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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Showing posts with label Jimbo Mathus. Show all posts
Showing posts with label Jimbo Mathus. Show all posts

Monday, May 15, 2023

Cornelius Chapel Records artist: Ernie Vincent Original Dap King - New Release Review

 I just had the opportunity to review the most recent release, Original Dap King, by Ernie Vincent and it's great mix of R&B, blues, soul and funk. Opening with Body Shop, with it's funky feel, Ernie Vincent on lead vocal and guitar really gets it going. Jimbo Mathus drive the train on piano with Taylor Hollingsworth on guitar, Hank West on horns, Matt Patton on bass, Bronson Tew on drums and with wicked backing vocals by AJ Haynes, Schaefer Llana and Matt Patton. Blues rocker, Jealousy, is a cool, laid back track with super vocals and nicely stylized guitar work. Blues Filler is a funky groove with Vincent singing in what I'd call a Jimi Hendrix style and distorted, blues based rock guitar riffs. Very cool. On Seven Sisters, Vincent really does a nice job of singing and trading vocal lead with his blues rock guitar lead. Mathus' percussive piano rhythm adds nicely to the well poised bass lines of Patton and Tew's excellent drum work. With it's James Brown rhythm, emphasized by Hollingsworth's guitar and West on horns, Guilty as Funk has a real nice pop funk feel and lead/backing vocals by Haynes, Llana and Patton give the track a 70's R&B feel. West lays in a sassy sax solo really giving this track a kick. Wrapping the release is piano shuffle, Early Times with Vincent on lead vocal and hot rockabilly style riffs on guitar and West on sax. Solid closer. 


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Thursday, October 8, 2020

Stony Plain Records artists: New Moon Jelly Roll Freedom Rockers - Volume 1 - New Release Review


 I just had the opportunity to review the most recent release, Volume 1, from New Moon Jelly Roll Freedom Rockers and it's great stuff. Opening with Blues, Why You Worry Me features Charlie Musselwhite on lead vocal  and harmonica. A strong Chicago style shuffle, also includes Alvin Youngblood Hart and Jimbo Mathus on guitars, Jim Dickinson on piano, Luther Dickinson on guitars, mandolin, Cody Dickinson on drums, Chris Chew on bass and Paul Taylor on tub bass. Super opener. Charlie Patton's Pony Blues is a super follow up with it's Hill Country styling and Hart on lead vocal. It's no secret that Mathus is one of my favorite contemporary musicians with his quirky style and super grooves (not to mention his solid country sound). Night Time features Mathus on lead vocal and one of his infectious, funky grooves, driven by Chews' bass line and strong harmonica work from Musselwhite. Very cool. One of those cool party rags, Come On Down To My House, features the late Jim Dickinson on piano and lead vocal, joined by a really comfortable weaving of the entire group on vocal and acoustic instruments. Super country blues stew. Mathus is back at the mic on Shake It and Break It, a cool rag with the classic rag styling of random instrumental blending, stagger drumming and high riding harmonica by Musselwhite. Wrapping the release is the Mississippi Sheiks' Stop and Listen Blues featuring Dickinson on mandolin, Mathus on guitar and Hart on guitar and lead vocal. This is a strong closer for a really cool release.


