Stony Plain Records artist: Colin James - Chasing The Sun - New Release Review

 I just had the opportunity to review the most recent release, Chasing The Sun, by Colin James and it's chocked full of great tracks and guest talent. Opening with Protection, Lucinda Williams is up front on vocal with Colin James on vocal and lead guitar. Colin Linden on guitar adds rea nice riffs joined by Darryl Jones on bass, Charley Drayton on drums and Ann & Regina McCrary on backing vocals. This track has a strong melody with a Keith Richards feel. Excellent opener. Devilment has a really cool, New Orleans style drum rhythm by Drayton and with the addition of Charlie Musselwhite on harmonica crafting some sweet lead work, this is a strong track. Soulful radio track, How It Feels To Be Loved, really has that warm universal radio play feel featuring James on guitar and vocal, a paced, walking bass line by Jones and warm B3 contributions by Michael Hicks and Jim Hoke on sax. Very nice. Another track that has a great rock feel is This Song Kills Hate with it's guitar swagger and distinctive Darryl Jones/Charley Drayton bottom. James and Linden grind on the guitar and James' vocals are nicely matched with Ruby Amanfu. More traditional blues, John Hammond's Come To Find Out, is nicely assembled acoustic number with James on vocal and acoustic guitar and Musselwhite on harmonica, with rhythm by Linden. Solid track. Wrapping the release is Open Your Mind, a bluesy track with a dark overtone and excellent backing vocals by the McCrary Sisters. I really like this closing track... a solid closer for a real nice release. 

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Stony Plain Records artist: Colin James - Open Road - New Release Review

 I just had the opportunity to review the most recent release, Open Road, from Colin James and I really like it. On James' landmark 20th release, James covers some classic blues tracks and adds some of his own. Opening with Tony Joe White's As the Crow Flies, James cranks out a real driving boogie with stinging lead guitar, backed by Geoff Hicks on drums, Norm Fisher on bass and Simon Kendall on keys. Strong.  Albert King's Can't You See What You're Doing To Me, is up next and with Chris Caddell on rhythm, Steve Hilliam on sax, this is another potent track with excellent phrasing by James. Magic Sam's That's Why I'm Crying fits in perfectly with it's slower pace, giving James a chance to stretch a bit with soulful vocals and nicely crafted solo lead. Excellent! James original, When I Leave This House, has a country rocking honky tonkin feel that will get you moving. James really plays guitar to this one with a nice flair and the addition of Jesse O'Brien adds real sauce. Very cool! Otis Rush's It Takes Time, a long time favorite on the blues rock scene, gets a moderate workover and James it right there with his guitar to add the spark. Fisher really lays heavy on the bass which is great and the addition of harmonica by Steve Marriner and bari sax by Jerry Cook, cooks the track. Another original James track, There's A Fire, really brings the pace down but turns up the heat. James' vocals are really strong and his lead guitar work is smoking. This is definitely one of my favorites on the release and likely to be a fan favorite in concert. A really cool take on Bob Dylan's It Takes A Lot To Laugh, It Takes A Train To Cry brings to mind Leon's redo of this track back in the 70's. I don't think anyone's come close since but this is a real nice deal. The rhythm is loose and slinging and with James on slide, and some hot sax work by Hilliam, a great track. Wrapping the release is Eddie Floyd's classic,  I Love You More Than Words Can Say, again really parlaying the strength of James' soulful vocals and includes a brief but potent dash of guitar edge. This is a fine release and one I really enjoy listening to.

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Cleopatra Blues: Junior Wells - Blues Brothers - New Release Review

 I just had the opportunity to review the most recent release, Blues Brothers by Junior Wells and featuring many contemporary blues players. Opening with low slung, Blues Hit Big Town, Colin James weighs in on lead guitar with Wells on Harp. Good Morning Little School Girl lines up Pat Travers on guitar and James Montgomery on harp. I really like Montgomery's work and his interweaving with Travers on this track is tight. One of Well's most loved classics, Messin' With the Kid gets a rework with Tyler Bryant on guitar and his open tone with just the right amount of reverb works really nicely. Baby, Scratch My Back features Albert Castiglia and I always like his style. He doesn't overplay but his notes all count. Very nice. Eric Gales is featured on Lovey Dovey, Lovey One and his confident attack on this shuffle really works nicely. One of my favorite tracks on the release is Snatch It Back And Hold It, featuring Joe Louis Walker. His guitar work is fluid and fleet with just the right bend. Wrapping the release is Hoodoo Man Blues again with Walker on guitar. Walker really is a great fit for this track with his soulful trem bends and tasty fills. This is a strong closer for a very cool release. 

