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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
I just had the opportunity to review the most recent release, Righteous Souls, from Albert Castiglia and it's chocked full of great music and heavy talent. Opening with Centerline, a rocker with a cool backbeat, Albert Castiglia is upfront on lead vocal and guitar, joined by Jerry Jemmott on bass, Jim Pugh on keys, D'man Martin on drums, Kid Andersen on guitars, Lisa Andersen on backing vocals, and features a great twin guitar duel with Popa Chubby. Great opener. Kevin Burt has the mic on R&B track, Mama, I Love You featuring a strong bass line by Jemmott, tight rhythm by D'Mar and really nice guitar work by Castiglia. Rick Estrin is upfront with Castiglia on Jr Wells' Come On In This House. Estrin's contribution is terrific and Castiglia milks all of the juice from his guitar, complimented by Pugh on piano making this one of my favorites on the release. Buddy Guy's funky, The Dollar Done Fell, features Josh Smith and Castiglia working the guitars and terrific vocals by Castiglia and Lisa Little Baby Andersen with Jemmott and D'Mar driving the rhythm. Excellent! Wrapping the release is another Wells track, What My Momma Told Me, with Castiglia really singing the Chicago blues. Estrin on harmonica really gets it going and Monster Mike Welch does a great job screaming the blues n guitar. Dyna
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Person of Interest, by Billy Price and it's got style. Opening with funky, Inside The Box, Billy Price is back with his next chapter. Notable for a leading vocal style for more than 25 years, Price is joined by Larry Fulfher on bass, Josh Sklair on guitar, Jim Pugh on keys, Tony Braunagel on drums and backing vocals by Masayn Lewis, Fred White and Will Wheaton. Of course there's a great horn section behind him including Ron Dziubla on sax, Eric Spaulding, and Mark Pender on trumpet. Great opener. Bluesy ballad, Mercy, gives Price a chance to belt one out and warm keys by Pugh under the solid lead guitar work of Fulcher, and a sultry sax solo by Spaulding make this a solid radio contender. Title track, Person Of Interest, really has a funky pop sound in the vein of Steely Dan. Reggie McBride on bass lays in a great vibe and Pugh is killer on keys. Price's vocals are loose and free and Dziubla and Pender do a great job on horns. Having spent 3 years with Roy Buchanan, Price dedicates a track, Change My Mind, to Roy. A serious soul track and featuring Joe Bonamassa on guitar who gives Roy a few nods this is a very cool track. Latin rhythms on A Certain Something has radio warmth and a strong melody. Pugh leads the track nicely on keys and Lenny Castro on percussion and Braunagel really spice up the bottom with Fulcher on bass and lead vocal by Price, backed by Lewis, White and Wheaton really shines. Wrapping the release is high stepping, Damage Control, with Price playing call and response with Dziubla and Pender on horns. McBride on bass holds the line with Braunagel on drums and Pugh of course on keys is stellar. Spaulding shines on tenor sax whipping out a real nice solo and Lewis, White and Wheaton blend nicely. This is a consistently cool release ... think a bluesy Steely Dan. Very nice!
