CLICK ON TITLE BELOW TO GO TO PURCHASE!!!! CD submissions accepted! Guest writers always welcome!!

I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


Please email me at Info@Bmansbluesreport.com
Showing posts with label Josh Smith. Show all posts
Showing posts with label Josh Smith. Show all posts

Friday, November 22, 2024

Gulf Coast Records artist: Albert Castiglia - Righteous Souls - New Release Review

 I just had the opportunity to review the most recent release, Righteous Souls, from Albert Castiglia and it's chocked full of great music and heavy talent. Opening with Centerline, a rocker with a cool backbeat, Albert Castiglia is upfront on lead vocal and guitar, joined by Jerry Jemmott on bass, Jim Pugh on keys, D'man Martin on drums, Kid Andersen on guitars, Lisa Andersen on backing vocals, and features a great twin guitar duel with Popa Chubby. Great opener. Kevin Burt has the mic on R&B track, Mama, I Love You featuring a strong bass line by Jemmott, tight rhythm by D'Mar and really nice guitar work by Castiglia. Rick Estrin is upfront with Castiglia on Jr Wells' Come On In This House. Estrin's contribution is terrific and Castiglia milks all of the juice from his guitar, complimented by Pugh on piano making this one of my favorites on the release. Buddy Guy's funky, The Dollar Done Fell, features Josh Smith and Castiglia working the guitars and terrific vocals by Castiglia and Lisa Little Baby Andersen with Jemmott and D'Mar driving the rhythm. Excellent! Wrapping the release is another Wells track, What My Momma Told Me, with Castiglia really singing the Chicago blues. Estrin on harmonica really gets it going and Monster Mike Welch does a great job screaming the blues n guitar. Dyna
View Bman Blueswriter's profile on LinkedIn

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

  qrcode


“Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE For your convenience, you can click the title of this post above to be taken to a site where this cd can be purchased - Happy Listening


mite closer. 

Tuesday, February 27, 2024

Quarto Valley Records artist: Tom Hambridge - Blu Ja Vu - New Release Review

 I just had the opportunity to review the most recent release, Blu Ja Vu, from Tom Hambridge, and it's potent set of blues rock tracks with plenty of gusto. Opening with Ain't It Just Like Love, Tom Hambridge joins up with Buddy Guy on vocal, (Hambridge on drums and Guy on guitar) with bass by Tommy MacDonald, Kevin McKendree on on keys and featuring an explosive guitar solo by Guy. Strong opener. Rob McNelley on lead guitar really gets things cranking on Wear You Out with a driving beat and solid vocals by Hambridge. Shuffle, Blues Don't Care, features Kingfish on guitar and vocal and this track has great style. Hi power Brother John Boogie features harmonica superman, James Cotton with Glenn Worf on bass, Chuck Leavell on keys, and of course Hambridge on drums. Excellent! Another great boogie, Get Out Of Town features McKendree on vicious keys and Hambridge on vocal. Very cool. Stripped down blues, Johnny Winter, features excellent slide work by McNelley, Hambridge on drums and vocal and MacDonald on bass. Wrapping the release is End Of The Line, a laid back boogie with Hambridge on vocal and drums, nicely dresses with relaxed guitar riffs by McNelley. This is a solid closer for a really enjoyable release. 


View Bman Blueswriter's profile on LinkedIn

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

  qrcode 

 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE For your convenience, you can click the title of this post above to be taken to a site where this cd can be purchased - Happy Listening

Monday, July 10, 2023

Gulf Coast Records artist: Joanna Connor - Best of Me - New Release Review

I just had the opportunity to review the most recent release, Best of Me, by Joanna Connor and it's wild. Opening with funky blues number, House Rules, Connor dons her notorious slide guitar, accompanying herself on lead vocal, also featuring Josh Smith on guitar, and backed by a serious horn section of Fernando Castillo on trumpet and flugelhorn, Carlos Sosa on sax and flute, Raul Vallejo on trombone, together the Grooveline horns, Shaun Gotti Calloway on bass, Jason Edwards on drums, and Curtis Moore Jr on organ. Super opener. Title track, Best of Me, is a smooth, soulful, ballad featuring really nice vocal by Conner and nicely articulated lead work making hits an ideal radio track. I Lost You is another slow blues with excellent vocal and guitar lead by Conner, complimented by Dan Souvigny on rhythm and keys. Blues driver, Mercury Blues, really gets rolling with Conner pushing on vocal and letting the slide fly, joined by David Abbruzzese on drums. Very cool. Wrapping the release is blues rocker, Shine On with Gary Hoey joining on guitar and Jason Ricci joining on harmonica. With a really great beat, heavy riffs by Hoey, a driving bass line by Calloway and a tight drum bottom by Edwards, this is a solid closer to a real solid release. 


