Little Village artist: Curtis Salgado - Fine By Me - New Release Review

 I just had the opportunity to review the most recent release, Fine By Me, from Curtis Salgado and it's a great mix or rock, pop R&B and blues. Opening with country rocker, My Girl Is A Nut, with Salgado on vocal and harmonica, Alan Hager on guitar, Keith Brush on bass and Jimi Bott on drums. Chugging rhythm on Better Things To Lie About has a great feel, reinforced by Joe McCarthy on trumpet, Lars Campbell on trombone, and Tim Bryson on sax and features super vocal and harmonica by Salgado. One of my favorite tracks on the release is I'm Gonna Forget About You featuring vocal duet with Salgado and Robert Cray. Jim Pugh on piano and B3 gives the track depth and Jerry Jemmott on bass and Kid Andersen joining Cray on guitar really adds the spice. Hear The Lonely Hearts is a terrific soul track featuring Salgado on lead vocal backed by The Sons of Soul Revivers (James Morgan, Walter Morgan and Dwayne Morgan) on harmonizing vocals. With Rome Yamilov on guitar and Kid Andersen on bass, this is a standout track. Safe At Home is a solid pop rocker with Salgado on vocal backed by Lisa Leuschner, Kid Andersen on guitar and keys, Hershel Yatovitz on slide and bass and Paul Ravelli on drums. Slow blues, You Give The Blues A Bad Name features Anson Funderburgh on guitar and he really digs in. I think that Salgado's best vocals are on this track, with Billy Watts on guitar, Terry Wilson on bass, Loren Gold on piano, Tony Braunagel on drums and the illustrial horn backing of Joe McCarthy on trumpet, Lars Campbell on trombone and Tim Bryson on sax. Excellent track. Wrapping the release is shuffle,  Under New Management with nicely styled guitar lead by Funderburgh. Salgado really gets the groove moving on vocal  with Wilson on bass, Loren Gold on piano, Bruanagel on drums and McCarthy, Campbell and Bryson on horns. Salgado lays in some real tasty harmonica making this an excellent closer. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

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Little Village artist: Billy Price - Person of Interest - New Release Review

 I just had the opportunity to review the most recent release, Person of Interest, by Billy Price and it's got style. Opening with funky, Inside The Box, Billy Price is back with his next chapter. Notable for a leading vocal style for more than 25 years, Price is joined by Larry Fulfher on bass, Josh Sklair on guitar, Jim Pugh on keys, Tony Braunagel on drums and backing vocals by Masayn Lewis, Fred White and Will Wheaton. Of course there's a great horn section behind him including Ron Dziubla on sax, Eric Spaulding, and Mark Pender on trumpet. Great opener.  Bluesy ballad, Mercy, gives Price a chance to belt one out and warm keys by Pugh under the solid lead guitar work of Fulcher, and a sultry sax solo by Spaulding make this a solid radio contender. Title track, Person Of Interest, really has a funky pop sound in the vein of Steely Dan. Reggie McBride on bass lays in a great vibe and Pugh is killer on keys. Price's vocals are loose and free and Dziubla and Pender do a great job on horns. Having spent 3 years with Roy Buchanan, Price dedicates a track, Change My Mind, to Roy. A serious soul track and featuring Joe Bonamassa on guitar who gives Roy a few nods this is a very cool track.  Latin rhythms on A Certain Something has radio warmth and a strong melody. Pugh leads the track nicely on keys and Lenny Castro on percussion and Braunagel really spice up the bottom with Fulcher on bass and lead vocal by Price, backed by Lewis, White and Wheaton really shines. Wrapping the release is high stepping, Damage Control, with Price playing call and response with Dziubla and Pender on horns. McBride on bass holds the line with Braunagel on drums and Pugh of course on keys is stellar. Spaulding shines on tenor sax whipping out a real nice solo and Lewis, White and Wheaton blend nicely. This is a consistently cool release ... think a bluesy Steely Dan. Very nice! 