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Life Is Hard, from Mike Zito and it's a solid release. Opening with driving blues rocker, Little Milton's, Lonely Man, Mike Zito on excellent lead vocal and guitar sets a great groove. With Reese Wynans setting a solid keyboard, Calvin Turner on bass, Lemar Carter on drums, and Paulie Cerra on sax, this is a strong opener. Fred James' Life Is Hard is a terrific blues track and Zito knows how to milk every drop of blues out of it. Soulful vocals and stinging guitar riffs really makes this track soar. Excellent! Zito original, Forever My Love, is a bluesy ballad with a great melody, setting up for Zito to take that standout guitar solo and his nails it. Tab Benoit's Darkness, is a good selection for this set working nicely with heave drum accents by Carter, and super guitar work by Zito and guest Joe Bonamassa. Walter Trout's, Nobody Moves Me Like You Do, enhances the set really well with it's firm bass work by Turner and tight drum work by Carter. Rich guitar work by Zito and Bonamassa over Wynans organ really anchors this track. Wrapping the release is Rev Gary Davis' Death Don't Have No Mercy, with Zito singin acapella and with rich backing vocals by Steve Ray Ladson, Dannielle Deandrea and Jade Macrae. The track is dark and I like it. With a haunting guitar and keyboard sound over firm drums, this is an excellent closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Heavenly Cream - An Acoustic Tribute To Cream and it's a solid cover of much of Cream's catalog by top name artists. Opening with I Feel Free, Deborah Bonham, John's sister has the lead vocals, backed by Bernie Marsden on guitar, Malcolm Bruce (Jack's son) on piano, Neil Murray on bass and Frank Tontoh on drums. Solid opener. Theme For An Imaginary Western, written by Jack Bruce and Pete Brown is fronted by Brown on vocal and backed by Clem Clemson (Humble Pie) and Malcolm Bruce on guitars, John Donaldson on piano, Mo Foster on piano, and Cheryl Alleyne on drums. This is a great track and always one of my favorites with Jacks vocals and played by Leslie West of Mountain. Ginger Baker penned, Sweet Wine, is a standout with Baker on drums Nathan James on vocal, Marsden on guitar, Mo Nazam on guitar, Bruce on bass, Pee Wee Ellis on sax, Henry Lowther on trumpet, and Abass Dodoo on percussion. Take It Back, another Bruce/Brown composition is prime with the illustrious Maggie Bell on lead vocal. Her vocals are as sweet as they were in the 60's and a perfect fit for this track with Marsden and Tony Remy on guitars, Bruce on piano, Winston Blissett on bass and Tontoh on drums. One of the classic blues tracks covered by Cream was Howlin Wolf's Sitting On Top Of The World. Here we have a dynamic duo with Bell teamed with Bobby Rush who also plays harmonica, supported by Marsden and Remy on guitars, Bruce on piano, Blissett on bass and Tontoh on drums. Wrapping the release is Born Under A Bad Sign featuring Paul Rogers on vocal. Marsden and Nazam on guitars, Bruce on bass and Moreno Buttinar on drums. This is an interesting release with a solid assemblage of talent.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Blu Ja Vu, from Tom Hambridge, and it's potent set of blues rock tracks with plenty of gusto. Opening with Ain't It Just Like Love, Tom Hambridge joins up with Buddy Guy on vocal, (Hambridge on drums and Guy on guitar) with bass by Tommy MacDonald, Kevin McKendree on on keys and featuring an explosive guitar solo by Guy. Strong opener. Rob McNelley on lead guitar really gets things cranking on Wear You Out with a driving beat and solid vocals by Hambridge. Shuffle, Blues Don't Care, features Kingfish on guitar and vocal and this track has great style. Hi power Brother John Boogie features harmonica superman, James Cotton with Glenn Worf on bass, Chuck Leavell on keys, and of course Hambridge on drums. Excellent! Another great boogie, Get Out Of Town features McKendree on vicious keys and Hambridge on vocal. Very cool. Stripped down blues, Johnny Winter, features excellent slide work by McNelley, Hambridge on drums and vocal and MacDonald on bass. Wrapping the release is End Of The Line, a laid back boogie with Hambridge on vocal and drums, nicely dresses with relaxed guitar riffs by McNelley. This is a solid closer for a really enjoyable release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Best of Me, by Joanna Connor and it's wild. Opening with funky blues number, House Rules, Connor dons her notorious slide guitar, accompanying herself on lead vocal, also featuring Josh Smith on