She's Worse - Queen Sylvia Embry

Carey Bell-voc/harmonica Louisiana Red-git Jimmy Rodgers-git Lovie Lee-piano Queen Sylvia Embry-bass Charles"Honey Boy"Otis-drums For a period of time in the ‘70s and ‘80s, it appeared that Queen Sylvia Embry was going to emerge as one of Chicago’s leading blues women. After she emerged from her role as bass player for Lefty Dizz and the Shock treatment in the late 1970s, she began fronting her own small band in South Side clubs and making guest appearances on the North Side circuit. Everywhere she went, her big smile, warm stage presence, rich gospel-rooted voice and solid bass playing won her new fans. There were (and are) only a few professional-quality instrumentalists among the city’s blues women, and only one other playing bass. “I played piano when I first started out as a kid,” Sylvia recalled, “and I got away from it because my grandmother was very strict. She demanded I play gospel, and I wanted to play a little boogie-woogie. I was crazy about Chuck Berry and Lloyd Price; I didn’t care for blues then. My grandmother and her friends would drink white lightning and play blues records at their little outdoor cookouts, but she didn’t want me to do it.” To please her family, Sylvia sang in church choirs, even in a professional gospel group, The Southern Echoes, while a teenager. But at the age of nineteen, her ambitions grew bigger than the tiny town of Wabbaseka, Arkansas (where she was born in 1941) could hold. “I always wanted to be an actress or a vocalist. So I left home, went to Memphis. But unfortunately I got married, started to raise a family. I really didn’t trust leaving my home with someone else, so I was mainly a common housewife.”

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American Folk Blues Festival '83 Complete German TV Show

James "Sparky" Rucker Larry Johnson Louisiana Red Lonnie Pitchford Louisiana Red & Carey Bell Lovie Lee & Band Queen Sylvia Embry & Friends rec. October 30th, 1983, at the Volksbildungsheim, Frankfurt a. M., and November 11th, 1983 at the Music Hall, Würzburg The American Folk Blues Festival was a music festival that toured Europe beginning in 1962. German jazz publicist Joachim-Ernst Berendt first had the idea of bringing original African-American blues performers to Europe. Jazz had become very popular, and rock and roll was just gaining a foothold, and both genres drew influences directly back to the blues. Berendt thought that European audiences would flock to concert halls to see them in person. Promoters Horst Lippmann and Fritz Rau brought this idea to reality. By contacting Willie Dixon, an influential blues composer and bassist from Chicago, they were given access to the blues culture of the southern United States. The first festival was held in 1962, and they continued almost annually until 1972, after an eight-year hiatus reviving the festival in 1980 until its final performance in 1985. The concerts featured some of the leading blues artists of the 1960s, such as Muddy Waters, Howlin' Wolf, Willie Dixon, John Lee Hooker and Sonny Boy Williamson, some playing in unique combinations such as T-Bone Walker playing guitar for pianist Memphis Slim, Otis Rush with Junior Wells, Sonny Boy Williamson with Muddy Waters. The Festival DVDs include the only known footage of Little Walter, and rare recordings of John Lee Hooker playing harmonica. Attendees of the first London festivals are believed to include such influential musicians as Mick Jagger, Eric Burdon, Eric Clapton, and Steve Winwood, who were the primary movers in the blues explosion that would lead to the British Invasion. Sonny Boy Williamson's visit to London with the 1963 festival led to him spending a year in Europe including recording the Sonny Boy Williamson and The Yardbirds album, (first released on Star-Club Records in 1965), and recording with The Animals. Sites where the festival was held included London, Hamburg, Paris, and others. Blues musicians who performed included: Muddy Waters, Sonny Boy Williamson, John Lee Hooker, Sippie Wallace, T-Bone Walker, Sonny Terry & Brownie McGhee, Memphis Slim, Otis Rush, Lonnie Johnson, Eddie Boyd, Big Walter Horton, Junior Wells, Big Joe Williams, Mississippi Fred McDowell, Willie Dixon, Otis Spann, Big Mama Thornton, Bukka White Howlin' Wolf (with a band made up of Sunnyland Slim, Hubert Sumlin, Willie Dixon and drummer Clifton James), Champion Jack Dupree, Son House, Skip James, Sleepy John Estes, Little Brother Montgomery, Victoria Spivey, J. B. Lenoir, Little Walter, Carey Bell, Louisiana Red, Lightnin' Hopkins, Joe Turner, Buddy Guy, Magic Sam, Lee Jackson, Roosevelt Sykes, Doctor Ross, Koko Taylor, Hound Dog Taylor, Archie Edwards, and Helen Humes. If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, -  ”LIKE” ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorite band!