View Bman Blueswriter's profile on LinkedIn

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

  qrcode

“Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE For your convenience, you can click the title of this post above to be taken to a site where this cd can be purchased - Happy Listening

Thursday, July 6, 2023

Gulf Coast Records artists: Mike Zito and Albert Castiglia - Blood Brothers - New Release Review

 I just had the opportunity to review the most recent release, Blood Brothers, from Mike Zito and Albert Castiglia and it's pure blues music. Opening with Hey Sweet Mama, a romping blues rocker, Mike Zito and Albert Castiglia share the mike for nicely blended lead vocals and Chuck Berry influenced guitar work makes this an excellent opener. With Zito and Castiglia on guitars, Douglas Byrkit on bass, Matthew Johnson on drums, Ephraim Lowell on drums and Lewis Stephens on keys this is a tight band. Over a classic blues vamp, Fool Never Learns is a driving rocker. Castiglia on lead vocal and Zito and Castiglia trading hot riffs, makes this a strong contender for radio airplay. My favorite track on the release is You're Gonna Burn with really strong, soulful lead vocal and excellent lead guitar work. Thumping tom tom work by Johnson compliments the track nicely and Stephens' keyboard work gives hit just the right edge. Jazzy, Hill Country Jam has a slinky rhythm and twin guitar lead which carry the melody in southern style. Stephens' organ work leads the segue into solo guitar leads by Castiglia and Zito. Very nice. Wrapping the release is One Step Ahead Of The Blues with it's laid back feel and handclap rhythm. This is a very cool release with plenty of guitar. 


View Bman Blueswriter's profile on LinkedIn

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

  qrcode

“Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

For your convenience, you can click the title of this post above to be taken to a site where this cd can be purchased - Happy Listening

Friday, January 20, 2023

Futurism Records artist: Grant Geissman - Blooz - New Release Review

  I just had the opportunity to review the most recent release, Blooz, from Grant Geissman and it a solid fusion of blues and jazz. Opening with Preach, with it's Latin spun gospel approach, Geissman on guitar plays fluid lead lines punctuated by Randy Brecker on trumpet and backed by Jim Cox on B3, Trey Henry on bass and Ray Brinker on drums. Brecker takes a nice long interlude, followed by Cox for a really nice opener. Santana influenced, Carlos En Siete has a great Latin beat and ceratinly has Santana's Mesa Boogie tone. With a lot more intricate percussive rhythm pattern and excellent phrasing, Geissman sets a high bar for this release. Strong piano work by David Garfield, complimented by Russell Ferrante on Rhodes, Trey Henry on bass, Tiki Pasillas on percussion and Ray Brinker on drums, this is a great number. Sax master Tom Scott is featured on Fat Back with Cox on Wurlitzer, Henry on bass and Brinker on drums. Rage Cage is a really nice uptempo romp with Geissman leading the way with excellent articulation. If you like that "Gatemouth" sound, you'll love this. Pairing Robben Ford with Geissman on Robben's Hood is a stroke of genius with trading guitar solos over a snappy funky beat by Brinker and Henry. One G and Two J's has a funky New Orleans sound with Bernie Dresel laying the groundwork on drums and Kevin Axt on bass. Geissman invites Josh Smith and Joe Bonamassa to jam with him over this hypnotic rhythm with their own unique styles resulting in a really cool take. Russell Ferrante shows excellent poise and chops on piano on Stranger Danger. This track is subtle and laid back but really nicely done. Wrapping the release is Sorry Not Sorry with Geissman opening with warm chords, with Henry adding a warm bottom, Brinker light on the drums and with nicely crafted Rhodes piano woven in. Very nice closer for an excellent release. 