guitar, and backed by a serious horn section of Fernando Castillo on trumpet and flugelhorn, Carlos Sosa on sax and flute, Raul Vallejo on trombone, together the Grooveline horns, Shaun Gotti Calloway on bass, Jason Edwards on drums, and Curtis Moore Jr on organ. Super opener. Title track, Best of Me, is a smooth, soulful, ballad featuring really nice vocal by Conner and nicely articulated lead work making hits an ideal radio track. I Lost You is another slow blues with excellent vocal and guitar lead by Conner, complimented by Dan Souvigny on rhythm and keys. Blues driver, Mercury Blues, really gets rolling with Conner pushing on vocal and letting the slide fly, joined by David Abbruzzese on drums. Very cool. Wrapping the release is blues rocker, Shine On with Gary Hoey joining on guitar and Jason Ricci joining on harmonica. With a really great beat, heavy riffs by Hoey, a driving bass line by Calloway and a tight drum bottom by Edwards, this is a solid closer to a real solid release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Blood Brothers, from Mike Zito and Albert Castiglia and it's pure blues music. Opening with Hey Sweet Mama, a romping blues rocker, Mike Zito and Albert Castiglia share the mike for nicely blended lead vocals and Chuck Berry influenced guitar work makes this an excellent opener. With Zito and Castiglia on guitars, Douglas Byrkit on bass, Matthew Johnson on drums, Ephraim Lowell on drums and Lewis Stephens on keys this is a tight band. Over a classic blues vamp, Fool Never Learns is a driving rocker. Castiglia on lead vocal and Zito and Castiglia trading hot riffs, makes this a strong contender for radio airplay. My favorite track on the release is You're Gonna Burn with really strong, soulful lead vocal and excellent lead guitar work. Thumping tom tom work by Johnson compliments the track nicely and Stephens' keyboard work gives hit just the right edge. Jazzy, Hill Country Jam has a slinky rhythm and twin guitar lead which carry the melody in southern style. Stephens' organ work leads the segue into solo guitar leads by Castiglia and Zito. Very nice. Wrapping the release is One Step Ahead Of The Blues with it's laid back feel and handclap rhythm. This is a very cool release with plenty of guitar.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Tales of Time, by Joe Bonamassa and he is really pulling it together. A performance of his new solo release, Time Clocks, Tales of Time opens with Notches, and Bonamassa has a solid riff going with a heavy footed kick drum by Lemar Carter and full bass by Calvin Turner. Building a full blown blues rocker with Reese Wynans on keys,and Josh Smith on guitar Bonamassa on lead vocal and fluid guitar solos ans backing vocals by Jade MacRae, Dannielle DeAndrea and Mahalia Barnes makes this a terrific opener. The deeper you get into the release the more you see that it is built as a continuous piece of art somewhat like a Pink Floyd release. All of the songs relate and one is as powerful as the next. Mind's Eye starts off light with a ballad style, Bonamassa on guitar and vocal but slowly builds to epic proportions with full band and rich backing vocals. Very strong. Throwing in a bit of R&B construction, Known Unknown has a solid melody and lots of backing vocals. Bonamassa of course really continues to develop his vocals and holds his guitar in reserve for meaningful phrases. Very nice. Based around Albert Kings famous riff, Just Cos You Can Don't Mean You Should is a strong new look at blues rock. I love the riff and Bonamassa's guitar work and tight organ solo by Wynans really propel this track. Wrapping the release is Evil Mama with it's driving bass line and high energy. This track really does wind with Smith keeping the heat on on guitar and Bonamassa playing some esoteric but cool riffs. Wynans takes you for another ride on keys and Bonamassa winds it up one more time for an excellent blues riff filled solo. The man has grown up and his music shows it. All of the excitement has finally paid off. Can't wait to watch the DVD which is 18 tracks long.