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Little Village artists: Kid Andersen - Spirits / Lisa "Little Baby" Leuschner - Soul - New Double Release Review

 I just had the opportunity to review the most recent releases, Spirits, by Kid Andersen and Soul, by Lisa "Little Baby" Leuschner released together as a single release (2 discs) and it's great! Opening with slow blues, The Civilized Life, Kid Andersen opens with some of the most powerful music to come out of Greaseland Studio. Andersen is a talented musician across the board and his guitar playing and lead vocals here are really strong. Endre Tarczy on bass, Chris Burns on keys and Mike Rinta on trombone, Dr Aaron Lington  and Stevie Gurr on harmonica add great texture to this excellent opener. Blind Willie Johnson's Nobody's Fault But Mine gets a really nice rework with a slinky feel courtesy Dave LeMieux on drums and Kid on guitar, bass and lead vocal shared with Lisa Leuschner. Check out the outrageous slide guitar work by Kid on Hey, Little Reaper, a Chicago style blues romp with solid harmonica work by Nic Clark and Charlie Musselwhite, coupled with Burns on keys. Very nice. I really love the feel on I Ain't Right with Kid on lead vocal and slide guitar. This track is a loose shuffle and reminiscent of the work that Skydog did with Arthur Conley at Muscle Shoals back in the early 70's. The groove is excellent and horn work by Eric Spaulding, Jack Sanford,  along with Lorenzo Farrell on keys, June Core on drums and Jerry Jemmott really sends this one over the edge. Wrapping Spirits is Ship of Fools, a sauntering soul/jazz track in the vein of early War. The vocal blending by a host of characters is incredible and Jemmott really anchors this track. Excellent closer for disc one. 

Leuschner opens her disc with Mike Schermer's In My Mind's Eye with a warm R&B influenced feel. Smooth, soulful vocals, backed by Kenny Ken Franklin on bass, D'Mar on drums, and clean guitar work by Kid make this a solid opener.  Another R&B track, Donnie Woodruff's I Won't Let That Happen To Me, really has a great feel showcasing Leuschner's voice nicely. With Jemmott setting a deep groove on bass, D'Mar on drums, Jim Pugh on keys, Vicki Randle on percussion and cllean, understated guitar work by Kid, this is a really nice entry. Digging back into Bishops great days with Jo Baker, Rock Bottom is resurrected and is punchy as it was when I first heard it in college. Lisa is backed by James, Dwayne and Walter Morgan on vocals, Rinta, Lington, Scott Jensen on trumpet add in authentic horns and Kid rips a guitar solo that would make Crabshaw proud. Kickass! Infectious, Slipped Through My Fingers, has a strong deep groove courtesy Kid on bass, Latimore on keys and D'Mar on drums. Latimore trades vocals with Lisa on this serious radio track. Wrapping the release is smart little ballad, Family, written and performed by Lisa with the last verse sung by Kid. With only acoustic guitar, keys and bass backing, this is a really nice track with Lisa's voice as pure as it gets, unadorned and straight up. Very nice closer for a tremendous double set. One of the most enjoyable reviews of the year! 

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VizzTone label group artist: Deb Ryder - Live And Havin' Fun - New Release Review

 I just had the opportunity to review the most recent release, Live And Havin' Fun, from Deb Ryder and it's a boat load of high steppin fun. Opening with Fun Never Hurt No One, with it's pumping rhythm, Deb Ryder is upfront leading the way on gritty vocals and Lon Price and Joe Sublett on sax. Tony Braunagel lays down a steady drum rhythm with Ric Ryder on bass and Johnny Lee Schell on guitar. Paul Litteral on trumpet and Jim Pugh on trombone really open the track up with brass. Solid Opener. Temporary Insanity has plenty of sway with Schell leading the way on guitar and Pugh, Price and Litteral on horns. Ric's bass work adds a real nice bottom giving Deb a solid footing for her powerful vocals. Albert Lee lays down some real nice guitar riffs on Ma Misere for a strong addition to the set. Braunagel sets up a hot, New Orleans rhythm and Albert Lee picks some real nice riffs under the soulful vocals on Deb. Funky, I'm Coming Home, leads off with Price wailing on sax and the thumping bass work of Ric. Deb gets in the groove with great response by Price and funky guitar rhythm by Schell and snappy drum work by Braunagel. Hold On has a driving blues rock feel with Deb leading the way and Tex Nakamura on harmonica adding just the right amount of spice. Wrapping the release is country blues rocker, Blues Is All I Got, with it's strong rhythm, Ric on bass and Deb trading lead with Nakamura. Schell lays down a real nice guitar solo on this one further electrifying this live closer. 

