VizzTone Label Group artist: Bob Corritore & Friends - Somebody Put Bad Luck On Me - New Release Review

 I just had the opportunity to review the most recent release, Somebody Put Bad Luck On Me, from Bob Corritore & Friends and it's another super release from Corritore. Opening with This Little Voice, Corritore, conjures so great harp tone on the intro with Jimi Primetime Smith on guitar and John Primer on vocal and guitar, backed by Bob Stroger on bass and Wes Starr on drums. Solid opener. Bobby Rush has the mic on I'm Good As Gone, a slinky R&B style blues with Smith and Dexter Allen on guitar, Chester Thompson on organ, and Steve Ferrone on drums. Very nice. Thornetta Davis is in charge on Remember Me and I gotta say, she's exceptional. I caught Davis when I went to see guitar master, Johnny Burgin and she really did a great job. Davis is joined here by Smith, Burgin, Keyes, Corritore, Stroger and Wes Starr. Very nice. Lurrie Bell leads off, Act Like You Love Me on vocal and guitar. A slow Chicago style blues with solid harp work by Corritore, is joined by Brian Fahey on drums, Troy Sandow on bass, and Bob Margolin on slide. Very nice. Francine Reed's unmistakable voice leads Draw Me Closer with it's gospel like feel. Her influence is strong, backed by Smith and Kid Ramos on guitar, Shea Marshall on organ, Bill Stuve on on bass, and Stephen Hodges on drums. Wrapping the release is slow blues, Let Me Find Out Your Name with Willie Buck on lead vocal, Billy Flynn on guitar, and some deep harmonica tones by Corritore, joined by Starr on drums, Stroger on bass, and Ben Levin on piano. This is a strong release chocked full of talent and soulful blues. 

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Delmark Records artist: Mud Morganfield - Portrait - New Release Review

 I just had the opportunity to review the most recent release, Portrait, by Mud Morganfield and it's a super mix of blues, soul and R&B. Opening with Praise Him, Morganfield on bass and vocal leads the way with really rich vocals, backed by  Felicia Collins, Shantina Lowe and Demetrius Hall on backing vocals, Rick Kreher on guitar, Mike Wheeler on guitar,  Cameron Lewis on drums, Luca Chiellini on keys, and Bob Corritore on harmonica. Solid opener. Upbeat Chicago blues cruiser, Short Dressed Woman, really sounds like his pap with Corritore on excellent harmonica, Kreher on guitar, E.G. McDaniel on bass, Billy Flynn on guitar, Barrelhouse Chuck really hammering the piano, And Beedy Eyes Smith setting an excellent beat on drums. Terrific loping Chicago blues, Love To Flirt is an excellent track with Muddy Like vocals and strong harmonica by Harmonica Hinds. Chuck again on piano and organ, McDaniel on bass, Flynn on guitar, and Smith on drums. Chuck leads off Loco Motor with a great piano boogie rhythm with McDaniel pushing on bass and a real nice stretch by Corritore and solos by Flynn and Chuck. Excellent! Slow blues, Midnight Lover has terrific presence really showcasing Morganfield's vocals with excellent solos by Chuck, Flynn and Corritore. Possibly my favorite track on the release.  Wrapping the release is Sonny Boy Williamson's classic, Good Morning Little School Girl featuring solid vocals by Morganfield, Corritore on harmonica, Chuck on piano, Smith on drums, McDaniels on bass, and Flynn and Kreher on guitars. A track often played by his dad, this is a solid closer for one of Mud's best releases to date.

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Delmark Records artist: Jose Ramirez - Major League Blues - New Release Review

 I just had the opportunity to review the most recent release, Major League Blues, from Jose Ramirez, and it's solid contemporary blues. Opening with title track, Major League Blues is a cool shuffle featuring Jose Ramirez on lead vocal and guitar and with Jimmy Johnson sitting in on guitar as well. Bob Stroger on bass, Willie Hayes on drums, Roosevelt Purifoy on B3 and Billy Flynn round out the band for this solid opener. On soulful ballad, I Saw It Coming , Ramirez is really out front on vocal with Purifoy creating a warm B3 envelope for his vocals. Flynn and Ramirez really do a nice job on lead guitar with solid melodic lead soloing. Here In The Delta is a cool contemporary blend between Hill Country flavored music and solid BB King styling. I really like the heavy tom tom work by Antonio Reyes, working nicely with Purifoy on B3 and the nice guitar work by Flynn and Ramirez, his own solid vocals and cool backing vocals. Kenny Watson Jr on bass adds to the heavy bottom making this one of my favorite tracks on the release. Latin fused, Are We Really Different, has really nice percussion work by Evan Hoffman and Reyes who also plays a bit of tasty bass. Ramirez's vocals and fiery guitar work really make this track sail. Wrapping the release is quiet ballad, After All This Time, with lush guitar chords and B3 carrying Ramirez's vocals. Shelly Bonet lays in some really nice contrasting vocals, followed buy some really nice blues guitar riffs, closing the set. 

