Blues Hall of Fame Inductees announced: Mavis Staples, Johnny Copeland, Henry Gray, Latimore and more

MAVIS STAPLES, MAGIC SLIM, JOHNNY COPELAND, HENRY GRAY AND LATIMORE ARE AMONG THE NEWEST MEMBERS OF THE BLUES HALL OF FAME  Six performers, one album, five singles, one book and one magazine founder will be inducted at the Blues Foundation’s 38th Annual Induction Ceremony on May 10

MEMPHIS, Tenn. — The Blues Foundation welcomes the 38th class of Blues Hall of Fame inductees in a ceremony taking place on May 10, 2017. This year’s 14 richly deserving honorees represent all five of the Hall of Fame’s categories: Performers, Non-Performing Individuals, Classic of Blues Literature, Classic of Blues Recording (Song) and Classic of Blues Recording (Album). The six performers chosen for induction include two distinctive vocalists, Mavis Staples and Latimore; a pair of legendary guitarists, Magic Slim and Johnny Copeland; and longtime Howlin’ Wolf sidemen guitarist Willie Johnson and piano-man Henry Gray. They will join the more than 125 performers who already are Hall of Fame members. The year’s non-performer selection is Living Blues Magazine co-founder and radio show host Amy van Singel, who passed away in Sept. 2016.  The Classic of Blues Literature pick is the rightfully recognized Father of the Blues, W.C. Handy’s 1941 memorable autobiography. John Lee Hooker was among the Hall’s first inductees in 1980 and now his 1966 Chess album Real Folk Blues will enter the Hall of Fame too in the Classic of Blues Recording Album category. The quintet of Classic of Blues Recording songs includes Bo Diddley’s signature tune “Bo Diddley,” Tommy Tucker’s much covered classic “Hi Heel Sneakers,” the Albert King hit “I’ll Play the Blues For You,” Son House’s “Preachin’ the Blues” and “I Ain’t Superstitious,” which features 2017 inductee Henry Gray playing on Howlin’ Wolf’s well-known 1961 recording.  The Blues Hall of Fame Induction Ceremony takes place Wednesday, May 10 at Memphis’ Halloran Centre for the Performing Arts and Education. Hosted by the Blues Foundation, the evening begins at 5:30 p.m. with a Cocktail Reception, followed by the Induction Ceremony at 6:30 pm. Tickets for this open-to-the-public ceremony are $100 per seat and can be purchased online at: http://bit.ly/2kVoDRG More festivities occur the following day, May 11, with the Blues Foundation’s Blues Music Awards. Celebrating the past year’s best in blues recordings and performances, this event will be held at the Memphis Cook Convention Center. A pre-ceremony party commences at 5:30 p.m., while the Awards Show, including a seated dinner and featuring performances by many of the nominees, starts at 7 pm. Individual tickets and tables may be purchased for $150 per seat at the same link as above. For more information, contact Barbara Newman, President & CEO; barbara@blues.org; (901) 527-2583, Ext. 12  ABOUT THE INDUCTEES: Performers Henry Gray, who played piano in the Howlin’ Wolf band and other Chicago blues groups before returning to his native Louisiana in 1968, has rarely been in the spotlight, but has steadily built an impressive resume entertaining audiences around the world with his blues-drenched piano pounding. Gray, born in 1925, is still performing regularly six decades after his first recording sessions in Chicago. Willie Johnson (1923-1995) recorded only a few songs on his own, but as a sideman his storming barrage of distortion and incendiary guitar licks in the 1950s, especially on the early records of Howlin’ Wolf, earned him a lasting reputation as a groundbreaking commando in the annals of electric guitar playing. Mentored by Wolf in their Mississippi days, Johnson played in Wolf’s band in the South and in Chicago, and recorded for Sun Records in 1955. Mavis Staples, one of America’s premier singers of gospel and soul music, has expanded her musical mastery with her performances in more blues-based settings in recent years. The blues is nothing new to the Staples family, as Mavis’ father and founder of the Staple Singers, Roebuck “Pop” Staples, was a devotee of Delta blues master Charley Patton back in Mississippi. Mavis, born in Chicago in 1939, remains on her lifelong mission to inspire and uplift her listeners no matter what musical genre she employs. Johnny Copeland (1937-1997) was one of a bevy of blazing guitar slingers to emerge from the vibrant Third Ward of Houston, Texas, and one of the city’s most powerful singers as well.  Establishing himself with a series of blues and soul singles beginning in 1958, he attained national prominence in the 1980s recording blues albums for Rounder Records. His daughter Shemekia has followed in his footsteps by winning multiple Blues Music Awards. Magic Slim led one of the most relentless, hard-driving bands in Chicago blues history for several decades until his death in 2013. Born Morris Holt in Mississippi in 1937, he earned his nickname from his friend and fellow blues guitar ace Magic Sam. Slim was also known for possessing perhaps the largest repertoire of any blues artist, always able to pick up another song from the radio or the jukebox, enabling him to record more than 30 albums and garner dozens of Blues Music Awards nominations. His son Shawn “Lil Slim” Holt is ably carrying on the family blues tradition. Latimore, the abbreviated stage name of singer, keyboardist and a songwriter Benny Lattimore, has cut a dashing figure on the Southern soul circuit ever since he began touring in the 1970s on the strength of hits such as “Stormy Monday” and his best-known original, “Let’s Straighten It Out.”  