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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Showing posts with label Johnny Moeller. Show all posts
Showing posts with label Johnny Moeller. Show all posts

Friday, October 18, 2024

Stony Plain Records artist: The Fabulous Thunderbirds - Struck Down - New Release Review

 I just had the opportunity to review the most recent release, Struck Down, by The Fabulous Thunderbirds and it's one of their best. Opening with Struck Down By The Blues, Kim Wilson has the mic singing lead vocals on this BB King style track. Johnny Moeller and Steve Strongman handle the gripping guitar lead with Bob Welsh on piano, Rudy Albin Petschauer on drums and Steven Kirsty on drums. Excellent opener. Classic ZZ Top style, one line bass, drives Payback Time features Wilson and Billy Gibbons on lead vocals with great harmonica overtones by Wilson and featuring Gibbons on guitar. Very cool. Bonnie Raitt, Keb Mo and Taj Mahal share the mic on Nothing But Rambling, an easy shuffle with strong harmonica work by Wilson and Keb Mo on slide. Wilson back up front on romping shuffle, Whatcha Do To Me. Elvin Bishop lends his guitar work on his track giving it a nice kick and Wilson's harmonica work turns up the heat with his own spice. I really like Moeller's guitar work on stomping, I've Got Eyes with Wilson's harmonica creating great tension. Wrapping the release is soulful ballad, Sideline, with warm backing vocals by Chris Ayries, a clean sax solo by Kirsty and a strong piano bottom by Welsh. Strong closer for a real nice release. 


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Tuesday, December 20, 2022

Blue Heart Records artists: The Texas Horns - Everybody let's Roll - New Release Review

 I just had the opportunity to review the most recent release, Everybody Let's Roll, from The Texas Horns, and I really like it! Opening with title track, Everybody Let's Roll, The Texas Horns (Kaz Kazanoff on tenor sax, Al Gomez on trumpet, and John Mills on bari sax) come out steaming with Carolyn Wonderland on lead vocal, Mike Keller on rhythm guitar, Sean Giddings on keys, Chris Marsh on bass, and Tom Brechtlein on drums and featuring Anson Funderburgh with some real nice guitar lead. Solid opener. Piano boogie, I Ain't Mad With You, led by Matt Hubbard really rocks with excellent solos from Kaz and Johnny Moeller and a fat fat bottom by Mills. Excellent! A really interesting (bluesy) rework of The Beatles, I Want You (She's So Heavy), has great horn blending with Gomez taking the lead on trumpet. With it's jazzy drum hitch by Brannen Temple, a cool organ solo by Sean Geddings and a blast of blues by Moeller on guitar, this is a punchy track.  Soulful, Prisoner In Paradise, features Guy Forsyth on lead vocal and is the certain radio track with brassy backing and a real nice trumpet solo by Gomez and a warm sax solo by Kaz. Wrapping the release is JB Lenoir's J.B.s Rock with hot drumming by Jason Corbiere and sassy sax work by Kaz. Flanigin rolls in some warm organ tones and Jimmie Vaughan  lays down some trademark guitar riffs making this a great closer. 


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Tuesday, December 1, 2020

Severn Records artist: Devin B. Thompson - Tales Of The Soul - New Release Review

 


I just had the opportunity to review the newest release, Tales of the Soul, by Devin B. Thompson and it's super. Opening with Love To See You Smile, Devin B. Thompson sets up a great groove. Leading on vocal with top notch help from Steve Gomes on bass, Robb Stupka on drums, Johnny Moeller on guitar, Kevin Anker on piano, Benjie Porecki on organ, Mark Morella on percussion Kenny Rittenhouse and Joe Donegan on trumpet, Antonia Orta on sax, Bill Holmes on trombone and backing vocals by Thompson, Caleb Green, Christal Rheams and Kennedy Thompson, hold onto your hat! One of my favorite tracks on the release is gospel influenced, Something You Can Do Today, written by Gamble and Huff, the leaders of the Philly Sound has such a super feel and Thompson really capitalizes vocally with warm backing organ, key trumpet punctuation and great backing vocals. Excellent! With a super bottom by Stupka and Jimmy Earl on bass, and great horn work by Rittenhouse and Donegan, this track will really have you moving. Smooth and easy, Can't Get Over You is another strong track with a magical rhythm really highlighting Thompson's lead and really strong backing vocals. On Get Home Tonight, splashing in some funk and excellent guitar lead by Robben Ford, Thompson shows super poise and phrasing. Wrapping the release is Tell Me, with power soul track with a funky bottom and punchy horns. Moeller lays into his wah pedal and plays some funky blues riffs giving the track just a dash of blues to accent it's true soul nature. I really like this release. If you like Al Green and Curtis Mayfield, check this out!