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Random Chance Records artist: Martin Lang - Bad Man - New Release Review

 I just had the opportunity to review the most recent release, Bad Man, from Martin Lang and it's pure blues. Opening with Reefer Head Man, a real nice Chicago blues, featuring Martin Lang on lead vocal and harp, Little frank on guitar, Illinois Slim on bass and  Dean Haas on drums. Lang's phrasing and sense of feel is really classic sounding like original Chicago blues rather than a current day take. Very nice. He Don't Love You is a great track with some of Lang's best vocals on the release. His harp tone is warm and round and David Waldman on piano adds classic blues piano. Harp boogie, High as a Georgia Pine is a top notch track with Lang riding high on harp over a solid bass line by Illinois Slim. The Mix Up is another harmonica instrumental with a Latin flavor. Lang has a great feel for just how much harp to add with a great balance of guitar by Little Frank. Mood Indica is a cool, slow blues instrumental with really nice exchanges between Frank and Lang. Very nice. All Gone Now is a really cool strut with Lang on harmonica melody. Very nice. Wrapping the release is Stacys On My Feet, a slow blues with Lang on lead vocal and David Waldman on piano. This is a strong closer for a really nice release. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

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Delmark Records artist: Johnny Iquana's : Chicago Spectacular! - New Release Review

 I just had the opportunity to review the newest release from Johnny Iguana, Chicago Spectacular! and it's a cool mix of styles and packed with blues notables. Opening with Roosevelt Sykes' 44 Blues, featuring John Primer, Bob Margolin and Michael Caskey, Iguana does a great job on keys and Primer's lead vocals are super. On Willie Dixon's Down In The Bottom ,Primer has the mic again and with cool guitar lead and with Michael Caskey on drums another cool entry. Gil Scott- Heron's Lady Day and John Coltrane has a cool, laid back jazzy feel and features Phillip-Michael Scales on lead vocal and guitar. Iguana really rocks the piano on this one with simple rhythms by Caskey. Lil' Ed guests on Burning Fire with flaming lead guitar and vocal. Rolling piano work by Iguana and solid drum work by Kenny Smith makes this one of my favorite tracks on the release. Lil' Ed is back on Elmore James' Shake Your Moneymaker and Ed knows how to make that slide talk. Very cool. Sonny Boy Williamson's Stop Breakin' Down slides in nicely with Matthew Skoller on harmonica and lead vocal and Billy Flynn on lead guitar. Closing the release is Big Bill Broonzy's Hot Dog Mama with lead vocals by Billy Boy Arnold and lead guitar by Billy Flynn. Iguana did a really nice job putting htis set together and his piano work throughout is strong. 

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VizzTone Label Group artists: John Primer & Bob Corritore - The Gypsy Woman Told Me - New Release Review

I just had the opportunity to review the latest release, The Gypsy Woman Told Me, by John Primer & Bob Corritore and it's a great dose of contemporary Chicago style blues. Opening with Keep A-Driving, Primer on vocal and guitar really does a nice job of setting the stage with Corritore supporting nicely and with solid piano work by Bob Welch, Kedar Roy on bass and June Core on drums. With a bit of boogie built in, Knockin' On Your Door, with Primer again leading on vocal gives Corritore a nice chance to spread a bit with great harp tones and Primer's guitar work is tight and well phrased. Lil Son Jackson's Gambling Blues is one of my favorite tracks on the release with quick paced acoustic guitar and fleet fingered lead by Primer and a fatter harp part by Corritore. Primer's own, Little Bitty Woman falls right from the Muddy Waters tree with a bouncy, Chicago blues pace, riding harp and Waters like slide work by Primer. Very cool. Slow blues, Walking The back Street Crying is one Primer and Corritore can both sink their teeth into with super vocal and instrumentals throughout. Sonny Boy's My Imagination gives Corritore a nice time in the spotlight and his harp is A1. Primer's vocals are of course spot on but this track is here for Bob to shine and he really does a nice job. Another favorite is Left Me With A Broken Heart featuring Billy Flynn on guitar, Ben Levin on piano, Mike Hightower on bass and Brian Fahey on drums. Corritore's harp work is particularly expressive and I always like Flynn's guitar styling. Very nice. Wrapping the release is Ain't Gonna Be No Cuttin' Loose with a driving shuffle pace and featuring a real nice solo by Corritore. Flynn again works the guitar nicely working with Corritore to a powerful ending. Solid release. 

