NOLA Blues Records artist: John Nemeth - May Be The Last Time - New Release Review

 I just had the opportunity to review the most recent release, May Be The Last Time, from John Nemeth and it's really cool. Opening with traditional The Last Time and John Nemeth putting a strong gospel/R&B spin on it. With excellent lead vocal by Nemeth, Elvin Bishop on guitar, Kid Andersen on bass, Bob Welsh on guitar, Willy Jordan on drums and excellent vocal backing by Alabama Mike, Jordan, Andersen and Welsh, this is a terrific opener. With Elvin Bishop on this release it's great to see a resurrection of one of his great tracks, Rockbottom, from the Jo Baker era and featuring Nemeth on harmonica and lead vocal. Bishop steps up with his signature playing style and this release is two and 0. Very nice. Bishop gets the mic on his classic, Stealing Watermelons and with his fat guitar sound coupled with Andersen on guitar and Welsh on baritone guitar, this track is FUNKY. Wilson Pickett's, I Found A Love, works so nicely in this set with both Nemeth and Bishop favoring old soul music. Nemeth's vocals and Bishop's classic slide work really gives this track rocket fuel. Excellent! Wrapping the release is Bishop's I'll Be Glad with his clamped down squawking guitar over a solid bass line by Andersen, soulful vocals by Nemeth and excellent backing vocals by Mike, Jordan, Andersen and Welsh. This release has 11 great tracks (all eleven are great) and leaves you wanting more. This is one of those easy recommendation releases. Just buy it!

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VizzTone Label Group artist: Bob Corritore & Friends - Spider In My Stew - New Release Review

 I just had the opportunity to review the most recent release, Spider In My Stew, from Bob Corritore and Friends and it's terrific. Opening with Tennessee Woman, Corritore on harmonica is joined by Oscar Wilson on vocal, Tony Tomlinson on guitar, Shea Marshall on piano and sax, Patrick Skog on bass and Alan West of drums and percussion. A solid Chicago style track with a Latin beat, this is a solid opener. Moving into a full on romp, Sugaray Rayfield has the lead on vocal on Big Mama's Soul Food, backed by Kid Ramos on guitar, Blake Watson on bass and Marty Dodson on drums. Great vocals by Rayford, Corritore's always always fine harmonica work and saucy guitar work by Ramos give this track real zing. Diunna Greenleaf is upfront on Don't Mess With the Messer and with a snappy drum beat by Andrew Guterman and hot sax work by Doug James, this track is strong. Lurrie Bell delivers really inspired lead vocal and guitar on title track Spider In My Stew with Bob Margolin and Corritore's lower octave harmonica work is terrific. Excellent! Johnny Rawls leads with vocal and guitar on Sleeping With The Blues and it's sensitive BB King approach is rich. Why Am I Treated So Bad is one of my favorites on the release featuring Francine Reed on lead vocal. Her voice is unmistakable and with brother Michael on backing vocals, Corritore soloing on harmonica, Ramos and Johnny Main on guitar, Mike Hightower on bass and Brian Fahey on drums, the deck is stacked for best track on the release. R&B track, Look Out features Alabama Mike on lead vocal with Junior Watson on guitar, Fred Kaplan on piano, Corritore on harmonica, Kedar Roy on bass and Andrew Guterman on drums ramping up the release for the big closer. Wrapping the release is a great rendition of Bob Dylan's I Shall Be Released again featuring Francine Reed. Joined by brother Michael, Ramos and Main on guitars, Hightower on bass and Fahey on drums, this is a strong closer for a really strong release. 

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Eller Soul Records artist: Doug Deming & The Jewel Tones - Complicated Mess - New release review

