I just had the opportunity to review the most recent release,
For Love & Money, from
Harpdog Brown and it's a 40's & 50's New Orleans flavored trip. Opening with swinging,
No Eyes For Me with a hard driving bass line by Jeremy Holmes and stiff drum sticking by Robert Vail Grant under the rowdy vocals of Brown and a full horn section featuring William Joseph Abbott on alto sax, Skye Lambourne on trombone and Jerry Cook on Bari and tenor sax.
The Comeback has a cool, low slung feel with rich Hammond work by Dave Webb and a nice sax solo by Cook. Boogie track,
Reefer Lovin' Woman opens with a great muted trombone intro by Lambourne over a boogie piano riff by Webb. Brown really digs in on vocals getting the band ramped up and with a lot of finesse, Abbott hits nice clarinet solo followed by another great trombone solo by Lambourne. Harpdog whips out his harp and lets it wail topping off this great boogie. One of my favorite tracks on the release is soulful New Orleans style track,
A New Day Is Dawning, with an excellent clarinet solo by Abbott and a grate overall New Orleans blues feel. Brandon Issak's
I'll Make It Up To You has a great swing. This track may be the best highlight for Harpdog's vocals and again, Abbott's clarinet work is stellar. Wrapping the release is ballad,
Sasha's Lullaby, highlighting Harpdog on vocal and lush horn work on the refrain. A real nice alto sax solo by Abbott and a crisp piano solo by Webb flesh out this strong closer.
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