VizzTone artist: Bob Corritore & Friends - High Rise Blues - New Release Review

 I just had the opportunity to review the most recent release, High Rise Blues from Bob Corritore & Friends and I really like it. Opening with Last Time featuring Jimmy Rogers on vocal and guitar, this band is in the groove. With Chico Chism on drums, SE Willis on piano, Johnny Rapp on guitar, Bruce Lopez on bass and Bob Corritore on harmonica, this is a solid opener. Title track, High Rise Blues, features Chism on vocal and he does a great job.  Rapp is joined by Luther Tucker who rips some great guitar riffs backed by Gordo Moraga on bass and Chism on drums. Chicago blues, Honey Where You Going has a great feel with Corritore upfront on harmonica joined by Sam Lay on vocal and drums. Rapp and Chris James on guitar Patrick Rynn on bass round on this great track. Pinetop Perkins is featured on vocal and piano leading Grinder Man. His quiet yet firm vocal style provides great balance for his deliberate piano style and Corritore gets the harmonica humming on this one. With Brian Fahey on drums, Rynn on drums and James on guitar, it's a solid Pinetop track. Willie Big Eyes Smith  leads off on She's Alright, a Morganfield classic with Corritore punctuating the lead. Joined by Rapp on guitar, and Fuzz Jones on bass, classic Chicago. Shuffle, Sail A Ship features Eddie Clearwater on vocal and guitar with Chris James on guitar, Rynn on bass and Hiller on drums. Closing the set is Caught In The Act, with Lil Ed on guitar and lead vocal. Ed lays out some really nice guitar soloing, trading with Rapp, Corritore adds harmonica, all backed by Paul Thomas on bass, and Chism on drums. Strong closer.

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Delta Groove Music artist: The Henry Gray / Bob Corritore Sessions - Blues Won't Let MeTake My Rest - New Release review

I just received the newest release, Blues Won't Let Me take My Rest from Henry Gray and Bob Corritore. Featuring 10 previously unreleased out of 14 included tracks, this release features not only Gray and Corritore, but many other of the greats in recent blues history. Opening with Let's Get High, a great piano shuffle with Gray on lead vocal backed by Willie "Big Eyes" Smith on backing vocal and drums and Corritore on harp, this is a great opener. Gray's vocals on Blues Won't Let Me Take My Rest are a stark contrast to Clapton but this is real and Gray's piano with Corritore on shielded harp, Bob Margolin and Johnny Rapp on guitar and Chico Chism on drums, this sounds a lot like Muddy's band. New Orleans flavored boogie, I'm In Love Again features a cool harp riff by Corritore and hot guitar riffs by Rapp. Robert Jr Lockwood is featured on vocal and guitar on Robert Johnson's Ramblin' On My Mind, one of my favorite tracks on the release. Big Maceo's Worried Life Blues, feature Nappy Brown on lead vocal but Gray's piano work is solid and unmistakable. Gray is in top form on vocal on They Raided The Joint, joined by Kid Ramos on guitar, Corritore on harp, Paul Thomas on bass and Chism on drums. Very cool! Dave Riley takes the lead vocal spot on Ride With Your Daddy Tonight joined by Chris James on guitar, Yahni Yiley on bass and Eddie Kobek on drums. Corritore and Gray both do really nice jobs on this track making it one of the strongest instrumental tracks on the release. Lowell Fulsom's Trouble Blues, has a great feel with Rapp laying down some real nice slide over Gray's killer piano and vocal work. Excellent! Shuffle track, I'm Gonna Miss You, keeps Gray up front on piano and vocal. With extended harp work from Corritore, Steve Cushing on drum and, Paul Thomas on bass this track, Rapp steps up again with some pretty cool riffs on guitar. John Brim's That Ain't Right features Brim himself on the mic backed by Troy Sandow on bass and Big John Atkinson on drums. Corritore keeps up the heat but this track really shows how nicely Gray can hit the groove on piano. Ernest Lawler's Can't Afford To Do It has Gray back on lead vocal backed by Little Frank, Danny Michael and Big John on guitar, Sandow on bass and Brian Fahey on drums. One of the hottest tracks on the release is Boogie Woogie Ball, really giving Gray the open door to rock it and he really does. Corritore has strong continuity on harp throughout the track, Kirk Fletcher it tight on the beat with hot riffs backed by Patrick Rynn on bass and Brian Fahey on drums. Very cool! On laid back Honey Don't Let Me Go, Gray has the full focus with lead vocal and piano. Backed by Rapp on guitar, Thomas on bass and Cushing on drums, Corritore steps in for a nice harp solo balancing out the track nicely. Wrapping the release is BB King's She Don't Move Me No More featuring Gray on beautiful piano and lead vocal. I especially like Corritore's riffs on this track as well as Rapps tight guitar solos. Paul Thomas on bass and Chico Chism on drums round out the line up.

