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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Showing posts with label Jason Ricci & The Bad Kind. Show all posts
Showing posts with label Jason Ricci & The Bad Kind. Show all posts

Monday, October 9, 2023

Gulf Coast Records artist: Jason Ricci & The Bad Kind - Behind The Veil - New Release Review

 I just had the opportunity to review the most recent release, Behind The Veil, from Jason Ricci and The Bad Kind, and as always it's a feast for the ears. Opening with Casco Bay with it's waltz tempo has a really cool swagger. Ricci on lead vocal and dynamic harmonica tone sets the pace with Kaitlin Dibble on backing vocal, Brent Johnson on guitar and backing vocal, Jack Joshua on bass and vocal and John Perkins on backing vocal makes this a really interesting opener. Switching to New Orleans R&B sound on 5-10-15, Dibble has the lead on vocal, a really strong harmonica solo by Ricci and Kid Andersen's guitar work really set this track apart. Very nice. Bobby Rush's Ain't She Fine is a great track with an aggressive, funky rock beat. I love the lead vocal lines and Johnson's guitar work in concert with Joshua on bass and Perkins on drums, all wrapped by Ricci on harp is terrific. Classic, St James Infirmary is a smart pick for this band giving Ricci a great showcase for his vocal style and excellent harp soloing and Johnson to spin a strong solo on guitar as well. Terrific, terrific track. Funky, Why Don't We Sleep On It, is another really strong track with some dialogue between Ricci and Dibble who trade lead vocal lines over a potent bass riff by Joshua. Joe Krown on B3 adds tension and Johnson's stinging guitar lead is perfect. Wrapping the release is Booker T's Hip Hug-Her with it's tight instrumental bottom courtesy of Krown, Perkins, and Johnson, melody on harp by Ricci.  Hot guitar work by Johnson and smoking harmonica work by Ricci take this track home with Krown on B3 making this an excellent closer for a truly excellent release. 

 


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Friday, September 20, 2019

EllerSoul Records artist: Jason Ricci & The Bad Kind - My Chops Are Rolling! - New release Review

I just had the opportunity to review the most recent release, My Chops Are Rolling! from Jason Ricci and The Bad Kind and it's really great! I really like Ricci's work and every time I get the chance to review one of his releases I remember why I do this. There is always something great coming around the bend! Opening with Break In The Rain, a drum heavy rocker with cool slide work and easy vocals Ricci is off to a super start his fluid harmonica styling...uniquely his. Backed by John Lisi on guitar and vocal, Andy Kurz on vocal and bass, John Perkins on drums and Kaitlin Dibble on vocal, the band is hot. On Don't Badger The Witness, Ricci's vocals are haunting and Lisi's guitar work outrageous. Excellent! F_ck The Falcons (Who Dat Nation) is presented in two forms on this release and this is the non edited version. I bit blunt maybe but in good spirit and in New Orleans style...this track is terrific! On Barbara Lynn's classic, If You Should Lose Me, Dibble is up front with terrific vocals and with rich guitar work and healthy harmonica by Ricci, this is the standout radio track. Very nice! Title track, My Chops Are Rolling is a cool, jam... James Brown, funky, boogaloo style. With a heavy bass line by Kurz and with a tight bottom courtesy of Perkins, Lisi and Ricci tear it up. Excellent! Funky foot stomper, Snow Flakes And Horses is hot and heavy with a George Clinton meets Frank Zappa feel... Wow!  Settling down into the blues, old style, Lisi lays down some gripping guitar lead on The Way I Hurt Myself. Ricci's vocals on this track scream pain and I am a believer. Nothing like feeling real blues in a contemporary world. His harp filler behind his vocal is perfect and Lisi's guitar support couldn't be better (think Big Brother's Ball and Chain). This is as perfect a setting I can think of for Ricci to reach inside and pull out the blues and he is reaching. Terrific! Closing the release is the edit version of Who Dat Nation and the rhythm is absolutely terrific. This is an excellent closer for one of best I've heard in a long time.


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Wednesday, June 28, 2017

Eller Soul Records artist: Jason Ricci & The Bad Kind - Approved By Snakes - New Release Review

I just had the opportunity to review the most recent release, Approved By Snakes, by Jason Ricci & The Bad Kind and it's quite good. Opening with My True Love Is A Dope Whore, a salty, stinky, slinky, funky track with tight instrumentals and intelligent, sassy vocals (think Jim Morrison meets Frank Zappa or Klaus Doldinger's Passport meets Peter Wolf). Andy Kurz lays down a sweaty bass line and Ricci blows great harp over frantic guitars by John Lisi and Sam Hotchkiss and solid drums by Adam Baumol....what an opener! With a more "contemporary", maybe Chili Peppers influenced, Something Just Arrived, the band is a bit more contained but by no means tame. This band is rocking but and taking names. Bluesy and theatrical, Broken Toy, follows a more conventional road but Ricci's vocals warp the senses and his harp playing is sensational, paired squarely with wild guitar. Very cool. Kurz sets up a really nice bass line to open Eddie Harris' Listen Here. This track  exceeds 10 minutes and is an exceptional jam featuring a really nice solos by the band members. Excellent!  Terrors Of Nightlife features almost country like vocals and cool electric slide work over a quiet bottom and finely crafted harp soloing. With a loosely funky attack, I'm Too Strong For You, bounces in and the music rolls out...big time. A great funky guitar solo backing Ricci's crafty vocals and solid harp work makes this track one of my favorites on the release. A funky jazz number, Disconnect, showcases harp and guitar runs further "jacking you up" in a good way. Wrapping the release is 515, which hovers like a cloud, just waiting for the lightning to strike. With it's funky bass line and rhythm guitar, Hotchkiss lays out frantic guitar solos and Ricci pulls him back with his harp, only to reel him out again with Jim Morrison like vocals. This band is in your face good. It may not be what you are expecting...but you need to open your ears. This shit is hot!

View Bman Blueswriter's profile on LinkedIn

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

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“Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE