John Coltrane w/ Wynton Kelly

John Coltrane, Wynton Kelly, Paul Chambers, Jimmy Cobb Wynton Charles Kelly (December 2, 1931 – April 12, 1971) was a Jamaican American jazz pianist.[1][2] He is perhaps best known for working with trumpeter Miles Davis from 1959 to 1962 The son of Jamaican immigrants, Kelly was born in Brooklyn, New York. He started his professional career in 1943, before his teens, initially as a member of R&B groups. Around this time he also played organ in local churches.[4] R&B bands that he played with up to 1951 included those led by Ray Abrams, Hot Lips Page, Eddie "Cleanhead" Vinson, and Eddie "Lockjaw" Davis. Kelly became better known after joining Dinah Washington's band in 1951, going on to record 14 titles for Blue Note in his trio in the same year. After this he played with bands led by Lester Young and Dizzy Gillespie, recording with the latter in 1952. Kelly was drafted into the army in September 1952, and stayed for two years, ending that period with a music performance for an audience of 10,000 in the Chastain Memorial Park Amphitheater in Atlanta, Georgia. After leaving the military, Kelly worked with Washington again (1955–1957), Charles Mingus (1956–1957), and the Dizzy Gillespie Big Band (1957), before leaving Gillespie and forming his own trio, which then recorded the second album under Kelly's name, more than six years after the first. He would, however, be most famous for his stint with Miles Davis from 1959 to 1963, recording such albums with him as Kind of Blue, At the Blackhawk, and Someday My Prince Will Come. On 1959's Kind of Blue, Kelly replaced Bill Evans on the track "Freddie Freeloader". Kelly likewise appeared on a single track from John Coltrane's Giant Steps, replacing Tommy Flanagan on "Naima". When he left Davis, Kelly took the rest of the rhythm section (bassist Paul Chambers and drummer Jimmy Cobb) with him to form his trio. This trio also joined Wes Montgomery, appearing on three of the guitarist's albums. Kelly recorded as a leader for Blue Note, Riverside Records, Vee-Jay, Verve, and Milestone. Kelly had a daughter, Tracy, in 1963, with partner Anne. The track "Little Tracy", on the LP Comin' in the Back Door, is named after Kelly's daughter. Tracy Matisak is a now a Philadelphia television personality. Kelly's second cousin, bassist Marcus Miller, also performed with Miles Davis in the 1980s and 1990s. Other cousins are pianist Randy Weston and rapper Foxy Brown. Kelly died in Toronto, Canada, from an epileptic seizure, on April 12, 1971. He had travelled there from New York to play in a club with drummer George Reed and vocalist Herb Marshall. Kelly had a longstanding epilepsy problem, and had to monitor his condition to avoid the danger of swallowing his tongue or dentures during a seizure. An account of his death was given by his friend, Jimmy Cobb: "Wynton called his girlfriend in New York and said, 'You know, I don't feel good.' She said, 'Why don't you go downstairs to the bar and if something happens somebody could tend to you.' We don't know if he did that, because when they found him he was in the room." Kelly was found in his room in the Westminster Hotel on Jarvis Street by Herb Marshall. He was reported to have had almost no money at the time of his death. A memorial concert was held on June 28 in New York and featured numerous well-known musicians of the period  

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All Blues - Jimmy Cobb's So What Band