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 

05/17/2013 Rhythm Room: Nick Moss Band with Bob Corritore, Lou Ann Barton and Jimmie Vaughan - Ellis James, guest contributer

An extra full house was the scene recently at the Rhythm Room, Phoenix, AZ USA when blues legends and veteran road pros Nick Moss and Jimmie Vaughan delivered killer sets of tasty Blues. Chicago based Nick Moss and Michael Ledbetter (guitar and vocals), were joined by Bob Corritore (harmonica and vocals) and drummer Patrick Seals for a full hour of house rocking ‘Chicago style’ tunes. Just two weeks into a seven week Western USA tour this group was jumping. According to road tour manager, Javik Smith (son of Willie “Big-Eyes” Smith) the core band will work the West for five additional weeks, take a short rest and then head out to the Eastern leg of the USA as the summer progresses. Moss showed his decades of experience through the fret board runs, fills, comps and seamless blending with guest harmonica player Bob Corritore and members of his regular band. Great support came from Michael Ledbetter on rhythm guitar and vocals who has been with Moss for the past two years. Classically trained in Opera, Ledbetter calls Elgin, Illinois home. Once again, opportunity comes to those who prepare themselves. Sounding like a page out of Mike Bloomfield’s biography, Nick Moss initially discovered Ledbetter through a recommendation from one of his friends. Gradual collaboration between the men evolved over time. A one-off gig turned into occasional fill-ins which in turn eventually lead to a regular spot on the Moss stage. Kudos to Illinois resident and experienced pro drummer Patrick Seals who set the beats and drove the tempo. Seals’ background includes Jazz Studies and Instrumental Performance at Columbia College, Chicago.

This year, Nick Moss received his 16^th nomination from the Blues Music Association for "Best Blues Rock Album" for Here I Am, which debuted at number 2 on the Relix/Jambands Radio Chart, and at number 6 on the Living Blues Radio Chart! This latest CD is Nick’s ninth release on his own Blue Bella Records label.

The place was primed and pumping by the time that Jimmie Vaughn and his Tilt-a-Whirl band took the stage. Scorching through a 21 song set, of songs mostly from his 2010 release, Plays, Blues, Ballads and Favorites, Vaughan and his band barely stopped to take a breath. The crowd began with respectful reserve leaving breathing room on the dance floor and was on their feet and shoulder to shoulder by the end of the last song. Everyone knows about Vaughan but we should be reminded of what a great group of players make up the Tilt-A-Whirl team. Horn section really stood out as a huge asset. Professional to a tee was the drummer, bassist and rhythm guitarists who performed flawlessly and barely took a bow for their efforts. Good music, like photography, looks easy and natural when done well. These folks blended like prize-winning Barbeque. Founding member of Double Trouble, Lou Ann Barton joined the group for a flurry of songs including Shake A Hand, Scratch, signature duet Wheel of Fortune and Middle of the Night. Jimmie stayed on stage for 6 String Down while the band took a quick break. Motorhead Baby, Middle of the Night (with Barton), White Boots and D/FW closed out the performance. It was striking at how nice, personable and frankly politely approachable Vaughan was as he took time to patiently sign autographs and meet/greet following the 180 minute performance. Strong encouragement to watch for and attend performances by both Moss and/or Vaughan. I for one got more than my dollars’ worth at this show. Thanks again to Bob Corritore, Phoenix Blues Society and the Rhythm Room for an excellent time.

If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, -  ”LIKE” ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorite band!