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Crosscut Records artist: Franck L. Goldwasser - Who Needs This Mess!!?? - New Release Review

 

I just had the opportunity to review the most recent release, Who Needs This Mess!!??, from Franck L. Goldwasser and it's a thick slice of blues. Opening with with a solid blues number, Don't Give Up On Me Baby, Franck Goldwasser on vocal and guitar follows a SBW vamp and with strong vocals and really nice guitar work really gets things going. Backed by Ralph Carter on bass and Johnny Morgan on drums, this is a strong opener. Skwurley is a real cool instrumental with excellent slide work by Goldwasser matched with R.J. Mischo. Excellent! Playing off of a "Green Onions" skeleton, Diskum Baab Uleh Shun is another instrumental with plenty of room for Mischo on harmonica to trade riffs with Goldwasser on guitar over the solid bottom of Carter and Morgan. With a zydeco feel, Sobbby Doggy Boogy is a fun track with a great tempo, driven by Goldwasser on guitar and slide. Pure Chicago on If I Could Holler with Goldwasser on vocal and a constant harmonica vamp throughout. Traditional Waters' style instrumentation fits nicely with this track. Another Morganfield influenced track, Dumb and Dangerous has a vital rhythm with Goldwasser on Waters influenced slide style and foot stomp drum. With it's Atkins style guitar rhythm, Razzmazazz is a real nice track with Goldwasser showcasing his finger picking style. Closing the release is slow blues, Bleedin' Heart with Goldwasser breaking loose on electric blues, floating on the full organ backing of Jim Pugh. This is a real nice blues track with Goldwasser digging deep on vocal and taking no prisoners on guitar. This is a real nice closer for a solid release. 

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Little Village artist: D.K. Harrell - The Right Man - New Release Review

 I just had the opportunity to review the most recent release, The Right Man, by D.K. Harrell and if you're looking for a new favorite blues singer who knows how to play a great blues phrase, look no further. Opening with title track, The Right Man, D.K. Harrell on lead guitar and vocal is smooth. He knows how to swing and his riffs are clean. Joined by Kid Andersen on rhythm guitar, Jim Pugh on keys, Jerry Jemmott on bass, Tony Coleman on drums and Jon Otis on congas this is a great opener. With a lot of soul and a funky overtone, Harrell lays down Get These Blues Out Of Me. I really can't think of a more BB King like performer who sounds genuinely original. His delivery is sincere and his counterpoint guitar is effortless and rich. One of my favorite tracks on the release is Hello Trouble with a slower pace and perfect vocal/guitar call and response. Backed by Neil Levonius and John Halbleib on trumpet, Mike Rinta on trombone, Mike Peloquin on tenor and Doc Kupka on bari sax, Harrell really works this track with stinging guitar lead and rich vocal lead. Funky blues, Honey Ain't So Sweet really has a JG Watson or WW Washington feel with punchy horns, firm bass lines by Jemmott and tight drumming by Coleman. Wrapping the release is One For The Road, a real swinger with Harrell playing against Pugh on organ pushing the track ever higher. A real nice blues jam with Harrell setting up the melody with a fiery guitar intro. Pugh takes the first proper solo on organ with Jemmott really pounding the bass and Coleman rips up the skins. Harrell steps back up front closing with a real nice guitar outro. Check this release out for sure. 

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Little Village artist: Marcel Smith - From My Soul - New Release Review

 I just had the opportunity to review the most recent release, From My Soul, by Marcel Smith and it's sopping with soul. Opening with I'm Coming Home to You, a cool, traditional soul tune that could literally come from the 60's with it's excellent lead vocal by Marcel Smith, background vocals by The Sons of the Soul Revivers and featuring Kid Andersen on guitar, Mike Rinta on trombone, D'Mar Martin on drums, Endre Tarczy on bass, Jim Pugh on keys, Aaron Lington on sax, and John Worley on trumpet. Very cool. Wake Me When It's Over is one of my favorites on the release with it's perfect melody, lightly applies backing of Tarczy on bass, D'Mar on drums and a vibraphone solo by Andersen supporting the lush vocals of Smith. Drunk is a tight R&B track with hot percussion by Jon Otis, a brassy trombone solo by Rinta, and sassy horn work by Worley all tied together by Smith's magnetic vocals. Nothing Left To Burn really moves with terrific vocals by Smith and excellent guitar work by Andersen, all over the solid bottom of D'Mar and Tarczy and Rinta, Lington and Worley. Very nice. Smith does a real nice duet with Lisa Leuschner Andersen on My Heart Told A Lie, a soulful track with plenty of radio appeal. Wrapping the release is Barry Gibbs' classic track, How Can You Mend a Broken Heart performed live. Smith's vocals are rich and soulful, backed by Andersen and Pugh applies the heat on organ really making this a powerful, gospel like closer. Really nice release. 

