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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
I just had the opportunity to review the most recent release, Trouble Is...25, from Kenny Wayne Shepherd and it's great to hear. A release and reinterpretation of his second release, Trouble Is, Trouble Is ...25 sounds pretty fresh. Opening with Slow Ride, KWS really gets the program started with great vocals, high energy blues riffs, and excellent sustain. With Chris Layton on drums, Kevin McCormick on bass and Reese Wynans on keys, this is a strong opener. Laid back, Everything Is Broken, anchored by Layton, has great drive and KWS shows all of the southern guitar spunk he has accumulated during his career. (Long) Gone has terrific Texas style swagger with hot guitar riffs and the addition of harmonica on this track really pumps it up. Classic, Somehow, Somewhere, Someday is just slow (fast) enough to really hit the groove. Wynans keyboard adds real tension and KWS's guitar work is stinging. Wrapping the release is Bob Dylan's fabulous Ballad of a Thin Man and KWS really knows how to work it. His vocals are soulful and believable and his responding guitar riffs scream. Wynans' organ and piano add another dimension. This is an excellent closer for a really strong redo by Shepherd. I'm checking out the concert DVD later tonight.
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I just had the opportunity to review the most recent release, The Ice Queen, from Sue Foley and I think it may be her best yet. Opening with Come To Me with Charlie Sexton joining on vocal and slide guitar, Foley adds a little funk to her already bluesy deal with Chris Maresh on bass, Chris Layton on drums and Kyle Thompson on maracas. Run has a country 2 step feel and Foley really drives this one with her ambitious guitar rhythm. Slow blues and title track, The Ice Queen, shows Foley at her purest with George rains on drums and Billy Horton on bass. Her riffs are right off a Hooker release and her vocals are simple and direct. Very nice. Shuffle track, The Lucky Ones features Jimmie Vaughan trading lead vocal and guitar riffs. With the addition of Mike Flanigin or organ, the track has an additional dimension and Foley's guitar riffs play nicely against Vaughan's. Billy Gibbons joins on Fool's Golds and his vocals really work great with Foley's. his solo work is always distinctive and effortless giving this track a nice sparkle. Blues ballad, If I Have Forsaken You is the strongest melodic track on the release giving it solid radio potential and Vaughan's distinctive playing style and tone shine. An updated cover of Bessie Smith's Send Me To the 'Lectric Chair is cool and fun. With Spanish and classical influences, The Dance highlight's Foley's acoustic guitar proficiency and also adds nicely to the overall texture of the release. Wrapping the release is Carter family's Cannonball Blues, again only Foley on acoustic guitar and vocal. This is a real nice closer for a totally enjoyable release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just received the newest release, 25 Year Retrospective, from Tommy McCoy and it's exceptional! Opening with The King Is Gone, a really nice tribute to BB King structured along the lines of The Thrill Is Gone. McCoy really does a nice job of capturing the spirit of BB and the band, with McCoy on vocal and guitar, Theodore Alexiou on guitar, Demetris Georgopoulos on bass, John Dinoulas on drums and Kostas Tenezos on harp is spot on. R&B track, I Got A Reason, has a light pop feel and features Babis Tsitivigos on sax. The Change Is In has more of a rock feel but maintaining a bit of R&B. Mark McCoy on bass, Calvin Cratic on guitar, John Street on keys and Pat Geoffrey on keys set a nice stage for a fine biting guitar solo from McCoy on guitar, nicely complimenting his vocal led melody. Blues driver, No Love Without Any Green, has a great rhythm line fed my Tommy Shannon and Chris Layton. McCoy rips a hot guitar solo on this track with a crisp drumming and solid bass. Tropical Depression, a soulful ballad, finds McCoys vocals floating on an easy melody by Mondo Bizarro onbass, Chaz Trippy on drums and John Street on drums. Ludella has a polished jazz rocker feel. Featuring William Harris Jr. on bass, Popcorn Chuck Louden on drums and Lucky Peterson on B3 this track it developes a nice solo shootout between Peterson on B3 and McCoy on guitar. Nice! Love n' Money is one of my favorite tracks on disc one featuring Shannon and Layton again plus Street. A guitar instrumental, this track gives McCoy a really nice opportunity to stretch on guitar and he takes the chance and doesn't waste a note. Excellent! Blues fused, They Killed That Man, features only McCoy on acoustic guitar and vocal with Ed Lanier on upright bass. Very expressive. Blues Thing has a bit of a Freddie King feel with Peterson on B3. This tracks is hot! A Man Who Cried has a R&B format with Harris Jr. on bass, Louden on drums and Peterson on B3. Bitter Soul To Heal is an absolute smoker! Featuring Harris Jr on bass, Popcorn on drums and Peterson on keys. Peterson and McCoy each take really nice solos on this track making an absolutely excellent blues number. Talkin' To Myself has a country 2 step feel featuring Chris Lomas on bass, Tony Baylis on drums and Fred Skidmore on keys. Nice changeup and a good rocker. Ace In The Hole has a bit of a funky feel with nice slide work from Jimmy Bennett. Mark McCoy hits the bass with Levon Helm on drums, Garth Hudson on B3 and George Triconi on piano and McCoy on vocal, guitar and mandolin. A definite Band influence with a cool solo from Hudson. Very nice! A quiet ballad, Angels Serenade wraps disc one with the same lineup but adding Anastasia on piano with it's waltz like tempo.