I just had the opportunity to review the most recent release, Complicated Mess, from Doug Deming and the Jewel Tones and it's really strong. Opening with title track, Complicated Mess, guitar man and vocalist, Doug Deming sets the table for a blues feast. His vocals are solid as always and using machine gun and trem bend, his riffs are hot! Joining are Andrew Gohman on bass and Marty Dodson on drums. Super opener. Kim Wilson's harp work adds great depth and Demings riffs are rich and jazzy on Sweet Poison, a cool bluesy ballad. Sam Theard's classic, You Rascal You, has great wings with Little Charlie Baty on guitar, joining Deming with clever lyrics and an extremely active rhythm section. Excellent! Shuffle, Need My Baby has a great lope and Madison Slim's harp work is strong giving the track a nice edge. My favorite track on the release is slow blues, Deep Blue Sea, with soulful vocal by Deming and smoldering guitar riffs, playing against Bon Welsh's piano workout. Excellent! Bright jazzy instrumental, Captain's Quarters is bass driven by Gohman and Little Charlie and Deming really give it a strong workout. Very nice! Shuffle track, Cookin' At The Kitchen has a great feel with Welsh on piano, Slim on Harp, and tight trums work by Dodson. Wrapping the release is horn soaked instrumental Rat Killin', with Tino Barker on lush bari sax, Sax Gordon on tenor sax, Gohman getting loose on bass and some terrific flight finger work by Deming. Excellent closer for a really strong release. 

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West Tone Records artist: Rockin' Johnny Burgin - Neoprene Fedora - New Release review

I just had the opportunity to review the most recent release, Neoprene Fedora, from Rockin' Johnny Burgin and it's spectacular! I've had the pleasure to review a few Rockin' Johnny releases and also to see him in person and I gotta say, there aren't too many players out there right now that I'd rather see. (Check here to see my recent interview with RJB). He is inventive, his guitar work is clean and distinctive, his vocals are cool and he's music is a lot of fun.

Opening with the title track, Neoprene Fedora, Burgin hits the strip running with a 50's style blues surfer with great great vibrato, and cool phrasing. The Latin beat and the shimmery guitar soloing is out of sight and Nancy Wright's sax work is hot and heavy. Excellent! Joining Burgin are Kid Andersen on guitar, Bob Welsh on guitar, June Core on drums and Chris Matheos on bass. On Guitar King Burgin swings back into his Chicago roots and I really like his vocals. Aki Kumar is back on harp and we know what he can do. Burgin's guitar soloing sets the groove and together with Kumar on harp and Stephen Dougherty on drums...this track hits hard. On Won't Get Married Again, Burgin blends a Bloomfield like vocal delivery with an off beat gait. Playing harp himself and with an odd scatter guitar style, this is a track to hear. Unusually cool. With a slower lope, Give Me An Hour In Your Garden, Burgin delivers solid, expressive vocals with Albert King like sting on guitar. Vance Ehkers bass work on this track helps to set off Burgin's masterful guitar riffs giving this track a memorable sting. Steve Willis opens Kinda Wild Woman, a R&B track, with accordion flair and Billy Wilson's rubbing board work adds to the natural texture.  On Please Tell Me, Burgin's vocals are solid and his slide playing very slick but catch Wright blowing the roof off on this one (on sax). With real Cajun feel, Burgin and Willis create the environment and Welsh adds a nice piano riff giving the track even more texture. Another cool blues swinger, (Let Me Be) Your Teddy Bear has a cool BB King like feel with Rockin' Johnny at his most relaxed, just letting it flow over Ehler's bass line. Very nice. Ultra funky blues track, Smoke and Mirrors even has wah wah pedal. I mean...it's funky. Get ready to dance. Burgin steps into new territory on this one and he's channeling Buddy Guy. With Alabama Mike on backing vocals and Kumar on harp, this track is FUNKY! Alabama Mike takes the mic on I Did the Best I Could and Burgin digs in on guitar with Albert King like attack. This guy can really do it all and continues to show that with every note... I mean this guy has feel...excellent! Another Chicago style blues, Self Made Man, features Kumar on lead vocal and Burgin sits back and just stings the strings. You don't have to listen hard to hear this guy. He sticks it in your ear for you. Buddy Guy has to smile listening to this guy!  On shuffle track, You Gotta Work Fast, Burgin is back up front on vocal. With a great walking bass line from Ehlers and Kumar on harp, Burgin steps high with powerful, solid riffs, which seems to pull his vocals even more into the groove. I Ain't Gonna Be A Working Man No More has super Morganfield feel and Burgin reinforces this on guitar (think Rollin' and Tumblin') and playing is straight and simple, this track just moves. Another funky track, My Life's Enough For Me, has a great bass line compliments of Ehler's and nasty, nasty guitar lead. Burgin's vocals really emphasize his work and I'm glad he continues to develop his own voice. Check how he absolutely slays the guitar solo on this one. Ouch...man that's great! Wrapping the release is slow, Willie Dixon like track, Goodbye Chicago with excellent John Lee Hooker like vocal phrasing and Howlin' Wolf like aesthetic by Burgin. Nancy Wright is so excellent every time I hear her and her playing on this track is no exception. The choice to feature her on this release was brilliant. Burgin pays tribute to all the blues kings as he loosely riffs on guitar with Kumar on harp.  This is really is the path of the contemporary blues. I hope that the young players are listening. This is it! Truly amazing release!