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Wednesday, June 19, 2019

Big Legal Mess Recoords artist: Jimbo Mathus - Incinerator - New Release Review

I just had the opportunity to review the most recent release, Incinerator, from Jimbo Mathus and it's really good. if you've been reading my reviews and commentary for a while, you know that I really like the work of Mathus. His output varies from deep blues (Buddy Guy) and 30's jazz (Squirrel Nut Zippers) to Mississippi hill country music and flat out rock (and many things in between). I wasn't sure what to expect from Mathus on this outing after his multi year hiatus touring with the SNZ but it is seems to be an unsorted mixture of everything he's been working on for the past few years. Opening with You Are Like A Song, a cool natural country song featuring Mathus on piano and lead vocal, backed by Matt Patton on bass and Bronson Tew on guitar this track is an instant radio track. The melody will stick in your head and Patton and Tew's backing vocals are all country. Very nice. One of my favorite tracks on the release, Really Hurt Someone is a strong soul track with Mathus showing his emotion. Steve Butler on fiddle, paired with Mathus' own piano creates a great feel. Excellent! With a traditional waltz tempo and Mathus' wry styling, South of Laredo has a real nice old style country western feel. Mathus vocals, never pretty, are perfect for a track like this and the female vocals on this track are a great compliment. If you've been following Mathus' solo career for a while, you know he always has tracks that stand out and you don't know what they mean, but you really like them. Alligator Fish is one of them with it's raw hill country like vibe, James Brown boogaloo rhythm and distorted guitar railing by Bronson over Mathus' voodoo like chanting. Excellent! Another trait of Mathus' solo releases are simple traditional story telling songs with candid vocal discussion like David Bromberg or Porter Wagoner (among others). Jack Told The Devil is one such track and I really like it. Featuring some up front piano work by Mathus and Bobby Isbell on dobro, this is a great track. Another of my favorite tracks on the release is ballad, Sunken Road, a lovely composition reminiscent of Butcher Bird from Dark Night of the Soul and featured on TV's Ray Donovan. Lilly Hiatt sings along with Mathus on this track and adds nicely. Wrapping the release is Carter family's Give me The Roses in conventional country simple style. Mathus embraces these simple country roots and with nicely blended additional voices, fiddle (Butler), banjo (Ernie Welsh) and dobro (Isbell) an excellent closer for another really nice release from Mathus.


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Friday, February 23, 2018

Louis Gearsgifter Youngblood - Self Titled - New release Review

I just had the opportunity to review the first full band release from Louis "Gearshifter" Youngblood and I really like it. Opening with driving blues rocker, Juke Joint, Gearshifter has a cool, loose, "Mississippi" delivery, backed by Matt Patton and Larry Morrisey on drums. His own guitar style is loose and cool. On traditional track, Rabbit In A Log, Gearshifter delivers like a pro. His vocals are cool, relaxed and rich, his guitar work has sting and organ backing by Jimbo Mathus is understated and solid. No Working Blues sounds like it's right out of a juke joint with it's crude but SRV like guitar riffs and rhythmic vocals. I really like this track which has a golden groove. A Big Change has a regal feel in almost a Screaming Jay vein. Gearshifters' loose guitar style is super and his vocals are rare. Very cool. Jimmy Olden's Goin' Down Slow has a slick, R&B feel but Gearshifter's vocals are all blues. Although not technically SRV, his riffs are every bit as soulful. Very nice. One of the top tracks on the release is Bobby Blue Bland's You've Got To Hurt Before Your Heal with a super melody, strong vocals and it's genuine R&B feel. Another crisp "club style" blues number featuring Youngblood accompanying himself on guitar is Bad Avenue with a cool story and tight blues riffs. Shuffle track, Meet Me With Your Black Drawers On is one of this tracks that just puts a smile on your face. A snappy pace that you can hardly resist bouncing to is the basis of the track and Youngblood's authentic vocals are spot on with his country spanking guitar riffs. Excellent! Wrapping the release is Youngblood original, Get Rich And Marry You with an easy, country two step feel. laid back and real, it's a real cool closer for a real strong release.



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Friday, January 5, 2018

Ruf Records artist: Samantha Fish - Belle Of The West - New Release Review

I just had the opportunity to review the most recent release, Belle Of The West, from Samantha Fish and it may be her best effort yet. Opening with American Dream you have an immediate sense that this isn't a typical Samantha Fish release. Produced by Luther Dickinson, this release is in a whole new strata. Laden with fife and drums by Sharde Thomas, and with Trina Raimey and Tikyra Jackson on drums, this track has a distinct Mississippi feel. Blood In The Water showcases Fish's lead vocal and harmonies with Amy LaVere who also plays bass. A swampy track with sparse but distinct guitar work and eerie violin work by Lillie Mae, this is a cool track. Cowtown has a distinct country sound with a certain blues flavor. Addition of Fender Rhodes by Jimbo Mathus gives a nice texture and Fish sounds more comfortable both vocally and with guitar work in this "new" style. I also really like the heaviness of the drums on this track which really punch it right. Very nice. Don't Say You Love Me may be my favorite track on the release with absolute sassy vocal sound. I really love the guitar tone on this one too...excellent! Title track, Belle Of The West is a terrific, country (real country) TexMex flavored track with deep roots. I am hesitant to give Dickinson credit for someone else's work, but when he touches something he can bring out the best in people and whatever caused it, this is really good! RL Burnside's Poor Black Mattie is another terrific track with vocals shared with LM. Keeping the Mississippi sound, adding harmonica, and mandolin, really deep. No Angels balances between pop and country blues maintaining it's solid roots and developing a solid boogie. Vocal duet with Lillie Mae, Nearing Home is a warm blues ballad with healthy country roots. It's hard to describe, but easy to listen to. Very nice. Wrapping the release is Gone For Good, a primarily acoustic foot stomper with rhythmic guitar, slide and light percussion under soulful vocals by Fish. I really like this release and suggest you get this one for your permanent collection.