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Tracy Nelson - Life Don't Miss Nobody - New Release Review

 I just had the opportunity to review the most recent release, Life Don't Miss Nobody, by Tracy Nelson and it's really good. Opening with Strange Things Happening Every Day, Tracy Nelson on vocal really gets things moving. Kevin McKendree on piano knows how to play a boogie and backed by John Gardner on drums, Byron House on bass, Mike Henderson on electric guitar, this is a great opener. With a Spanish taste, title track, Life Don't Miss Nobody features Nelson on lead vocal and Wurlitzer, with Mike Dysinger on congas and Guiro, House on bass, Larry Chaney on 12 string guitar and Cuatro and Steve Conn on piano and with the tight horn work of Jack Warner on sax, Dominique Caster on trumpet, and Chase Carpenter on trombone. Very nice. Willie Nelson steps up on Honky Tonkin' sharing the lead vocals with Nelson. Mickey Raphael adds some tasty harmonica lead melody and I particularly like Mike Johnson's contribution on steel guitar. One of my favorites on the release. Terry Hanck joins on Gene McDaniels' Compared To What. With Tracy on lead vocal and Hanck on vocal and sax, this track is great. Gardner and House set the rhythm and Steve Conn on piano seeds a great solo by Hanck. Excellent track. Chuck Berry's Brown Eyed Handsome Man gets a cool, New Orleans twist with Nelson surrounded by Irma Thomas, Marcia Ball, Dianne Davidson, Vickie Carrico, Larry Chaney and Reba Russell on complimentary vocals really giving the track a solid richness. Wrapping the release is Hard Times featuring Nelson alone on vocal and 12 string acoustic guitar. A pure traditional track, this is an excellent closer. 

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New West Records artist: Angela Strehli - Ace of Blues - New Release Review

 I just had the opportunity to review the most recent release, Ace of Blues, by Angela Strehli and it's her best in years. Opening with Bobby Bland's Two Steps From The Blues and it's soulful presentation. Strehli's vocals are smooth as silk, backed by Mike Schermer on guitar, Steve Ehrmaann on bass, Kevin Hayes on drums, Mike Emerson on keys and a power horn section of Rob Sudduth on tenor sax, Johnnie Beaumont on bari sax, and Marvin McFadden on trumpet this is a fine opener. Funky track, Ace of Spades shows Strehli falling back into her R&B feel delivering "in spades" with cool trumpet highlights by McFadden. Schermer plays a beautiful intro on Gambler's Blues, setting a deep bluesy path for Strehli, supported by Jim Pugh on B3, Emerson on keys and Sudduth, Beaumont and McFadden on horns. Schermer really digs in on this track laying you back in your seat just cruisin. Very nice. Another fine soul track, Otis Clay's Trying To Live My Life Without You, holds true to the original with punchy horns and a tight bottom. Wrapping the release is Strehli's own, SRV, a tribute to Stevie Ray Vaughan. A strong radio ballad with a solid guitar solo, SRV is a smooth closer. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

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Little Village artist: Silent Partners - Changing Times - New Release Review