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Electro-Fi Records artist: Mark Hummel - Harpbreaker - New Release Review

I just had the opportunity to review the most recent release, Harpbreaker, from Mark Hummel and it's one of the best Chicago style blues records that I've heard in a long time. Opening with terrific harp boogie, Harpoventilatin', Mark Hummel wastse not a second showing why he's one of the top blues harp players in the world today. With strong pace, and great phrasing, Mark Hummel leads the way joined by Charles Wheal on guitar, Steve Wolf on bass, Marty Dodson on drums and Bob Welsh on keys. Jump track, Rotten Kid really is hot with Wheal laying out some terrific guitar riffs working nicely with Hummel's own featured playing. Excellent. With a super strut, Walkin' With Mr. Lee has just the right snap. Featuring Wes Starr on drums, RW Grigsby on bass, Charlie Baty and Anson Funderburgh on guitars, this track is terrific. Slow blues, Cristo Redentor has such a presence with it's soulful melody and smooth guitar phrasing by Kid Anderson. Excellent! Senor Blues has a beautiful Latin feel with a floating melody and features confident solos by Hummel, Chris Burns (keys) and Johnny bones (sax) backed by Rusty Zinn on guitar, Lech Wierzynski on trumpet, and Willie Panker on drums. Smooth shuffle, Glide On, features nice solos from Zinn, Burns and Hummel. Very nice. Harp boogie, Chuckaluck, is a great showcase for Hummel with Dave Eagle on washboard, Aaron Hammerman on piano and Billy Flynn on guitar. Sweet. Wrapping the release is classic blues number, See See Rider with Zinn on guitar and Hummel on harp, about as stripped down as a modern blues gets. Super closer for an excellent release.

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

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Severn Records artist: Mud Morganfield - They Call Me Mud - New release review

I just had the opportunity to review the most recent release, They Call Me Mud, from Mud Morganfield and it's got deep soul roots. Opening with title track, They Call Me Mud, Mud Morganfield, son of the great Muddy Waters shows his own take on the blues with a funky R&B twist. A high stepper with punchy horns by Phil Perkins on trumpet and Michael Jackson on sax this is a cool opener. On 48 Days, a soulful blues number Muds vocals are compelling and stylistic guitar riffs by Billy Flynn add real pepper. Mud's vocals on Cheatin' is Cheatin' coupled with E.G. McDaniel's bass work puts one in mind of the great Curtis Mayfield and his quiet soul wailing. Very nice. Muddy's Howling Wolf is definitely straight out of dad's catalog with traditional vocal styling, strong harp from Studebaker John and super Muddy slide emulation by Billy Flynn. Excellent! Another smooth R&B track and one of my favorites on the release is Who Loves You with Lashunda Williams on backing vocals. Smooth styling and just the right amount of rhythm makes this a strong contender for radio play. Shuffle track, Rough Around The Edge has a real nice feel with smart brass work by Perkins and a super bass work by McDaniel leading to real nice piano soloing by Sumito Ariyo Ariyoshi. Flynn gives he guitar a nice ride, paired with Studebaker John for one of the coolest jams on the release. Wrapping the recording is Mud's Groove, a cool War like smooth track featuring Billy Branch on harp and Bryant "T" Parker on percussion. This isn't the sound that I would immediately associate with the name Morganfield, but I like it!

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

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Severn Records artist: Kim Wilson - Blues and Boogie, Vol. 1 - New Release Review

I just had the opportunity to review the most recent release, Blues and Boogie, Vol. 1, from Kim Wilson and it's a heavy dose of old style Chicago blues. Opening with harp instrumental Bonus Boogie, Wilson is hitting on all cylinders, backed by Big Jon Atkinson on guitar, Bob Welsh on guitar, Troy Sandow on bass and Malachi Johnson on drums. Excellent! Sonny Boy Williamson's, Ninety-Nine features Wilson on lead vocal and harp and it's one of my favorites on the release. Pure Chicago style and Wilson's tight harp tone is the ticket here. Big Maceo's Worried Life Blues is up next with a solid slower pace highlighted by the keen piano work of Barrellhouse Chuck. John Lee Hooker's Same Old Blues has a swinging blues feel a la BB King or T Bone Walker. Billy Flynn steps in with some choice riffs on guitar, complimented by Larry Taylor on bass, Richard Innes on drums and Jonny Viau on horns. Very nice! Magic Sam's Look Whatcha Done has a great groove with slick guitar riffs by Atkinson and Welsh. Big Walter's Blue and Lonesome is another of my favorites on the release with Atkinson and Nathan James on guitar, some of the best vocals on the release and tight guitar attacks under the melody throughout. Wilson really belts it out on this one crushing it. Kim Wilson's own instrumental, Edgier is a great shuffle with harp lead. Excellent! Wrapping the release is Jimmy Rogers' You're The One. With solid vocals and harp by Wilson, Dodson on drums, and Atkinson on guitar, this is a super closer for a really solid release.