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Ronnie Earl and the Broadcasters and Colin James Both Set to Play Big Blues Bender at Hard Rock Hotel & Casino in Las Vegas on September 6

Ronnie Earl and the Broadcasters and Colin James Both Set to Play Big Blues Bender at Hard Rock Hotel & Casino in Las Vegas on September 6

LAS VEGAS, NV – - Four-time Blues Music Award-winning guitarist Ronnie Earl and the Broadcasters, as well as acclaimed Canadian guitarist Colin James, are set to play the 2019 edition of the Big Blues Bender on Friday, September 6 at the Hard Rock Hotel & Casino in Las Vegas. Both sets will take place at “The Joint”: Colin James from 6:30 – 7:45pm; followed by Ronnie Earl and the Broadcasters from 8:15-9:45pm.



Ronnie Earl, who has won “Guitar Player of the Year” honors four times from the Blues Foundation, was the hit of the most-recent Blues Music Awards show in Memphis with his show-stopping live performance of the Junior Wells classic, “In the Wee Hours.”



Earl is following that up with the August 30 release of the latest Stony Plain Records album (on CD and vinyl formats) from the blues guitar master and his band, the Broadcasters, Beyond the Blue Door. Ronnie Earl believes in the power of music to heal the mind and spirit, and that’s quickly evident in the 15 tracks on his new disc. Special guests on the album include David Bromberg, acoustic guitar and vocals; Kim Wilson, harmonica and vocals; and Greg Piccolo, tenor sax.



The core group of Broadcasters will be performing at the Big Blues Bender: Ronnie Earl, guitar; Dave Limina, Hammond B3 and piano; Diane Blue, vocals; Paul Kochanski, bass and Forrest Padgett, drums.



Beyond the Blue Door confirms Earl's status as one of the most soulful blues/soul/jazz guitarists working today. He’s also a DownBeat magazine winner for “Blues Album of the Year,” an Associate Professor of Guitar at Berklee College of Music and has taught at the National Guitar summer workshop in Connecticut. 



Perhaps David Bromberg, himself a master guitar craftsman, said it best about him: “Ronnie Earl is an incredible musician. He plays with more emotion than anyone else who plays blues, or really anything, today, and he gets me every time I hear him. The Broadcasters are the quality of musicians you would expect Ronnie to be playing with: solid, tasteful, and moving. You can’t be better than that.”



Acclaimed guitarist Colin James released his 19th album, Miles to Go, last September on Stony Plain Records in the USA; True North Records for the rest of the world. Miles to Go is Colin James’ ambitious sequel to his critically-acclaimed 2016 CD, Blue Highways, and it continues James’ story with a collection of carefully curated songs handpicked from some of the greatest blues artists.  

In the months leading up to the recording, as James was reflecting on songs for the album he decided to reacquaint himself with a beautiful red Gibson ES-335.  It was just like the guitar he played as a teenager, but regretfully had to sell for rent money.


While James reconnected with this guitar, Miles to Go seemed to just flow onto the studio floor.

This album blends songs old and new, some of them completely reimagined and some almost perfect homages. But all are unified by a theme of undying love for the blues and the highest respect for the creators that led the way.


Known as one of Canada’s best blues musicians, it wasn’t until Blue Highways that James found himself on a blues chart: the album spent 10 weeks at No. 1 on the Roots Music Report’s Blues Chart. It also landed him one of his biggest hits: “Riding in the Moonlight,” a Willie Dixon song that James once covered when busking in the streets and subways of Toronto and Montreal that landed on a Spotify playlist garnering millions of streams.

“Blues has always been a pass-it-forward kind of thing,” says James. “It’s also surprisingly hard to write. You have to be careful how modern you get in your phrasing. Certain writers can write a song that sounds like it was done 40 years ago, but it’s deceptively hard.”