 I just had the opportunity to review the most recent release, Changing Times, from Silent Partners, and it's a huge heaping of soul and blues. Opening with Ain't No Right Way To Do Wrong, a deep soulful blues track, Silent Partners get straight to the groove. With a rich bass line by Russell Jackson, tight drums by Tony Coleman and strong supportive guitar lead by Jonathan Ellison, this is a powerful opener. Backed by Don Daily on violin, this track has great radio appeal.  Another strong radio track is, Road To Love with excellent lead vocals and backing vocals by Lisa Lueschner Andersen and featuring cool solo guitar work by Kid Andersen. Very nice. Funky, Never Make Your Move Too Soon, has a real nice feel that will get your butt right out your chair. With BB King style "talking" guitar riffs, by Ellison, and well placed organ placement by Jim Pugh over a romping bass line by Jackson, this track is moving. I love the sweet, soulful vocal lead on Teasing Woman,  backed by the plucky bass/guitar rhythm. Ellison's guitar lead really hits the spot making this one of my favorite tracks on the release. Wrapping the release is Beale Street Shuffle with a laid back, shuffle feel on an old Robert Johnson concept. This band knows how to make a groove and sit in it and most anything Kid Andersen touches sounds like gold so we have a winner here. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

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Little Village Foundation: The Phantom Blues Band - Blues For Breakfast - New Release Review

 I just had the opportunity to review the most recent release, Blues For Breakfast, by The Phantom Blues Band and it's a solid party. Originally formed as Taj Mahal's backing band, PBB began performing on their own and released their first release back in 2006. With a few changes in the lineup most significantly Les Lovitt replacing Darrell Leonard on trumpet and Jim Pugh replacing the nearly irreplaceable Mike Finnigan after his fight with cancer ending in 2021. This newest rendition of the band opens with a roaring  cover of I Take What I Want with Larry Fulcher on bass and lead vocals paired with Johnny Lee Schell on lead vocal and guitar. Backed by Tony Braunagel on drums, Joe Sublett on sax, Les Lovitt on trumpet and Jim Pugh on piano and organ this track has real juice. New Orleans flavored, She's Into Something has strong percussion by  Braunagel and the horn work of Joe Sublett and Les Lovitt really spices things up. Schell drops into a nice Texas style guitar solo really setting hit one off. Very nice. A reggae style rework of Curtis Mayfield's, Move On Up, is really cool with vocal by Ruthie Foster  and tight rhythm guitar by Tony Chin and the horn work of Subett and Lovett add nice authenticity. Very cool. Mike Finnigan leads the way on organ and vocal on OK, I Admit It with real swing. Punchy horns by Sublett and Lovitt and Finnigan's own organ work make this one of my favorites. Bonnie Raitt joins on laid back shuffle, Country Boy with her distinct vocal work. Very nice. Curtis Salgado adds lead vocal and distinctive solo harmonica on Laughin' and Clowin', a slow blues and one of my favorites on the release. On up tempo, I Know You Don't Love Me, Salgado has the lead vocal again and does a great job. Sublett, on sax lays in a solid solo making it hard to stop your foot stomping. Wrapping the release is boogie track, Stuff You Gotta Watch with a great driving bass line by Fulcher and stellar work by Pugh on piano. Power horn work by Sublett and Lovitt work great with Schell's lead vocal and Sublett finishes the release with a hot sax solo. Very nice. 

This recording is dedicated to the memory of Mike Finnigan. All proceeds from sales are being donated to the scholarship program at The Mike Finnigan School of Music in Salina, Kansas. 

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Little Village artist: Diunna Greenleaf - I Ain't Playin' New Release Review

 I just had the opportunity to review the most recent release, I Ain't Playin' (May 20, 2022), from Diunna Greenleaf and it's chocked full of R&B, blues and soul. Opening with Koko Taylor's Never Trust A Man, Diunna Greenleaf on lead vocal slips into a funky blues, Albert King style, With Jerry Jemmott on bass, Jim Pugh on keys, Kid Andersen on guitar and Dmar Martin on drums with Mike Rinta on trombone, Aaron Lington on sax and Jeff Lewis on trumpet. Power opener. In Big James Montgomery's If It Wasn't For The Blues, Greenleaf really shows powerful phrasing and excellent command for that funky blues that we all love so much. With a great bass line by Andersen, Lington on flute, Rinta on trombone and Lewis on trumpet, and Igor prado on lead guitar, this is a really strong track. Original shuffle, Sunny Day Friends has a loose feel and Greenleaf really slides into the pocket. Jemmott's bass line is terrific, Andersen's guitar lead is strong and  Pugh adds some real nice piano as well. A darker, deeper track, Long John Hunter's I Don't Care is one of my favorite tracks on the release with superb guitar soloing by Andersen and warm sax additions by Eric Spaulding and Sax gordon. Really nice. Joe Medwick's, Damned If I Do, R&B track really gest a blues workout by Greenleaf and her vocal richness and again Andersen just smokes the guitar with strong horn backing by Rinta, Lington and Lewis. Gospel track,  I Know I've Been Changed, is another powerful demo for Greenleaf's voice with Alabama mike on additional lead vocal and Nic Clark on guitar. Very nice. Johnny Copeland's Let Me Cry is another terrific track with stellar guitar intro by Andersen, excellent piano contributions by Pugh and some of Greenleaf's best vocals on the release, wrapped in the horn work of Spaulding. This is excellent! Wrapping the release is upbeat R&B style track, Deitra Farr's My Turn, My Time with a driving funky bottom by Dmar, Jemmott and Vicki Randle (percussion) and and the addition of Lisa Leuschner Andersen on backing vocals. Solid closer for a terrific release. 