Legendary jazz drummer, Jimmy Cobb, was born in Washington, D.C. on January 20, 1929. A superb, mostly self-taught musician, Jimmy is the elder statesman of all the incredible Miles Davis bands. Jimmy’s inspirational work with Miles, John Coltrane, Cannonball Adderly and Co. spanned 1957 until 1963, and included the masterpiece "Kind of Blue", the most popular jazz recording in history. He also played on "Sketches of Spain", Someday My Prince will Come", "Live at Carnegie Hall, "Live at the Blackhawk", "Porgy and Bess", and many, many other watermark Miles Davis recordings. Jimmy did his first recording with Earl Bostic and played extensively with Dinah Washington, Billie Holiday, Pearl Bailey, Clark Terry, Dizzy Gillespie, Cannonball Adderly, before joining Miles in 1957. By 1963 Tony Williams took over the Miles drum chair in 1963 and Jimmy left Miles to continue to work with Miles’ rhythm section, Winton Kelly and Paul Chambers behind Wes Montgomery. In addition to several Winton Kelly Trio Albums, the three did albums with Kenny Burrell, and J.J. Johnson, among others, before disbanding in the late 60’s. Jimmy then worked with Sarah Vaughn for 9 years. Afterward, Jimmy continued to freelance with several great groups throughout the 70’s 80’s and 90’s including, Sonny Stitt, Nat Adderly, Ricky Ford, Hank Jones, Ron Carter, George Coleman, Fathead Newman, The Great Jazz Trio with Nancy Wilson, Dave Holland, Warren Bernhardt, and many, many others worldwide. In the early 90’s a Television Special produced by Eleana Tee featured Jimmy playing and hanging with Freddie Hubbard, Gregory Hines, Bill Cosby, Dave Leibman, Pee Wee Ellis, and others. Jimmy has played around the world from Newport to Monte Carlo, from LA to Japan. He has performed for both Presidents Ford, and Carter, the Shah of Iran and many other dignitaries in his storied career, and is quoted extensively in "Kind of Blue", the Documentary of those legendary recording sessions as well as Writing the forward for the Book --Kind of Blue-- the making of the Miles Davis Masterpiece in 2000. In 2002 Jimmy completed a "Four Generations of Miles" album with guitarist, Mike Stern, Ron Carter (bass), and George Coleman (tenor) for Chesky records. Other releases include his long awaited solo album, "Yesterdays", produced by Eleana Tee for Rteesan Productions. It features Michael Brecker on tenor, Marion Meadows on soprano, Roy Hargrove, trumpet and flugelhorn, Jon Faddis, trumpet, Eric Lewis, electric piano, Peter Bernstein, guitar, and John Weber on bass. This album was done in Jimmy’s two adopted home towns; recorded and shot in New York, and mixed and edited in Woodstock, NY. It includes a wide variety of arrangements ranging from a unique interpretation of Jimi Hendrix "Purple Haze" to ballads "Yesterdays" and blues (All Blues, Faddis, Monk) and standards, "Without a Song" and "Love Walked Right In". This major musical statement will include several music videos and a complete television documentary. Later, Jimmy’s Albums New York Time, Cobb’s Corner and West of 5th, Produced by Eleana Steinberg Tee and David Chesky were released. Jimmy’s Album New York Time played by Jimmy, Christian McBride, bass, Javon Jackson, tenor sax, and Cedar Walton, on piano incorporates songs for all moods. West of 5th features Jimmy, accompanied by Hank Jones on piano and Christian McBride on Bass, in this compilation of songs is a ballad written by Mr. Cobb in tribute to his late younger sister Eleanor. And In 2007 Cobb’s Corner was released, played by Jimmy, Roy Hargrove, Ronnie Mathews, and Peter Washington AKA The Jimmy Cobb Quartet. In June 2008, Jimmy was the recipient of the Don Redman Heritage award. Just 4 months later, on October 17 2008, Jimmy was one of 6 to be presented with the National Endowment for the Arts (NEA) Jazz Masters award. Jimmy remains active, not only in New York City, where he leads Jimmy Cobb’s Mob but on the international circuit including Japan, China, Netherlands, France, Germany, Italy, & South Africa. TEACHING: Jimmy is constantly being approached to teach what he knows and loves to aspiring jazz musicians all over the world. Jimmy travels every year for the last 9 years to Stanford University to teach Master Classes for the University’s Jazz Workshop. He has taught for Parsons: The New School for Jazz and Contemporary Music in New York City, at the University of Greensboro in North Carolina, for The International Center for the arts at San Francisco State University, for St. Francis Xavier University in Nova Scotia Canada, for Berklee’s College of Music in Boston and at numerous educational institutions throughout the globe. If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, -  ”LIKE” ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorite band!