Blues Hall of Fame Inductees announced: Mavis Staples, Johnny Copeland, Henry Gray, Latimore and more

MAVIS STAPLES, MAGIC SLIM, JOHNNY COPELAND, HENRY GRAY AND LATIMORE ARE AMONG THE NEWEST MEMBERS OF THE BLUES HALL OF FAME  Six performers, one album, five singles, one book and one magazine founder will be inducted at the Blues Foundation’s 38th Annual Induction Ceremony on May 10

MEMPHIS, Tenn. — The Blues Foundation welcomes the 38th class of Blues Hall of Fame inductees in a ceremony taking place on May 10, 2017. This year’s 14 richly deserving honorees represent all five of the Hall of Fame’s categories: Performers, Non-Performing Individuals, Classic of Blues Literature, Classic of Blues Recording (Song) and Classic of Blues Recording (Album). The six performers chosen for induction include two distinctive vocalists, Mavis Staples and Latimore; a pair of legendary guitarists, Magic Slim and Johnny Copeland; and longtime Howlin’ Wolf sidemen guitarist Willie Johnson and piano-man Henry Gray. They will join the more than 125 performers who already are Hall of Fame members. The year’s non-performer selection is Living Blues Magazine co-founder and radio show host Amy van Singel, who passed away in Sept. 2016.  The Classic of Blues Literature pick is the rightfully recognized Father of the Blues, W.C. Handy’s 1941 memorable autobiography. John Lee Hooker was among the Hall’s first inductees in 1980 and now his 1966 Chess album Real Folk Blues will enter the Hall of Fame too in the Classic of Blues Recording Album category. The quintet of Classic of Blues Recording songs includes Bo Diddley’s signature tune “Bo Diddley,” Tommy Tucker’s much covered classic “Hi Heel Sneakers,” the Albert King hit “I’ll Play the Blues For You,” Son House’s “Preachin’ the Blues” and “I Ain’t Superstitious,” which features 2017 inductee Henry Gray playing on Howlin’ Wolf’s well-known 1961 recording.  The Blues Hall of Fame Induction Ceremony takes place Wednesday, May 10 at Memphis’ Halloran Centre for the Performing Arts and Education. Hosted by the Blues Foundation, the evening begins at 5:30 p.m. with a Cocktail Reception, followed by the Induction Ceremony at 6:30 pm. Tickets for this open-to-the-public ceremony are $100 per seat and can be purchased online at: http://bit.ly/2kVoDRG More festivities occur the following day, May 11, with the Blues Foundation’s Blues Music Awards. Celebrating the past year’s best in blues recordings and performances, this event will be held at the Memphis Cook Convention Center. A pre-ceremony party commences at 5:30 p.m., while the Awards Show, including a seated dinner and featuring performances by many of the nominees, starts at 7 pm. Individual tickets and tables may be purchased for $150 per seat at the same link as above. For more information, contact Barbara Newman, President & CEO; barbara@blues.org; (901) 527-2583, Ext. 12  ABOUT THE INDUCTEES: Performers Henry Gray, who played piano in the Howlin’ Wolf band and other Chicago blues groups before returning to his native Louisiana in 1968, has rarely been in the spotlight, but has steadily built an impressive resume entertaining audiences around the world with his blues-drenched piano pounding. Gray, born in 1925, is still performing regularly six decades after his first recording sessions in Chicago. Willie Johnson (1923-1995) recorded only a few songs on his own, but as a sideman his storming barrage of distortion and incendiary guitar licks in the 1950s, especially on the early records of Howlin’ Wolf, earned him a lasting reputation as a groundbreaking commando in the annals of electric guitar playing. Mentored by Wolf in their Mississippi days, Johnson played in Wolf’s band in the South and in Chicago, and recorded for Sun Records in 1955. Mavis Staples, one of America’s premier