Carey Bell and Cooper Terry

Cooper Terry (San Antonio, 1949 – San Francisco, 1993) was a guitarist and American blues harmonica player, active for many years in Italy. His real name is Verl Cooper Jr. After the first musical experiences in the United States as a session musician for musicians such as John Lee Hooker and Sonny Terry, Cooper moved to Europe in 1970, settling in Milan in 1972. Here begins to play regularly on the premises that flock to the Milanese jazz and blues scene, coming into contact with characters who then will prove important in his path, like the harmonica player Fabio Treves and bassist Lillo Attested, and laying the foundations of what will be the Italian blues scene. In 1980 know Aida, Aida Cooper today, Loredana Berté ' future Chorister and then appreciated soloist, with which to start a partnership and sentimental music and culminating with the album ' Feeling Good ' If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, -  ”LIKE” ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorite band!

In The Valley - Willie Williams

Willie Williams (drums,) Hubert Sumlin (lead guitar), Willie "Pinetop" Perkins (piano), Eddie Taylor (g), Roy Lee Johnson (rhythm g), Odell, Joe Harper (bass), Carey Bell & Little Mack (harp) I can't find much about Willie Williams, a blues singer & drummer who recorded one album in the early 1970's. If anyone has anything on him please let me know. He's in good company! If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, -  ”LIKE” ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorite band! This is a pretty cool track but unfortunately the link is a bit messed up so please click video to hear the track. Video

Easy to Love You - Carey Bell & The Sons Of Blues

Carey Bell (November 14, 1936 – May 6, 2007) was an American blues musician, who played the harmonica in the Chicago blues style. Bell played harmonica (harp) and bass for other blues musicians during the late 1950s, 1960s and early 1970s before embarking on a solo career. Besides his own albums, he recorded as an accompanist or duo artist with Earl Hooker, Robert Nighthawk, Lowell Fulson, Eddie Taylor, Louisiana Red, Jimmy Dawkins as well as a frequent partner with his son, guitarist Lurrie Bell. Blues Revue called Bell "one of Chicago’s finest harpists." The Chicago Tribune said Bell is "a terrific talent in the tradition of Sonny Boy Williamson and Little Walter. Bell was born Carey Bell Harrington in Macon, Mississippi. As a child, Bell was intrigued by the music of Louis Jordan. Bell wanted a saxophone in order to be like his hero Jordan; however, Bell's family could not afford a saxophone he had to settle for the harmonica, colloquially known as a "Mississippi saxophone." Soon Bell was attracted by the blues harmonica greats: DeFord Bailey, Big Walter Horton, Marion "Little Walter" Jacobs, and Sonny Boy Williamson I and II. Bell taught himself to play. By the time he was eight, he was quite proficient on the instrument. When he was thirteen, Bell joined his pianist godfather Lovie Lee's blues band. In September 1956, Lovie Lee convinced Bell to go with him to Chicago. Not long after arriving, Bell went to the Club Zanzibar, where Little Walter was appearing. Bell met Walter and later learned some harp playing from him and his main Chicago teacher, Big Walter Horton. To help further his chances of employment as a musician, Bell learned how to play the electric bass (from Hound Dog Taylor). Despite Bell's learning from some of the greatest blues harp players of the genre, he arrived in Chicago at an unfortunate time. The demand for harp players was decreasing there as electric guitar became the prominent blues instrument. To pay the bills, Bell continued to play bass and joined several bands as a bassist. In the late 1960s, he appeared regularly on the west side of Chicago with guitarists Eddie Taylor and Royal Johnson, playing both harmonica and bass. In 1969 Bell toured Europe and the UK with the American Folk Blues Festival, and played at the Royal Albert Hall in London, appearing on a live recording of the event. In 1969, Delmark Records in Chicago released Bell's debut LP, Carey Bell's Blues Harp. Bell played with Muddy Waters in late 1970 and 1971 and later with Willie Dixon's Chicago Blues All-Stars. In 1972, Bell teamed up with Big Walter in the studio and released Big Walter Horton with Carey Bell for Alligator Records. A year later Bell released a solo project entitled Last Night for ABC Bluesway. Bell continued to play with Dixon as well as with his own groups, and in 1978, Bell was featured on the Grammy-nominated album Living Chicago Blues on Alligator. Also, in the 1970s, Bell appeared on two Bob Riedy Blues Band recordings. During the 1980s Bell continued to record for various labels and to tour. In 1990, Bell teamed up with fellow harpists Junior Wells, James Cotton and Billy Branch to record Harp Attack!. A modern Blues classic, Harp Attack! became one of Alligator Records's best selling albums. Despite years in the business and work with Alligator, Bell's first full-length solo album for the label was not until Deep Down, released in 1995. In 1997, Bell released the second album on the label Good Luck Man. Second Nature (originally recorded in Finland a few years earlier) followed in 2004; a duet album with his guitarist son, Lurrie Bell (who shared the guitar duties with Carl Weathersby on Deep Down). In 1998, Bell was awarded the Blues Music Award for Traditional Male Artist Of The Year. In 2007, Delmark Records released a live set by Bell, accompanied by a band which included his son Lurrie, guitarist Scott Cable, Kenny Smith, Bob Stroger and Joe Thomas. Carey Bell died of heart failure on May 6, 2007, in Chicago, Illinois. If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, -  ”LIKE” ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorite band!