Latimore, who was born in Tennessee in 1939 but has called Florida home since the 1960s, is now a distinguished and still spirited love philosopher and elder statesman of the scene. Individuals: Business, Production, Media or Academic Amy van Singel, known to blues radio audiences as “Atomic Mama,” was a cofounder of Living Blues magazine in Chicago in 1970. She and her former husband Jim O'Neal published the magazine from their home in Chicago until they transferred the publication to the University of Mississippi in 1983. Her radio career began at Northwestern University and included stints at stations in Chicago, Mississippi, Memphis, Alaska and Maine. Amy died in her sleep at her home in Maine on Sept. 19, 2016, at the age at 66. Classics of Blues Literature Father of the Blues by W.C. Handy is a monumental opus that is indispensable to the study of American musical history. Published in 1941, the book traces Handy’s background as a trained orchestra leader, his discovery of the blues and the struggles he endured to become a successful music publisher. It is often cited as a primary resource on the earliest years of blues history. No book is more deserving of designation as a Classic of Blues Literature. Classics of Blues Recording: Albums The 1966 John Lee Hooker album Real Folk Blues is the latest of several Chess Records’ Real Folk Blues albums to be elected to the Blues Hall of Fame. Whereas the rest of the LPs in the series by Muddy Waters, Howlin’ Wolf and others were compilations of older recordings, the Hooker album was newly recorded in May of 1966 in Chicago. Hooker was his inimitable and spontaneous self, reworking some of his older songs and improvising new ones, accompanied by his Detroit guitarist Eddie Burns and Chicago sidemen Lafayette Leake and S.P. Leary. Classics of Blues Recording: Singles “Bo Diddley” was not only the 1955 hit record that made Ellas McDaniel famous — it also gave him his professional name. The famed “Bo Diddley beat,” an energized update of the old “Hambone” rhythm, rocked the world, and Bo continued to create classics for Checker Records in Chicago with his innovative blend of blues and rock ’n’ roll. “Hi-Heel Sneakers” by Tommy Tucker was the last blues record from the mighty Chess Records catalogue to hit No. 1 on the charts. Recorded in New York in 1963, the single on Chess’ Checker subsidiary label topped the Cash Box magazine R&B charts in 1964. Tucker’s enticement to “put on your red dress” and hi-heel sneakers has resounded on countless bandstands ever since. “I Ain’t Superstitious,” an ominous Willie Dixon composition recorded by Howlin’ Wolf in 1961, is best known to rock audiences through the Jeff Beck Group’s 1968 cover version featuring Rod Stewart on vocals. On the original session for Chess Records in Chicago, Wolf’s band included Hubert Sumlin, Jimmy Rogers, Sam Lay and 2017 Blues Hall of Fame inductee Henry Gray. “I’ll Play the Blues for You,” recorded by Albert King in Memphis for the Stax label in 1971, was written by Jerry Beach, a longtime fixture on the Shreveport, Louisiana, music scene who died in 2016. In Beach’s lyrics, sung with warmth and tenderness by King, the blues becomes a source of soothing and comfort. King’s 45 spent eight weeks on Billboard magazine’s Best Selling Soul Singles chart in 1972  “Preachin’ the Blues,” a two-part single by Son House on the Paramount label from 1930, is a prime example not only of House’s intensity as a Delta blues singer and guitarist but also of his lifelong inner conflict between the lure of the blues life and devotion to the church. House, who did preach in church at times, also sang of the hypocrisy he saw in religion with lyrics such as “I’m gonna be a Baptist preacher and I sure won’t have to work.” About the Blues Hall of Fame Museum: Since opening in May of 2015, the Blues Hall of Fame Museum has become a must-see destination for blues aficionados and casual fans alike. Through its ten permanent galleries and the Upstairs Legendary Rhythm and Blues Cruise Gallery’s temporary exhibit space, the museum exposes, educates, and entertains visitors, providing them a unique way to explore blues culture and history, while also highlighting its 400 inductees. Visitors can use interactive touchscreens to access databases that allow them to hear music, watch videos and read stories about every museum’s inductees. Guests can also view one-of-a-kind memorabilia, from musical instruments and tour attire to awards and artwork. The 2017 Hall of Fame class will be represented in the special exhibit galleries beginning in early May. Located at 421 S. Main Street, Memphis, the museum is open seven days a week (10 a.m.-5 p.m. Mon.-Sat., 1-5 p.m. Sun.). Admission is $10 per person, with children and Blues Foundation members free. The museum is also available for private parties and events after hours. For more information, call 901-527-2583. About the Blues Foundation: This world-renowned, Memphis-based organization holds a mission to preserve blues heritage, celebrate blues recording and performance, expand worldwide awareness of the blues, and ensure the future of this uniquely American art form. Founded in 1980, The Blues Foundation has approximately 4,000 individual members and 200 affiliated blues societies representing another 50,000 fans and professionals around the world. Its signature honors and events — the Blues Music Awards, International Blues Challenge, and Keeping the Blues Alive Awards — make it the international hub of blues music. Its HART Fund provides the blues community with medical assistance for musicians in need, while Blues in the Schools programs and Generation Blues Scholarships expose new generations to blues music. Throughout the year, the Foundation staff serves the global blues community with answers, information, and news.