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

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Kim Wilson Gets Back to Basics on "Blues and Boogie, Vol. 1" CD, Coming October 20 from Severn Records

Kim Wilson Gets Back to Basics on Blues and Boogie, Vol. 1 CD, Coming October 20 from Severn Records

ANNAPOLIS, MD – Legendary singer/harmonica master Kim Wilson has gone back to the basics and old school Chicago blues for his exciting new CD, Blues and Boogie, Vol. 1, coming October 20 from Severn Records. Blues and Boogie, Vol. 1 was produced by Kim Wilson, with most tracks  recorded and mixed by Nathan James at Sacred Cat Studios, Oceanside, California; except tracks 4 and 15 recorded by Big Jon at Big Tone Recording Studios, Hayward, California.

“I want to tell all of the real blues fans out there what a labor of love this project has been,” Wilson writes in the album’s liner notes. “I’ve been recording many, many tracks for a couple of years now and time has just flown by! A couple of the greatest musicians that ever lived, Richard Innes and Barrelhouse Chuck, have passed away during the process of making this CD. One of their dreams was to see this stuff come out.

“So here it is, the first of many to come. This kind of music is very easy and pleasurable for me to perform. I like to surround myself with musicians who like to ‘fly by the seat of their pants.’ People like Richard and Barrel, Billy Flynn, Big Jon Atkinson, Marty Dodson, Nathan James, Larry Taylor, Malachi Johnson and all of the other fantastic blues musicians who are on this CD. I desired to record songs that I have always wanted to do. However, I have to put my own twist on everything.”

The track list includes several Kim Wilson originals that fit like a hand-in-glove along with the deep blues songbook he delved into for the new disc, including tunes by Little Walter, Sonny Boy Williamson, Elmore James, John Lee Hooker, Jimmy Rogers, Magic Sam and Jimmy Reed.    

A founding member of the legendary Fabulous Thunderbirds and a multiple Blues Music Award winner as a solo artist, Wilson salutes many of his Chicago blues roots influences – in particular his harmonica mentors such as Little Walter, Sonny Boy Williamson and especially James Cotton – on Blues and Boogie, Vol. 1. It’s music that is both timely and timeless.  

“I’m dedicating this CD to my big brother, James Cotton,” Wilson says. “He has always been a great inspiration and a dear friend. When I was a kid, having a great time with all of the masters of this music, I never dreamt I would be living in a world without them. Every time I open my mouth to sing or pick up my instrument to play I am doing it for them! There are hundreds of tracks in the can and still recording, and I really believe that this period of time is the beginning of my legacy. I could never have done it without my family of masters who invented this music and the musicians who are on this CD. I hope you enjoy listening to it as much as I enjoyed making it!”

Kim Wilson and The Fabulous Thunderbirds are managed by Glen Parrish of GP Entertainment.

1. Bonus Boogie - vocals & harmonica: Kim Wilson; Guitars: Big Jon Atkinson, Bob Welsh; Bass: Troy Sandow; Drums: Malachi Johnson

2. No Love in My Heart - vocals & harmonica: Kim Wilson; Guitar: Nathan James; Piano: Barrelhouse Chuck; Bass: Big Jon Atkinson; Drums: Richard Innes; horns: Jonny Viau

3. Ninety Nine - vocals & harmonica: Kim Wilson; Guitars: Big Jon Atkinson, Nathan James; Piano: Barrelhouse Chuck; Drums: Richard Innes

4. Worried Life Blues - vocals & harmonica: Kim Wilson; Guitars: Billy Flynn, Big Jon Atkinson; Bass: Kadar Roy; Drums: Marty Dodson

5. You Upset My Mind - vocals & harmonica: Kim Wilson; Guitars: Big Jon Atkinson, Nathan James; Drums: Marty Dodson

6. Teenage Beat - vocals & harmonica: Kim Wilson; Guitars: Billy Flynn, Big Jon Atkinson; Piano: Barrelhouse Chuck; Bass: Larry Taylor; Drums: Richard Innes