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Tuesday, November 17, 2020

Severn Records artist: Nora Jean Wallace - Blues Woman - New Release Review

 


I just had the opportunity to review the newest release, Blues Woman, from Nora Jean Wallace and it's packed full of soul. Opening with shuffle, Martell, Nora Jean Wallace (formerly Bruso) means business with her thick rooted voice. Backed by Johnny Moeller on guitar, Steve Gomes on bass, Kevin Anker on organ, Steve Guyger on harmonica, Stanley Banks on keys and Robb Stupka on drums, this track is a strong opener. With a strong dash or R&B, I Can't Stop has a great feel a romping bass line and with David Earl on guitar. Victim is a bluesy ballad featuring Wallace's vocal up front with super soulful feel and some real nice guitar work by David Earl. I've Been Watching You is a real cool track with a funky kind of bas line. Wallace really works this track, making it one of my favorites on the release. Wrapping the release is I Don't Have to Beg You to Love Me with it's lumbering bass line and floating Wallace's rich vocals is the lush guitar lead of Moeller. This is a strong release and a definite female vocalist to watch. 


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Friday, July 12, 2019

Severn Records artists: The Texas Horns - Get Here Quick - New Relese Review

I just had the opportunity to review the most recent release, Get Here Quick, by The Texas Horns and it's smokin'! Opening with Guitar Town, a real Texas style blues, cooked up with  Anson Funderburgh and Johnny Moeller on guitars and Gary Forsyth on lead vocals. Kaz Kazanoff on tenor, John Mills on bari and Al Gomez on trumpet and this track is hot. With a bit of New Orleans flavor, Instrumental, Feelin' No Pain is all horns to the floor with excellent piano work by Red Young, bass by Russell Jackson and Tommy Taylor on drums. Mills lays out and excellent sax solo and Moeller shows why he is regarded as one of the top bluesmen in Texas today. Title track, Better Get Here Quick is another instrumental with rich tandem sax lead and excellent guitar accents by Moeller. Gomez steps up with some crisp lead work of his own and Youngs takes a nice few bars of his own. Very cool. An excellent New Orleans style instrumental, 2018, has a super march style snare lead by John Bryant with Chris Maresh on bass and again featuring excellent work by Moeller and Connolly. Gomez's trumpet is bright and punchy. Very nice. Curtis Salgado is up front on lead vocals on Sundown Talkin'. His vocals are always soulful and stellar and this track is no exception, being clearly the radio track on the release. The horns flex their muscle through out and excellent accents by Moeller give the track a great presence. Instrumental, Funky Ape really gives Kaz, Al and John a chance to play and they push you back in your seat. Excellent! Wrapping the release is Truckload of Trouble, a springy, instrumental with a solid horn melody and with a cool muted trumpet interlude by Gomez, and a sweet sax lead by Kaz as well. Ronnie Earl is featured on lead guitar adding a bluesy component to an otherwise driving horn composition. This is a real cool outing for the Texas Horns. Enjoy! 

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Friday, March 15, 2019

Dialtone/VizzTone artist: Bloodest Saxophone - Texas Queens 5 - New Release Review

I just had the opportunity to review the most recent release, Texas Queens 5, from Bloodest Saxophone and it's powerful. Bloodest Saxophone has been playing old school sounds since 1998. Opening with I've Got A Feeling and Diunna Greenleaf on lead vocals these guys show that they mean business. With Koda Shintaro on tenor sax, Coh on trombone, Osikawa Yukimasa on bari sax, Shuji on guitar, The Takeo on upright bass, and Kiminori on drums and percussion this track has real punch. Lead vocalist Crystal Thompson really pounds out the blues on Losing Battle with really nicely presented guitar by Johnny Moeller on guitars over strong brass and sax work. Excellent! Instrumental, Pork Chop Chick is a terrific jump track with super horn solos, driving rhythm and a real nice guitar exchange between Moeller and Shuji. Very nice. Lauren Cervantes is upfront on Latin track, Run Joe. Masterful rhythms, authentic vocals, tight percussion and wild powerful horns give this track real spunk. A really tasty guitar solo on It's Your Voodoo Working leading to a sassy sax solo by Shintaro give Jai Malano all the support she needs to carry the lead on this one. Don't Move Me gets a real swing and Moeller gets the track moving behind Thomas and the punchy brass on this one. The Grapevine really gets the feet tapping with Cervantes leading the way on an extremely horn lively route with a wild bari solo byYukimasa. Excellent! Wrapping the release is soulful, Cockroach Run, with it's grinding sax work and an aggressive guitar solo by Moeller capping off a really fun and bluesy release. 