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Interview with the dynamic Rockin’ Johnny Burgin

Bman: Hi Johnny, Haven’t seen you in a while. I'm really sorry that I missed your show in Phoenix. I was in Europe and just got back. One show I really wanted to see. How did it go?

RJB: I had a great show in Phoenix. "Bob Corritore and " Dave Riley sat in.  I had a great bassist from Alburquerque, J.D. Sipe, and Brian Fahey from The Paladains on drums.  I hadn't played with him since a tour in Europe three or so years ago with Mud Morganfield and Taildragger.

Bman: Wow. That must have been a great show! Damn. I really wanted to see you. Are you coming back again this year?

RJB: I hope to be back in October.

Bman: Great! I should be  good then. I don't think I have anything planned for October. Last I heard you were in Europe with Aki Kumar . I love Europe. How did the tour go? Where were you?

RJB: I left for Europe on Halloween, and got back at Christmas.  The first two weeks of the tour were with Aki Kumar and our West Coast Meets Chicago project.  We hit Sweden (w/ Trickbag ), the Netherlands, and the Bay Car Blues Festival in France and some FR club dates.  Then Aki went home, and I went to Finland, Italy and Spain.   

Bman:  So you’ve been back on US soil for a while. What have you been up to? Still touring or in the studio?

RJB: In January, I was in the Bay area the whole time.  I played New Year's Eve with Nick Gravenites and long time Elvin Bishop drummer Gary Silva on drums. That was fun.  In January, I cut material for a new Rockin Johnny Burgin CD, Neoprene Fedora .
 

It'll be out by March 15.  I had Nancy Wright on it, Vance Ehlers, June Core (the rhythm section on Greaseland), not to mention 3 zydeco songs I wrote with Billy Williams on rub board and Steve Willis (plays w Elvin) on accordion.  Kid Andersen and Bob Welsh played guitars and pianos, and Aki was on it as well.  He did two songs on vocal, and Alabama Mike did two songs I wrote.  Out of 16 tunes, I did three covers, a Johnny Littlejohn song, an LV Banks song, and a Little Joe Blue Song.  And Aki did a song by Willie Williams, which makes 12 originals-- that's a record.

Bman: Outstanding! I love the stuff that comes out of Greaseland and that lineup is top notch. I'm looking forward to see what you came up with. I also heard that you caught up with Quique Gomez in Spain. Outstanding! I'm really looking forward to hearing it.

RJB: Quique is a good friend, I've worked with him in Spain and America many, many times.  When Aki went home I caught up with him. I cut a cd's worth of stuff with Quique  in Toledo.  It'll come out in the summer. I'm glad we finally did a cd together. 

Bman: Weren’t you also in session with Mike Mettalia?

RJB: Yes, I've known Mike since the Smoke Daddy days in the 90s.  He wanted to do some sessions with Little Jerry Jones, Mary Lane, and Milwaukee Slim (and me!) so I acted as a liaison.  We've done some nice shows together over the years.  He's really keeping the blues alive in my book! 

Bman:  I really need to check that out! What else have you got cooking as if that isn’t enough?

RJB: Right now I'm doing a three month tour that started in San Jose, then went to Phoenix, Alburquerque, Dallas, it's going to  Houston, Clarksdale, Springfield, Chicago, Minneapolis, Toronto, France, Russia, then flying back to Chicago and driving back to SF doing gigs in NE and Utah.   Doing a session with Jeremy Johnson in Minneapolis in March, he's a great engineer (he did RJ Mischo's latest cd) drummer and guitarist.  I've always wanted to record with him.
Also doing a session on this trip with Sugar Brown (Ken Kawashima) in Toronto.  We're old college buddies and started out together with Taildragger.  He's a great player and songwriter.  

Bman: Yeah, I like Sugar Brown's work. Lot of talent there.

