Joe Krown - Tribute - New Release Review

 

I just had the opportunity to review the most recent release, Tribute, from Joe Krown, and it's a New Orleans soaked release. Opening with Allen Toussaint's, All Of It, renown piano and B3 player player really gets things going, backed by  Mark Brooks on bass, Doug Belote on drums and with some searing guitar riffs by Leo Nocentelli. Powerful opener. Dr. John's Such A Night maintains all of the spirit of the Daytripper's original with Ivan Neville on lead vocal and Kassie Netherland backing, Jack Miele and John Fohl on guitar and of course Krown really  working the piano. On Ode to Mr. Davis, Krown lays back in the slot with cool piano and B3, joined by excellent sax work by Joe Sublett, Belote and Brooks. Very nice. Lightning Hopkins' Feel So Bad, features Wolfman Washington on vocal and guitar. I have always loved his style and his vocal, paired with his own funky guitar riffs makes this my favorite track on the release. wrapping the release is a stirring original, Gumbo Boogie, with Krown really cranking up the heat. With B3 under the bottom and piano on the top, a walking bass line by Brooks and a tight drums line by Belote, this is an excellent closer. 

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Gulf Coast Records artist: Jason Ricci & The Bad Kind - Behind The Veil - New Release Review

 I just had the opportunity to review the most recent release, Behind The Veil, from Jason Ricci and The Bad Kind, and as always it's a feast for the ears. Opening with Casco Bay with it's waltz tempo has a really cool swagger. Ricci on lead vocal and dynamic harmonica tone sets the pace with Kaitlin Dibble on backing vocal, Brent Johnson on guitar and backing vocal, Jack Joshua on bass and vocal and John Perkins on backing vocal makes this a really interesting opener. Switching to New Orleans R&B sound on 5-10-15, Dibble has the lead on vocal, a really strong harmonica solo by Ricci and Kid Andersen's guitar work really set this track apart. Very nice. Bobby Rush's Ain't She Fine is a great track with an aggressive, funky rock beat. I love the lead vocal lines and Johnson's guitar work in concert with Joshua on bass and Perkins on drums, all wrapped by Ricci on harp is terrific. Classic, St James Infirmary is a smart pick for this band giving Ricci a great showcase for his vocal style and excellent harp soloing and Johnson to spin a strong solo on guitar as well. Terrific, terrific track. Funky, Why Don't We Sleep On It, is another really strong track with some dialogue between Ricci and Dibble who trade lead vocal lines over a potent bass riff by Joshua. Joe Krown on B3 adds tension and Johnson's stinging guitar lead is perfect. Wrapping the release is Booker T's Hip Hug-Her with it's tight instrumental bottom courtesy of Krown, Perkins, and Johnson, melody on harp by Ricci.  Hot guitar work by Johnson and smoking harmonica work by Ricci take this track home with Krown on B3 making this an excellent closer for a truly excellent release. 

 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

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Gulf Coast Records artist: Jason Ricci and Joe Krown - City Country City - New Release Review

 

I just had the opportunity to review the most recent release (October 22, 2021), City Country City, by Jason Ricci and Joe Krown and it's really meaty. Opening with Jazz /Rock/Soul band, WAR, classic and title track, City Country City, Joe Krown plays a B3 soaked intro working into the lush melody played by Jason Ricci and snappy drum work by Doug Belote. Cool jam over a potent theme. Krown's blues shuffle, Down N' Dirty is a great jam based around a strong B3 framework by Krown giving him sufficient space to grow the concept and giving Ricci all of the room he needs to play his own style of harmonica which I think may be the best around right now. Guy is melodic, creative and emotional. Excellent! Ricci's New Orleans blues, Badger The Witness, give Ricci the opportunity to front on vocals and he does a great job. Krown's keyboard work is strong and Belote's drum work really killer. Joe Sample's funky jazz number, My Mama Told Me So, really works well for this trio with Krown and Ricci sharing the melody and with the steady hand of Belote tying it all together. Krown stretches a bit more on this one setting a really nice groove and Belote lets it all hang out there with a real nice drums solo. Very cool. Feel Good Funk is a Ricci original and plays perfectly into his style. With a tight drum beat and a funky underpinning, Ricci sings and blows his ass off. Excellent! Low slung shuffle, Down At The Juke, is an excellent track with old school blues/jazz feel. Ricci's vocals are spot on and Krown shows he knows his way around old school with a good long lead solo on B3. Ricci knows how to swing too with crisp riffs of his own complimenting this fine vocal effort. Stepping back and making a serious run at the blues, Charles Brown's Drifting Blues is up next with a rich intro and vocals by Ricci. Krown sets a warm organ floor for the scene and takes the first solo on B3. Ricci's vocals are particularly effective on this track in that he's almost wailing the blues in compliment with his excellent harp phrasing. Wrapping the release is Bobbie Gentry's pop classic, Ode To Billy Joe. Ricci and Krown transform this well know pop tune into an elongated jam with plenty of pyrotechnics. This is one of my favorite releases of the year. Get one!  

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

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