View Bman Blueswriter's profile on LinkedIn

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

  qrcode 

 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE 

 For your convenience, you can click the title of this post above to be taken to a site where this cd can be purchased - Happy Listening

Monday, November 16, 2020

Cleopatra Records artist: Kirk Fletcher - My Blues Pathway - New Release Review

I just had the opportunity to review the most recent release, My Blues Pathway, from Kirk Fletcher and I really like it. Opening with R&B flavored, Ain't No Cure For The Downhearted, Fletcher is front and center on lead guitar and vocal over a pumping bass line by Travis Carlton and drums by Lemar Carter, with Jeff Babko on keys, Joe Sublett on sax and Mark Pender on trumpet. Strong opener. No Place To Go is one of my favorite tracks on the release with is stepping pace, strong vocals and the horn work of Sublett and Pender accenting crisp guitar riffs by Fetcher. Very nice. Slinky blues, Struggle For Grace, is in the vein of King's Thrill is Gone with solid lead vocals and stinging lead guitar by Fletcher, David Kida on drums and warm horn support by Sublett and Pender. Super. Slow blues, Heart So Heavy really finds Fletcher in a nice groove with his trademark soulful guitar bends and fluid runs and his vocals sound as good as ever. Excellent! Sonny Boy Williamson's Fattening Frogs For Snakes is up next and using a cool shuffle feel driven by Babko on keys and Kida on drums and Carlton on bass. Fletcher gets a nice grip on his guitar and has it squealing for more. Very cool. Instrumental, D is for Denny is a pretty straight forward shuffle with Fletcher laying down the melody. His use of the lower fretboard for the melody, paired with Sublett and Pender on horns really gives the track a retro blues feel. Wrapping the release is Juke Boy Bonner's Life Gave Me A Dirty Deal with Charlie Musselwhite on harmonica, Josh Smith on National Resophonic guitar and Fletcher on guitar and lead vocal. With it's more acoustic delta feel, this is a solid closer for a really strong release. 
 
View Bman Blueswriter's profile on LinkedIn

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

  qrcode 

 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE 

Tuesday, June 11, 2019

Provogue Records artist: Gary Hoey - Neon Highway Blues - New Release Review

I just had the opportunity to review the most recent release, Neon Highway Blues, from Gary Hoey and it's a solid blues rocker with lots of heat. Opening with, Under The Rug, a funky blues rocker with a definite Eric Gales added guitar flavor. Hoey's style is easily discernable from Gales and they work together nicely. With Matt Scurfield on drums, Sandy MacDonald on organ and AJ Pappas on bass, a solid opener. Slowing it down to a cool blues pace, Mercy of Love is up next with Josh Smith joining Hoey for some real blues fireworks. Excellent! One of my favorite tracks on the release is shuffle track, Your Kind Of Love with an super shuffle feel and slick slide guitar work. Very nice. Don't Come Crying is a solid 8 bar number featuring Hoey's son Ian laying down some serious riffs with the old man. This is a cool track and showcases what's coming up for the blues world. For those seeking the blues ballad style with lead guitar a la Gary Moore, Almost Heaven is sure to scratch your itch. Lance Lopez is certainly a force to be reckoned with and add him to the mix with Gary Hoey, you've got white heat. That's exactly what you have on Damned If I Do, a pyrotechnic guitar shuffle. Trading solos over a solid rhythm line gets it done. A flashy, run heavy blues rocker, Living The Highlife really shows Hoey's agile finger work over a solid rock line. Very cool. Wrapping the release is title track, Neon Highway Blues, a melodic guitar ballad which has all the right stuff. Clean, articulate slide work over lush chords...a perfect way to end a really solid release.



View Bman Blueswriter's profile on LinkedIn

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

  qrcode

 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

 

