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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
Showing posts with label Belle Of The Blues. Show all posts
Showing posts with label Belle Of The Blues. Show all posts
Tuesday, April 22, 2014
Healing & Music
Labels:
Belle Of The Blues,
Doug Hamilton,
Lisa Biales
Friday, February 14, 2014
Big Song Music artist: Lisa Biales - Belle of the Blues - New Release review
Opening with and easy going blues number, title track Belle of the Blues, Lisa Biales shows why she is know for her clear voice, well complimented by Pat Bergeson on harp and Paul Hornsby on piano. Tommy Talton plays nice acoustic guitar riffs as a compliment but this song is really ready for airplay. Sad Sad Sunday is a slow blues ballad featuring Biales at her best on lead vocals and Tommy Talton on dobro. Bad Things has a "Summertime" feel with a light acoustic guitar backing. Adding instrumentation as it builds, Randall Bramblett adds organ, Ken Wynn guitar, Bill Stewart drums, Tommy Vickery bass and EG Kight backing vocals. Very nice. Mask, a primary 40's style blues ballad shows Biales in the heart of her style. Hornsby plays a "key" role in the backing on this track and Biales leads with very solid vocals. Graveyard Dead Blues has a cool dobro lead by Talton and EG Kight backs him nicely on acoustic. Biales is consistent with her vocals, strong and clear, and establishing a firm spot for herself in the void created by some of those who came before her. Baby Won't You Please Come Home has a really soft feel with early century authenticity. Paul Hornsby plays with certainty and feel. In My Girlish Days is a duet with EG Kight and features a tasty acoustic guitar solo from Talton. Peach Pickin' Mama, another track featuring Kight on vocals and Bergeson on harp features some of the coolest picking by Talton on the release. Black and White Blues has a moderate pace and a Bessie Smith style. Nice musical balance and clear vocals are the ticket. Trouble With A Capital "T" is a easy rocker with the largest group of players including Talton and Biales on acoustic guitar, Johnny Fountain on bass, Bill Stewart on drums, Ken Wynn on slide, Hornsby on piano, Gary Porter on tambourine and Kight on backing vocals. Wrapping the track is Bad Girl, the rockinest track on the release. Bramblett takes a nice B3 solo on the track and Wynn adds a stinging electric guitar solo as well. Duet vocals on this track are nicely complimented making this a nice closer for the release.
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Tuesday, January 7, 2014
Singer Lisa Biales Is the "Belle of the Blues" on New CD from Big Song Music Due March 4
Singer Lisa
Biales Is the Belle of the Blues on New CD from Big Song Music Due March
4
Latest Album
Produced by EG Kight and Paul Hornsby Features Tommy Talton, Randall Bramblett
and Bill Stewart with a Special Duet from Lisa and EG
OXFORD, OH – Singer Lisa Biales (pronounced “Bee-Alice”)
announces a March 4 release date for her latest album, Belle of the
Blues, on the Big Song Music label, with production by multi-Blues Music
Award nominee EG Kight and legendary Southern Rock producer Paul Hornsby. The CD
was recorded at Hornsby’s Muscadine Studio in Macon, Georgia, and features
special guests Tommy Talton on guitar (Cowboy, Gregg Allman, Dickey Betts)
Randall Bramblett on Hammond B3 organ (Sea Level, Steve Winwood, Widespread
Panic) and Bill Stewart on drums (Cowboy, Gregg Allman, Bonnie Bramlett).
Talton’s contributions on the new album especially stand out, with his work on
acoustic/electric guitar, electric/acoustic slide guitar and
dobro.
EG Kight also produced Lisa’s acclaimed Just Like Honey
album in 2012 and duets with Biales on one of the many musical
highlights of the new disc, a cookin’ take on Memphis Minnie’s “In My Girlish
Days.” EG also adds acoustic guitar and harmony vocals on a few other tracks and
co-wrote several songs on Belle of the Blues. Co-producer Paul
Hornsby provides his signature piano work throughout the new album.
“Recording with EG Kight and Paul
Hornsby was more enjoyable the second time around,” recalls Biales about the
sessions. “We’d been through the arduous task once before and became friends.
However, recording is not all gravy. I got anxious about one song and
struggled with it for a while in the studio. Paul and EG suggested a break. When
I returned, the lights were turned down, a single candle was lit, and a glass of
wine was filled. No longer feeling apprehensive, I sang ‘. . . and I wonder
if I’m under some spell that you bring, when you make me, when you make me do .
. . . ‘Bad Things.’”
Biales, who
is known for her clear-as-a-bell singing voice, has been dubbed, fittingly,
“Belle of the Blues.” The 11 songs on Belle of the Blues showcase
a diverse set of material that feels right at home with Lisa’s passionate
in-the-pocket vocals, which have a slant of southern sass to
them.
“I have a secret wish to be the
most desired back-up singer on the planet,” Biales admits. “Even though I know
there are a few who already hold that title: Darlene Love, Merry Clayton, Judith
Hill and Lisa Fisher to name a few. I loved singing back-up with EG on her
songs, ‘Bad Girl,’ ‘Trouble with a Capital T’ and ‘Belle of the Blues.’ Working
out the parts and hearing our voices resonate together was thrilling. So, it was
an extra treat to have EG Kight join me on the Memphis Minnie duet, ‘In My
Girlish Days’ where we trade verses and sing in harmony.”
Lisa has a special recollection
about the recording of “Peach Pickin’ Mama,” too. “EG wanted me to play it for
the band so they could get a feeling for the song,” she remembers. “We all sat
around with guitars, and the jam that happened in the office with Tommy Talton,
EG Kight, Tommy Vickery (bass), and Paul Hornsby playing his childhood guitar
was priceless and is forever engrained in my memory as a precious moment in
time.”
While Belle of the Blues
has many kickin’, up-tempo songs, it has its share of ballads, as well.
“I love singing sad songs,” Biales confesses. “The strong array of emotions that
bubble up, and the connections I feel to people while singing them makes me
realize my worth. I looked into the EG Kight songbook and found two songs that
wrap around my soul like a big warm blanket, ‘Mask’ and ‘Sad Sad
Sunday.’”
Another influence on Lisa Biales
is Bessie Smith, who she calls “one of the greatest classic blues singers of the
1920s and someone I have grown to admire. It’s only fitting to have her presence
on this recording with two songs: ‘Black and
White Blues’ (a song written by blues historian Dalton Roberts as a tribute to
Smith) and ‘Baby Won’t You Please Come Home." ‘The Empress of the Blues’
meets ‘The Belle of the Blues.’’’
Over the past
several years, Lisa Biales has been busy recording and singing the blues. Iconic
movie director Francis Ford Coppola enjoyed one of her performances so much that
he cast her in his film, “Twixt,” where Biales portrays a waitress named Ruth
(and as a bonus, picks up a guitar and sings, too).
In 2013,
Biales backed by Ricky Nye and The Paris Blues Band recorded Singing in My
Soul, an up-beat early jazz and blues album. Radio and critics loved
Lisa’s music and the album won the Cincinnati Blues Society’s Best Self-Produced
CD, also garnering her a spot at the upcoming August 2014 Cincinnati Blues Fest.
To
see photos and hear Lisa’s music and learn more visit www.LisaBiales.com.
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