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Tuesday, September 12, 2017

Big Legal Mess artist: Bette Smith - Jetlagger - New Release Review

I just had the opportunity to review the most recent release (September 29, 2017), Jetlagger, by Bette Smith and I really like it. Opening with original track, I Will Feed You, a dynamic "Macy Gray" styled ballad with a really strong melody, Smith lays out what I think it a sure fire radio track. With Jimbo Mathus on guitar and keys, Bronson Tew on drums, Matt Patton on bass, Scott Goolsby on guitar, Jamison Hollister on violin, Marc Franklin & Kirk Smothers on horns, and Susan Marshall on backing vocals, the music is thick. Excellent! R&B track, Flying Sweet Angel of Joy has rich gospel like backing vocals giving this track a super richness. Jimbo Mathus' Dirty Hustlin' gets a super funk treatment and it really is strong. This track is perfect for Smith and deep backing vocals, paired with the bass/drum work and a clever guitar solo by Mathus makes it one of my favorites as well. Another Mathus penned track, Moaning Bench, has strong R&B drive with punchy horns and powerful vocals. Isaac Hayes, Do Your Thing, has a super darkness with Smith showing the lower vocal range and the bari sax and bass working nicely with the organ and drums give it just the right feel. Wrapping the release is City In The Sky, another solid R&B track with a beefy bass line. Smith's vocals are sure and Mathus' guitar work has a nice looseness further showcasing just how strong Smith is. I really like this release. If you want a rich earful of soulful music...this is it!



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Tuesday, July 11, 2017

Americana Music Society - Red Hot: A Memphis Celebration Of Sun Records - New release review

I just had the opportunity to review the most recent release, Red Hot: A Memphis Celebration Of Sun Records by the Americana Music Society and it's really cool. This recording, co-produced by singer-guitarist Luther Dickinson of the North Mississippi Allstars and Tamara Saviano, the Nashville based writer-Producer and author of Without Getting Killed or Caught, with all proceeds to benefit St. Jude Children's Research Hospital. Opening with swinging R&B track, John Paul Keith sings Red Cadillac and a Black Mustache featuring Jim Spate on soulful sax. Valerie June digs deep on Carl Perkin's Sure To Fall (In Love With You) joined by Jimbo Mathus and Amy laVere on backing vocals showing real American home grown country. Very nice. On Charlie Rich's Lonely Weekends, Shawn Camp takes the lead backed by spate on sax and Lauren Mascitti and John Paul Keith on backing vocals. Bryan Hayes is front and center on Charlie Rich's Ways of a Woman In Love backed by Emily Barker and Amy LaVere on backing vocals. This is a simple country tune and has great style. On Billy "The Kid" Emerson's R&B classic, Red Hot, Chuck Mead, Kevin Fonteyne, Drake Milligan and Jonah Lees rock it. Bobby Rush takes the blues right down main street with Tough Titty, one of my favorites on the release. Amy LaVere nails swing track, Ten Cats Down with real nice guitar soloing by Will Sexton and Emily Barker on backing vocals. Jimbo Mathus rocks Jerry Lee Lewis' High School Confidential. Mathus is in his own universe when he pours it on and he is channeling here. Johnny Cash's Folsom Prison Blues gets a cool cover by Alvin Youngblood Hart with solid vocals and twangy guitar. Luther Dickinson brings on the Mississippi Hill sound on Howlin' Wolf''s Moanin' at Midnight. Joined by Lightnin' Malcolm on guitar, not only breathes a cool 6 min plus but extends to an addition jam for another 7. This is an excellent closer for a really nice release.
Another feature of this package is a super 15 page color insert with quips and humor. Very cool. 

