The Sugar Darlings: Thirsty For Your Love - New Release Review

 I just had the opportunity to review the most recent release, Thirsty For Your Love, by The Sugar Darlings and it's a playful blend of R&B, soul, rock and funk. Opening with Why, Miche Love Dennery, on vocal, leads the way with a powerful horn barrage including Kaven Jalbert on tenor and bari sax, Paul Lucyk on guitar and vocal, Danick Tardif on drums, Neil Robinson on bass and Clerel Djamen and Janelle Lucyk on backing vocals. Rocker, Grow Up has a cool R&B beat but it's pure radio pop. Dennery on vocal shows real poise, Jalbert lays down a real nice tenor solo, and Paul L lays in a solid guitar solo of his own. Funky Darling is my favorite track on the release with hot rhythm by Robinson, Tardif and Paul, and Jalbert sails on tenor before returning to the bottom on bari adding that heavy noise we all love.  To Be Free is a cool bluesy track with arpeggiated chords by Paul L and soulful sax work by Jalbert. Dennery on vocal sings the melody as her showcase on the release and Paul gets the chance to lay it out there as well. Very nice. Wrapping the release is funky rocker, Oh Lord with solid rhythm guitar by Paul and smokey sax by Jalbert, and Janelle and Clerel singing great backing to Dennery's lead. Solid closer. 

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Fort Sumner Music artist: Doug Duffy and Badd - Ain't Going Back - New Release Review

 I just had the opportunity to review the most recent release, Ain't Going Back, by Doug Duffy and Badd, and it's pure contemporary blues. Opening with Whirlpool, with it's droning bass line by Ben Ford, and Adam Ryland on drums. Doug Duffy plays keys and has lead vocals which really are solid, Dave P. Moore on harmonica and Dan Sumner how has great tone and lays in critical riffs. Acoustic blues, The Wishing Game features Duffey on vocal and Sumner on guitar crafting nicely, adding light snare work by Ryland. Very nice. Rock It All Night is one of my favorite tracks on the release with a firm blues rock beat with plenty of backbeat, reinforced by Ford and solid harmonica work by Moore. Another solid blues rocker is No Mercy with it's heavy kick by Ryland. Duffey's vocals really work the pocket and Sumner's guitar lead adds real grit. Gallus Pole is a cool boogie with a great bass line by Ford and Moore on harmonica sailing in a swirl around the dynamic vocals of Duffey. Wrapping the release is title track, Ain't Going Back, with it's pure, acoustic blues feel. Simple acoustic guitar lead by Sumner, minimal bass work by Ford, wailing harmonica by Moore and solid vocals by Duffey make for a solid closer. 

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Hard Times Records artist: Piper & The Hard Times - Revelation - New Release Review

 I just had the opportunity to review the most recent release, Revelation, from Piper & The Hard Times, with a solid mix of rock, R&B, funk, soul and blues. Opening with New Orleans flavored, Trouble Man snappy snare work by Dave Colella, Amy Frederick on piano and Hammond, Parker Hawkins on bass and Piper Green rich, soulful vocals. Steve Eagon lays in a real nice guitar solo with nicely saturated tone and plenty of blues and Eddie Meyer adds great depth on tenor sax. Strong opener. Funky, Heart For Sale, has a great bottom thanks to Hawkins and Colella and with nicely added rhythm by Eagon and Frederick and a hot sax solo by Dick Aven, Piper really rocks this track. Crave You has a great driving bass line and I love Eagon's guitar attack and Chris Floyd on harmonica complimenting Piper's vocals. Come Back Knockin' is another romping track with Floyd really sounding off on harmonica and super lead work by Eagon on guitar. One of my favorites on the release. Wrapping the release is slow blues, Twenty Long Years which really is a nice showcase for Piper on vocals. Frederick's key work on this track is really clean and Eagon's guitar phrasing really adds nicely to the track. Excellent closer. 