Opening disc two is Little Feat's Spanish Moon with all of the complexity of Little Feat's original. McCoy on guitar and vocal is joined on guitar by Branson Welsh, Mark McCoy on bass, Levon Helm on drums, Garth Hudson on B3 Triconi on piano and Tim Eddy adding really full horn work. Excellent! Poverty has a Isley's feel with Ken West on Bass, Tony Coleman on drums, Street on keys, Charlie De Chant on hot sax and Larry Mergillano on trumpet. Angel On My Shoulder, Devil On My Back has a bit of a swampy sound with a super complex funky drum beat. Joel Tatangelo on slide, Al Razz on bass, Pug Baker on drums and Tim Heding on B3 really deliver on this track making it another favorite on the release. Guitar solos from McCoy and Tatangelo as well as super keys and hot drums make this track a smoker. Swing track, Black Eldorado Red kicks butt with nice piano work from Commander Cody. McCoy on guitar and vocal is complimented by Pat Bregan on guitar, Mike Chavers on bass on James Vernardo on drums. Hot! Lay My Demons Down, is a soulful track with gospel overtones. It's slow, smokey, feel accented by punchy guitar riffs from McCoy makes this one of the nice tracks on the release. With Harris Jr on bass, Popcorn on drums and Lucky Peterson on supple organ solo's, this is a definite must hear. Smokin! Late In The Lonely Night has a Robert Cray R&B bluesy feel and I personally think that may be the best showing of McCoy's vocals. McCoy's guitar riffs have more bite on this track joined by Razz on bass, Pug Baker on drums and Tim Heding on B3. Another super track this release just keeps piling them up. Ok...Pink Floyds Money, gets a jazzy makeover and I really like it. It has a definite Shannon/Layton feel joined by DeChant on sax. I have noticed a number of times during this recording the clarity and presence. DeChant's sax solo is a clear example and McCoys own guitar solo is hot! Excellent! Broke, You're A Joke is a funky track with a bit of country. Very cool blend. With Joel Brodsky on bass and Calvin Cratic on drums this is a tight little blues rocker. Tommy takes a break again on this disc with Sugar Cane for a solo acoustic number and a more rural feel. Simple, straight forward, nice! Language Of Love, kicked off by a hot drum riff by Dave Reinhardt on drums and Karen Caruthers and Karyn Denham on vocal, this track has a life of it's own. Featuring McCoy on some of his best lead vocals, Rob McDowell on bass and Karen Caruthers on piano this track has a really nice feel. McCoy rips a new one on his guitar solo setting you back in your seat. MyGuitar Won't Play Nothin' But The Blues is a silky shuffle track with Razz on bass, Baker on drums and Heding on B3. With a few tempo changes the track speaks. Jive Dive has a blues feel but with a jazzy delivery. Featuring horns and Keys by Street and Brice Waibel on bass with Trippy on drums this track features some hot guitar riffs to compliment it's swagger. Cars, Bars and Guitars is a basic 12 bar number with only McCoy, Razz and Baker. With it's easy shuffle feel, McCoy lays some really nice riffs in the groove. Space Master, with it's funk overtones features Tatangelo on slide, Razz on bass, Baker on drums and Heding on B3. Tatangelo lays out a pretty nice slide solo and an extended drum solo from Baker and McCoy sews it shut with a ripping solo of his own. Very cool! Ray Charles' R&B track, Hey Now, really hits the groove. With Jimmy Bennett on rhythm guitar, Mark McCoy on bass, Levon Helm on drums, Garth Hudson on B3 and laying down a hot sax solo, George Triconi on piano and Tim Eddy on horns and of course McCoy singing his lungs out...and smokin guitar work, this is a super track! Wrapping the release is pop track, Blue Water Runs Deep, with Jimmy Bennett on rhythm and slide guitars, Mark McCoy on bass, Levon Helm on drums and George Triconi on piano. This is more calm track overall chosen for the closer but I will comment that McCoy's and Bennett's guitar work at the end is pretty solid. I really enjoyed reviewing this release and I suggest that you go out and get one to review for yourself. It's a good one!