RJB: I am doing a tour in Sweden in May with Aki and Trickbag.  I'm doing the 10th anniversary Blues Fest after party at Reggie's with special guests TBA in Chicago in June.  Also I'm playing the Bluesfest with Mary Lane.  Playing King Biscuit with Taildragger in October  and I'll be touring a lot to promote Neoprene Fedora , as well and my release wtih Quique when it comes out.

Bman: Man. You are a busy guy. Thanks for taking the time to talk with me. Now I got to get some CD's and sit back and enjoy!

RJB: Thanks a lot Bman

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

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Michael Benjamin artist: Alabama Mike - Upset The Status Quo - New Release Review

I just received the newest release, Upset The Status Quo, from Alabama Mike, and it's a cool groove. Blending R&B, Blues and funk, Mike has put together a fine set here. Opening with title track, Upset The Statue Quo, a bluesy shuffle, Mike leads the way on vocal joined by Aki Kumar on harp, Bernard Anderson on sax, Kid Andersen and Bob Welsh on guitar, Kedar Roy on bass and D'Mar Martin on drums, this track is a great start. Identity Theft opens with a a cool bass line from Jerry Jemmott this track and an overall R&B feel which is quite cool. B3 punctuation, backing vocals by Loralee Christansen and Lisa Leuschner and a hot sax solo by Anderson tops the track off nicely. Low slung blues number, MISSISSIPPI is a great track with a serious lope and Kumar doing some fine work on harp and a nice piano solo from Bob Welsh. Funky number, Think, also shows the strong bass work of Jemmott and features nice B3, Anderson on sax as well as a hot guitar solo from Kid Andersen and piano from Welsh. Very cool. Can't Stay Here Long is a really super track, possibly my favorite on the release, featuring Mike's most soulful vocals on the release. With a gospel feel, Fight For Your Love, makes you just want to jump. There's nice piano work by Welsh, cool B3 work by Jim Pugh, slide guitar work by Jon Lawton and Ronnie Smith lays down a snappy drum line. Restraining Order again has a heavy bass line by Jemmott, with sweet backing vocals by Loralee and Lisa. Nicely interwoven instrumental support on sax, organ and drums gives this track a really super radio style. Rock Me In Your Arms has a traditional R&B feel with an almost Van Morrison vocal style. Sax, guitar and drums carry the body of the vocal accompaniment with nice bass lines by Kedar Roy. Very nice. SSI Blues has a "Walking Blues" feel with Kumar on harp, Lawton on slide and Roy on bass. Another strong R&B style entry, Somewhere Down The Line, is particularly melodic and seductive. With it's club feel cool slide work by Lawton and sassy sax work by Anderson, this is another release favorite. Wrapping the release is God Is With You (Benediction), a very strong R&B track with screaming hot sax work from Anderson. Jemmott's ever present bass line is distinctive and warm and with Pugh on B3, Welsh on piano and nicely placed backing vocals, this is a terrific finish to a really fine release.




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Delta Groove Music artist: Andy Santana & the West Coast Playboys - Watch Your Step - New Release Review