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Cleopatra Records artist: Cactus - Temple Of Blues - New Release Review

 I just had the opportunity to review the most recent release, Temple of Blues, from Cactus, and it's a strong blues rocker. Opening with Bukka White's Parchment Farm really rocks. Using Mayall's basic arrangement, Carmine Appice on drums really drives it hard with Billy Sheehan on bass, Jim McCarty on guitar, Joe Bonamassa on lead guitar and Jim Stapley on vocal and harp. Excellent opener. Willie Dixon's Evil gets a real nice heavy makeover with heavy weight drum work by Appice and great guitar lead by McCarty. Dug Pinnick on bass really sets the groove and Dee Snider on lead vocal is outrageous. Coopper and White's country anthem, No Need To Worry is now a slow blues with excellent vocal and guitar phrasing by Warren Haynes with Jorgen Carlsson on bass and Appice on drums. Cactus original (from their 70's album) Big Mama Boogie (Pts 1&2) is a great track with Appice in his own seat at drums and James Caputo on bass. Stapley on vocal and harp does a real nice job and Pat Travers on slide really winds it out when Appice kicks it in gear. Dixon's You Can't Judge A Book By The Cover really kicks it featuring Stapley, Caputo and Appice and featuring Artie Dillon on guitar. Solid. Little Richard's Long Tall Sally gets that real "Cactus" treatment with a dynamic heavy bottom by Appice and Kenny Aaronson, Mark Stein on lead vocal and Fernando Perdomo on guitars. Excellent! Wrapping the release is Guiltless Glider with Tim Owens and Appice tearing it up. This is a great closer for one of the most fun real blues rock CDs to hit my desk in a long time. 

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Goldenlane Records artist: Sammy Kershaw - Cross Road Blues - New Release Review

 I just had the opportunity to review the most recent release, Cross Road Blues, by Sammy Kershaw and it's strong. Opening with Albert King's (Booker T) Born Under A Bad Sign, and it's screaming. Kershaw on vocal has a rich voice and with excellent guitar backing by Danny Harvey really hits on all cylinders. Pierre Peligrin holds the bottom tight on bass and Adam Hamilton on drums rounds out the band. I Can't Quit You is a favorite by Willie Dixon and made massively popular Led Zeppelin via Otis Rush. Kershaw's vocal styling has it's own twist and Harvey doesn't follow Rush's lead with his own feel for the blues. Alexia Nikitakis on piano adds great body on piano and Pelegrin and Hamilton add solid bottom. BB King's Be Careful With A Fool is a real nice addition and Kershaw's vocal interpretation being quite similar to King's. Harvey keeps it clean on guitar with solid blues riffs, unlike another famous blues cover by Johnny Winter. Very nice.  Don Nix's Going Down is a rock tower having ben covered by the late Jeff Beck. With the same driving bass line as Clive Chaman by Pelegrin and drums as Cozy Powell  by Pelegrin and piano reinforcement as Max Middleton by Nikitakis, Kershaw adds his own vocal signature and Harvey his own guitar phrasing. Robert Johnson's Crossroads is up next with a rendering of Cream's massive hit with this track. Pelegrin's bass line gives the track a different flavor and Kershaw's vocals again add a new spin. Wrapping the release is Hank Williams Jr.'s, Blues Man. A solid ballad, Kershaw switches gears on this track but chooses a smooth closer. 

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Treated and Released Records artist: Reverend Freakchild - Bare Bones - New Release Review

 I just had the opportunity to review the most recent release, Bare Bones, by Reverend Freakchild, and it's a cool acoustic, blues rocker. Opening with All I Got Is Now, Reverend Freakchild is live with no edits or overdubs, playing his acoustic steel bodied guitar and singing the blues. Solid opener. All Across America, really kicks up it's heels with RF rocking out on his steel body and solid rocking vocals. My favorite track on the release is Amsterdam Blues with RF on rhythmic slide and some of his best vocals on the release. Skyflower is an interesting rocker with a tastes of Lou Reed mixed with The Stones, and articulated nicely on guitar with ringing harmonics. Wrapping the release is Keep On Truckin', RF's inspired mantra on Blind Boy Fuller's / Robert Hunters compositions. This set also includes an extra disc, Odds, Ends and Interviews. This is a cool, raw slice of Freakchild's performance and very enjoyable. 

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Katie Knipp - Me - New Release Review

 

I just had the opportunity to review the newest release, Me, by Katie Knipp, and it's quite entertaining. Opening with slinky, Mud, Katie Knipp is showcased with her intoxicating yet unusual vocal style. She also accompanies herself on piano, joined by Steve Ulstein on guitar and Neil Campisano on drums. Excellent opener. Funky, Vampire has a firm bass line by Ulstein and Knipp leads again on vocal and piano. This track has a number of turns and changes with a strong familiarity and again strong vocals. Time and Space is a really nice ballad with a great melody and showing a different side of Knipp on vocal and joining Ulstein on keys. Very nice. The Devils Armchair is a real cool track with a Spanish flair. I really like Knipp's vocal work and Mick Martin's lead guitar work. Wrapping the release is somber ballad, Lava Pot featuring Knipp on vocal and piano. This is a solid piece of work featuring both strong tunes and serious interpretation. 