Colin James will also perform at the annual star-studded charity to benefit the Handy Artists Relief Trust (HART) on Wednesday, September 4. 100% of the proceeds benefit HART. For more information on the HART fund, visit blues.org/hart-fund. This event is ONLY open to attendees of the Big Blues Bender due to limited capacity Tickets are $35 – Standing Room Only Section; $65 – Reserved Seating Section.

When: Wed Sep, 4, 2019 @ 8pm (Doors 7:30pm)
Where: Hard Rock Hotel & Casino – Vinyl

Stony Plain Records artist: Colin James - Miles To Go - New Release Review

I just had the opportunity to review the most recent release, Miles To Go, from Colin James and it's really good! Opening with Muddy Water's, One More Mile, Colin James puts a funky spin on it and it is a contemporary as they come. With Geoff Hicks on drums, Steve Pelletier on bass, Simon Kendall on Hammond, Chris Caddell on rhythm guitar and Steve mariner on harp, this track is a super opener. Another Waters track, Still A Fool maintains the basic Waters outline but with a solid bass line and fiery guitar riffs, another super addition. Very nice. Big Boy Crudup's Dig Myself a Hole has a super Little Feat, swampy funky feel with real nice slide by James and perfect backing vocals by The Sojourners. James original. I Will Remain, is really solid with a real nice drum track, glistening rhythm guitar, a soulful melody and excellent blues guitar lines bringing to mind BB King or Robert Cray. Excellent! Jessie Mae Robinson's Black Night is my favorite on the release with James' best vocals on the release. His guitar riffs are inspired and Chris Gestrin's piano work is crisp. Wrapping the release is an acoustic take on One More Mile with James on acoustic guitar and vocal with Coleen Rennison on backing vocal. This is a really nice closer for a very nice release.

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Canadian Guitarist Extraordinaire Colin James Says He Has "Miles to Go" on New CD, Out September 21

Canadian Guitarist Extraordinaire Colin James Says He Has Miles to Go on New CD, Out September 21

Toronto, ON-- With his 19th album, Miles to Go, releasing September 21 (Stony Plain Records in USA;  True North Records for the rest of the world), acclaimed guitarist Colin James is getting back to the blues.

Miles to Go is Colin James’ ambitious sequel to his critically-acclaimed 2016 CD, Blue Highways, and it continues James’ story with a collection of carefully curated songs handpicked from some of the greatest blues artists.  

In the months leading up to the recording, as James was reflecting on songs for the album he decided to reacquaint himself with a beautiful red Gibson ES-335.  It was just like the guitar he played as a teenager, but regretfully had to sell for rent money.

While James reconnected with this guitar, Miles to Go seemed to just flow onto the studio floor.

This album blends songs old and new, some of them completely reimagined and some almost perfect homages. But all are unified by a theme of undying love for the blues and the highest respect for the creators that led the way.

Known as one of Canada’s best blues musicians, it wasn’t until Blue Highways that James found himself on a blues chart: the album spent 10 weeks at No. 1 on the Roots Music Report’s Blues Chart. It also landed him one of his biggest hits: “Riding in the Moonlight,” a Willie Dixon song that James once covered when busking in the streets and subways of Toronto and Montreal that landed on a Spotify playlist garnering millions of streams.

When James set out to make Blue Highways, an album of blues covers recorded with his touring band, he always intended it to be the first of two installments. Now we have Miles to Go, in which James records nine new covers of his favorite artists (Howlin’ Wolf, Muddy Waters, Blind Willie Johnson, Blind Lemon Jefferson, Little Willie John, Robert Johnson, etc.) and adds two originals, “I Will Remain” and “40 Light Years.”

“Blues has always been a pass-it-forward kind of thing,” says James. “It’s also surprisingly hard to write. You have to be careful how modern you get in your phrasing. Certain writers can write a song that sounds like it was done 40 years ago, but it’s deceptively hard.”

To be a blues musician is to always have a dialogue with the past.  As with much blues music, it’s the performances on the original versions rather than the actual song that drew James to them. That said, what could he possibly bring to them in 2018? “You bring what you can,” he says. “If I feel like I’ve brought enough, then I put it out. I knocked a bunch of songs off this record when I realized that I couldn’t bring anything to them that weren’t there already. All my life I’ve tried to bring vitality to older songs. Hopefully, my dedication to it is what floats it over the mark. That’s a subjective thing; some people will always prefer the original. However, there’s always a group of people coming up to see me after a show who might say, ‘Oh, I never would have heard ‘One More Mile’ by James Cotton—nothing in my life would have pointed me there.’ ”

So much of Colin James’s career has pointed him to this moment: joyfully tangled up in the blues, which, as he notes, “is the only genre where you can maintain a young profile at the age of 53.”