I just received the newest release, Watch Your Step, from Andy Santana & the West Coast Playboys and it's a mover! Opening with Fran and West 50's R&B track, Knock Knock,Santana delivers with a full New Orleans swing. Bob Welsh handles piano in fine form, joined by Anthony Paule on guitar, Kid Andersen bass, Robi Bean takes on the drums and Frankie Ramos hits a hot sax solo. Very nice! Bobby Parker's Watch Your Step has a cool Latin rhythm and Santana carries lead vocal and some really tasty lead guitar. Kid Andersen kits the sax on this track adding some key lines and Nate Ginsberg handles the keys. Dave Bartholomew's swing boogie, Playgirl is a really nice track to feature the fine harp work of Santana. He also takes a great lead guitar solo on this track backed by Kid Andersen as well as Mike McCurdy on bass and Robi Bean on drums. Hot track! ZZ Hills R&B track, One Way Love Affair had some real nice dynamics compliments of Eric Spaulding on sax, Jack Sanford on bari and Manny Angel on trumpet. Santana again takes center stage on guitar laying down some really gritty lead riffs backed by Rusty Zinn. Ginsberg is back on B3 and Mike Phillips lays down some real nice bass lines. Hi steppin R&B track, Love Sickness, penned by Bonny Rice features Bob Welsh on lead guitar Lorenzo Farrell on B3, Phillips on bass, and D'Mar on drums but it's the groove that pumps this track. Gill and Jones', up tempo jump boogie track, You May Not Know, features solid vocals by Santana and again he gets a fine opportunity to hit the harp. Welsh on piano and warm vocal backing by Lisa Leu Andersen add a solid middle as Paule hits it hard on lead guitar solo. Rick Estrin track, No Double Talk, has a 60's rock feel with wild guitar effects from Kid Andersen and keys by Welsh. Chuck Willis' super nice slow blues number, Can't You See, features Santana on some of his strongest vocals and Paule steps up on lead guitar. Farrell's B3 work compliments Paule's extremely tasty guitar riffs with B3 warmth, Welsh pulls out some strong piano lines, Phillips riding on bass and June Core keeps the drums low and tight. Phillips really drives rocker, Take Me Back,on bass and Santana shows his guitar flash once again with cool retro guitar riffs. Very cool! Funky Greaseland, is a cool instrumental with Santana, Paule, Mighty Mike Schermer and Welsh each taking turns at lead guitar. Santana even takes an interesting Moog interlude on this one. Phillips plays a pretty plucky bass line and Core holds down the bottom on drums. Very nice! One of my favorite tracks on the release, You Smell Like Cookies, a straight up Chicago style shuffle. Jammin the harp balanced against Welsh on piano and featuring Paule on lead guitar, this track is really sweet! What's Wrong? has some really interesting components over a basic blues rocker including some cool keyboard tones from Farrell and and surf machine gun guitar from Andersen. Wrapping the release is another Dave Bartholomew R&B track, Go On Fool. A country style guitar riff by Andersen and a hot sax solo by Ramos gives it flair and Spaulding, Sanford and Angel on horns and LL Andersen on percussion and shouts give it a bit of a New Orleans finish. Cool closer to a very enjoyable release.

   

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Greaseland Records artist: Aki Kumar - Don't Hold Back - New Release Review

I just received the newest release from Aki Kumar and it's a solid dose of Chicago blues. Opening with Snooky Pryor's Judgement Day, a smooth slinging number, has Kumar on vocal and harp and Little Jonny with crisp guitar work. On Hank Ballard's Hoochie Coochie Coo, Kumar really gets the band in the groove with his focused vocals. Frankie Ramos adds a real nice sax soloing to the mix and Bob Welsh lays down some real nice piano lead. I particularly like Rusty Zinn's guitar soloing on this track. On title track, Don't Hold Back, Ramos again adds the heat on sax and June Core on drums as well as Vance Ehlers on bass really hold the line. On James Moore's Buzzin', Core sets a snappy snare rhythm and Kumar sets up a nice harp melody. Johnny Cat Soubrand and Little Jonny lay down some nice guitar on this track as well. On original track, Let Me Get Closer, Kumar really sets a nice table both vocally and on harp. On Jimmy Reed's She Don't Want Me No More, Welsh rolls a super nice piano solo and Kumar slams down hard with a nice ripper of his own. One of my favorite tracks on the release, Drifting Blues, has an almost John lee Hooker like drive to it. With essentially no bridge, this track is a full blown train rolling down the tracks and Kumar is blowin the harp. Very nice! Little Walter track Blue Baby has a real nice simple pace backed by Welsh on piano and with nicely placed harp riffs throughout. A real nice harp solo carries the melody on this track making it another of the best tracks on the release. On Willie Dixon's I'll Get You Too the band gets a bit of the 60's rock feel with a distinct drum pattern and sax work from Ramos. Kumar on vocal and Kid Anderson on organ nicely embellish the authentic feel of this track. LC Fraiser track, Wish Me Well, has a real nice groove complimented by Welsh and Soubrand and Little Jonny and Kumar does his best harp work on this track. Classic blues track Freight Train finds Litte Jonny on lead vocal and Kumar laying down a great train riff along side of simple acoustic country slide. Very nice! An extremely hot jump track, The Mumbai Express, is up next and a perfect showcase for Kumar to show what he's got. This is a great shuffle track with Soubrand laying in some really nice guitar riffs. Excellent! Wrapping the release is Ajeeb Daastaan Hai Yeh (A Strange Story), which has a definite eastern twist. With it's 50's styling, it shows a world interpretation on our native blues. Unconventional guitar patterns and vocal styling complimented by traditional blues sax riffs make for an interesting conclusion to an otherwise straightforward Chicago blues release.

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