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Codacopina Music artist: Black Cat Bones - Troublemaker - New Release Review

 I just had the opportunity to review the most recent release, Troublemaker, by Black Cat Bones, and it's a solid blues based rocker. Opening with Bad Enough, Black Cat Bones hit the road running with a thumping bass line by Jeff Daniels, Bill Greenberg on drums and Charles Pitts on vocals. With Richard Rivera and Kid Dynamite on guitars these guy have plenty of horsepower and aren't shy to unleash it. I really like the paired guitar work ...power vs lead which gives the track a real afterburn. Strong opener. Title track, Troublemaker, is a strong mix of Robert Johnson and southern rock. Pitts vocals have plenty of swagger and Dynamite and Rivera play off of each other with Greenberg and Daniels anchoring. Excellent stones like rocker, Act Like You Don't Care, has a great bottom courtesy of Daniels and Greenberg and lead work by Dynamite and Rivera add just the right grit under the confident vocals of Pitts. Very cool. Blues rocker, Yesterday's Gone really is in the slot giving Dynamite an open lane to play lead and Pitts vocals are strong and gripping. Wrapping the release is Anything Can Happen with it's droning bass line directing the course of the track. Pitts on vocal controls the pace and Dynamite lays in some bluesy rock riffs making this a strong closer. 

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Jay Gordon and Blues Venom - Live at Woodystock Blues Festival - New Release Review

 I just had the opportunity to review the most recent release, Live at Woodystock Blues Festival by Jay Gordon and Blues Venom and it's great heavy rock blues...just the way you like it. Opening with Morganfield's classic, Hoochie Coochie Man and it's breathing fire. I really like Gordon's approach to the blues with a hold nothing back vocal and guitar assault, Sharon Butcher's driving bass lines and Tom Parham keeping it tight on the drums. Powerful opener.  George Thorogood's I Drink Alone is a great fit for Gordon with his scorching slide and hot, overdriven guitar attack. Thumping bass by Butcher really powers the track giving Gordon a great platform to stand on. Really nice. Sonny Boy Williamson's Good Morning Little School Girl gets an excellent cover based on one of my favorite blues rock bands, Ten Years After's arrangement with an excellent driving bottom and Gordon just letting it fly. If you like blues rock...you'll love this. Wrapping the release is Elmore James' Strange Blues with a really heavy bass line/ drum work giving Gordon plenty of space to let the dog off the hook. His guitar style is heavy and overdriven and just perfect for this music. Love this stuff. 

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Stony Plain Records artist: The Fabulous Thunderbirds - Struck Down - New Release Review

 I just had the opportunity to review the most recent release, Struck Down, by The Fabulous Thunderbirds and it's one of their best. Opening with Struck Down By The Blues, Kim Wilson has the mic singing lead vocals on this BB King style track. Johnny Moeller and Steve Strongman handle the gripping guitar lead with Bob Welsh on piano, Rudy Albin Petschauer on drums and Steven Kirsty on drums. Excellent opener. Classic ZZ Top style, one line bass, drives Payback Time features Wilson and Billy Gibbons on lead vocals with great harmonica overtones by Wilson and featuring Gibbons on guitar. Very cool. Bonnie Raitt, Keb Mo and Taj Mahal share the mic on Nothing But Rambling, an easy shuffle with strong harmonica work by Wilson and Keb Mo on slide. Wilson back up front on romping shuffle, Whatcha Do To Me. Elvin Bishop lends his guitar work on his track giving it a nice kick and Wilson's harmonica work turns up the heat with his own spice. I really like Moeller's guitar work on stomping, I've Got Eyes with Wilson's harmonica creating great tension. Wrapping the release is soulful ballad, Sideline, with warm backing vocals by Chris Ayries, a clean sax solo by Kirsty and a strong piano bottom by Welsh. Strong closer for a real nice release. 