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Wednesday, November 16, 2016

Severn Records artists: The Fabulous Thunderbirds - Strong Like That - New Release Review

I just had the opportunity to review the most recent release, Strong Like That, from The Fabulous Thunderbirds and I really like it. Opening with Temptations classic, (I Know) I'm Losing You, TFT have melded a track that has been done by everyone from Rare Earth to Rod Stewart and with spicy steel guitar work of Roosevelt Collier and the funky beat of Wes Watkins created a cool new sound. Kim Wilson is upfront on vocal and harp and Steve Gomes lays down a solid bass riff along with Kevin Anker on keys. Very cool! Stepping off like Curtis Mayfield on Don't Burn Me, Wilson delivers a really soulful vocal line. Anson Funderburgh lends an artful hand to this soulful mix with tasty guitar riffs and with Christal Rheams and Caleb Green on backing vocals, Gomes on bass and Robb Stupka on drums. Excellent! Funky blues soul on You're Gonna Miss Me has a super groove that makes you want to bounce in your seat if not outright get up and dance. Wilson's harp work on this track is more soul than blues and really works nicely. Al Jackson's Drowning On Dry land has a super cool bottom Wilson keeps it light as air with his smooth vocals and restrained harp. Moeller's guitar riffs are spot on and Anker punctuates nicely. Excellent! Another funky track, Somebody's Getting It, is full blown with Kenny Rittenhouse on trumpet, Joe Donegan on trumpet, Antonio Orta on sax and Bill Holmes on trombone and Rheams and Green on back vocals. Wilson's vocals are particularly rich on this track, possibly being my favorite featuring him in near memory. With it's rolling bass line, Meet Me On The Corner, is the bluesiest track on the release and Wilson takes full advantage with his trademark blues harp riffs and vocals. Very cool. Where's Your Love Been has a cool southern soul sound with the full horns, crafty keyboard work by Anker and a few real nice guitar outings by Mr Johnny Moeller. Eddie Floyd's I've Never Found A Girl (To Love Me Like You Do) has a smooth soul sound with tight horn work and cool stylistic rhythm guitar work by Moeller. Wilson's vocals are cool and the track solid. Wrapping the release is title track, Strong Like That. With it's funky bass line and snappy drum bottom, Wilson really brings it home on vocal and harp. His phrasing and tone are top notch and this track is a particularly cool closer to what may be my favorite Thunderbirds release...ever!

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Tuesday, November 12, 2013

Severn Records artist: Ursula Ricks - My Street - New Release Review

I just received the newest release (October 15, 2013), My Streets, from Ursula Ricks and it's super! Opening with Tobacco Road, a laid back R&B track with great bones. Harp master Kim Wilson adds some nice riffs blending and nicely complimenting Ricks rich voice. Sweet Tenderness has a really nice flow nicely showcasing Ricks' amazing feel for her music. Backed by strings and Christal Rheams and Caleb Green, this track has a solid radio sound. Mary Jane has an infectious groove and Ricks plants herself firmly in the back beat. Full key work from Kevin Anker and unusually rhythm guitar work from Johnny Moeller add to the interest of this track. Title track, My Street, has a really interesting rhythm led by Robb Stupka on drums and Steve Gomes on bass. Ricks just coasts along on top on the track adding her vocals musically. Very nice! I really like the way that Due moves. A slinky track with Kenny Rittenhouse and William Dunn on trumpet is a really nice venue for Ricks. Moeller steps up with some soulful bluesy guitar riffs and Anker really hits the spot with the organ. Right Now, the blusiest track on the release has a JG Watson/WW Washington feel with blues and funk. This kind of track really plays to my soft spot. The musical arrangement on this track is killer with instrumental pieces added like a master adds a dab of paint. A dab of organ here, a drum riff there, and then Moeller steps up with a killer guitar solo. Make Me Blue has just that right amount of sway and you can't help but move with the rhythm. Again Ricks does a masterful job of just inserting vocals that lead the track but don't smother it. Excellent! Just A Little Bit Of Love has been one of my favorite tracks for many years and it's nice to see it covered by Ricks. (If you haven't heard this track by Curtis Mayfield, run, don't walk to your nearest cd store and buy a copy... It's excellent.) Ricks adds her own flair to the track and Mark Marella spices up the mix with a nice percussion break. Closing the release is the funky What You Judge, a smokin' hot number. It's really nice to see some great artists like Ricks fill the void left in this neo-soul/blues space as it is lacking (or at least it isn't finding it's way to me). Ricks has chosen a terrific track for the close with just the right amount of funk. Moeller steps up on the track, leaving his blues at the door and laying down a great riff. Anker peeks around the corner with some really nice key riffs as well making this one of the absolute standout tracks on the release. I really like this release and hope to hear more from Ricks soon!  