Colin James Upcoming Canadian Tour Dates

07/13/18    Windsor, ON        Bluesfest Windsor   

07/14/18    Ottawa, ON        Ottawa Bluesfest   

08/17/18    Grande Prairie, AB    Bear Creek Folk Music Festival   

08/19/18    Salmon Arm, BC    Salmon Arm Roots & Blues   

08/25/18    London, ON        London Bluesfest   

09/08/18    Blue Mountains, ON    Blue Mountain Village   

IDLA/Linus Entertainment artist: Michael Kaeshammer - Something New - New release Review

I just had the opportunity to review the most recent release, Something New, from Michael Kaeshammer, and recorded at historic Esplanade Studios in the heart of New Orleans' Treme district, it has a definite NO flair. Opening with Scenic Route, Kaeshammer blends a rockin pop melody with great New Orleans style and hot piano riffs for a super opener with twists and turns. Backed by George Porter Jr. on bass, and the hard work of Johnny Vidacovich on drums, this track is a super opener. Pushing the horn section (William Sperandei on trumpet, Chris Gale on sax, William Carn on trombone) forward on Do You Believe, featuring Curtis Salgado on vocal and Matt Perrine really belting out the sousaphone lines with authority over a really snappy drum rhythm. Very cool. I particularly like the vocal and piano exchange on She's Gone over Vidacovish's spot on drum work and guest Whurlitzer work by Chuck Leavell. A soulful track with great drums... very nice. Who Are You is another solid entry with a great mix of R&B and New Orleans jazz. Randy Bachman and Colin James guest with guitar on this track and his playing works nicely with Kaeshammer's mix of R&B, and jazz piano work. Very nice. Cyril Neville has the lead vocals on soulful ballad, Heaven and Earth and some of the richest vocals on the release, backed by sparkling piano by Kaeshammer. Excellent! Wrapping the release is Weimar, a solid instrumental piano ballad with flavors of multiple influences. Kaeshammer's key work is flawless and clean presenting a nice closer for a cool release. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

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True North Records artist: Colin James - Blue Highways - New Release Review

I just had the opportunity to review the most recent release, Blue Highway, from Colin James and it's super! Opening with Freddie King's Boogie Funk, James is really ripping with excellent guitar tone and pace. Craig Northey is on rhythm guitar, with Norm Fisher on bass and Pat Steward on drums. Simon Kendall's organ work is tops and Steve Marriner's harp is vital. On Peter Green's Watch Out, James steps up on lead vocal and the pace is just right. Jesse O'Brien is up or organ with Steve Pelletier on bass and Geoff Hicks on drums. James lays down a solid guitar solo and Simon Kendall lays in a nice organ solo as well. Tommy Johnson's Big Road Blues gets a more modern rocking beat with James on vocal and slide. With an almost JJ Cale feel, this track could see a multi channel radio play. Made famous by Freddie King and Jeff Beck, Don Nix's Going Down is up next with a solid blues rocking drive. O'Brien's piano work is tight and James' vocals are clear, paving a broad street for some lightning guitar riffs. Very cool! Retreating into the basics of the blues, Muddy Waters' Gypsy Woman is up next and James shows his basis understanding of the blues on both guitar and vocal holding his own...old style. I particularly like O'Brien's piano riffs on this track as well as Marriner's harp work. Very cool. On Jimmy Rogers, Goin Away, James takes a little bit of an Eric Clapton approach to the track with nice slide work and backing vocals by Chris Caddell and Coleen Rennison. Memphis Slim's Lonesome gets a big swing and James steps up with monster guitar riffs. His vocals are smooth, nicely complimented by O'Brien's piano. One of my favorite tracks on the release is Junior Wells' Hoodoo Man Blues. This track is really tight to the original and James vocals and guitar riffs work nicely, highlighted by the masterful harp work by Marriner. Setting a cool acoustic blues set is Willie Dixon/ Jimmy Reed, Riding in The Moonlight / Mr. Luck. Light and snappy, James holds down acoustic guitar and vocal balanced with Marriner's harp. Very nice. Soulful William Bell track, Don't Miss Your Water gives James a chance to really show off his vocal chords and smooth they are. With simple arpeggiated chords and with horn backing by Jerry Cook and Derry Byrne this track has a super sound. Blind Willie McTell's Ain't Long For Day is up next and of course drawing out a really nice slide solo by James. It is more soulful than bluesy but heartfelt had solid. Very nice. Wrapping the release is Robert Johnson's Last Fair Deal done in standard Piedmont style. With James only on guitar and vocal, he gives the track some acoustic flair but holding true to the blues. A nice little closer to a really nice release.