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Blooz, from Grant Geissman and it a solid fusion of blues and jazz. Opening with Preach, with it's Latin spun gospel approach, Geissman on guitar plays fluid lead lines punctuated by Randy Brecker on trumpet and backed by Jim Cox on B3, Trey Henry on bass and Ray Brinker on drums. Brecker takes a nice long interlude, followed by Cox for a really nice opener. Santana influenced, Carlos En Siete has a great Latin beat and ceratinly has Santana's Mesa Boogie tone. With a lot more intricate percussive rhythm pattern and excellent phrasing, Geissman sets a high bar for this release. Strong piano work by David Garfield, complimented by Russell Ferrante on Rhodes, Trey Henry on bass, Tiki Pasillas on percussion and Ray Brinker on drums, this is a great number. Sax master Tom Scott is featured on Fat Back with Cox on Wurlitzer, Henry on bass and Brinker on drums. Rage Cage is a really nice uptempo romp with Geissman leading the way with excellent articulation. If you like that "Gatemouth" sound, you'll love this. Pairing Robben Ford with Geissman on Robben's Hood is a stroke of genius with trading guitar solos over a snappy funky beat by Brinker and Henry. One G and Two J's has a funky New Orleans sound with Bernie Dresel laying the groundwork on drums and Kevin Axt on bass. Geissman invites Josh Smith and Joe Bonamassa to jam with him over this hypnotic rhythm with their own unique styles resulting in a really cool take. Russell Ferrante shows excellent poise and chops on piano on Stranger Danger. This track is subtle and laid back but really nicely done. Wrapping the release is Sorry Not Sorry with Geissman opening with warm chords, with Henry adding a warm bottom, Brinker light on the drums and with nicely crafted Rhodes piano woven in. Very nice closer for an excellent release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I had the pleasure to attend the Joe Bonamassa concert at the Arizona Financial Theatre (Previously Dodge Theater) in Phoenix Arizona on November 18, 2022, in support of his most recent release, Time Clocks, and the house was packed. I was fortunate enough to have brilliant seats not far from the stage and very near the middle of the floor. I started listening to Joe Bonamassa around 2000 when I caught an earful of his music on Pandora. Wasn't long before I had his new release, A New Day Yesterday, and Bonamassa had a new fan. I saw him shortly thereafter in a small club in Scottsdale and then at the Rhythm Room in Phoenix. He didn't have the repertoire of songs that he has now but it was amazing to see this unassuming kid with his long hair and his jeans dragging on the ground, step up on the stage and blow through his own book and quickly show how easily he could cruise from one guitar icon phrasing to another, playing their riffs and blowing back the crowd. His own big track at the time, A New Day Yesterday, coupled by his really nicely covered If Heartaches Were Nickels, in a two hour or so set of maybe 15 tracks always left the crowd wanting more.
Now Joe Bonamassa is a house hold name. Bonamassa has released more than 30 solo albums, and worked on at least 14 other featured projects with Black Country Communion, Rock Candy Funk Party, Beth Hart and Sleep Eazy's and been nominated for Grammys at least 3 times. He has a massive guitar collection and amps to go with them. This guy isn't a collector... He is a PLAYER. There's no question that this guy can physically step on the gas and like a supercar go zero to 100 in sub 3 seconds. In Phoenix 2022, Joe brought at least 6 guitars on stage, changing every 3 or 4 songs, availing himself to different tones and as a guitar player, each guitar talks to you differently. He opened with a contemporary blues set and on a gold top Les Paul. If you haven't seen Joe in years, he is now highly polished with his hair trimmed professionally but not square. He has a custom made blue suit with sequin trim, not unlike a tamed down Manuel or Nudie suite with notes for theme, and of course there's the glasses. He doesn't play to all of the theatrics of a guitar icon and sticks to his craft, and that's something that I appreciate about a mature performer. His second set (of tunes) was played on a tobacco burst strat and a bit more gritty, and the third set was played on a red es 335. This was my favorite grouping of tracks, more deeply blues with a funky take on I Feel Like Breaking Up Somebody's Home. Bonamassa took time to introduce/credit each band member numerous times throughout the concert with Josh Smith on guitar (this guy screams, primarily on Ibanez tele if I recall correctly), Steve Mackey on Jazz bass who did a knockout performance including a real nice solo, Reese Wynans who also really added a lot of excellent key work on piano and B3 and Lemar Carter on drums who kept everything tight. His backing singers were Jade MacRae and Juanita Tippens, taking the lead from time to time, and who really play a prime part in balancing Bonamassa on vocal (who really does a nice job as a vocalist by the way).