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Thursday, July 25, 2013

Bluesman Bryan Lee Says "Play One for Me" on Severn Records Label Debut CD, Due September 17

Bryan Lee Says Play One for Me on Severn Records Label
Debut CD, Due September 17

New Album from New Orleans-Based Bluesman Features Special Guests Kim Wilson and Johnny Moeller of
The Fabulous Thunderbirds



ANNAPOLIS, MD – Severn Records announces a September 17 release date for Play One for Me, the label debut CD from New Orleans-based blues guitarist/singer Bryan Lee, recorded at Severn’s new state-of-the-art studios in Annapolis. Severn Records is distributed in the U.S. by City Hall Records.

Play One for Me was produced by Kevin Anker, David Earl and Steve Gomes and features Bryan Lee’s powerfully soulful vocals and stinging guitar backed by the label’s studio house band of Anker on keyboards, Gomes on bass, and Robb Stupka on drums, augmented by special guests Kim Wilson (harmonica) and Johnny Moeller (rhythm guitar) of The Fabulous Thunderbirds. Horns and strings on the new album were arranged and conducted by Willie Henderson.

The new disc’s 10 tracks are a solid mix of five Bryan Lee originals and covers of such songs as Bobby Womack’s “When Love Begins (Friendship Ends),” Howlin Wolf’s “Evil” (with a guest harmonica performance by Kim Wilson), Freddie King’s “It’s Too Bad (Things Are Going So Tough),” Dennis Geyer’s “Straight to Your Heart” and a beautiful rendition of the George Jackson classic, “Aretha (Sing One for Me).”

“I want to thank David Earl for believing in me, for pushing and challenging me and surrounding me with tremendous musicians,” Bryan Lee said about the new recording. “Thanks also to Kevin Anker on keys; Steve Gomes on bass; Willie Henderson for his beautiful charts; a young man I got to be close friends with, Johnny Moeller, on guitar; and the gentleman on the drums, Robb Stupka, who I used to work with in the ’70s – it was such an honor to work with him again.  Last but not least, I want to give a special thanks to brother Kim Wilson on the harmonica.”

Although raised in a small Wisconsin town near the shores of Lake Michigan, Bryan Lee has been a New Orleans resident since 1982, so much so that he’s been called a “New Orleans Blues Institution;” and is also known as the “Braille Blues Daddy,” dubbed so because he’s been blind since the age of eight. Eric Clapton called Bryan Lee “one of the best bluesmen I have ever heard.” He's played the prestigious New Orleans Jazz and Heritage Festival for over 25 years and his new Severn CD marks his debut for an American label, with previous albums appearing on the Canadian imprint, Justin Time. 
Growing up, Lee listened to clear channel station WLAC in Nashville and became enamored with the sound of the blues he heard on the radio. By the time he was 15, Lee was playing guitar in a variety of rock and blues-rock bands, and in his late teens he befriended legendary guitar slinger Luther Allison. In 1981, Lee and his band opened for Muddy Waters at Summerfest in Milwaukee, and he got a chance to talk with his hero backstage. After Lee told Muddy how honored he was to be opening for such a legend, Waters told the youngster, “Bryan, stay with this. One day you’re going to be a living legend.” Those words of encouragement have become an inspiration to Bryan Lee throughout his career.

Bryan Lee’s recognition in the Crescent City began in 1982 with a long residency at the Old Absinthe House in the French Quarter. One of the formative blues guitarists who caught his act was a young Kenny Wayne Shepherd, whose time sitting in with Lee’s band proved to be a revelatory experience for him. Many years later, Shepherd would return the favor by including Lee in his documentary, 10 Days Out: Blues from the Backroads, which was nominated for two Grammy Awards and won the 2008 Blues Music Award for Best DVD and the 2008 Keeping the Blues Alive Award under the category of Film, Television or Video. A follow-up album, Live in Chicago by Kenny Wayne Shepherd and Friends, was nominated for a Grammy in 2010 and won the Blues Music Award for Best Blues/Rock CD in 2011. Bryan received a Grammy nomination and also received a BMA for his contribution to this CD. 