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Delta Roots Records artist: Gerald McClendon - Let's Have A Party - New Release Review

 I just had the opportunity to review the most recent release, Let's Have A Party, from Gerald McClendon, and it's a cool R&B/Blues release. Opening with Keep On Keepin' On, Gerald McClendon sets the bar high with a strong soul track, backed by Joe Burba on guitar, Tony Llorens on Fender Rhodes,  Jim Pugh on B3, Skinny Williams on sax, Johnny B. Grayden on bass,  and Twist Turner on drums. Very nice. On blues track, If That Ain't The Blues, McClendon's lead vocal balances perfectly with Rico McFarland's response on guitar. Harlan Terson's bass line sets a perfect bottom for the fluid soloing of McFarland. Pack Your Bags and Go has classic soul styling with real nice sax work by Williams. One of my favorite tracks on the release is Throw This Dog A Bone with its bluesy vocals and gripping, "BB King" like guitar phrasing by Joe Burba and McFarland. Another of my favorites on the release is I Just Can't Take Anymore, with McClendon in the spotlight vocally and it's classic vocal phrasing. Burba lays in a real nice guitar solo punctuating this one and Ariyo Ariyoshi's Fender Rhosed work glistens but this track is all about McClendon and his soulful delivery.  Very nice.  Wrapping the release is Funky Stuff with it's solid bass line by Art love and tight guitar soloing by Melvin Taylor. This release has just the right amount of R&B, soul and blues to give everybody what they want. Very nice. 

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Little Village artist: Tia Carroll - You Gotta Have It - New release Review

I just had the opportunity to review the most recent release, You Gotta Have It, from Tia Carroll, and I really like it. Opening with Neo soul track, Ain't Nobody Worryin' Tia Carroll really has this release humming from the start. With guitar phenom, Charlie Hunter handling bass and guitar (at the same time) D'Mar on drums, Jim Pugh on organ and Carroll on lead vocal with James Walter and Dwayne Morgan on backing vocals, this track is hot. Carroll's vocals are so soulful on Even When I'm Not Alone, it makes you sweat. With Pugh's organ work, Kid Andersen on guitars, Steve Ehrmann on bass and Paul Revelli on drums, a strong track. With real blues swagger, Mama Told Me plays into the power of Carroll's voice with Andersen laying in some stinging guitar riffs over the power horns work of Mike Runta on trombone, Rob Sudduth on tenor sax, and Aaron Lington on bari sax. Excellent! Wrapping the release is Why Am I Treated So Bad with it's dark soulful sound. With a daunting bass line by Ehrmann and the power horns of Rinta, Sudduth, Lington and Lewis, supporting Carroll's strong vocals and a cool key solo by Pugh, this is a terrific closer for a terrific release.

 


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Little Village Foundation artist: Ron Thompson - From The Patio, Live at Poor House Bistro, Volume 1, New Release Review