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All Aboard! Acclaimed Blues Singer/Guitarist Colin James to Perform on the 18th Edition of the Canadian Pacific Railway’s Holiday Train with Stops Throughout the U.S. Midwest

Acclaimed Blues Singer/Guitarist Colin James to Perform on the 18th Edition of the Canadian Pacific Railway’s Holiday Train with Stops Throughout the U.S. Midwest

TORONTO, ON - Six-time Juno Award-winning singer/guitarist/songwriter Colin James, whose new CD, Blue Highways, was released on October 14 via True North Records, will perform on the 18^th edition of the Canadian Pacific Railway’s Holiday Train that has stops planned throughout the U.S. Midwest during the first two weeks of December.

“Since I was a child I’ve always been romantic about the railway,” says Colin James. “Spending a couple weeks on a train and pulling into some of these idyllic towns will not only be a new experience for me, but a fantastic way to ring in the Christmas season.”

At each stop on the Holiday Train’s schedule, the beautifully decorated and lighted train pulls up and one side of a box car opens to reveal a music stage with the band ready to entertain the crowds who flock to see it each year and also bring along food to donate to local food banks. Besides Colin James, all Holiday Train stops in the US will also feature Canadian country music artist Kelly Prescott.

The Holiday Train has become a highly-anticipated annual rite of passage for families all along the route stretching from Canada down to the United States & brings together children of all ages to celebrate the season, bringing joy and goodwill as swell as supporting local community food banks and raising awareness. At each stop along the way, Colin James will perform a 30 minute set of music that includes both holiday favorites as well as his own songs.

To watch an informative video about the Holiday Train click here: https://vimeo.com/150278345

As in years past, two trains will operate coast-to-coast under the Holiday Train banner, with approximately 150 shows held in November and December. The train that operates primarily through the U.S. will launch in the Montreal area on Nov. 25, while the all-Canada train's first shows will come a day later, also in Montreal. The U.S. train will complete its final shows in Saskatchewan on Dec. 15, and the final show of the tour will take place Dec. 17 at Port Coquitlam, B.C.

"We are very excited about this year's CP Holiday Train and are encouraging all event attendees to bring healthy, nutritious food items to the shows," said Pam Jolliffe, Interim Executive Director, Food Banks Canada. "For the last two decades, CP has played an integral role in raising essential food for the holidays and in raising awareness of hunger-related issues." ​

Every pound of food and dollar raised at each stop stays with the local food bank to help feed those in need in that community. 

Colin James’ new CD, Blue Highways was co-produced by Colin and Dave Meszaros (Wake Owl, Old Man Canyon) and recorded at The Warehouse Studios in Vancouver. The new album pays tribute to some of Colin’s long-time blues idols, including Howlin’ Wolf, Jimmy Reed, Freddie King, Jr. Wells,  Buddy Guy, Peter Green, Robert Johnson and William Bell to name a few.

Black Hen Music artist: Big Dave McLean - Faded but Not Gone - New release review