Thursday, November 1, 2018

Vizz Tone Label Group artist: Josh Smith - Burn To Grow - New Release Review

I just had the opportunity to review the most recent release, Burn To Grow, from Josh Smith and it's really cool. Opening with soul flavored track, Half Blues, the title hits it. This track has strong soulful vocals and a solid blues bottom with stinging guitar work by Smith. Backed by Travis Carlton on bass, Lemar Carter on drums Jamelle Adisa on trumpet, Chris Johnson on trombone, J.P. Floyd on trombone, Matthew DeMerritt on tenor sax, and Dan Boisey of tenor and bari sax, this is a terrific start. A bit smoother, a bit like Al Green, Through the Night shows real attention to conventional soul music but still with the guitar accents of a blues master. A strong radio contender with a great melody and warm melodic backing vocals by Monet Owens, Watching You Go has powerful guitar riffs that would make SRV's neck hair stand on end. With it's heavy bass line lead by Carlton and the raw guitar edge by Smith, balanced by confident vocals, a tight rhythm section and cool horn topping Let Me Take Care of You has a real nice groove. Another of my favorite tracks on the release, What We Need is a loose, slow blues with cocky blues guitar riffs. Smiths vocals are really soulful as throughout but this track just hits the spot. Very nice. A little more funk and horn input on You Never Know yields a jazzier side of Smith and his guitar melds to yet another bluesy style. Wrapping the release is title track, Burn to Grow, a blues fused rocker. With a heavy, lumbering bottom and fat, overdriven guitar this is a solid contemporary closer.


View Bman Blueswriter's profile on LinkedIn

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

 

“Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

Friday, December 18, 2015

Josh Smith - Over Your Head - New Release review

I just received the newest release, Over Your Head, by Josh Smith and I really like it! Opening with aggressive blues rocker, How Long, Smith takes no time at all establishing his presence. A heavy bass line by Calvin Turner, drums by Lemar Carter and solid vocals and lead guitar by Josh Smith, this track hits hard. With rock solid footing, Smith sets the track on fire with creative guitar riffs. His work is also complimented by Joe Bonamassa on guitar. Excellent! Title track, Over Your Head, is a well written rocker with grinding guitar riffs and gravelly vocals. I really like Smith's poise and guitar attack which shows both composure and explosiveness. Very cool! Strongly blues oriented, When I Get Mine, has a modified shuffle feel with cool blues guitar phrasing over a melodic bass line. Very smooth! Walking jazz bass line by Turner sets the pace for Still Searching with Jeff Babko on keys. This is a really nice improvisational piece that has a great groove. First Hand Look is a super rocker with an uneven rhythm. This is a terrific track non concentric drumming and a contagious rhythm. Want a mix of Led Zep, Tommy Bolin and Billy Cobham... this is it! Excellent!! Next up is ... and What, a swinging blues instrumental. With it's wah wah cranked open, Smith and Kirk Fletcher just lay down the nicest guitar grooves over a tight rhythm pattern by Turner and Carter. Excellent! Up next is Smoke And Mirrors with a super dynamic intro breaking into a funky rock groove. With a light twist of Stone Free, this track moves along gathering tension which is released in a power bomb over and again by this 3 piece dynamo! Pusher is a funky rocker, Smith responding to his own poised vocals with crisp guitar riffs. Carter's kick drum and slap snare/rim shot combo sets the pace and Turner's bass groove is infectious. Super! Better Off is a quiet ballad featuring Charles Jones on vocals and Jeff Babko on keys. This is a special track with an almost Philly sound. Sensuous guitar soloing by Smith nicely compliments this beautiful track. You'll Find Love has a Muddy Waters/Willie Dixon kind of feel reinforced by Charlie Musselwhite on harp. A cool and easy blues vamp with modern dressing, this track opens up as it progresses with swinging blues guitar riffs and harp work. Wrapping the release is a reprise of How Long, with a tight drum rhythm, bass line and distorted guitar soloing. This is an excellent closer to an excellent release!

View Bman Blueswriter's profile on LinkedIn 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 For added exposure - Blues World Wide Group "LIKE"

Thursday, October 31, 2013

The Way You Do - Josh Smith

Josh Smith was born October 7, 1979 in Middletown, Connecticut. Before he was 1, his family relocated to Florida, eventually settling in Pembroke Pines, a suburb of Fort Lauderdale. At age 3, he received his first guitar and at 6, he started taking guitar lessons. Josh was exposed to the blues at an early age. He listened to a variety of artists, such as Muddy Waters, B.B. King, Albert King and T-Bone Walker. He also started going to concerts, including the Allman Brothers, Rolling Stones and Bruce Springsteen. By 12, Josh was playing at established professional blues jams in South Florida, such as Musicians Exchange Café in Fort Lauderdale and Club M in Hollywood, FL. When Josh was 13, the Rhino Cats, house band at Club M, asked him to be the lead guitarist. Musicians Exchange owner Don Cohen was so taken aback by the talent of this young musician that he offered to help manage and develop Josh’s career. The Café was renowned for bringing in the best national touring blues bands, and Josh was quick to learn how to approach these blues greats, many of whom would invite Josh to sit in with them, thinking it may be a “novelty” to have a 14-year-old kid playing the blues. The novelty quickly wore off and was replaced by musicians stopping, watching and listening as this “kid” wailed out blues licks better than many of the touring guitarists on the circuit. Josh began sitting in with such greats as Jimmy Thackery, Tinsley Ellis, Kenny Neal, Lucky Peterson, Matt “Guitar” Murphy, Johnny “Clyde” Copeland, Double Trouble, Joanna Connor and Kim Simmonds, among others. Jimmy Thackery said of the 14-year-old, “Josh is three heartbreaks away from being a true blues guitar genius.” At 14, Josh released his first CD, Born Under a Blue Sign, and at 15, he released his second CD, Woodsheddin. While performing all over South Florida, Josh Smith and the Rhino Cats quickly became one of the most in-demand blues bands in the area. In 1994, while Josh was only 15, they received the Florida Jammy Award for best blues band and were selected as XS Readers Choice Winners in 1995 for best blues band. In 1996, then a senior in high school, Josh was put on the cover of the national magazine High School Senior, which hailed him as an “Up and Coming Guitar Legend.” That same year, Washburn Guitars Int’l recognized Josh’s talent and offered him an endorsement. They flew Josh to Chicago and guitar luthier Grover Jackson built him a custom guitar. Although Josh was an honor student, after graduation from high school in June 1997, Josh followed his heart and began pursuing what he was best at. His first national tour ensued with his newly formed power trio, Josh Smith and the Frost. Josh was now the band leader and vocalist, so he not only had to continue developing his guitar chops, but had to concentrate on his vocal prowess. In September 1997, Josh enlisted world-renowned producer Jim Gaines, whose credits include Santana, Stevie Ray Vaughn, Luther Allison, Steve Miller and Jimmy Thackery, to produce his third CD, Too Damn Cold. By 1998, Josh had completed four national tours with his band. In January 1998, Billboard Magazine took note of the rising young talent in a Continental Drift article. In February 1998, Josh was asked to support B.B. King on a number of theatre dates. In March 1998, the TV show Chicago Hope purchased the rights to the tune “32 degrees” from Too Damn Cold. An international CD release, The Mentos Freshmaker Tour, included the title cut, “Too Damn Cold,” in the spring of 1998. Josh toured nationally all of 1999 and in October of that year, he entered the recording studio again with Jim Gaines and produced Woman, his fourth CD. This CD was released and well received in the spring of 2000. Josh continued to tour the East Coast from New York to Florida through 2001 with his band. In June 2002, he married and he and his wife decided to move to Los Angeles. Josh was ready for something new and wanted to be around a variety of musicians. He also began being a sideman. Within a year of moving to L.A., he was retained by Virgin recording artist Ricky Fante. He played nationally and internationally with Ricky for the next two years. In May 2006, Josh recorded his fifth CD, Deep Roots. A more traditional blues CD, his music was once again well received by Blueswax and Blues Revue magazine. Josh continued to play with a variety of artists, such as actress Taryn Manning, Universal hip-hop artist Benny Cassette and Tara Ellis, to name a few. In January 2007, Josh was hired by 2006 American Idol winner Taylor Hicks to be his lead guitarist. They completed two national tours from February-September 2007 with monthly dates and charity events until June 2008 when Taylor started Grease! on Broadway. In July 2008, Josh was hired by Raphael Saadiq. Since that time, Josh has played such high profile gigs with Raphael as backing Mick Jagger at the Grammy Awards in 2011 and the Kennedy Center Honors in December 2011. Josh continues to tour nationally and internationally with Raphael. Josh released his 6th studio CD, “Inception,” in 2009. This is an all-instrumental CD with a variety of genres that was once again well received by the public and critics alike. In 2010, Josh was signed to Crosscut Records, a label based out of Germany. Crosscut re-released Josh’s CD, “Deep Roots,” as “I’m Gonna Be Ready.” In October 2012, Josh’s CD, “Don’t Give Up On Me,” was released in Germany. Josh continues to live in the Los Angeles area with his wife and two children.

 If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, ”LIKE” ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorite band!