Devils Hand - Johnny Copeland

Johnny Copeland (March 27, 1937 – July 3, 1997) was an American Texas blues guitarist and singer.
Born in Haynesville, Louisiana, United States, while Copeland was becoming interested in music, he also pursued boxing, mostly as an avocation, and it is from his days as a boxer that he got his nickname "Clyde." Also as a teenager influenced by T-Bone Walker he formed the 'Dukes of Rhythm' in Houston, Texas, and made his recording debut in 1956, signing with Duke Records the following year. In his early years he played with such acts as Sonny Boy Williamson, Big Mama Thornton and Freddie King. Although his early records met with little commercial success, he became a popular touring act over the next two decades.

His early recording career embraced blues, soul and rock and roll. He cut singles for Mercury, All Boy and Golden Eagle, amongst others. His first single was "Rock 'n' Roll Lily", and he later cut regional successes such as "Please Let Me Know" and "Down On Bending Knees." For the most part, his singles featured Copeland as a vocalist more than a guitar player.

Driven by disco to rethink his future, he moved to New York in 1979,[4] and played extensively in the eastern cities. In 1981, he was signed by Rounder Records, releasing albums including Copeland Special (1981) and Bringing It All Back Home (1985), and touring widely. Copeland appeared at the 1983 Long Beach Blues Festival, and the 1988 San Francisco Blues Festival. He won a Grammy in 1987 for best traditional blues album for the album Showdown!, recorded with Robert Cray and Albert Collins.

Copeland also played at the 1985 Montreaux Jazz Festival, as a guest with Stevie Ray Vaughan and Double Trouble, with Vaughan and Copeland most famously performing the Bob Geddins song, "Tin Pan Alley (AKA Roughest Place In Town)" together on Vaughan's Blues At Sunrise album.

His later years were dogged by ill health due to a congential heart defect. He died, aged 60, in Harlem, New York, from complications during heart surgery for a heart transplanted six months earlier. Copeland was a resident of Teaneck, New Jersey.