Lee, whose New Orleans studio became a victim of Hurricane Katrina’s wrath, was nominated for a Blues Music Award in 2008 for his Katrina Was Her Name CD, which also won the German Critics award that same year.

To download a hi-res photo of Bryan Lee (photo credit: Sam Holden Photography), click here:


For more on Bryan Lee, visit http://www.braillebluesdaddy.com/ and www.severnrecords.com.

Saturday, December 24, 2011

Swing Blues - The Moeller Brothers


Johnny Moeller (born Jon Kelly Moeller, 31 October 1970, Fort Worth, Texas) is an American blues guitarist currently with The Fabulous Thunderbirds.

He had early exposure to music in the home as his father played a little boogie-woogie piano and was constantly listening to music. He started playing guitar in his early teen years and soon discovered Slim Harpo and Jimmy Reed in his father's record collection. Additionally, Moeller remembers hearings lots of both ZZ Top and The Fabulous Thunderbirds. Over the years Moeller's main influences have been from Freddie King, Lightnin' Hopkins, Earl King and Grant Green. Lesser, but meaningful influences come from a wide variety of other blues, soul and funk artists.

He began playing in Dallas and Fort Worth blues clubs whilst still in high school. During the summers Moeller and his year and a half younger brother Jay Moeller, who was already playing drums (and is now the drummer with The Fabulous Thunderbirds), would travel from their home in Denton down to Austin to "hang out" with their father. The summer they were 16 and 15 their father convinced Clifford Antone of the Austin blues club Antone's to let his sons periodically sit in with the evening's performers. The first night Moeller appeared on Antone's stage was with Little Charlie & The Nightcats. It was an event that Moeller would never forget and from that night on Antone was one of Moeller's biggest supporters.

After Moeller finished high school in Denton he moved to Austin and into the music scene that is 6th Street (Austin). He worked many of the city's well known venues and often soaked in the music of the constant stream of blues artists which Antone brought. Amongst those that played Antone's were Earl King, Albert Collins, and James Cotton.

Years later the Austin Chronicle quoted Antone (who also helped launch Stevie Ray Vaughan) as saying: "Johnny, nobody can burn like that kid. He's got the heart like Stevie had, about the only one I've seen with that kind of heart. Johnny's so quiet and bashful, just a sweet kid and sometimes those kids get overlooked."

By the time Moeller had joined The Fabulous Thunderbirds in mid 2007 he had recorded, played regularly with, or toured North America, Europe and Scandinavia with Darrell Nulisch, Lou Ann Barton, Mike Barfield, Doyle Bramhall II, Gary Primich, and Guy Forsyth.
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Wednesday, December 7, 2011

Return of the Funky Worm - Johnny Moeller and Paul Size


If you don't know Johnny Moeller or Paul Size here's a chance to catch them together. This recording built around in-studio jams and produced by the Dallas Blues Society in 1996.
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What does Anson Funderburgh have to do with Beavis and Butt-Head

Maybe more than you think. We all know Anson is a gentleman's gentleman but there is a link in there! Many of you probably know the name, Mike Judge, but don't know why. I'll tell you, it's because he is a blues bass player having played with Anson Funderburgh on Rack 'Em Up, and with Doyle Bramhall (The Senior) on numerous recordings over a period of about a decade. But here's another link. I have read that Judge based Beavis's character (appearance) on Anson.