 I just had the opportunity to review the most recent release, From The Patio, Live at Poor House Bistro, Volume 1, from Ron Thompson and it's a strong, raw performance. Opening with Willie Dixon's Meet Me In The Bottom, Ron Thompson on vocal and guitar gets a running start with his grinding tempo with Scotty Griffin on drums, Dave Chavez on bass, Sid Morris on piano and Jim Pugh on organ. His solid groove and unpolished but excellent blues vocals are spot on. On Lightning Hopkins' Bring Me My Shotgun, Thompson shows just how close to the "real blues" his work is with excellent vocals, slide work and minimal bass and drums. Excellent! Bob Geddins' Tin Pan Alley, made popular to most by SRV gets a real nice workout by Thompson with not only really soulful vocals and solid piano work by Morris but with some real nice electric guitar work by Thompson. Very nice. Guitar Slim's Done Got Over It is another potent track with Jim Pugh on organ solo and rockabilly style blues guitar riffs by Thompson. On Lowell Fulson's Sinner's Prayer, Thompson runs out a real nice slide solo working very nicely with Pugh's organ work. Very cool. Doctor Brown features Kid Andersen and Thompson on slide and we all know the Kid can play. With Elmore James style riffs under Thompson's vocals, this track is great! Wrapping the release is Thompson original, When You Walk That Walk with strong Hound Dog Taylor influence and Andersen again playing some wicked wicked guitar. This is really a strong release and highly recommended. 

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Jose Ramirez - Here I Come - New Release Review

I just had the opportunity to review the most recent release, Here I Come, from Jose Ramirez, and it's a very cool, R&B flavored, contemporary blues release. Opening with title track, Here I Come, Jose Ramirez leads on vocal and guitar, backed by Jim Pugh on piano, Wes Starr on drums and Nate Rowe on bass. Showing his first solo, he's low slung and with plenty of Texas feel...think Jimmie Vaughan or Anson Funderburgh styling. Very nice. Slow blues, I Miss You Baby sounds like it's right out of the T Bone Walker songbook and with solid vocals by Ramirez and the backing of  Texas Horns (Mark ‘Kaz’ Kazanoff, John Mills and Al Gomez) this track is rich. Listen to Ramirez make that guitar sing... nice. Anson Funderburgh actually shows up on Gasoline and Matches and lays in some stinging riffs over the Horns, a funk bass line by Rowe. Very nice. Goodbye Letter is a real nice slower blues with some of Ramirez's best vocals on the release and excellent rolling piano work by Pugh. Sit back and let him stroke the strings... solid phrasing and great tone. Combining the guitar loping riff of SRV and the warm organ work of Pugh, Three Years has a real soothing blues feel and gives Funderburgh and Ramirez plenty of space to work. Very nice. Super soulful, As You Can See, is one of my absolute favorites on the release with strong lead vocals by Ramirez, and plenty of fat horn work. Ramirez holds back on his guitar until the tail of the track but it's a perfect short of heat at just the right moment. Excellent! Wrapping the release is strong shuffle, Stop Teasing Me, with cool organ work by Pugh under Ramirez's solid vocals. His lead guitar lines and the tight drum work is a perfect balance and with continued pressure from Pugh on his Hammond, this track is a stong closer for a really strong release. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

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Gulf Coast Recordings artist: John Blues Boyd - What My Eyes Have Seen... - New Release Review

I just had the opportunity to review the most recent release, What My Eyes Have Seen..., from John Blues Boyd, and it's tasty. Opening with shuffle track, In My Blood, John Blues Boyd has the mic with silky smooth vocals, backed by Kid Andersen on guitar, Jim Pugh on piano, Quantae Johnson on bass, June Core on drums, and Eric Spaulding and Jack Sanford on sax. Solid opener.  Title track, What My Eyes Have Seen... is a really cool track with soulful vocals by Boyd over a dark bass line/guitar lead by Johnson and Anderson. There is quite a bit going on here with super percussion from June Core and Kid Andersen, Jack Sanford on sax, John Halblieb on Trumpet, Ric Feliziano and Pugh on organ. Excellent! Straight up blues number, A Beautiful Woman (For Dona Mae) is strong vocally with nice guitar soloing by Andersen and featuring Nancy Wright on sax. 49 Years is a real nice slower blues number with strong piano lines by Pugh, wailing sax by Spaulding and super blues phrasing by Andersen on guitar. Funky, I Got To Leave My Mark, puts you in mind of Albert King, with excellent guitar riffs by Andersen (who also plays organ and percussion), and a solid horn backing by Spaulding, Sanford, Halblieb and Feliziano. Wrapping the release is My Memory Takes Me There which really highlights Boyd's vocal strength surrounded by only the basics with Andersen on organ. Nice closer for a solid release.

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

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