Malaco Records artist: Grady Champion - One Of A Kind - New Release Review

I just had the opportunity to review the most recent release, One Of A Kind, from Grady Champion, and it has variety. Opening with Bump and Grind, Grady Champion on lead vocal and harp along with Ken Smith on bass, Eddie Cotton on guitar and Carroll McLaughlin on keys set an early groove, not unlike a more polished Jesus Just Left Chicago. Nice opener. With a R&B feel, Heels and Hips floats along with a really cool bass line by Smith and nice backing vocals by Champion, Jewell Bass, Eddie Cotton and Lisa Palmer. Shuffle track, House Party, gets deeper in the groove with the addition of Kimble Funchess on trumpet, Jessie PrimerIII on sax, Sydney Ford II on bari, Robert Lamkin on trombone and champion's harp backed by nice vocals by Bass and Palmer. On Life Support, Champion really gets the band swinging on harp and some of his best vocals on the release. Myron Bennett's bass work is tight and vital giving this track just the right weight. Classic, Chicago style blues track, Leave Here Running, features Theodis Ealey on guitar and Champion really opens up his harp for a super run. Ealey throws down a cool solo of his own giving this track even more spirit. Another R&B track, Move Something, has a real nice feel, pumped by the bass work of Smith and the Jackson Horns. Soul tune, One Of A Kind, is one of my favorite tracks on the release with just the right amount of warmth, a nice sax solo by Primer, guitar solo by Ealey and most soulful vocals by Champion backed by super horns and backing vocalists. Stone In My Path has an Albert King kind of feel with Champion's gravely vocals balanced against his harp punctuation over nicely executed piano work by McLaughlin. Thin Line has a rolling bass line edged along by cool backing vocals. Champion's lead vocals and harp capper gives the track a real nice feel. What A Woman has a bit of a Willie Dixon lumber with vocals along the lines of the Wolf. Mr. Elvin Bishop adds slide guitar to the track giving it that extra bit of texture. More contemporary track, When I'm Gone has a cool funky edge, with nice backing vocals from Bass and Palmer. Clean piano work by McLaughlin stands out on this track bumped along by Scott's drum work. Wrapping the release is GC Boogie, a slick instrumental featuring Champion playing harp riffs and Cotton playing guitar riffs over a plucky bass line by Bennett and McLaughlin riding on organ. Cool closer.



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Robert Mugge film - Last of the Mississippi Juke Joints - DVD review

I just had the opportunity to review the new release, Last of the Mississippi Juke Joints, a film by Robert Mugge and it's really interesting. This film chronicled the days of Jimmy King's legendary Subway Lounge in Jackson Mississippi and the early days of Morgan Freeman's and Bill Luckett's Ground Zero Blues Club in Clarksdale Mississippi, a heartfelt attempt at recapturing the spirit of fading juke joint traditions. This film documents interviews with Morgan Freeman and Bill Luckett and Dick Waterman, famed music photographer. The first live set is with Alvin Youngblood Hart with Sam Carr and Anthony Sherrod. Hart's performance is super as always with a great voice and pure slide techniques. Showing the real flavor of a juke joint, Luckett and Freeman point out beer signs, pool tables, antiques signs, flea market tables, mis matched table cloths and catfish sandwiches, all the things that make a juke joint feel authentic. This is no city blues club. This is the real deal. Next up interview with Steve Cheseborough and Jimmy King at Subway and featuring a set by Greg "Fingers" Taylor. Ongoing commentary by Vasti Jackson adds color and texture to the film. A short clip of Dennis Fountain & Pat Brown is inserted before more discussions with blues players like House Cat Hendrix. The dynamic Patrice Moncell takes on the stage with a hot band featuring James Levinthal on alto sax and a hot guitar player, Mark Whittaker. Eddie Cotton plays his telecaster and sings by himself sitting at a table as a part of his interview. One of my favorite antidotes from the film is when Jimmy King tells about his beer buckets. They serve beer cans by the bucket over ice. At the end of the night often the beer is left unopened and the bar takes it back (to sell again). Once beer sales are stopped for the night, patrons are free to bring in their own beer. King happens to sell beer next door in his store after hours and with a receipt from next door his bar gives them a bucket of ice to continue to drink in his establishment until daylight. Vasti Jackson plays his set with local scenery showing in the background as well as clips of earlier days in black and white. JT Watkins and Levon Lindsey have a powerful gospel blues style. Bobby Rush does a real nice track just singing alone with harp as a part of the interview. A profile of the Summers Hotel, the first black owned hotel in the area is quite interesting. The Subway lounge is located in the basement of this older structure which was the home of blues and R&B musicians touring in the 50's. King Edwards Blues Band shows it's own style of R&B. Chris Thomas King is next up in the interview chair describing plans for new club and showing the sad state of repairs on the hotel. David Hughes is next on the stage with his shuffle style. Further community interviews with shows of support for the conservation of the Summers Hotel and cards from some of the more notable visitors including Hank Ballard, Mrs James Brown and the Freedom Riders. Devastating films and imagery of racial tension, segregation and cruelty are also shown further documenting the importance of the hotel in history. Chris Thomas King does a real nice delta style blues alone accompanying himself on a National steel bodied guitar. Further plans to remove substantial portions of the hotel due to collapse and the renovation of historic structures on the Civil Rights Tour are shown before the ultimate destruction of the hotel to the sounds of Lucille with Greg "Fingers" Taylor. Cheseborough does his own rendition of a delta blues song with his own steel bodied guitar as Jimmy and Chris discuss how the new clubs just won't be the same. An interesting juxtaposition. Abdul Rasheed, a solid soul singer is up next with his set. Closing the film is Fingers Taylor and the Subway Shuffle. This is a meaningful film documenting not only the music of the area but also the texture of the music scene and remnants of the roots of the blues.