Thruout the night he pulled in a red strat, a blonde Les Paul and then natural custom tele with a forward humbucker and more rock oriented, followed by his last set on a cherry burst Les Paul. Bonamassa paused a few times to talk with the audience and just to friendly it up and I'm sure the crowd was receptive. Bonamassa played for 2 hours and it was pure Joe. Sure... he took a little turn on one track and played a few note tribute to Jeff Beck and ZZ Top's Just Got Paid has become a "Bonamassa track" and he really played it hard with Led Zep and Govt Mule interludes and even threw a little Theremin out. A definite crowd favorite. The show was powerful and exciting and the crowd loved it. This was a strong concert by a gracious performer ... pure Joe giving it what he's got. He's a world class guitar player, and a great performer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Crown, from Eric Gales and it's powerful. Opening with Death of Me, a solid blues rocker with metal overtones. With a heavy drum stamped bottom by Greg Morrow and Lemar Carter this track has real swagger. Gales has never been bashful about throwing heavy guitar riffs out there and this track is no exception. His Jimi influence is ever present but not overtelling, backed by Joe Bonamassa on rhythm guitar, Josh Smith on rhythm guitar and Michael Rhodes on bass and backing vocals by LaDonna Gales. Very cool. I really like soul track, Stand Up with it's radio quality. Gales really shines on vocals on this track with it's super melody and with it's rich bass work and backing vocals by Jade McCrae, this track is strong. Another track with a heavy bottom is Survivor and it's lumbering feel lays open a grand floor for ultra fluid soloing by Gales. A lush guitar chord laden intro on Too Close To The Fire really puts you in mind of SRV's style but Gales music is always Gales music. There is a definite maturity in his newer music with more structure and focused guitar attack. Holding back throughout the track and allowing it to develop, he opens the floodgates and unleashes the beast for a high energy crescendo ala Pink Floyd with female backing vocal by Ladonna. Very nice. I really like Take Me Just As I Am and it's tribute to the super funky Curtis Mayfield like sound. With it's thumping bass and lead vocal by LaDonna and horn backing, this track is terrific! Funky, Let Me Start With This has a great feel with synthesized guitar riffs with great feel. Gales' vocals are strong ... this track could easily be the radio track for this release. I Found Her is a strong ballad with a gentle approach and sensitive delivery but watch when Gales drops the hammer on guitar...dynamite! Wrapping the release is I Gotta Go, a high energy R&B style track that would be a strong closer for a live show. With introductions, and a power punch, this is a hot closer leaving you wanting more. This is my favorite Eric Gales release to date.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release (August 6, 2021), Under Your Spell, by Tito Jackson and it blends modern funk, blues, pop and rock for his own style. Opening with Wheels Keep Turning, Jackson on lead vocal and guitar sets a pop pace joined by Michael Harris on drums, Michael K Jackson and Brandon Adams on keys, Darnell Neal on bass, Jason Parfait and Ian Smith on horns. I really like the horn work and slide guitar efforts by Jackson on this track. Heavy footed, Under Your Spell, has a great foot drum thump and with strong addition by Joe Bonamassa on guitar, Robert King on bass and sassy horn work by Parfait and Smith, this track has a great groove. R&B track, Big Leg Woman has a strong sax intro by Parfait, and gives Jackson a great chance to shine on lead vocal, features Kenny Neal on guitar with Jackson and keeps with the theme of ballsey horn throughout. My favorite track on the release is You're Gonna Push Me To Far with some really nicely stylized guitar "JG Watson" like work by KT Thomas. Very cool. George Benson is a standout on lead guitar on Rock Me Baby, a smooth, R&B take on BB King's classic track. Also featured are James "Boogaloo" Bolden on trumpet, Russell B Jackson on bass, Eric Demmer on sax, Wilber Crosby on lead guitar, lamar Boulet on trumpet, Darrell Lavigne on keys, Brandon Jackson on drums, and with Claudette King on lead vocal, Michael Lee and Tito Jackson on lead vocal and guitar. Wrapping the release is smooth soul track, I Got Caught (Loving In A Dream) with warm vocal harmionies and featurning Tito on guitar, Harris on drums, Brandon Adams on organ, synth bass and piano, Tyree Neal on guitar, and with pootent horn accents by Parfait and Smith. Solid closer.