singers of gospel and soul music, has expanded her musical mastery with her performances in more blues-based settings in recent years. The blues is nothing new to the Staples family, as Mavis’ father and founder of the Staple Singers, Roebuck “Pop” Staples, was a devotee of Delta blues master Charley Patton back in Mississippi. Mavis, born in Chicago in 1939, remains on her lifelong mission to inspire and uplift her listeners no matter what musical genre she employs. Johnny Copeland (1937-1997) was one of a bevy of blazing guitar slingers to emerge from the vibrant Third Ward of Houston, Texas, and one of the city’s most powerful singers as well.  Establishing himself with a series of blues and soul singles beginning in 1958, he attained national prominence in the 1980s recording blues albums for Rounder Records. His daughter Shemekia has followed in his footsteps by winning multiple Blues Music Awards. Magic Slim led one of the most relentless, hard-driving bands in Chicago blues history for several decades until his death in 2013. Born Morris Holt in Mississippi in 1937, he earned his nickname from his friend and fellow blues guitar ace Magic Sam. Slim was also known for possessing perhaps the largest repertoire of any blues artist, always able to pick up another song from the radio or the jukebox, enabling him to record more than 30 albums and garner dozens of Blues Music Awards nominations. His son Shawn “Lil Slim” Holt is ably carrying on the family blues tradition. Latimore, the abbreviated stage name of singer, keyboardist and a songwriter Benny Lattimore, has cut a dashing figure on the Southern soul circuit ever since he began touring in the 1970s on the strength of hits such as “Stormy Monday” and his best-known original, “Let’s Straighten It Out.”  Latimore, who was born in Tennessee in 1939 but has called Florida home since the 1960s, is now a distinguished and still spirited love philosopher and elder statesman of the scene. Individuals: Business, Production, Media or Academic Amy van Singel, known to blues radio audiences as “Atomic Mama,” was a cofounder of Living Blues magazine in Chicago in 1970. She and her former husband Jim O'Neal published the magazine from their home in Chicago until they transferred the publication to the University of Mississippi in 1983. Her radio career began at Northwestern University and included stints at stations in Chicago, Mississippi, Memphis, Alaska and Maine. Amy died in her sleep at her home in Maine on Sept. 19, 2016, at the age at 66. Classics of Blues Literature Father of the Blues by W.C. Handy is a monumental opus that is indispensable to the study of American musical history. Published in 1941, the book traces Handy’s background as a trained orchestra leader, his discovery of the blues and the struggles he endured to become a successful music publisher. It is often cited as a primary resource on the earliest years of blues history. No book is more deserving of designation as a Classic of Blues Literature. Classics of Blues Recording: Albums The 1966 John Lee Hooker album Real Folk Blues is the latest of several Chess Records’ Real Folk Blues albums to be elected to the Blues Hall of Fame. Whereas the rest of the LPs in the series by Muddy Waters, Howlin’ Wolf and others were compilations of older recordings, the Hooker album was newly recorded in May of 1966 in Chicago. Hooker was his inimitable and spontaneous self, reworking some of his older songs and improvising new ones, accompanied by his Detroit guitarist Eddie Burns and Chicago sidemen Lafayette Leake and S.P. Leary. Classics of Blues Recording: Singles “Bo Diddley” was not only the 1955 hit record that made Ellas McDaniel famous — it also gave him his professional name. The famed “Bo Diddley beat,” an energized update of the old “Hambone” rhythm, rocked the world, and Bo continued to create classics for Checker Records in Chicago with his innovative blend of blues and rock ’n’ roll. “Hi-Heel Sneakers” by Tommy Tucker was the last blues record from the mighty Chess Records catalogue to hit No. 1 on the charts. Recorded in New York in 1963, the single on Chess’ Checker subsidiary label topped the Cash Box magazine R&B charts in 1964. Tucker’s enticement to “put on your red dress” and hi-heel sneakers has resounded on countless bandstands ever since. “I Ain’t Superstitious,” an ominous Willie Dixon composition recorded by Howlin’ Wolf in 1961, is best known to rock audiences through the Jeff Beck Group’s 1968 cover version featuring Rod Stewart on vocals. On the original session for Chess Records in Chicago, Wolf’s band included Hubert Sumlin, Jimmy Rogers, Sam Lay and 2017 Blues Hall of Fame inductee Henry Gray. “I’ll Play the Blues for You,” recorded by Albert King in Memphis for the Stax label in 1971, was written by Jerry Beach, a longtime fixture on the Shreveport, Louisiana, music scene who died in 2016. In Beach’s lyrics, sung with warmth and tenderness by King, the blues becomes a source of soothing and comfort. King’s 45 spent eight weeks on Billboard magazine’s Best Selling Soul Singles chart in 1972  “Preachin’ the Blues,” a two-part single by Son House on the Paramount label from 1930, is a prime example not only of House’s intensity as a Delta blues singer and guitarist but also of his lifelong inner conflict between the lure of the blues life and devotion to the church. House, who did preach in church at times, also sang of the hypocrisy he saw in religion with lyrics such as “I’m gonna be a Baptist preacher and I sure won’t have to work.” About the Blues Hall of Fame Museum: Since opening in May of 2015, the Blues Hall of Fame Museum has become a must-see destination for blues aficionados and casual fans alike. Through its ten permanent galleries and the Upstairs Legendary Rhythm and Blues Cruise Gallery’s temporary exhibit space, the museum exposes, educates, and entertains visitors, providing them a unique way to explore blues culture and history, while also highlighting its 400 inductees. Visitors can use interactive touchscreens to access databases that allow them to hear music, watch videos and read stories about every museum’s inductees. Guests can also view one-of-a-kind memorabilia, from musical instruments and tour attire to awards and artwork. The 2017 Hall of Fame class will be represented in the special exhibit galleries beginning in early May. Located at 421 S. Main Street, Memphis, the museum is open seven days a week (10 a.m.-5 p.m. Mon.-Sat., 1-5 p.m. Sun.). Admission is $10 per person, with children and Blues Foundation members free. The museum is also available for private parties and events after hours. For more information, call 901-527-2583. About the Blues Foundation: This world-renowned, Memphis-based organization holds a mission to preserve blues heritage, celebrate blues recording and performance, expand worldwide awareness of the blues, and ensure the future of this uniquely American art form. Founded in 1980, The Blues Foundation has approximately 4,000 individual members and 200 affiliated blues societies representing another 50,000 fans and professionals around the world. Its signature honors and events — the Blues Music Awards, International Blues Challenge, and Keeping the Blues Alive Awards — make it the international hub of blues music. Its HART Fund provides the blues community with medical assistance for musicians in need, while Blues in the Schools programs and Generation Blues Scholarships expose new generations to blues music. Throughout the year, the Foundation staff serves the global blues community with answers, information, and news.