Dechamp Records artist: JJ Thames - Raw Sugar - New Release Review

I just received the newest release, Raw Sugar, from JJ Thames and it's rich. Following on the coattails of her spectacular release Tell You What I Know Thames keeps it rolling. Opening with Oh Lord, a simple spiritual blues, the instrumentation is kept to a minimum with Joe Seamons on acoustic guitar and backing vocal and Ben Hunter on mandolin surrounded by a wealth of warm vocals. Hattie Pearl kicks into high gear with Darryl Sanford on rockin piano and with Kimble Funchess on trumpet, Jessie Primer III on sax and Robert Lamkin on trombone. Shuffle track, I'm Leavin' features Eddie Cotton Jr. on guitar and Thames is really moving with Anthony Daniels on bass, John Blackmon on drums and Sanford on keys. Leftovers is a funky, jazz pop track with a strong bass line by Daniels. Thames' vocals are well blended and the melody is radio bound. Bluesy, Woman Scorned, sets a real nice stage with Cotton playing a smoking opener. Thames's delivery is powerful and her vocals inviting. One of my favorite tracks on the release is Only Fool Was Me with particularly soulful vocals from Thames and a really nice solo from Primer. Bad Man rides high on a great blues riff by Cotton and Daniels. Cotton takes a cutting solo swaddled in horns by Funchese, Primer and Lamkin. Very nice. Ballad, Hold Me, is rich in blues and soul. I really like this track with sweetly interwoven vocals. Excellent. Blues track, Don't Stop My Shine has a real funky bottom thanks to Daniels and you can feel Thames strut as she sings. With horns a blazing, and a solid key solo by Sanford, this track is really hot. I Don't feel Nothing has a clever interplay between blues and jazz, featuring Cotton and stinging guitar riffs and snappy drum licks by Blackmon. Plan B (Abortion Blues) has a real nice neo soul feel and Thames really shines. With it's light backing, Thames vocals float on the music. Really nice. Title track, Raw Sugar, sets up with Cotton laying out some hot blues riffs and developing into a down n dirty blues ballad. Thames fuels the fire vocally and Cotton really builds up steam backed by Sanford. Wrapping the release is I Wanna Fall In Love, a brighter R&B style track. Thames warm harmonies, backed by easy horn work sets the pace and Lamkin takes a sassy trombone solo giving the track a boot. Very nice closer to a solid release.



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Dechamp Records artist: Eddie Cotton - One At A Time - New Release review

I just received the newest release, One At A Time, from Eddie Cotton and it's a great followup to his first release, Here I Come which was on my favorites list from last year!

This release is off and running from the start with title track, One At A Time, a soulful blues track with Cotton on vocal and hot guitar riffs.