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If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Rock 'N' Roll - A Tribute to Chuck Berry, by Mike Zito and this disc is loaded. Opening with St. Louis Blues and Charlie Berry II, Mike Zito handles guitar and lead vocals, backed by Matthew Johnson on drums, Terry Dry bass and Lewis Stephens on keys. Joanna Conner joins on Rock and Roll Music and there is just no match for that dynamo on slide guitar. Powerhouse player, Walter Trout steps in on Johnny B Goode, a long time favorite of blues and rock players alike. Trout's fluid, high intensity attack is well suited for this classic. Very nice. On Wee Wee Hours, master showman, Joe Bonamassa is featured and he lays out a full tour of the fretboard hitting about every fret on every string, making it seem totally effortless and with great feel. Clocking in at almost 5 and a half minutes, Bonamassa gives you the grand tour. Smoking. Robben Ford takes more of a country flavored approach to You Never Can Tell, contrasting nicely with earlier gun slingers. His poise and music sensibility adds nicely to the overall mix. Simplicity is the word on Luther Dickinson's approach on Too Much Monkey Business. A great rocker with vocal duet and straight up Berry riffs, this track is great. Shared lead vocal with Ally Venable gives School Days a unique perspective and holding tight to the rhythm as Venable and Zito jam is just a bit different. I like Kirk Fletcher's understated guitar work on Brown Eyed Handsome Man, tight and flavorful with soul. Very nice. Wrapping the release is Chuck Berry's classic ditty, My Ding A Ling that is tackled by Kid Andersen who tackles it with all seriousness. Vocals are playful but solid and guitar work full of stylized bens. Super closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Tele Masters, from Arlen Roth and it's super. Featuring a who's who of telecaster players, this release has it all. Opening with Remington Ride with Steve Wariner and Cindy Cashdollar, this track has a lot of country spice and great picking. Wariner and Roth each take turns showing their chops and Cashdollar's lap steel work is impeccable as always. backed by Tom Hambridge on drums, Tommy MacDonald on bass and Billy Panda on acoustic guitar, this is a super opener. A funky, lumbering arrangement to Big Bill Broonzy's Key To The Highway gives it a fresh new life. Jack Pearson has a great voice on lead and sharing lead guitar with Roth, this track has really digs in. One of my favorites. A track featuring a great finger picking shoot out is Bunky with Brad Paisley. If you are wondering if this release is a guitar players album...oh yeah! Will Ray and Roth strut tall with Link Wray's Rumble. Keeping the bottom tight and laying blues rock guitar riffs over the meat makes this track soar. Very nice. Albert Lee and Roth do a really nice job of instrumentalizing Paul Simon's Mrs. Robinson. Maintaining it's pop appeal but throwing on a strong sense of country gives the track a super feel. With a bluesy but country ballad style, Vince Gill and Roth work their magic on a beautiful arrangement of Satisfied Mind. Full out country picking with Brent Mason and Roth on Road Worthy gives each tele Master a great opportunity to show their stuff. With crisp pace and tight rhythms, a super job. Sweet and simple Tennessee Waltz features Lexi Roth on lead vocal. Very clean and strong. Joe Bonamassa even makes an appearance here with a stretched out slower blues track, Joe's Blues. Nobody doubts Bonamassa's chops and he lets it all hang out here pairing with Roth. Roth who is no stranger to the blues stands toe to toe with Bonamassa, each showing his own texture. Very cool. Funky Mama features Johnny Hiland with Roth and always a favorite being almost a telecaster standard. Excellent! Roth lays out some really nice blues pyrotechnics on the intro of Ghost Riders In The Sky featuring great contrast and workmanship between his own and Cashdollar's style. Another tele father with great style is Bill Kirchen on Tuff Tele. Working the tele tone and styling and less the speed, this pairing is tops. Wrapping the release is Redd Voikaert on A Minor Thing. With it's slow, shuffle feel and jazz approach, Roth and Voikaert lay in very nicely executed bluesy riffs before breaking into a double paced shoot off. This is a super track and a super closer for a really strong release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release (February 22, 2019), Nobody Told Me, from John Mayall and it's quite good. Opening with Magic Sam's, What Have I Done Wrong, a solid blues rocker, Mayall on lead vocal, keys and harp is joined by Greg Rzab on bass and Jay Davenport on drums and features Joe Bonamassa on guitars. Great opener. Larry McCray joins on The Moon Is Full with blistering guitar riffs over a really hard driving bass line by Rzab. Excellent! Rush veteran, Alex Lifeson joins on Evil And Here To Stay, a lumbering blues track with a healthy dose of Mayall on vocal, harp and piano. Lifeson shows an excellent adaptability from his hard driving rock sound to soulful blues riffs. Very nice. Little Milton's That's What Love Will Make You Do has a funky bass line by Rzab and tune master Todd Rundgren fires off some blistering blues guitar riffs of his own. Gary Moore's, The Hurt Inside, is one of my favorites on the release again with McCray on lead funky hot guitar and some of Mayall's best vocals on the release. Original Boogie track, Like It Like You Do has super vocals and piano by Mayall, a solid bottom and great boogie riffs by Carolyn Wonderland. Very cool. Wrapping the release is another original and title track, Nobody Told Me, a slow blues featuring Mayall way out front on vocal and piano with only the basic of backing and really soulful guitar soloing by Wonderland. This is a super wrapper for a very strong release by a certain father of the modern American blues revival in the 60's.