Blues Hall of Fame Member John Mayall Set to Release New CD, "Talk about That," on January 27, 2017, from Forty Below Records

Blues Hall of Fame Member John Mayall Set to Release New CD, Talk about That, on January 27, 2017, from Forty Below Records

Latest Album Features Rock and Roll Hall of Fame Member Joe Walsh as Special Guest  on Two Tracks

LOS ANGELES, CA – Iconic musician and Blues Hall of Fame member John Mayall will release his latest CD, Talk about That, on January 27 from Forty Below Records. Joining Mayall (vocals, keyboards, harmonica and guitar) and Greg Rzab (bass), Jay Davenport (drums) and Rocky Athas (guitar) as special guest is legendary guitarist Joe Walsh, who plays on two tracks, “The Devil Must Be Laughing” and “Cards on the Table,” both John Mayall compositions. The songs showcase Walsh’s amazing guitar work and are destined to be two of the many highlights on this new disc. Talk about That will be available for pre-orders at both Amazon.com and iTunes starting December 9.

Watch a special preview video of the making of Talk about That:

Produced by John Mayall (who also designed the album package) and Forty Below Records president Eric Corne (who also engineered and mixed), Talk about That was recorded at House of Blues Studio in Encino, California, and contains 11 tracks: eight originals, plus covers from Memphis soul music songwriter Bettye Crutcher (“It’s Hard Going Up”), blues great Jimmy Rogers (“Goin’ Away Baby”) and rock singer/songwriter Jerry Lynn Williams (“Don’t Deny Me”). The album also showcases a three-piece horn section that adds extra punch on several tracks, including the infectious New Orleans-flavored “Gimme Some of that Gumbo.”

“When I first had the idea for the title track, ‘Talk about That,’ I wanted to write lyrics that were about aspects of life that were running through my head,” says John Mayall. “I also wanted to give the song a modern groove that would convey the fun mood driving the piece.  Greg and Jay laid down a really infectious rhythm for me to feature my keyboard chops and bring the song to life with a really funky feel driving it.”

Throughout his career, John Mayall has always written timely songs that reflect what he sees going on in the world around him, whether it’s war, poverty, social injustice or personal introspection. Such is the case with “The Devil Must Be Laughing,” which deals with the current political and world climate. And that incentive also brought him in touch with Joe Walsh, who contributes some percolating guitar work that melds perfectly with the song’s theme.

“A day before we recorded ‘The Devil Must Be Laughing,’ we got a message through the studio owner that Joe Walsh wanted to come by and possibly play on a track or two as a guest,” recalls Mayall. “Who was I to say no to that idea!  So, Joe turned up at noon on the appointed day and with only a quick listen, plugged in and we did the song in one take.  The second song closely followed, and with a smile and a quick photo, Joe was done and on his way.  What a kick for all of us that day!”

For Joe Walsh, playing on a session with one of his musical heroes also held a special place. “It has been a bucket-list item since 1970 to play with John Mayall,” states Walsh. “John had a run of GREAT British guitarists (one after another) with his ‘Bluesbreakers’ albums, and that’s how many of us in the States became aware of them.  Clapton, Peter Green, Mick Taylor - I studied them all for hours and became a much better guitarist as a result. The albums were legendary stuff and I have wanted to work with John for years and years, wondering what it would be like.

“Finally got the chance - and he was the complete gentleman and fine, fine musician I had always hoped he would be. When you meet a hero who helped shape your career – it’s a wonderful feeling to find they’re even cooler than you always thought they were.”

The recording sessions for Talk about That also represent the last recordings with Mayall’s quartet band lineup, as shortly after they were completed, guitarist Rocky Athas left the band to pursue his solo career. Starting with the recent fall tour dates of the British blues “Godfather,” his band became a trio with Mayall, Rzab and Davenport.

In September, John Mayall issued the following statement:

“By now, many of you will have heard the dramatic news that I will now be performing live shows as a trio. I feel I should explain how it all came about in a chain of events that led to my decision.  Due to severe storm conditions recently, guitarist Rocky Athas was unable to get out of Dallas for my recent festival shows that led to my performing as a trio.  Having never performed anywhere or at any time without a guitar sidekick, I found that I was able to explore new territories in a trio configuration playing organ, keyboards, harmonica and guitar.  Needless to say I was surprised at how different and stimulating the experience was for me as a performer.

“When I told Rocky Athas of my decision, he was very understanding and hopefully his popularity in my band for the past seven years will be increased as he resumes his solo career.  To me it seems fitting that the final guitar position in my band featured one of the nicest and most talented guys I’ve known and the best in his field. We all wish him well.

“So now, as Greg Rzab, Jay Davenport and I embark on several weeks of intensive touring all around the States, we hope you all will enjoy the fireworks coming your way as my live show calendar brings us to your expectant ears.”

