Mark Hummel - True Believer - New Release Review

 

I just had the opportunity to review the most recent release, True Believer, from Mark Hummel and it's chocked full of smoking blues. Opening with Chicago style blues track, High Time For The Devil, Oscar Wilson on lead vocals leads the way with solid pace and force, and Mark Hummel on harmonica really shines. Bob Welsh on piano adds a perfect glisten to the track, backed by Randy Bermudes on bass, Billy Flynn on guitar, and Wes Starr on drums. Great opener. Otis Rush's slow blues, Double Trouble, is terrific with Junior Watson getting hot and heavy on guitar, and Hummel shining on lead vocal and harmonica. With Kedar Roy on bass, Brett Brandstadt on piano, Jack Sanford on sax, and Starr on drums, this is my favorite track on the release.  Peter Green's Stop Messin' Round is a great shuffle and Hummel really gets in the slot on vocal. Watson has the lead on guitar again and his phrasing is excellent, backed by Roy, Brandstadt, Sanford and Starr. Little Walter's The Toddle, is a great track and features Hummel front and center on harmonica. With Watson on guitar, Roy on bass and Brandstadt on piano, this is a nice changeup in the mix. Wrapping the release is Shufflin' Days featuring Joe Beard on lead vocal and guitar and showcasing Hummel on harmonica.  With Billy Flynn on guitar, Bob Welsh on piano, Randy Bermudes on bass and Starr on drums, this is an excellent closer. 

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Blue Heart Records artist: Chris Beard - Pass It On Down - New Release Review

 I just had the opportunity to review the most recent release, Pass It On Down, by Chris Beard and it's a super set of blues, soul and R&B tracks. Opening with funky, Let The Chips Fall, with Brother Wilson on rhythm guitar, Marvin Parker on bass, Carlton Campbell on drums, John Tucker on keys and featuring Chris Beard on lead guitar and vocal. Hot opener. Rocker, Big Girl, has influence of Santana and the Isleys with a solid melody and vocals, a rich lead guitar solo by Beard and backing by Richard Rodolph on bass, Quinn Lawrence on horns, Jonathan Curry on keys and Duane Beard on backing vocals. One of my favorite tracks on the release is House Of Shame with slashing lead guitar work and deep vocal by Beard. Backing vocals by Mary Ellen Haden really add the right element and Parker's bass lines and tight drum work by Campbell make this one of the nicest tracks on the release. Strong bluesy R&B track, Son I Never Knew, has a real nice groove with Beard trading off vocal with guitar riffs over Darnell Neal on bass, Kenny Neal on rhythm guitar, Gralin Hoffman Neal on drums, and Fredrick Neal on keys. Wrapping the release is slow blues, Bitter Baby, with a nicely stated guitar lead on the intro.  With  Rodolph on bass, backing vocals by Beard, Campbell on drums, the track has a great footing. Beard on lead vocal has terrific phrasing and with a real nice piano solo by Curry and his own guitar work, this is an excellent closer. 

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My Baby Said She' Leavin' - JOE BEARD

Born and raised in Ashland, MS, guitarist Joe Beard grew up with the Murphy brothers, one of whom later found an international following as Matt "Guitar" Murphy. Guitarist Nathan Beauregard lived with Beard's cousin, so he was surrounded by aspiring and veteran blues musicians while growing up, and he began singing at an early age. Beard became interested in playing guitar via the Murphy brothers, who sat in with a young B.B. King when he played at the Roosevelt Lake Club. Beard began to learn guitar at age 17 from Ernest Scruggs, a neighbor, before heading to Chicago. Beard moved to Rochester, NY, and from time to time would visit one of his brothers in Chicago. He quickly became enamored of the blues being played in clubs there by people like Jimmy Reed and Sonny Boy Williamson. Beard sat in with John Lee Hooker one night and received encouraging words from Hooker, and also later sat in with his idol, Muddy Waters. While in Rochester, he formed the Soul Brothers Six, playing bass and singing, but he didn't perform in public on guitar until 1965. Beard befriended classic blues guitarist Son House, who was a neighbor in Rochester, and played a concert for students at the University of Rochester in 1968. Beard worked as an electrician by day and would occasionally play out at night and on weekends for most of the '60s on through to the '80s. He has a reputation as one of the best local players around, and though he may not be a household name in other parts of the U.S., he toured Europe in 1983 and did studio and stage work with Buster Benton, Lafayette Leake, and Memphis Slim. At the famed BK Lounge, Beard and his backing bands opened for Bobby Bland, Albert King, and others. More recently, Beard performed at President George H.W. Bush's inaugural gala. In 1990, he recorded an album for Kingsnake Records, No More Cherry Rose, which was well received by the blues radio community. Blues Union Beard recorded an album with Ronnie Earl's band for the California-based AudioQuest label, Blues Union (1996). Accompanying him are Hammond B-3 organist Bruce Katz and tenor saxophonist David "Fathead" Newman. The album was a critical success, winning Offbeat Magazine's Blues Album of the Year award. He followed it up with 1998's For Real and 2000's Dealin', both records featuring Duke Robillard. If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

Drinking Old Taylor - Joe Beard

Born and raised in Ashland, Mississippi, guitarist Joe Beard grew up with the Murphy brothers, one of whom later found an international following as Matt "Guitar" Murphy. Guitarist Nathan Beauregard lived with Beard's cousin, so he was surrounded by aspiring and veteran blues musicians while growing up, and he began singing at an early age. Beard became interested in playing guitar via the Murphy brothers, who sat in with a young B.B. King when he played at the Roosevelt Lake Club. Beard began to learn guitar at age 17 from Ernest Scruggs, a neighbor, before heading to Chicago.

Beard moved to Rochester, N.Y., and from time to time would visit one of his brothers in Chicago. He quickly became enamored of the blues being played in clubs there by people like Jimmy Reed and Sonny Boy Williamson. Beard sat in with John Lee Hooker one night and received encouraging words from Hooker, and also later sat in with his idol, Muddy Waters.

While in Rochester, he formed the Soul Brothers Six, playing bass and singing, but he didn't perform in public on guitar until 1965. Beard befriended classic blues guitarist Son House, who was a neighbor in Rochester, and played a concert for students at the University of Rochester in 1968. Beard worked as an electrician by day and would occasionally play out at night and on weekends for most of the 1960s on through to the '80s. He has a reputation as one of the best local players around Rochester, and though he may not be a household name in other parts of the U.S., he toured Europe in 1983 and did studio and stage work that same year with Buster Benton, Lafayette Leake and Memphis Slim. At the famed BK Lounge, Beard and his backing bands opened for Bobby Bland, Albert King and others. More recently, Beard performed at President George H.W. Bush's inaugural gala. In 1990, he recorded an album for Kingsnake Records, No More Cherry Rose, which was well received by the blues radio community.

Beard recorded an album with Ronnie Earl's band for the California-based AudioQuest label, Blues Union (1996). Accompanying him are Hammond B-3 organist Bruce Katz and tenor saxophonist David "Fathead" Newman. The album was a critical success, winning Offbeat Magazine's Blues Album of the Year award. He followed it up with 1998's For Real and 2000's Dealin', both records featuring Duke Robilard.
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