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Blues Hall of Fame Member John Mayall Announces New
Album, Nobody Told Me
Featuring
Todd Rundgren, Little Steven Van Zandt, Alex Lifeson and Joe
Bonamassa.
On February 22nd Forty Below Records
will release Nobody
Told Me, the new studio album from The
Godfather of British Blues, John Mayall.
As with his last handful of albums, Mayall again shares production
duties with Forty Below Founder Eric Corne who also handles engineering
and mixing duties.
The album boasts an impressive and diverse list of guest guitarists,
all personal favorites of Mayall’s including Todd Rundgren, Little
Steven Van Zandt of The E Street Band, Alex Lifeson from Rush, Joe
Bonamassa, Larry McCray and Carolyn Wonderland who
will be joining the band on tour. Also, on hand are Mayall’s dynamic
Chicago rhythm section of Greg Rzab on bass guitar and Jay Davenport on
drums, along with Billy Watts (Lucinda Williams) on rhythm guitar
and Mayall’s regular horn section, moonlighting from their day job
in The Late
Show with Conan O’Brien’s house band.
The album was recorded at The Foo Fighters’ Studio 606 on
the same legendary Sound City Neve console his one-time protégés from
Fleetwood Mac used to record parts of the best-selling Rumours album.
“This project has been a true labor of love for me and I can’t wait for
people to hear the fireworks that took place,” beams Mayall. Nobody Told Me is an
apt title for the blues icon who suffered a recent unexpected health
scare shortly after recording the album. But, the seemingly ageless
road dog, who famously takes no days off and carries his own gear on
tour, has been given a clean bill of health and plans to return to his
usual grueling touring schedule to support the release. Tour dates
can be found at johnmayall.com
I just had the opportunity to review the most recent release (September 15, 2017), The Eastwest Sessions, by Mindi Abair and the Boneshakers and it's a lot of fun. Opening with Vinyl, a high stepper with a rock solid bottom, Mindi Abair has it going on lead vocal and hot sax. Backed by Randy Jacobs on guitar, Rodney Lee on keys, Derek Frank on bass and Third Richardson on drums all joining Sweet Pea Atkinson on backing vocals. Droning bass line and pumped up sax shows the way on instrumental NotThat Kind Of Girl. Pop track, Play To Win has a solid melody line and shows Abair's vocal strength. Pretty Good For A Girl has got to be Abair's trademark track with it's practical lyrics, blistering sax work and hot contributions from Joe Bonamassa. My favorite track on the release, Let Me Hear It From You, features Sweet Pea Atkinson on lead vocal. Excellent soul tune with nice backing vocals and real soul town sax soloing. With the feel of Jr Walker, Live My Life has a lot of spank with sassy sax work, some real spicy guitar riffs from Jacobs and a funky bottom. Bluesy, She Don't Cry No More has a super New Orleans deep feeling with warm backing vocals and featuring singer/songwriter Fantastic Negrito on vocal and Abair on wailing sax. Very nice! Wrapping the release is I Love To Play The Saxophone is a lighthearted pop tune along the lines of "Don't Worry, Be Happy". With an almost Boots Randolph tone, this "girl" wails. This is a cool release. Check it out.
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