His daughter, Shemekia Copeland, established a successful career as a singer. He was also survived by his wife, son and two daughters.

Wrecked My Life "Like a Hurricane"

And before there was Shemekia Copeland there was big daddy Johnny Copeland!

Born in Haynesville, Louisiana, while Copeland was becoming interested in music, he also pursued boxing, mostly as an avocation, and it is from his days as a boxer that he got his nickname "Clyde." Also as a teenager influenced by T-Bone Walker he formed the "Dukes of Rhythm" in Houston, Texas, and made his recording debut in 1956, signing with Duke Records the following year. In his early years he played with such acts as Sonny Boy Williamson, Big Mama Thornton and Freddie King. Although his early records met with little commercial success, he became a popular touring act over the next two decades.

Johnny’s early recording career embraced blues, soul and rock ‘n’ roll. He cut singles for Mercury, All Boy and Golden Eagle, among others. His first single was “Rock ‘n’ Roll Lily,” and he later cut regional successes like “Please Let Me Know” and “Down On Bending Knees.” For the most part, his singles featured Johnny as a vocalist more than as a guitar player.

Driven by disco to rethink his future, he moved to New York in 1979 and played extensively in the eastern cities. In 1981 he was signed by Rounder Records, releasing a string of critically acclaimed albums including Copeland Special (1981) and Bringing It All Back Home (1985), and touring widely. Copeland appeared at the 1983 Long Beach Blues Festival, and the 1988 San Francisco Blues Festival. He won a Grammy in 1987 for best traditional blues album for the album Showdown!, recorded with Robert Cray and Albert Collins.

Copeland also played at the 1985 Montreaux Jazz Festival as a special guest with Stevie Ray Vaughan and Double Trouble.

His later years were dogged by ill health due to a congential heart defect. He died, aged 60, in Harlem, New York, from complications during heart surgery for a heart transplanted six months earlier. Copeland was a resident of Teaneck, New Jersey.

His daughter Shemekia established a successful career as a singer. He was also survived by his wife, Ethel Lee Copeland, son Dawrence Clyde Copeland Sr., daughter Sharee Copeland all of Houston, TX and daughter Demetria L. Brown of Corpus Christi, TX.

Johnny Copeland

Born in Haynesville, Louisiana, while Copeland was becoming interested in music, he also pursued boxing, mostly as an avocation, and it is from his days as a boxer that he got his nickname "Clyde." Also as a teenager influenced by T-Bone Walker he formed the "Dukes of Rhythm" in Houston, Texas, and made his recording debut in 1956, signing with Duke Records the following year. In his early years he played with such acts as Sonny Boy Williamson, Big Mama Thornton and Freddie King. Although his early records met with little commercial success, he became a popular touring act over the next two decades.

Johnny’s early recording career embraced blues, soul and rock ‘n’ roll. He cut singles for Mercury, All Boy and Golden Eagle, among others. His first single was “Rock ‘n’ Roll Lily,” and he later cut regional successes like “Please Let Me Know” and “Down On Bending Knees.” For the most part, his singles featured Johnny as a vocalist more than as a guitar player.

Driven by disco to rethink his future, he moved to New York in 1979 and played extensively in the eastern cities. In 1981 he was signed by Rounder Records, releasing a string of critically acclaimed albums including Copeland Special (1981) and Bringing It All Back Home (1985), and touring widely. Copeland appeared at the 1983 Long Beach Blues Festival, and the 1988 San Francisco Blues Festival. He won a Grammy in 1987 for best traditional blues album for the album Showdown!, recorded with Robert Cray and Albert Collins.

Copeland also played at the 1985 Montreaux Jazz Festival as a special guest with Stevie Ray Vaughan and Double Trouble.

His later years were dogged by ill health due to a congential heart defect. He died, aged 60, in Harlem, New York, from complications during heart surgery for a heart transplanted six months earlier. Copeland was a resident of Teaneck, New Jersey.

His daughter Shemekia established a successful career as a singer. He was also survived by his wife, Ethel Lee Copeland, son Dawrence Clyde Copeland Sr., daughter Sharee Copeland all of Houston, TX and daughter Demetria L. Brown of Corpus Christi, TX.