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Tuesday, August 30, 2016

Big Legal Mess artist: Robert Finley - Age Don't Mean A Thing - New Release Review

I just received the newest release, Age Don't Mean A Thing, from Robert Finley and it's a powerful new soul release. Opening with high stepping Memphis groove, I Just Want To Tell You, Robert Finley wastes no time establishing that his talent far exceeds his professional experience. An extremely soulful vocalist, Finley traveled north to Memphis to work with members of the Bo-Keys. Players include a who’s who of the Memphis soul scene including drummer Howard Grimes (Al Green, Otis Clay, Syl Johnson, OV Wright), Marc Franklin (Bobby “Blue” Bland), Jimbo Mathus (Elvis Costello), Al Gamble (St. Paul & The Broken Bones, the Hold Steady, Alex Chilton), Kirk Smothers (Jim Lauderdale, Buddy Guy), Reba Russell (U2, BB King), Harold Thomas (James Carr) and Daunielle Hill (Solomon Burke). With full soul backing vocals and Al Gamble's B3 rolling this is a great opener. On title track, Age Don't Mean A Thing, Finley really sings with gut wrenching authority. This track is exceptional with almost spiritual organ work by Gamble and essential underpinnings by Mathus. R&B track, Let Me Be Your Everything, is saturated with horn work by Kirk Smothers and trumpet by Marc Franklin and super backing vocals by Russell and Hill. Slowing down to a smoldering simmer, It's Too Late, puts Finley back upfront with nicely blended backing vocals by Russell and Hill. This is a really nice track and one that could easily hit the radio hard. Solid soul track, Snake In My Grass, has a nicely anchored melody with Finley's vocals drawing out the emotions, complimented by Smothers and Franklin. Very nice. James Brown like, Come On, gets a super groove cooking pressing you to get on your feet. With warm vocals and horn punctuating over a wah wah and funky bass work, how can you not love this! 70's pop track, Make It With You, written by David Gates, is given a really soulful overdo with light guitar rhythm, shimmery organ and Finley's powerful vocals. Very nice. You Make Me Want To Dance has a real Al Green kind of feel and you automatically feel that bounce starting in your head. Russell, Thomas and Hill really warm up the background on this track and Smothers and Franklin work is tight. Super. Wrapping the release is excellent soul track, Is It Possible To Love 2 People. With warm sax work by Smothers, nicely placed guitar riffs by Mathus, tom tom work by Grimes, B3 by Gamble and tight punctuation by Franklin, this track leaves you with nothing but wanting more. Excellent release.

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Tuesday, July 26, 2016

Squirrel Nut Zippers Announce Fall Tour / Hot 20th Anniversary Edition Out This Friday






SQUIRREL NUT ZIPPERS ANNOUNCE FALL TOUR

20TH ANNVERSARY REISSUE OF HOT
To Be Released On Vinyl and Digitally
This Friday July 29th

Album Release Show In New Orleans At Tipitina’s On July 30th

July 25, 2016 – It was about 20 years ago when NPR’s Morning Edition said: “It’s not easy to categorize the music of the Squirrel Nut Zippers, except that it’s hot.” 

2016 marks the 20th anniversary of the Squirrel Nut Zippers most celebrated and commercially successful album Hot.  Originally released in the summer of 1996, Hot was the follow up to the band’s critically acclaimed debut The Inevitable. By this time the group had already established a substantial live following across the country thanks to early support from NPR, college radio and non-commercial stations. Hot wound up selling over 1.3 million copies. 

A newly re-mastered version of the album along with a bonus track: “The Puffer” will return to stores this Friday July 29th 2016 on Hollywood Records. Long out of print on vinyl, Hot will make its glorious return to wax on 180-gram vinyl. 

The Squirrel Nut Zippers recently performed their first set of tour dates since 2009 which included a performance at the Montreal International Jazz Festival.  The band has now added a fall tour to their upcoming 2016 touring plans including new stops in: Chicago, Minneapolis, Atlanta, Nashville, Durham, Greensboro and many others.  Full details below.