I just received the newest release (March 3, 2015), Faded but Not Gone, by Big Dave McLean and it's gritty and solid. Opening with Tough Times, a 12 bar Chicago style blues track with Steve Dawson on National Steel guitar and Kevin McKendree on organ. On I Best Choose To Pick The Blues, McLean picks up the pace and Colin Linden contributes the smooth slide guitar. On Dead Cat On The Line with a bit of bluegrass influence and Piedmont style, McLean is joined on vocal by Dawson who also plays banjo. John Dymond adds bass, Gary Craig drums and Colin James some really tight mandolin work. On western style ballad, The Fallen, McClean takes the spotlight vocally backed by sweet electric and steel guitar work by Dawson. Very cool! Sittin' On A Fence has a light country 2 step feel. Double stop guitar riffs by Dawson are a really nice touch on this track. Don't Get Mad, Get Even is built over a 12 bar structure but has a much more contemporary feel and a catchy melody. The lyrics are certain to attract the crowds attention and McKendree rolls a nice piano solo to top things off. Devil's In The Jukebox has an easy country rock pace with slicing slide work from Dawson. McKendree never disappoints with his nimble organ solos rounding out this track. A Latin rhythm from Craig and hot slide work from Dawson, complimented by McKendree's tight piano work lead this track up to the bridge where McLean takes it to swing time and back. Tom Waits' Mr Siegal has a New Orleans blues feel with particularly effective drum work from Craig. The grittiness of McLeans vocals contrasted against Dawson on banjo and McKendree on organ make this one of my favorites on the release. Shades Of Grace is an easy country style folk tune with a nod to Amazing Grace. The McCrary sisters add some supple backing vocals on this track giving it extra warmth. Oh- Mr. Charlie - Oh has a number of the characteristics of an old gospel or slave song giving it an immediate bump up. I like this track a lot with it's rudimentary style, guitar work from Dawson and backing vocals from the McCrary sisters. McLean accompanies himself effectively on harp on this track as well. Wrapping the release is Skip James' Devil Got My Woman. Stripped down to only McLean on vocal and National steel guitar, this track maintains the feeling of the delta and a fitting conclusion to an adventurous release.

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Man's Gotta be a Stone - Colin James

Colin James (born Colin James Munn, August 17, 1964, Regina, Saskatchewan, Canada) is a Canadian singer-songwriter, guitarist, and record producer, who plays in the blues, rock, and neo-swing genres. He grew up as a Quaker.
In 1988, following his association with Vaughan, James released his self-titled debut album, which yielded several international hit singles, as did the followup Sudden Stop. He presaged the mid-1990s swing music revival with his Colin James and the Little Big Band project, which released a successful first CD in 1993, followed by two others in 1998 and 2006, as well as a Christmas album in 2007.

James's worldwide popularity waned somewhat in the late 1990s, but he continued to release albums in rock, blues, and acoustic styles, in addition to his Little Big Band. In 2005, he gave a command performance for Queen Elizabeth II during her visit to his home province of Saskatchewan.

James' backing band frequently includes members of the Vancouver-based band Odds, and he has co-written songs with Odds singer-guitarist Craig Northey. In February 2005, James guest-starred in an episode of the television program Corner Gas, a Canadian sitcom based in rural Saskatchewan.

In 2007, James' album Limelight received a Gold record for sales in Canada. In January 2008, James received three Toronto Blues Society Maple Blues Awards: "Entertainer of the Year", "Electric Act of the Year" and "Recording of the Year" for Colin James & The Little Big Band 3.

In 2009, James recorded an album, and amongst the collaborators were Tom Wilson, once of Junkhouse. The album, Rooftops and Satellites, was co-produced, engineered and mixed by Mike Fraser, at the Warehouse studios in Vancouver.
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I'm Losing You - Colin James

From the prairies of Saskatchewan to sharing the stage with arguably the greatest and most influential guitarists of all time, Colin James still remembers those words of advice given to him by the late, great, Stevie Ray Vaughan.

For every young guitar player growing up in a small town, Colin James’ story is their story – one of drive, passion, ambition and a strong sense that their destiny lay beyond the safe confines of home.Over the years he was worked with a who’s who in the music scene– Bonnie Raitt, Albert Collins, Pops Staples, Robert Cray, Luther Allison, Albert King, Keith Richards, Lenny Kravitz, ZZ Top, Mavis Staples, Roomful Of Blues, Bobby King and Terry Evans, John Hammond Jr., The Chieftains, Carlos Santana, Little Feat, Johnny Hallyday, and Buddy Guy. In addition to writing his own material, his music has been recorded by the likes of Maria Muldaur, Johnny Halliday and Lucinda Williams.

A consummate professional and a superb guitarist, Colin is a musician’s, musician. The confidence that comes with maturity can be heard in his voice and seen in his electrifying stage performance. He does what comes naturally – he always has – he knows no other way and no other life.