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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
Showing posts with label Cootie Stark. Show all posts
Showing posts with label Cootie Stark. Show all posts
Thursday, January 10, 2013
Prison Blues - Neal Pattman, Cootie Stark, Kenny Wayne Shepherd
Neal Pattman (January 10, 1926 – May 4, 2005) was an American electric blues harmonica player, singer and songwriter. Sometimes billed as Big Daddy Pattman, he is best known for his self-penned tracks, "Prison Blues" and "Goin' Back To Georgia". In the latter, and most notable stages of his long career, Pattman worked with Cootie Stark, Taj Mahal, Dave Peabody, Jimmy Rip, Kenny Wayne Shepherd, Guitar Gabriel, and Lee Konitz.
Pattman was born in Madison County, Georgia, United States, one of fourteen children. He learned harmonica playing from his father, after an accident involving a wagon wheel at the age of nine left him with only his left arm. Inspired by Sonny Terry's playing and distinctive whoops and hollers, Pattman played on the street corners of nearby Athens, Georgia. He found regular employment in the University of Georgia's kitchens, and gained further experience and local adoration for his regular live performances at various clubs and festivals. However, his more general renown was minimal until 1989, when he performed at the Lincoln Center for the Performing Arts in New York.
A meeting in 1991 with Tim Duffy, of the Music Maker Relief Foundation, led to Pattman playing with Cootie Stark, supporting Taj Mahal, on a nationwide Blues Revival Tour. Playing with the British blues guitarist, Dave Peabody, led to Pattman releasing three albums between 1995 and 2001. He also contributed to Kenny Wayne Shepherd's album and DVD, 10 Days Out: Blues from the Backroads (2007).
However, Pattman had already died of bone cancer in May 2005, in Athens, Georgia, aged 79.
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Labels:
Cootie Stark,
Kenny Wayne Shepherd,
Neal Pattman
Monday, October 17, 2011
Toot Blues - Film
In the late 1980s, Timothy Duffy, a penniless North Carolina musicology student, set out to document and preserve traditional southern roots and blues music. On his travels from Winston-Salem's drinkhouse music scene, an off-the-grid hotbed of gritty traditional blues, to deep-south family run churches, he found purpose and inspiration from a cast of amazingly talented, pure and unique set of characters (the artists!!).
Toot Blues remarkably captures the true essence and talent of the artists from Guitar Gabriel, a 'homeless magic potion selling' blues genius; to Willa Mae Buckner, a snake charming elderly woman taunting delightfully raunchy blues; to Beverly 'Guitar' Watkins, a grandmother who continues to tear up the stage and play a killer electric guitar behind her head; to Bishop Dready Manning and family churning out homebrewed rockabilly-gospel; to Boo Hanks, an 80 year-old bluesman recording an album for the very first time; to blind guitarist, Cootie Stark, mesmerizing crowds world-wide while never failing to find his way home by himself.
Shortly after befriending and championing for these artists Tim quickly realized the limitations set upon them by living in poverty, not only in their struggles to survive and support their families but also their ability to afford time and outlets to continue with their deepest passions-music, by a simple twist of fate, Tim along with his wife Denise, began the Music Maker Relief Foundation.
With rare footage, interviews, and numerous live performances, the film documents these unique musicians, brought together through the Music Maker community and their shared and vital musical heritage.
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