“We are humbled and incredibly excited by the initial Zippers shows since the re-launch last month,” band leader Jimbo Mathus commented.  “The experience is not to be missed!  The band includes cutting edge talent from New Orleans, the songs are brought to life in an exciting new way. But most things remain unchanged... An amazing experience for young and old.”

In honor of the 20th Anniversary of Hot, the bands visionary creator Jimbo Mathus, along with founding member and partner Chris Phillips (Drums), have crafted a brand new stage show including singer Ingrid Lucia of Flying Neutrino’s fame. Several leading musicians from New Orleans have also been enlisted to serve up the bands unique musical flavor which owes its roots to that city.


For the most up to date information on the band visit:



SQUIRREL NUT ZIPPERS - 2016 TOUR DATES
7/30     New Orleans, LA          Tipitina’s (Album Release Show)
8/31     San Diego, CA             Belly Up Tavern
9/1       Los Angeles, CA          Teragram Ballroom
9/2       Tuolumne, CA              Strawberry Music Festival
9/3       Sausalito, CA               Sausalito Arts Festival
9/15     Dallas, TX                    Kessler Theater
9/16     Houston, TX                 Miller Outdoor Theatre
9/19     Nashville, TN                City Winery (Two Shows)
9/21     Charleston, SC             Charleston Music Hall
9/22     Atlanta, GA                  City Winery (Two Shows)
9/23     Durham, NC                 Carolina Theatre
10/7     Minneapolis, MN          Dakota Bar & Grill (Two Shows)
10/8     Minneapolis, MN          Dakota Bar & Grill (Two Shows)
10/9     Chicago, IL                    City Winery (Two Shows)
10/11   Detroit, MI                     Magic Bag
10/12   Pittsburgh, PA                The Rex 
10/13   Annapolis, MD              Rams Head On Stage
10/14   Blacksburg, VA             The Lyric 
10/15   Greensboro NC              Carolina Theatre 
10/16   Norfolk, VA                   The Norva 
10/18   Alexandria, VA             The Birchmere
10/21   Memphis, TN                River Arts Fest 
10/23   Black Mountain, NC     LEAF Festival
10/26   Jacksonville, FL            Ritz Theatre
11/11   Cape May, NJ               Exit Zero Jazz Festival
11/12   Elizabeth, NJ                Bergen Performing Arts Center                       
11/13   Pawling, NY                 Daryl’s House

Friday, July 1, 2016

Relaunch of the Squirrel Nut Zippers - 2016 Concert Tour - Marquee Theatre Tempe, Arizona - Review

I saw the "New" Squirrel Nut Zippers last night and the show was wild. I had mentioned to a few friends that I was going to see the Squirrel Nut Zippers last night and they either looked at me with a puzzled look or they knew exactly what I was talking about. What the hell is a Squirrel Nut Zipper... well, that I can tell you.       Jimbo says, "Nut Zippers" is a southern term for a variety of old bootleg moonshine, and the band's name comes from a newspaper account which related the story of a highly intoxicated man who climbed a tree one night, refusing to come down even after authorities arrived. The article's headline read: "Squirrel Nut Zipper."     Now what does that have to do with a band and who are they? This band is absolute energy with as much animation as a 30's cartoon and as crazy wild as a drunk squirrel. Mathus is a terrific performer and this band of high level New Orleans style jazz musicians put as much energy into entertaining as they do playing their respective instruments... and that is a bunch!

Anyone who reads my blog regularly knows that I have really become intoxicated with the music of Mississippi native, Jimbo Mathus, since first seeing him with Buddy Guy in the early 2000's. Mathus first formed the Squirrel Nut Zippers in the 90's with Mathus' now ex wife, Katharine Whalen, along with Tom Maxwell, Chris Phillips, Don Raleigh and Ken Mosher. Due to other projects and the breakup of Jimbo and Whalen, the project had gone idle. I've got to tell you I'd never seen a SNZ show nor had I ever really heard their music except in passing one weekend about 10 years ago. When I saw that they were playing in town and that Jimbo was leading the pack, I decided to check it out. The new lineup is Jimbo Mathus — vocals, guitar, slide guitar, tenor banjo, trombone, piano; Chris Phillips — percussion, contraption kit, drums; Ingrid Lucia — vocals; Tamara Nicholai — bass; Justin Carr aka Dr. Sick - fiddle, banjo and saw; Charlie Halloran — trombone; Kevin Louis; Dave Boswell; Henry Westmoreland - saxophone; Kris Takorski on keys; and Kevin O'Donell.