The John Mayall trio will continue to tour throughout the fall and into early 2017 in the U.S., followed by a lengthy European tour in February. The American tour includes several days onboard the “Legends Cruise,” leaving Ft. Lauderdale, Florida, and sailing from January 19 – 23.

For more information, visit www.johnmayall.com and www.fortybelowrecords.com

John Mayall US Tour Dates

11/9                       Tower Theatre                                                                  Bend, OR

11/10                     El Rey Theatre                                                                  Chico, CA

11/11                     Rio Theater                                                                         Santa Cruz, CA

11/12-11/13        Yoshi’s                                                                                  Oakland, CA

11/14                     Tower Theatre for Performing Arts                          Fresno, CA

11/15                     Crest Theater                                                                    Sacramento, CA

11/16                     Fremont Theater                                                             San Luis Obispo, CA

11/17                     Canyon Club                                                                       Agoura Hills, CA

11/18                     The Rose                                                                             Pasadena, CA

11/19                     The Coach House                                                             San Juan Cap., CA

11/20                     Belly Up Tavern                                                                Solana Beach, CA

11/23                     Castle Theater @ Maui Arts & Cultural Ctr.           Maui, HI

11/25                     Palace Theaterilo                                                             Hilo, HI

11/26                     Honokaa Peoples Theater                                            Honokaa, HI

11/27                     Blue Note Hawaii                                                             Honolulu, HI