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
I just received the newest release by Johnny I. All Star Blues Revival. This release is star packed featuring the works of Jaimoe, Billy Cox, Bruce Katz and Reese Wynans. Opening with Life Is Better, a funky groove and Billy Cox on bass, Ingrassia leads the way on vocals. Wynans carries a lot of the load on B3 and Layton cements the bottom on drums. After a nice B3 solo from Wynans, Johnny I. steps up with a fat, high gain guitar solo making for a cool jam. Late Night has more of a jazzy ballad featuring Jaimoe on drums and Katz on B3. Katz steps up on this track and plays a mean solo opening the door for Johnny I. to step up again with a burst of fat guitar riff. An easy going track reminding me quite a bit of an early Isley Brothers track.
Interesting listing and a decent start to a concept release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
Been waiting a while for the opportunity to review this utterly spectacular release. Yes, I know it's been out for some time, but it's terrific and under appreciated. Opening with Twisted Blues, Noy is joined by a who's crew of unbelievable musicians. Oz plays a tele on this first outrageous funky track and is joined by Jeff Beck pal Vinnie Colaluta on drums, Will Lee on Bass, Jerry Z on Organ and John Medeski on organ. This is such a great groove and features spectacular bass, drums and guitar work difficult to describe. On Oh Really, Noy and gang is joined by Alan Toussaint for a little twist of New Orleans. Maintaining incredible musicianship, the band takes you on an incredible trip through the quarter like you've never seen. Noy is relentless on guitar and Colaluta punctuates the day like only he can. Touyssaint plays a really nice classic piano solo snugged up to these musical madmen. Unbelievable! You Are The State has a different line up and a different feel. Featuring Noy on a strat, Anton Fig on drums, Roscoe Beck on bass, Reese Wynans on organ and Eric Johnson on guitar, this track has a ballad feel to it and of course without saying... all instrumental. With warm concentric lead guitar runs at the bottom of the fretboard, Noy takes the listener on a brilliant journey. Whole Tone Blues is written around a SRV lope and coincidentally is backed by Chris Layton on drums. This is a swinging track but not at all complying to any kind of borrowing but sticking to his own style...and with style like this...why not? Wynans steps up with a pretty serious organ solo on this track and the release is really well balanced instrumentally, but it's Noy who is running this carnival! On the classic Sissy Strut, Noy gives us a whole new look at how it's to be heard. Using guitar loops and his tele, Noy creates a sonic wall before the jam. Joined by Fig on drums, Lee on bass, Medeski on organ and Talph MacDonald on tamburin. I do want to comment that most everyone who covers this track on thier own release finds this to be the best track on the release. This is a really good cut, but Noy hits the ball so far on every track that this is pale by comparison to the best. Ripping solid blues guitar riffs and with solid back drumming, this track moves. Light Blue, a Thelonius Monk track, is treated with honest respect and the guitar wizardry is just perfect. Noy creates super effects with reverb and clean tones mixed. Wyans on organ has just the right touch and a pristine melody played by Noy is beautiful. Steroids is a funky R&B style track with a bit of James brown mixed in. An eccentric guitar break in the track keeps it from being an outright dance track... but it is artistic and well done. Colaluta takes some really nice explosive breaks on this track showing why he is such high demand as drummer for the best of the best. Two Centers is a solemn study on musical theme. Noy has such a great sense of musicianship and technique that this track, laid back and easy creates a super punch. The release is completed with Trinkle Tinkle with Noy on Strat, Layton on drums and Beck on Bass. A moving jazz like piece with a cool walking bass line and chasing drums, it is a super soaker to keep you foot tapping and you head bobbin waiting for the next release. In case you haven't already figured it out, I think that this release is terrific!
If you haven't already heard it, bought it, seen the band and gone nuts... don't say I didn't warn you!!
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
