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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Showing posts with label Jay Gordon and Blues Venom. Show all posts
Showing posts with label Jay Gordon and Blues Venom. Show all posts

Tuesday, October 22, 2024

Jay Gordon and Blues Venom - Live at Woodystock Blues Festival - New Release Review

 I just had the opportunity to review the most recent release, Live at Woodystock Blues Festival by Jay Gordon and Blues Venom and it's great heavy rock blues...just the way you like it. Opening with Morganfield's classic, Hoochie Coochie Man and it's breathing fire. I really like Gordon's approach to the blues with a hold nothing back vocal and guitar assault, Sharon Butcher's driving bass lines and Tom Parham keeping it tight on the drums. Powerful opener.  George Thorogood's I Drink Alone is a great fit for Gordon with his scorching slide and hot, overdriven guitar attack. Thumping bass by Butcher really powers the track giving Gordon a great platform to stand on. Really nice. Sonny Boy Williamson's Good Morning Little School Girl gets an excellent cover based on one of my favorite blues rock bands, Ten Years After's arrangement with an excellent driving bottom and Gordon just letting it fly. If you like blues rock...you'll love this. Wrapping the release is Elmore James' Strange Blues with a really heavy bass line/ drum work giving Gordon plenty of space to let the dog off the hook. His guitar style is heavy and overdriven and just perfect for this music. Love this stuff. 


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Tuesday, September 8, 2015

Shuttle Music artist: Jay Gordon and Blues Venom - Woodchoppers Ball - New Release review

I just received the newest release, Woodchoppers Ball, from Jay Gordon and Blues Venom and it's smokin'! This is not traditional blues by any means but hot smoking blues rock with screaming guitar! Opening with The Stinger, Jay Gordon is right on it, ripping the guts out of everything in sight with his blistering guitar solos. This is the rockin'est edge of blues you're likely to hear. Hobo Hilton really cranks with a nice slow pace. Gordon turns on the flame thrower at a blink of an eye backed by Sharon Butcher on bass, Rich Wenzel on B3, and Ric Daly on drums. Gordon and Wenzel trade solos making this an extremely tight track. Excellent! Chainsaw Boogie really kind of tells it all in the title with a great British style rockin' boogie and Gordon flashing his guitar like a whirling chainsaw. Backed up by Butcher on vocals, Gordon lets the slide rip as well (Think Foghat). Very cool! Another track with some really cool slide work is Stranger Blues. Rich Gordon Lambert lays down a cool stagger step drum pattern giving this track a R&B style texture. If you like blues rock sliding guitar, you're bound to like this! Voodoo Woman finds Butcher on lead vocals and Gordon just leaves the guitar wide open. Fat slide guitar just screaming away mixed down to accommodate vocals but wide open all the way. Nice! Robert Johnson's Traveling Riverside Blues has a very traditional styling with nice vocals and extremely fluid dobro work fro Gordon. Very cool! Pain is a cool blues rocker with not only a a great blues groove but again, pure raw slide work that's fat as hell. You missing that raw fat slide blues rock...it's back! Message To Collins is a magical blues riff fest over a solid blues groove. Yes, that's right...a 4 plus minute guitar phantasm..... cool! Drippin' Blues has a real nice 12 bar feel and Gordon, singing lead just keeps the guitar amped all of the time. Very tastefully done, this is near where rock /blues came from with Savoy Brown, Led Zeppelin, Ten Years After and Humble Pie. Dig! Pure Grain Alcohol puts me in mind of earlier Johnny Winter blues styling with some real nice piano work from Wenzel and more clearly articulated guitar work by Gordon with an emphasis on vocals. His guitar solo is a more traditional breakout style and nicely placed. Blues Venom is a scorcher with Gordon on some of his best vocals. Wenzel lays down thick B3 juice lubricating the way as Gordon flames out some "axellent" riffs joined by Mario Ramirez on harp. A great blues rocker and smoking guitar man. Wrapping the release is a 9 plus minute slow blues number, Original Sin. There is no question that Gordon knows blues rock well and as a singer does a fine job. He has extremely fluid fretwork and knows how to put on the heat! This is really a solid rocker with strong blues roots. I have no hesitance whatsoever to recommend that if you want to hear blistering guitar work in a blues rock format that you get this one...now!

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  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”