7. Same Old Blues - vocals & harmonica: Kim Wilson; Guitar: Billy Flynn; Piano: Barrelhouse Chuck; Bass: Larry Taylor; Drums: Richard Innes; horns: Jonny Viau

8. Searched All Over - vocals & harmonica: Kim Wilson; Guitars: Billy Flynn, Big Jon Atkinson; Piano: Barrelhouse Chuck; Bass: Larry Taylor

9. From the Bottom - vocals & harmonica: Kim Wilson; Guitars: Big Jon Atkinson, Nathan James; Piano: Barrelhouse Chuck; Bass: Larry Taylor; Drums: Richard Innes

10. Look Whatcha Done - vocals & harmonica: Kim Wilson; Guitars: Bob Welsh, Big Jon Atkinson; Bass: Troy Sandow; Drums: Malachi Johnson

11. Blue and Lonesome - vocals & harmonica: Kim Wilson; Guitars: Big Jon Atkinson, Nathan James; Drums: Marty Dodson

12. Sho Nuf I Do - vocals & harmonica: Kim Wilson; Guitar: Big Jon Atkinson; Piano: Barrelhouse Chuck; Bass: Nathan James; Drums: Richard Innes; horns: Jonny Viau

13. Learn to Treat Me Right – vocals & harmonica: Kim Wilson; Guitars: Billy Flynn, Big Jon Atkinson; Piano: Barrelhouse Chuck; Bass: Larry Taylor; Drums: Richard Innes

14. Edgier vocals & harmonica: Kim Wilson; Guitars: Big Jon Atkinson, Nathan James; Bass: Nathan James; Drums: Marty Dodson

15. Mean Old Frisco - vocals & harmonica: Kim Wilson; Guitars: Big Jon Atkinson, Nathan James; Bass: Kadar Roy; Drums: Marty Dodson

16. You’re the One - vocals & harmonica: Kim Wilson; Guitars: Big Jon Atkinson, Nathan James; Drums: Marty Dodson

Delmark Records artist: Billy Flynn - Lonesome Highway - New Release Review

I just had the opportunity to review the most recent release, Lonesome Highway, from Billy Flynn and it's quite good. Opening with rock n roller, Good Navigator, Flynn hits the road running on lead vocal and guitar with Deitra Farr on second vocal. Roosevelt Purifoy on piano rolls 'em tight with EG McDaniel on bass, Andrew "Blaze" Thomas on drums and horn support from Doug Corcoran on trumpet and Christopher Neal on sax. On Small Town, you can't help drawing comparisons to BB and Albert but Flynn has his own style and his guitar is always hot. Title track, Lonesome Highway is one of my favorite tracks on the release with beautiful guitar phrasing, warm sax and great feel. Excellent! On a cover of Billy Page's, The "In" Crowd, McDaniel sets a solid bass line and Flynnreally sets a juicy groove. Hot! With a firm strut, Never Had A Chance, is a great 70's style blues track with great call and response. Boogie track, Waiting Game is a strong driver with Flynn laying out some Hooker like riffs and harp. Very cool. On Jimmy Reed style track, Hold On, Deitra Farr joins Flynn on lead vocal and Flynn shows his expressive harp style along with some real nice guitar riffs. In the general style of Otis Rush, The Lucky Kind is a real nice modern blues track with warm organ bottom and clean, lush guitar work by Flynn and a cool trumpet solo by Corcoran. Jackson Street has a distinct Muddy Waters feel with some really nice slide work by Flynn. Funky track, I Feel "Um" has really nice jazz/rock feel with cool vocals by Flynn who shows his nicely phrased Mayfield chops, topped off by a super warm sax solo by Neal.  With a stinging Albert King feel, Sufferin' With The Blues is a great track. Flynn's vocals are solid and his solos super. Wrapping the release is Christmas Blues with a BB King like feel. Neal plays a soulful sax solo and Flynn closes it out with a super swinging solo of his own. Super closer for a super release.

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

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Blind Pig Records artists: The Cash Box Kings - Holding Court - New Release review

I just received the newest release (April 28, 2015), Holding Court, by The Cash Box Kings and it's hot! Opening with Jump Jackson and Sonny Thompson's I Ain't Gonna Be No Monkey Man, Oscar Wilson leads the way on vocal and master harp man, Joe Nosek, really puts the Chicago into the track. Billy Flynn takes the guitar solo on this track and Kenny "Beedy Eyes" Smith holds the bottom on drums. On Download Blues, Wilson and Nosek lay down a cool shuffle track and Joel Paterson adds nice guitar and backing vocals. On Gotta Move Out To The Suburbs, CBK gets a great Chicago blues groove going with Mark Haines on drums and Beau Sample on bass. Patterson steps out again with a really stylistically sweet guitar solo for a little extra spice. On Cash Box Boogie Nosek takes front and center on both lead vocal and harp. Barrelhouse Chuck weaves in some cool piano riffs and Paterson again smokes the fretboard. Nosek closes the track with a nice long harp solo with tight support from Smith. Very cool! One of my favorite tracks on this release is a modern cover of the classic JL Hooker, Hobo Blues. Wilson does an excellent job on lead vocals on the track with Paterson on religiously traditional blues guitar riffs. Excellent! On swing track, Baby Without You, Nosek has the mic for lead vocal and harp, joined by upright bass by Sample and Haines on drums. Paterson and Flinn handle the guitar work nicely and Chuck rolls the keys keeping it tight. Very nice! On Latin influenced, Juju, Alex Hall adds a nice claves part giving the track a real spice and Nosek leading on vocal and harp is joined by Chuck, and Paterson making for a really sweet mix. Willie Love's Everybody's Fishin' is hot hot hot. Wilson does some of his best vocal work, Nosek blows the life out of the harp and Paterson really lights up the fretboard. Excellent! Jimmy Rogers' track, Out On The Road, takes the pace down low and Nosek really takes his harp for a traditional ride. Wilson's vocals are spot on and rich and Brad Ber really does a nice job on bass. Sugar Pea is light and springy with Nosek handling the lead vocals. Mark Haines with brushes on drums and Sample on upright bass, Paterson's tasty blues riffs really spring to life. I Miss You Miss Anne is a subtle shuffle with nice guitar chorded riffs. Nosek keeps the vocals simple and Paterson busts loose on guitar with a crisp solo over Barrelhouse chuck on organ and Flynn on rhythm. On I'm A real Lover, Wilson grabs the groove just right and accompanied primarily by Nosek on harp, Flynn on guitar, Sample on upright and Haines on drums, the CBK's keep is simple and effective. Wrapping the release is Quarter To Blue, a super tight slower blues instrumental with Nosek really laying it out there. Paterson and Flynn both contribute some really nice guitar riffs complimented by Sample and Haines. Excellent closer!

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 

Delta Groove Music artists: John Primer and Bob Corritore - Knockin' Around The Blues

I just received the much anticipated new release from Delta Groove, Knockin' Around The Blues from John Primer and Bob Corritore and it's great! Both Corritore and Primer are known for their traditional Chicago style and this is right on it...but it is a solid square hit. Opening with The Clock, you're in Chicago and the best band in town is up and making that statement isn't far off. These guys, both superstars themselves, have a full hand of musicians with them. Primer of course handles lead vocals and he's always terrific. Corritore can really be magic on the harp and his playing on this track is very strong. Barrelhouse Chuck adds terrific riffs throughout and Chris James and Primer both do nice jobs on guitar on this track. Blue and Lonesome opens with a great intro from Chuck and Primer and Corritore exchange call and response. This is slow dirty blues like you love it. One of the comments that I've had of some recordings of Corritore in the past have been that he gets lost in the mix. Not on this recording! Corritore is well highlighted and sounding great. James and Primer are both highlighted on guitar on this track as well and there is a blood curdling solo on this track that is not to be missed. When I Get Lonely is an uptempo blues track and Brian Fahey is light in the front on drums. Primer has a great voice and Corritore takes a real nice solo early in the track complimenting his singing. Great harp tone! A smokin' Chicago loper, Cairo Blues, is up next and Billy Flynn (guitar), Bob Stroger (bass) and Kenny "Beedy Eyes" Smith join the mix. Corritore really gets the harp screamin on this track and Chuck adds really nice punctuation throughout. Leanin' Tree opens with some smokin guitar riffs but them paring back to highlight to allow Primer to lead the way on vocal. One of my favorite tracks on the release, James, Primer and Corritore all take nice solos on this track. Harmonica Joyride is an absolute blast! Corritore takes a step to the front and demonstrates clearly why he's regarded as on of the top harp men in the business today. (Yeah stilladog...this track's for you pal). Little Boy Blue, of course the great track by Robert Jr. Lockwood is a nice slow in the pocket track. Corritore again blowin exceptional tone on this track. Chuck of course is always spot on and this track is no exception. Opening with a real slick slide intro, Dixon's Just Like I Treat You is bright and full of energy featuring Patrick Rynn on bass and Brian Fahey on drums. Again the mastery of Corritore is well documented on this track. Chuck takes a cool piano solo on this track opening for Primer on slide. Saw Primer a short while back at the rhythm Room and his second set blew the doors off the place. This is a guy who can really do it all in his genre. Man Or Mouse gets right into the groove. Billy Flynn takes a nice solo on this track and Chuck keeps the ivories hot. Finishing up with Going Back Home, an old Lightning Hopkins track, the band is tight and lays down the last of 10 solid performances. Corritore takes the first of the solos on this track is it's really apparent how deeply he feels about getting just the right tome. Excellent. Chuck belly's up with a really clean solo but James and Primer really step it up on this track and knock it out of the park. This is a great contemporary recording of traditional Chicago blues played by a group of exceptional blues musicians. This is one not to be missed.

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Blind Pig artists: The Cash Box Kings - Black Toppin' - New Release Review

I just received the newest release, Black Toppin' from The Cash Box Kings and it's super! Opening with Blues Falling Down On Me, Joe Nosek takes the lead on vocals and is chased by Joel Paterson with some cool slide work over the top of the straightforward drumming of Mark Haines. Black Toppin', the title track, Nosek revs up the heat talking the lyrics over constant harp reinforcement. Oscar's Jump is a hot number with Oscar Wilson on vocal and really hot guitar riffs from Paterson and cool harp work from Nosek. Down and dirty it goes for Money, Marbles and Chalk,where Wilson continues on vocals. Barrelhouse Chuck adds some trademark piano work on this track and Nosek gets some of his most authentic vintage tones on harp. Billy Flynn steps up to lead guitar on this track as well and does a really nice job. On Willie Dixon's Too Late, the Kings lay down a cool rendering of this classic track. Covering both lead vocals and harp, Nosek really brings it on this track. Wilson takes the lead on vocals again for Walkin' Blues which has a slight update in sound but retains a fat part of tradition with simple unpretentious slide work from Paterson. Probably my favorite track on the set. I Don't Wanna Fight takes a rockin stance with Nosek on vocal. Barrelhouse Chuck takes a cool key interlude and Paterson has a short rockin guitar solo keeping the punches coming. Tom Cat Blues is a great track that smells like Mississippi Mud. Featuring Wilson on lead vocal with simple acoustic (and electric) guitar work from Paterson, this is another really authentic track and one that really stands tall. Staying with simplicity, Hot Biscuit Baby is a primitive style Chicago blues really featuring Wilson on vocal and Nosek on harp with minimal backing. Very cool. Gimme Some Of That is a real toe tapper featuring Nosek on vocal and harp and light instrumentation. Kenny Beedy Eyes Smith keeps a tight rhythm with rim shots and Paterson plays jazz rhythm backing on guitar cutting loose for some hot riffs. His slide style is really quite interesting. Wrapping the release is Run Run Run, based on a boogie rhythm. This track, again featuring Nosek on vocal gives Paterson and Nosek the opportunity to play some cool blues boogie riffs over what is primarily an instrumental track. Another favorite. This is a cool release and one that I believe will win more fans for the already popular Cash Box Kings.   

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Delmark artist: Al Miller - In Between Time - New Release Review