1/19/17 – 1/23/17 – Legends Cruise

THE BLUES FOUNDATION 2016 BLUES HALL OF FAME INDUCTION AND 37TH BLUES MUSIC AWARDS SET FOR MAY 4 AND 5

THE BLUES FOUNDATION 2016 BLUES HALL OF FAME INDUCTION AND 37TH BLUES MUSIC AWARDS SET FOR MAY 4 AND 5  Best in blues recording, songwriting, and performance to be celebrated at the Memphis' Cook Convention Center.  All six living Hall of Fame inductees will be in attendance MEMPHIS, Tenn. — On Thursday, May 5, 2016, the Blues Foundation will present its annual Blues Music Awards at the Cook Convention Center in downtown Memphis, Tennessee. The Awards are universally regarded as the highest accolade afforded to blues performers, and the awards ceremony is widely recognized as the premier event for professionals, musicians and fans from around the world. The mission of the celebration is to honor the rich cultural tradition of the blues by recognizing the past year’s outstanding achievements in performance, songwriting and recording.  On May 4, at the Halloran Centre for Performing Arts, the Blues Foundation will induct five legendary artists into the Blues Hall of Fame: Elvin Bishop, Eddy Clearwater, Jimmy Johnson, John Mayall, Memphis Jug Band, and Malaco Records' Tommy Couch Sr. and Wolf Stephenson. Elected by a select group of respected blues scholars and industry veterans, Hall of Fame inductees are recognized for their musical achievements and their contributions to blues history.  Leading this year’s award nomination count are James Harman with five, and Anthony Geraci and Sugaray Rayford, who each have four. Harman and Geraci will go head to head in three categories: Best Song, Best Album, and Best Traditional Blues Album. Harman’s gift for musical storytelling, combined with the soulful sound of his newest release, Bonetime, propelled him to a nomination as Best Traditional Male Blues Artist, and his strong musicianship set the stage for his nomination as Best Instrumentalist — Harmonica. Geraci's piano finesse led to a nomination for the prestigious Pinetop Perkins Piano Player award. Vocalist-songwriter Rayford is nominated for Contemporary Blues Album and Contemporary Blues Male Artist, as well as Best Song and the B.B. King Entertainer Award.  Cedric Burnside and Shemekia Copeland, 2016 Grammy nominees, each have three nominations here, as do Doug MacLeod, the Cash Box Kings, Victor Wainwright and Wee Willie Walker (see below for a complete list of nominees).  The five new Blues Hall of Fame inductees have all had long and influential careers that have elevated each to seminal status in the blues world. Elvin Bishop was honored with the 2015 Blues Music Awards for Song of the Year. Bishop and his fellow 2016 inductees Clearwater, Johnson and Mayall all have bodies of work spanning more than half a century, and each continues to create new music and perform for new audiences. The legendary Memphis Jug Band’s music crossed racial divides during the first half of the 20th century, and inspired countless musicians to follow in their footsteps.  For their behind-the-scenes contributions, Malaco Records partners Tommy Couch Sr. and Wolf Stephenson, who founded a Southern R&B empire that continues to be an influential force, are also Blues Foundation honorees this year.  This year’s literature entry into the Blues Hall of Fame is Jeff Todd Titon’s book Early Downhome Blues: A Musical and Cultural Analysis, which has been widely recognized as one of the most important analytical studies of the blues ever written.  The Blues Hall of Fame is also honoring several historic blues recordings: The classic Big Bill Broonzy/Memphis Slim/Sonny Boy Williamson album Blues in the Mississippi Night (Nixa, 1957: United Artists, 1959), and the vintage singles “Crazy Blues” by Mamie Smith (OKeh, 1920), “That’s All Right” by Jimmy Rogers (Chess, 1950), Billy Boy Arnold's “I Wish You Would” (Vee-Jay, 1955), “Blues Before Sunrise” by Leroy Carr and Scrapper Blackwell (Vocalion, 1934) and “Merry Christmas Baby” by Johnny Moore’s Three Blazers (Exclusive, 1947). The last disc, with Charles Brown on vocal and piano, is the first Yuletide song inducted into the Blues Hall of Fame.  The Memphis-based Blues Foundation is internationally renowned for its tireless efforts in preserving blues heritage, celebrating blues recording and performance, expanding worldwide awareness of the blues, and ensuring the future of this uniquely American art form. Founded in 1980, the Blues Foundation has approximately 4,000 individual members and 200 affiliated local blues societies, representing another 50,000 fans and professionals around the world.    