 This was a packed house of people who mostly knew every word of every song. They weren't obnoxious singing over top of the band but it was apparent when the lead vocalist would step back from the mic that the crowd picked up the  slack. Jimbo Mathus is the ultimate showman and blows out every bit of energy that he has on stage. Comes dressed in a wool band suit,  in dark burgundy, complete with gold trim  with a full vest and terrific boots and a derby and a wild black and white striped shirt. This outfit looks like it was bought right off of the back of a musician from the Preservation Hall Jazz Band (sans the policeman's style bill hat). Ingrid Lucia is dressed in a period black dress with a lacy "flounce" and openings down to the waist. This show is pure vaudeville with Jimbo taking every opportunity to throw sly one liners in the very brief moments between songs and the music is punk. I mean high energy, raw and irreverent! I managed to get the play list so here it is:

1) Good Enough For Grandad
2) Club Limbo
3) Put A Lid On It
4) Got My Own Thing Now
5) Blue Angel
6) La Fitte's
7) It Ain't You
8) Suits  (video below)
9) Ghost of Stephen Foster
10) My Drag
11) Wished For You
12) Prince Nez
13) Bad Businessman
14) --- Hell
15) Memphis Exorcism
16) Plenty More

They also played a 2 song encore consisting of:

17) Bedlam Ballroom
18) I Found A New Baby

One of my favorites of the evening was the last song of the set, Plenty More, with lyrics like "They say all the boys are monsters, All the girls are whores, So when you lose the one you love,There's always plenty more". Mathus, who delivers the song with such sincerity, gleans in joy  with his eyes wide (Think Mantan Moreland , almost bugging)

Mantan Moreleand
and a mischievous grin revealing his famous gold tooth on delivering the punch line.

Mathus, the primary writer for all of the band's material is a veritable jukebox of musical knowledge, able to play in most any style. Last night I saw him playing with rich jazz chords and rag time strumming as well as neatly articulated riffs and fluid jazz runs.  Lucia's voice is solid yet unusual, adding to the band's "tricks" and complimenting their strengths. Each of the horn players took a number of solo's bringing out the flavor of New Orleans embedded deep in the roots of this band and Carr's strength on fiddle both in bowing and plucking is a showcase of it's own. He also strums it like a banjo, thumps it for impact and lets not forget his featured saw playing. Yes, this band has it all.

With a remastered twentieth anniversary edition of Hot slated for release July 29 on Hollywood Records and a reunion tour to follow, Billboard is exclusively debuting "The Puffer," a never-before-released bonus track written with the late Stacy Guess. The song, which is named for an old steam train, has a Duke Ellington feel and is "kind of a creepy and very typical Zippers," says Mathus.

Listen to Unreleased "Puffer" Jimbo also notes that he's working on new material in the Squirrel Nut Zipper motif so likely we will be looking for a new release altogether in the near future!


SQUIRREL NUT ZIPPERS - 2016 TOUR DATES



Date

CityVenueTickets
6/29/2016 Tucson, AZ RialtoBuy Tickets
6/30/2016 Tempe, AZ MarqueeBuy Tickets
7/1/2016 Flagstaff, AZ OprheumBuy Tickets
7/2/2016 Las Vegas, NV The Downtown Grand
7/3/2016 Park City, UT Deer Valley ResortBuy Tickets
7/9/2016 Montreal Jazz Festival MétropolisBuy Tickets
7/30/2016 New Orleans, LATipitina'sBuy Tickets
8/31/2016San Diego, CABelly Up TavernBuy Tickets
9/1/2016Los Angeles, CATeragram BallroomBuy Tickets
9/2/2016 Tuolumne, CAStrawberry Music FestivalBuy Tickets
9/3/2016 Sausalito, CA Sausalito Arts FestivalBuy Tickets
9/19/2016 Nashville, TN City Winery (Two Shows)Buy Tickets
9/22/2016 Atlanta, GA City Winery (Two Shows)Buy Tickets
10/18/2016 Alexandria, VA The BirchmereBuy Tickets
10/23/2016 Black Mountain, NC LEAF Festival Buy Tickets
11/11/2016 Cape May, NJ Exit Zero Jazz Festival Buy Tickets
11/12/2016 Englewood, NJ Bergen Performing Arts Center Buy Tickets