In 1991, Judge's short film "Office Space" (also known as the Milton series of shorts) was acquired by Comedy Central, following a Dallas animation festival.
In 1992, he developed Frog Baseball, a short film featuring the characters Beavis and Butt-head, to be featured on Liquid Television, a 1990s animation showcase that appeared on MTV. The short led to the creation of the Beavis and Butt-head series on MTV, in which Judge voiced both title characters as well as the majority of supporting characters. Beavis and Butt-head visited Wilson Middle School and attended Highland High School in their series, which are the names of schools in Albuquerque, Judge's hometown. In 1997, Judge created King of the Hill for the Fox Network. Many of the show's characters were based on people he had known while living in Texas. Judge voiced characters Hank Hill and Jeff Boomhauer. At heart, however, Judge is a Willie Dixon-loving bass player who's recorded and performed with Bramhall for well over a decade.
In case you aren't familiar with Beavis and Butt-Head, the show centers on two socially awkward, rock/metal-loving teenage delinquents, Beavis and Butt-head (both voiced by Judge), who live in the town of Highland, Texas. They have no apparent adult supervision at home, are woefully undereducated and dim-witted and barely literate, and lack any empathy or moral scruples. One of the most well-known aspects of the series was the inclusion of music videos, which occurred between animated segments. The duo would watch and make humorous observations (about the band, a song's lyrics, and/or a video's visuals), or simply engage in nonsensical dialogs. Mike Judge improvised the video comments, and they were never scripted.
They showed a particular disdain for many generic 1980s "hair bands". They had almost no tolerance for new wave or electronic music (e.g. Frankie Goes to Hollywood's "Two Tribes", Gary Numan's "Cars", and Scatman John's "Scatman" were all instantly shown contempt by the duo). Korn's song "Blind", as an example of Nu metal, was criticized for lacking originality (although they did claim they sounded "kinda cool"). Bands who received considerably large amounts of criticism during the tenure of the show included Poison and Grim Reaper.
When confronted with Milli Vanilli's "Baby Don't Forget My Number" and Vanilla Ice's "Ice Ice Baby", the pair looked at one another in horror and changed the channel without speaking a word; this was effectively among the harshest commentary they ever gave a music video. They also non-verbally showed disgust when confronted with a duet between David Bowie and Bing Crosby for The Little Drummer Boy, shielding their eyes before changing the channel. The Europeans' video for "The Animal Song" was the most critically trashed by the duo, as Butt-Head claimed, "This sucks more than anything I have ever seen."

Ok , so the story ends there...right? No. Beavis and Butt-head are supposedly based on the childhood friends and professional musicians and guitar aces Johnny Moeller and Paul Size.
Johnny Moeller (born Jon Kelly Moeller, 31 October 1970, Fort Worth, Texas) is an American blues guitarist currently with The Fabulous Thunderbirds.
Paul Size has carved a niche for himself as the guitarist for the blues-soul-party combo Johnny Hoy and the Bluefish.
I bring you Beavis and Butt-Head!
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Tuesday, June 28, 2011

Something's Wrong - Johnny Moeller - The Moeller Brothers


Johnny Moeller (born Jon Kelly Moeller, 31 October 1970, Fort Worth, Texas) is an American blues guitarist.

He had early exposure to music in the home as his father played a little boogie-woogie piano and was constantly listening to music. He started playing guitar in his early teen years and soon discovered Slim Harpo and Jimmy Reed in his father's record collection. Additionally, Moeller remembers hearings lots of both ZZ Top and The Fabulous Thunderbirds. Over the years Moeller's main influences have been from Freddie King, Lightnin' Hopkins, Earl King and Grant Green. Lesser, but meaningful influences come from a wide variety of other blues, soul and funk artists.

He began playing in Dallas and Fort Worth blues clubs whilst still in high school. During the summers Moeller and his year and a half younger brother Jay Moeller, who was already playing drums (and is now the drummer with The Fabulous Thunderbirds), would travel from their home in Denton down to Austin to "hang out" with their father. The summer they were 16 and 15 their father convinced Clifford Antone of the Austin blues club Antone's to let his sons periodically sit in with the evening's performers. The first night Moeller appeared on Antone's stage was with Little Charlie & The Nightcats. It was an event that Moeller would never forget and from that night on Antone was one of Moeller's biggest supporters.

After Moeller finished high school in Denton he moved to Austin and into the music scene that is 6th Street (Austin). He worked many of the city's well known venues and often soaked in the music of the constant stream of blues artists which Antone brought. Amongst those that played Antone's were Earl King, Albert Collins, and James Cotton.

Years later the Austin Chronicle quoted Antone (who also helped launch Stevie Ray Vaughan) as saying: "Johnny, nobody can burn like that kid. He's got the heart like Stevie had, about the only one I've seen with that kind of heart. Johnny's so quiet and bashful, just a sweet kid and sometimes those kids get overlooked."

By the time Moeller had joined The Fabulous Thunderbirds in mid 2007 he had recorded, played regularly with, or toured North America, Europe and Scandinavia with Darrell Nulisch, Lou Ann Barton, Mike Barfield, Doyle Bramhall II, Gary Primich, and Guy Forsyth.