I just received and have been listening to the newest release, In Between Time, by Al Miller. Due to some family issues I found my self in sunny Pittsburgh, Pennsylvania last week and had the pleasure to listen to this release numerous time while on the road. While driving, I rarely have time to look at the liner notes but now that I am writing my review, some of my passing thoughts actually make sense. I'll begin by saying, I kept thinking that I was listening to a Mike Bloomfield or early Paul Butterfield album. In reading the press release, I note that Miller was a part of the '60's Butterfield scene and played often with Bloomfield. This does not sound at all like a clone. It sounds like the real deal. The release opens with McCracklin/Taub track, Rockin' All Day. A rockin' boogie, this starts the entire release with a great groove with Billy Flynn (guitar), Willie Big Eyes Smith (drums), Barrelhouse Chuck (piano), and of course Miller on vocal and harp. BB King's Need You So Bad has a nice foamy lope to it. John Primer leads the way on this track playing guitar and singing. Dave Specter plays some cool guitar riffs on this track joined by Mike Schlick on drums and Harlan Terson on bass. Definitely a hot track! Johnny Young's My Baby Walked Out features some of Millers best vocals and harp and Chuck really does a great job on the 88's on this track. Original track Old Friends has a Latin beat featuring Kenny Smith on drums, Ken Saydak on piano and hot Albert King like riffs by Dave Specter. Miller pulls out the stops on this track blowing some great harp riffs. In Between Time, another original by Miller, shows Miller with a guitar in hand playing some cool primitive slide work over a very stripped down track. Another Johnny Young track, I Got It, is a smokin' hot harmonica blowout. Pushed by Flynn, Smith and Saydak this is a great track. Willie Dixon's Dead Presidents finds Primer again at the helm with vocal and guitar. Accompanied by Mike Schlick on drums and Harlan Terson on bass Miller plays cool harp riffs and Barry Winograd and John Brumbach add a nice sax solo. Another Miller original, A Better Day,features nice guitar work by Flynn and Specter. One of the most enjoyable traditional tracks on the recording, Miller really gets into his vocal strength. On another Johnny Young track, Tighten Up On It, I can smell the beer and cigarettes. This is the Chicago blues just the way it was meant to be played. Never hear this on contemporary records anymore. Barrelhouse Chuck lays down the riffs and the mix is perfect.Flynn is also guilty of some superb riffage on this track with Big Eyes keeping the bottom tight. Elmore James' 1839 Blues features Primer again on vocals and he does a superb job. Ken Saydak shows why his piano work is in high demand and the tone from Millers harp is spot on. Primer takes a nice guitar solo on this track and it is solid and enticing. Billy Flynn's Billy's Boogie is a real rocker of course featuring some outstanding guitar work from Flynn ... not to be missed. Miller plays a hot solo on harp on this track as does Saydak and Mike Schlick keeps it all together. Excellent track! Percy Mayfield track Bachelor Blues really conjures up the feeling of the old Bloomfield days for me. Again Miller shows his best on vocals and harp on this track. Barrelhouse Chuck and Big Eyes are right on the spot and the track creates the feel of the real deal... it is! Eddie Taylor's If You Don't Want Me Baby fits perfectly into this set with a bit of a HD Taylor beat. It's a great pickup track before the great track by Miller, Lake Michigan Waters. Billy Flynn plays some flaming hot work on this track with what I'd even say sound reminiscent of old Bloomfield riffs. Along with the great playing of Miller and Saydak this track may be one of the most intense on the recording. Specter and Primer step out a little on guitar on Lawhorn Special. Miller knocks down some cool riffs as well but it's the guitars that take this cake. Al Miller original Blizzard wraps up this really coherent authentic Chicago blues release. Flynn and Primer playing some stinging guitar riffs over heavy reverb riffs on this track and kenny Smith is really particularly crisp with his beat on this track. This may be one of the best modern "Chicago" blues albums to come out in a long time.

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I apologize that the band featured is not the band on the recording, but Al Does play harp here so I'll post a new one when I can find it. Enjoy!

Havin' A Hard Time - BILLY FLYNN

Over the last 40 years, Billy Flynn has played with a “who’s who” of Chicago blues legends including Jimmy Rogers, Jr. Wells, Otis Rush, Pinetop Perkins, Buddy Guy, Jimmy Dawkins, Koko Taylor, Willie Kent and countless others. Billy’s encyclopedic knowledge and mastery of a wide array of guitar styles from the 1920’s though the present make him the “go to” guy when bands and record producers want to recreate a certain blues guitar sound. It’s no wonder that Billy was tapped to play guitar for the soundtrack for the recent major motion picture “Cadillac Records” which chronicled the heyday of the legendary Chicago blues label, Chess Records. As part of the soundtrack, Billy backed Beyonce in her 2010 Grammy Winning recording of Etta James’ “At Last.”

In addition to his virtuosic guitar playing, Billy can also shred on mandolin, banjo, lap steel, harmonica, bass, drums, piano or just about anything else that produces sound, including electric sitar (seriously). Billy has toured, recorded, and played with the CBKs for over 6 years now and also produced their second album “Black Night Falling.”
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I'm Sitting On Top Of The World - Willie Smith, Bob Stroger, Hubert Sumlin, Billy Flynn, Eddie Kobek

Pre-festival event for Grafton Blues Festival 2008, featuring Hubert Sumlin (guitar), Willie Smith (harp), Bob Stroger (bass), Eddie Kobek (drums), Billy Flynn (guitar). Bob Stroger played with Otis Rush and others. Willie Smith played drums for Muddy Waters for many years. Billy Flynn is the guitar sound of Muddy Waters and Chuck Berry and is heard on the Etta James music in the movie Cadillac Records.
Billy Flynn (born August 11, 1956) is an American Chicago blues and electric blues guitarist, singer and songwriter.

In addition to his own work, and those mentioned later, Flynn has worked and recorded with Bryan Lee, Little Smokey Smothers, Mark Hummel, Willie Kent, Snooky Pryor, Big Bill Morganfield, John Brim, Jody Williams, Little Arthur Duncan, Deitra Farr, and Billy Boy Arnold
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