James "Hotdog" Lewis , who passed away only a week ago today adds some real nice keyboard work on this release.With Myron Scott laying down a nice bass line and Samuel Scott Jr. on drums this track is moving, nicely complimented by Kimble Funchess on trumpet, Jessie Primer III on sax and Mike Weidick on trombone. Very nice! With it's super walking bass line by Bennett, Be Careful has a classic blues sound but with a definite R&B overtone. Cotton has a great voice and Carlos Russell adds harp giving it a cool contemporary feel. People keep commenting that we have to keep the blues alive. This is positive proof that all you got to do is play good blues and it will spring to life. Super! Slow blues number, Better Deal gives Cotton a real nice opportunity to lay it all out and that's exactly what he does. With a hot and crispy extended guitar intro, Cotton sets the fire and with his vocals he fans the flames. Hotdog's contributions on this track add a lot of texture and Bennett's bass sets the stage. Cotton has a real nice ability to play under the lead vocal with hot guitar riffs keeping you on edge awaiting his solo and he doesn't disappoint. Cotton is fluid and emotional with a great feel for phrasing. Excellent! Catch I Wanted is funky with cool horns and Al Green like vocals. Hi steppin and happy, this is a great track! R&B track, Dead End Street, has really nice harmonies with JJ Thames who's release Tell You What I Know was also on my favorites list last year! A smooth and mellow track with strong radio potential. Texas style, Fair Weather Lover, shows Cotton's influence by Albert King with strong stinging guitar riffs and phrasing. This is one of my favorite tracks on the release with a perfect balance between Cotton's vocal and solid guitar riffs. This guy is sorely underrated as a guitar player with clear, fresh phrases and stinging punctuation. Funky, Filling Me With Pleasure, finds Cotton on slide and Mayfield like falsetto. Bennett again gives the track spring and Hotdog and the Jackson Horns punch. Lumbering blues track, Hard Race To Win, again rides tight on the back of Bennett on bass. Cotton knows how to lay back and sing the blues with a solid platform under his feet and injecting clever riffs of texture. I really like his style and the little pieces of history I hear in his delivery. His vocal phrasing even hints at James Brown. Je Ne Sais Quoi has a real nice strut that defies you to sit still in your seat. Hotdog rides hard on the organ giving it a spiritual quality but Bennett digs in on bass making you bob you head. Cotton's smooth vocals and easy rhythm guitar is just right. Shuffle track, Mississippi, is uptempo BB King style without the fist clap. Cotton is showing that he has what it takes to be today's top blues performer with Russell and John Genous on backing vocal. Hotdog rides the wave on keys and Cotton stylistically grooves along on guitar over the melody. Very nice! On more casual blues number, My Money, Grady Champion who's last release Bootleg Whiskey was reviewed here as well, joins on harp. This track has a real nice blend of Hotdog's excellent piano riffs, Cotton's clever guitar riffs and Champions harp texture making it a real easy going blues number. Getting back into the R&B styling, Ego At Your Door, is a super track with very strong backing vocals from Thames. Hotdog again on organ gives the track excellent warmth and the Jackson Horns do a real nice job of giving the track it's wind. I really like this track and it's gospel R&B style roots. Excellent! Race To The Dollar has a real nice fusion of R&B and blues with Al Green style vocals and SRV style guitar riffs. Cotton has his own voice and his own style but keynotes to the past are his stepping stones. Very nice job! Wrapping the release is a solemn blues number, War Is Over. Cotton musters the most soulful vocals on the release on this track and his guitar riffs are light and tasty. With a solid bass line from Bennett, simple keyboard tension from Hotdog and straight drum line from Scott this track is wide open for Cotton to place his shots just where he wants them. Confidently placed and soulfully expressed, this track is an excellent closer to an excellent release!

 

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DeChamp Records artist: Eddie Cotton - Here I Come - New Release Review

I just received the newest release (January 21, 2014), Here I Come, from Eddie Cotton and it's a hot mix of Blues, Soul and R&B. Opening with the title track, Here I Come, Cotton wastes no time letting you know that he has a great voice and a strong understanding of blues guitar phrasing. This R&B infused blues track is really hot! A Woman's Love, is another strong entry with soulful blues vocals and stinging guitar riffs. Sam Brady adds warmth on this track with organ but it's the spot on vocals and gripping guitar riffs that makes this track tick. Samuel Scott Jr adds drums and Myron Bennett bass for this, one of my favorite tracks on the release. Pay To Play is a fast paced shuffle track with a lot of BB King feel. Cotton steps up again showing his guitar chops and he is really on it. Nice! Friend To The End is a soul style ballad, vocals handled with the craftsmanship of Curtis Mayfield. Really Nice! Get Your Own has a big time James Brown feel but without the horns. My Boo has a real nice step to it putting me in mind of Al Green. Cotton uses his guitar sparingly but effectively on this track. This is some serious stuff here! Leave Love Alone is a updated blues vamp (Wang Dang Doodle) with hollerin and harpin by Grady Champion. Back In A Bit is a stylized blues track with some soul wrapped in. Carlos Russell adds some nice harp work melody on this track as well. No Love Back could be right out of the Curtis Mayfield songbook. I really love Mayfield so that's a good thing. Emphasis on vocals and vocal harmonies carry this track but the tight bottom on this track is really down. Another of my favorite tracks of the release! Berry So Black, a simple blues shuffle, wraps the release with a nice bow. Grady Champion is back on harp and takes the lead on soloing. He does a real nice job but I keep waiting to hear Cotton bust loose one more time. Yeah... keeps you wanting more!

 This is a release that should hit ever blues lovers disc player once..and stay on most.

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”
This is not from the new release but a good example of Cotton's sound: