and movements. He was a strident critic of mainstream education and organized religion, and a forthright and passionate advocate for freedom of speech, self-education, political participation and the abolition of censorship.
Zappa was a highly productive and prolific artist and gained widespread critical acclaim. Many of his albums are considered essential in rock and jazz history. He is regarded as one of the most original guitarists and composers of his time. He also remains a major influence on musicians and composers. He had some commercial success, particularly in Europe, and for most of his career was able to work as an independent artist. Zappa was posthumously inducted into the Rock and Roll Hall of Fame in 1995 and received the Grammy Lifetime Achievement Award in 1997.
Zappa was married to Kathryn J. "Kay" Sherman from 1960 to 1964. In 1967, he married Adelaide Gail Sloatman, with whom he remained until his death from prostate cancer in 1993. They had four children: Moon Unit, Dweezil, Ahmet Emuukha Rodan and Diva Thin Muffin Pigeen. Gail Zappa manages the businesses of her late husband under the name the Zappa Family Trust.
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