Nobody Knows My Troubles - Lovie Lee with Carey Bell

Lovie Lee (March 17, 1909 – May 23, 1997) was an American electric blues pianist and singer. He is best known for his work accompanying Muddy Waters, although he did record a solo album in 1992. He was the 'adoptive stepfather' of fellow bluesman, Carey Bell, and thus 'grandfather' to Lurrie Bell.
He was born Edward Lee Watson in Chattanooga, Tennessee, United States. Lee grew up in Meridian, Mississippi, and was self taught on the piano, utilising his skills in various churches, and playing at rodeos and vaudeville. He had already acquired his nickname, 'Lovie', from a doting aunt. He found part time employment playing with the Swinging Cats in the early 1950s. The outfit included Carey Bell, who Lee took under his 'fatherly' protection, and they jointly relocated to Chicago, Illinois in September 1956. Lee worked during the day in a woodworking factory, and for many years played in the evening in numerous Chicago blues nightclubs, including Porter's Lounge. He was well known around Chicago for his blues piano playing. Lee later worked as an upholsterer, but kept together his backing band, known as the Sensationals.

After he retired from full-time day work, Lee joined Muddy Waters band in 1979, replacing Pinetop Perkins on the piano stool. He was recommended to Muddy Waters by George "Mojo" Buford, after Lee had worked with Buford in North Dakota. Lee stayed in situ until Muddy's death in 1983, and then returned to playing in Chicago clubs.

Lee made some private recordings in both 1984 and 1989, and this work plus later contemporary tracks, were released as the album Good Candy (1992). His recording utilised musicians such as Eddie Taylor, Odie Payne, plus both Carey and Lurrie Bell.

Lee died in Chicago in May 1997
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She's Worse - Carey Bell

Carey Bell (November 14, 1936 - May 6, 2007) was an American blues musician, who played the harmonica in the Chicago blues style. Bell played harmonica (harp) and bass for other blues musicians during the late 1950s, 1960s and early 1970s before embarking on a solo career. Besides his own albums, he recorded as an accompanist or duo artist with Earl Hooker, Robert Nighthawk, Lowell Fulson, Eddie Taylor, Louisiana Red, Jimmy Dawkins as well as a frequent partner with his son, guitarist Lurrie Bell. Blues Revue called Bell "one of Chicago’s finest harpists." The Chicago Tribune said Bell is "a terrific talent in the tradition of Sonny Boy Williamson and Little Walter.
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Carey Bell-voc/harmonica
Louisiana Red-git
Jimmy Rodgers-git
Lovie Lee-piano
Queen Sylvia Embry-bass
Charles"Honey Boy"Otis-drums
rec-live in germany 1983

Easy To Love You - Carey Bell

Carey Bell (November 14, 1936 - May 6, 2007) was an American blues musician, who played the harmonica in the Chicago blues style. Bell played harmonica (harp) and bass for other blues musicians during the late 1950s, 1960s and early 1970s before embarking on a solo career. Besides his own albums, he recorded as an accompanist or duo artist with Earl Hooker, Robert Nighthawk, Lowell Fulson, Eddie Taylor, Louisiana Red, Jimmy Dawkins as well as a frequent partner with his son, guitarist Lurrie Bell. Blues Revue called Bell "one of Chicago’s finest harpists." The Chicago Tribune said Bell is "a terrific talent in the tradition of Sonny Boy Williamson and Little Walter."