The Blues Foundation’s signature honors and events — the Blues Music Awards, Blues Hall of Fame, International Blues Challenge and Keeping the Blues Alive Awards — make it the international capital of blues music. The recent opening of the Blues Hall of Fame Museum in Memphis, Tenn., now adds the opportunity for music lovers of all ages to interact with the music and its history.   Major funding is provided by ArtsMemphis and the Tennessee Arts Commission. The 37th Blues Music Awards is also sponsored by AutoZone, BMI, First Tennessee Foundation, Legendary Rhythm & Blues Cruise, Memphis Convention and Visitors Bureau, the Sierra Nevada Brewing Company and Sony Legacy Recordings.  HOF tickets are $100 each, reception at 5:30pm with ceremony beginning at 6:30 p.m. BMA tickets are $150 each, tables of 10 for $1500; a special pre-party will begin at 5:30 p.m.; the BMA begin at 6:30 p.m.. For more information, log onto http://www.blues.org; tickets and membership details are available at http://blues.org/blues-music-awards/2016-blues-music-awards/ # # # 37th Blues Music Award Nominees  Acoustic Album  Doug MacLeod - Exactly Like This Duke Robillard - The Acoustic Blues & Roots of Duke Robillard Eric Bibb - Blues People Guy Davis - Kokomo Kidd The Ragpicker String Band - The Ragpicker String Band  Acoustic Artist  Doug MacLeod Eric Bibb Gaye Adegbalola  Guy Davis  Ian Siegal  Album  Anthony Geraci & the Boston Blues All-Stars - Fifty Shades of Blue Buddy Guy - Born to Play Guitar James Harman - Bonetime The Cash Box Kings - Holding Court Wee Willie Walker - If Nothing Ever Changes  Band  Andy T - Nick Nixon Band  Rick Estrin & the Nightcats  Sugar Ray & the Bluetones  The Cash Box Kings  Victor Wainwright & the Wild Roots  B.B. King Entertainer  John Németh Rick Estrin  Shemekia Copeland  Sugaray Rayford  Victor Wainwright  Best New Artist Album  Eddie Cotton - One at a Time Igor Prado Band - Way Down South Mighty Mike Schermer – Blues in Good Hands Mr. Sipp - The Blues Child Slam Allen - Feel These Blues Contemporary Blues Album  Buddy Guy - Born to Play Guitar Eugene Hideaway Bridges - Hold on a Little Bit Longer Shemekia Copeland - Outskirts of Love Sonny Landreth - Bound by the Blues Sugaray Rayford – Southside  Contemporary Blues Female Artist  Beth Hart Karen Lovely Nikki Hill  Samantha Fish  Shemekia Copeland  Contemporary Blues Male Artist  Brandon Santini Eugene Hideaway Bridges  Jarekus Singleton Joe Louis Walker Sugaray Rayford  Historical Album  The Henry Gray/Bob Corritore Sessions, Vol. 1, Blues Won't Let Me Take My Rest on Delta Groove Records  Hawk Squat by J. B. Hutto & His Hawks on Delmark Records  Southside Blues Jam by Junior Wells on Delmark Records  Buzzin' the Blues by Slim Harpo on Bear Family Records Dynamite! The Unsung King of the Blues by Tampa Red on Ace Records  Instrumentalist-Bass  Charlie Wooten Lisa Mann Michael “Mudcat”  Ward Patrick Rynn  Willie J. Campbell  Instrumentalist-Drums  Cedric Burnside  Jimi Bott June Core Tom Hambridge  Tony Braunagel  Instrumentalist-Guitar  Anson Funderburgh  Kid Andersen  Monster Mike Welch  Ronnie Earl  Sonny Landreth  Instrumentalist-Harmonica  Billy Branch  Brandon Santini  James Harman  Jason Ricci  Kim Wilson  Instrumentalist-Horn  Al Basile  Doug James Kaz Kazanoff  Sax Gordon  Terry Hanck Koko Taylor Award (Traditional Blues Female)  Diunna Greenleaf  Fiona Boyes  Ruthie Foster  Trudy Lynn  Zora Young  Pinetop Perkins Piano Player  Allen Toussaint  Anthony Geraci  Barrelhouse Chuck  John Ginty  Victor Wainwright  Rock Blues Album of the Year  Joe Bonamassa - Muddy Wolf at Red Rocks Joe Louis Walker - Everybody Wants a Piece Royal Southern Brotherhood - Don't Look Back  Tinsley Ellis - Tough Love Walter Trout - Battle Scars Song  “Bad Feet/Bad Hair” written and performed by James Harman  “Fifty Shades of Blue” written by Anthony Geraci and performed by Anthony Geraci & the Boston Blues All-Stars  “Gonna Live Again” written and performed by Walter Trout  “Southside of Town” written by Sugaray Rayford and & Ralph Carter and performed by Sugaray Rayford  “You Got It Good (and That Ain’t Bad)” written and performed by Doug MacLeod  Soul Blues Album  Bey Paule Band - Not Goin' Away Billy Price & Otis Clay - This Time for Real  Jackie Payne - I Saw the Blues Tad Robinson - Day into Night Wee Willie Walker - If Nothing Ever Changes  Soul Blues Female Artist  Bettye LaVette  Dorothy Moore Missy Anderson Toni Lynn Washington  Vaneese Thomas  Soul Blues Male Artist  Frank Bey Jackie Payne  Johnny Rawls Otis Clay Wee Willie Walker  Traditional Blues Album  Andy T - Nick Nixon Band - Numbers Man Anthony Geraci & the Boston Blues All-Stars - Fifty Shades of Blue Cedric Burnside Project - Descendants of Hill Country James Harman - Bonetime The Cash Box Kings - Holding Court Traditional Blues Male Artist  Cedric Burnside Dave Alvin & Phil Alvin  James Harman Jimmy Burns John Prime