Jimbo Mathus is a regular southern gentleman, a great musician and songwriter,  a real card, and appears to be humbled and appreciative of every single face in the crowd and every clap of the hand.
I am extremely happy that I made the choice to go see this esoteric band of gypsies weave their magic. They are a fun group of talented musicians and their show is an absolute blast!

Bravo!


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  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

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Friday, May 6, 2016

Seratones "Get Gone", Jimbo Mathus "Band of Storms" Out Today



Seratones - Get Gone
LP / CD / Digital Out Today
Buy Now (FP Store)



Get Gone, the debut album from Shreveport, LA's Seratones is available worldwide today. 

Led by powerhouse frontwoman A.J. Haynes whose thunderous vocals recall the grit of Janis Joplin and gospel of Mavis Staples, Seratones’ debut is one of the best rock records you will hear in 2016. Haynes’s powerful singing voice, first honed at Brownsville Baptist Church in Columbia, Louisiana at age 6, rings across every track. Adam Davis’s bass and Jesse Gabriel’s playing propel every song with the grit, energy, and rawness of punk, the feeling of soul, and occasionally, a little jazz swing. While Connor Davis offers a clinic in guitar riffs, from swaggering blues to searing interstellar leads.

* Read an amazing review of Get Gone from The Wall Street Journal here.



“‘Chandelier’ is a southern gothic garage rock jam that will have you buying a leather jacket and dreaming of the summer...Everything’s coming up Seratones.” – Noisey

“Shreveport, La.'s Seratones is a kick-ass rock band that has all the stage presence in the world.” – NPR Music

“While there was more than enough great music [at SXSW]  – among those who excelled were…Seratones” – Wall Street Journal

“…right in the Southern rock wheelhouse…equal parts swagger and aggression.” – Stereogum

"... tears at the soul with sharp teeth." - Consequence of Sound




Grab a copy today at your favorite local record store, or order a copy below:
Buy it on vinyl here.
Buy on iTunes here.
Buy on Amazon here.
Buy on Google Play here.


Keep up with Seratones on Facebook / Twitter / Instagram / and Bandcamp











5/06 St. Paul, MN @ Turf Club
5/07 Chicago, IL @ Hideout
5/08 Cincinnati, OH @ MOTR Pub
5/10 Detroit, MI @ Marble Bar
5/11 Columbus, OH @ Big Room Bar
5/13 Nashville, TN @ The Basement
5/14 Little Rock, AR @ White Water Tavern
6/03 Richmond, VA @ Brown’s Island
6/05 Charleston, WV @ Mountain Stage – The Clay Center
7/15 Louisville, KY @ Forecastle Festival @ Louisville Waterfront Park
7/16 Birmingham, AL @ Sloss Music & Arts Festival
8/22 Hamburg, Germany @ Molotow
8/23 Berlin, Germany @ Berghain Kantine
8/24 Cologne, Germany @ Blue Shell
8/25 Charleville-Mézières, France @ Cabaret Vert
8/26 Leeds, UK @ Leeds Festival
8/28 Reading, UK @ Reading Festival
9/01 London, UK @ Lexington



Jimbo Mathus - Band of Storms
LP / Digital Out Today (Big Legal Mess)

 "Band of Storms is the third studio set Mathus has put out in just over two years, and if he's running out of ideas, you wouldn't guess it to hear the work. Running through nine songs in less than 25 minutes, Band of Storms is compact, but the collection of songs is eclectic, with Mathus pushing each tune forward with lots of energy and raw enthusiasm." - Mark Deming

Grab a copy today at your favorite local record store, or order a copy below:

Buy from BLM here.
Buy on iTunes here.
Buy on Amazon here.


Keep up with Jimbo on Facebook and Twitter




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