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Stony Plain Records artist: Rory Block - Positively 4th Street - New Release Review

 I just had the opportunity to review the most recent release, Positively 4th Street, by Rory Block and it's a stylized tribute to Bob Dylan. Opening with Everything Is Broken, Block gets it rocking with layered guitars and slide, backed by light snare and bass backing her trademark vocals. Solid opener. One of my favorite tracks on the release is Not Dark Yet, a strong blues with Block working guitar magic against her soulful vocals. Smooth slide and concise picking really makes this track stand out. One of my favorite Dylan compositions, Positively 4th Street this is a nice cover with slide accompaniment and drums. Block really captures Dylan's feel on this one. Wrapping the release is Murder Most Foul, a tough track and well dramatized by Block. This is an interesting exploration of one of America's greatest songwriters. 

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Karen Lawrence Hostel Records artist: Karen Lawrence - The Blues Is Back - New Release Review

 I just had the opportunity to review the newest release, The Blues Is Back, by Karen Lawrence and it has a real cool feel. Opening with shuffle, Made To Move, Karen Lawrence on lead really gets a slinky feel. Tony Saracene on guitar lays in some nice slide, with Bobby Donahoe on bass and Thomas Southworth on drums. Driving shuffle I'm Comin' Home is a really cool track with substantial slide work by Saracene and warm organ by by Max Butler. One of my favorites on the release. Title track, The Blues Is Back, is a nice showcase for Lawrence's vocal style and Saracene works the fretboard nicely against  keeping you rocking in your seat. Heaven's Masterpiece is an interesting ballad showcasingnish guitar styling by Saracene and solid vocal work by Lawrence. Wrapping the release is boogie track, Hold Onto Me with it's driving bass line by Ted Chatt and Dan Potruch on drums. Saracene again steps up with some tasty guitar riffs giving the track a stinging edge. Solid closer. 

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Delta Roots Records artist: Gerald McClendon - Down At The Juke Joint - New Release Review

 I just had the opportunity to review the most recent release, Down At The Juke Joint from Gerald McClendon and it's a solid soulful R&B release. Opening with soul track, Back  Where You Belong, drips with soul with Gerald McClendon on lead vocal joined by Tony Llorens on Fender Rhodes, Joe Burba on guitar, Mike Jackson on sax, David Forte on bass, and Twist Turner on drums and Hammond. Title track, Down At The Juke Joint has a real Sam Cooke feel showing McClendon's voice and backed by Mary Lane. Harlan Terson hods it tight on bass and Turner adds melodic faux harmonica. My favorite track on the release is House Ain't A Home featuring Maurice John Vaughn working guitar solo work with McClendon's lead. Forte lays down a firm bass line and The Delta Roots Horns add nice depth. Very cool. I really like Cryin' Time Again with it's  super vocals by McClendon, riding on piano by Llorens, Gurba on guitar, Forte on bass and Turner handling strings and drums. Wrapping the release is top radio track, You're So Fine with is warm melody and backing vocals. Forte's bass line is solid and the Rhodes work by Llorens anchors the track. A nice sax solo by Mike Jackson gives the track a real nice shine. 

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Little Village artist: Jubu Smith - Jubu - New Release Review

 I just had the opportunity to review the most recent release, Jubu, by Jubu Smith and it's a super blend of soul, funk, jazz and blues. Opening with super funky, Hamster Wheel, Jubu Smith on lead guitar pairs with guitar master Charlie Hunter on his hybrid guitar and tight drum work by Calvin Napper on drums. Spinning the top on guitar and with Hunter really working a hot bass line, this is an energetic opener. Kwik-Way Nostalgia is a cool, laid back track with Hunter working the rhythm from the bottom and Smith and Napper playing it straight with it's easy melody and clean, bluesy, articulation. Organizations Sake has a great funky bottom with Napper and Hunter really spanking it along. Smith takes a WW Washington blues (or JG Watson if you prefer) approach with poised phrasing giving the track real spark. EG Is Here is a really cool merger between funk and soul giving it a funky turn on BB King. Hunter and Smith, joined by Eric Gales, really craft a great track here with Napper anchoring the beat. Very cool. One of my favorite tracks on the release is At Long Last is a real piece of art featuring nicely presented melody on electric guitar, clearly articulated and blended with volume swells. Really nice. Wrapping the release is Totally Convicted, a straight up slow blues with Hunter and Napper holding the bottom as Smith lays it all out there. Mixing slide techniques, synthesized guitar, straight up picking and jazz and blues phrasing this is a super closer for a strong release. 

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Guitar One Records artist: The B. Christopher Band - 106 Miles To Chicago - New Release Review

 I just had the opportunity to review the most recent release, 106 Miles To Chicago, from The B. Christopher Band and it's a party band deluxe. Opening with Floyd Dickson's Hey Bartender the band is swinging. With Eddie Testa on vocal, B. Christopher on guitar, Anton Fig on drums, Nick Douglas on bass, Bruce Katz on keys, Andy Snizter on sax, Ryan Keberle on trombone, and Tony Kadleck on trumpet, the house is rockin'. Robert Johnson's Sweet Home Chicago has much of the Blues Brother's swagger with blazing horns, cool piano work by Katz, bluesy guitar swagger by Christopher, a sweltering sax solo by Snizter, warm trombone work by Keberle and smooth vocals by Testa. On Taj Mahal's slinky, She Caught The Katy, Testa really delivers on vocal with Kadleck on trumpet and Studebaker John on harmonica pushing the top. Christopher lays in a real nice guitar solo pulling forth strong emotion from Mahal's original arrangement. Wrapping the release is the horn line from Otis Redding's I Can't Turn You Loose with Katz on organ, Fig on drums, Douglas on bass and Christopher on guitar. A solid Blues Brothers sendoff.  

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Sandwich Factory Records artist: Val Starr & the Blues Rockets - To The Blues and Back Again

 

I just had the opportunity to review the most recent release, To The Blues and Back Again, by Val Starr & the Blues Rockets, and it's a solid blues rocker. Opening with title track, Been To The Blues & Back Again, Val Starr o lead vocal leads the way with Frankie Munz on harmonica playing over a shuffle rhythm by John Ellis on bass, Pamela Charlles on keys, Kirk Hooper on drums and featuring Timothy Brisson on lead guitar. Boogie track, If You Don't Blues It You'll Lose It, Starr really puts some swing in her vocals, with Brisson on lead guitar and solid bass work by Ellis and cool key work by Arthur. With a Latin flavor, Ask Me No Questions, really features the vocal work of Starr and Arthur on organ, and a sassy sax solo by Marty Deradoorian and Brisson on guitar. Stephen Kimball lays down some real tasty guitar riffs on The Blues That Moves Me, a soulful track that could get some real traction. R&B track Big City Blues, has a cool Booker T feel courtesy Ellis on bass and sets a nice stage for Starr's vocals. Wrapping the release is folksy blues, Did You Ever Notice, showcasing Starr's vocals and Ellis on lead guitar. Darrell Lee Echols sits in on drums for this solid closer. 

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Deguello Records artist: Jeff Pitchell - Brown Eyed Blues - New Release Review

 I just had the opportunity to review the most recent release, Brown Eyed Blues, from Jeff Pitchell and it's a lot of fun. Opening with thumping rocker, Now You Know, Jeff Pitchell on lead guitar and vocal sets a finite reference. With grinding guitar tone and solid bass line from John O'Boyle and Ephraim Lowell on drums, this is a powerful opener. Boogie, Wait, is driven by an aggressive bass line by Mike Nunno and Mike Levesque on drums. Pitchell really gets the track rocking with strong vocal lead and great guitar riffs, backed by Colin Tilton on sax, Dan Fontanella on piano, and John Robinson, Theresa Wright and Linda Ransom on backing vocals. Pop rocker, When We Kiss, has a light finky beat and features Duane Betts on guitar, adding the twin lead guitar closely associated with the famous Allman Brothers band. Jay Vernali on piano and organ, Tommy MacDonald on bass and Tom Hambridge on drums make this the radio choice for the release. Latin flavored, Stay While The Night Is Young, features some of Pitchell's best vocals and Santana like Mesa Boogie overdrive. With Nunno on bass, Mike Levesque on drums, Nick Longo on drums, Ivan Santiago on percussion, Kevin Berry on percussion, Bruce Feiner on keys and Vic Steffens on percussion, this is a cool track. Cool shuffle, When It All Comes Down. is one of my favorite tracks on the release, with Pitchell playing call and response with his vocal and guitar. With solid bass and drum backing this track just hits nicely in the slot. Wrapping the release is another Latin flavored track, Welcome To The Beat with Pictell on lead vocal, guitar and bass and Bill Holoman on  drums, keys sax and trumpet, backed by Jim and Gloria Pitchell on vocal. Solid closer. 

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