Blues Mountain Records artist: Big Harp George - Cooking With Gas - New Release Review

 I just had the opportunity to review the most recent release, Cooking With Gas, by Big Harp George and it's a solid set of original blues tracks. Opening with title track, Cooking With Gas, Big Harp George on lead vocal and chromatic harmonica leads the way on this sassy track with D'Mar Martin on drums, Joe Kyle Jr. on bass and featuring Michael Peloquin contributing a hot sax solo. Latin flavored Doom Loop has a tight drum and horn section with Doug Rowan on bari sax, Ed Morrison on trumpet, Peloquin on tenor sax, Mike Rinta on trombone, Kid Andersen on guitars and great guitar flare from George. Soulful blues, Wine Is My Friend has a firm bass line by Kyle Jr. working with George's great vocals, Andersen on guitar and James Dwayne and Walter Morgan on backing vocals. Funky instrumental, Maceosity really moves with Jerry Jemmott on bass and D'Mar on drums. A lively horn section and Burns on keys fuels the flame and Peloquin on diatonic harmonica works in nicely with excellent bari work by Rowan and great trombone contribution by Rinta. Excellent! Paradise Is Burning has a great bluesy feel and George really works the track on vocal and harmonica. Backing vocals by Swayne and Morgan add substantial warmth and Andersen's contributions on guitar really stand out. Wrapping the release is instrumental, When I First Held Valerie, featuring George on the melody on harmonica and a crisp piano solo by Burns. This is a solid closer for a very enjoyable release. 

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Blue Heart Records artist: Joel Astley - Seattle To Greaseland - New Release Review

 I just had the opportunity to review the most recent release, Seattle To Greaseland, from Joel Astley, and it's smoking! Opening with R&B flavored, Born Cryin' features strong vocals by Joel Astley, over a firm bass line by Randy Bermudes, and June Core. Astley plays a mean harmonica as well, backed by Kid Andersen on keys and outrageous guitar work by Johnny Burgin. Strong opener. Jump track, Candy Shop really is peppy with Astley on lead vocal and hot keys solos by Andersen, guitar by Burgin and harmonica by Astley. Secondhand Kid is another track that allows Burgin to shine with his Texas style blues riffs over a great bass line by Bermudes. Astley really knows how to work the rhythm and his harmonica riffs cross over nicely between rock and blues. Very cool. Swinging, Takin' It With Me, really has a cool feel with a great melody and really nice harmonica work by Astley. Burgin really cuts loose on guitar never disappointing and Core gets the opportunity to rap the skins as well. Very nice. Down To The Rims is a great rocker with a strong melody a moving bass line and well phrased vocals. Kid's keyboard work is tight, Burgin lays in some hot guitar riffs and Andersen, Jill Dineen and Marina Crouse add solid backing vocals. Wrapping the release is No Brighter Gold, a two stepper along the lines of Will The Circle Be Unbroken. With it's simple instrumental backing, backing by Andersen, Crouse and Dineen and a dash of harmonica, this is a sloid closer for a really strong release. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

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VizzTone Label Group artists: John Primer & Bob Corritore - The Gypsy Woman Told Me - New Release Review

I just had the opportunity to review the latest release, The Gypsy Woman Told Me, by John Primer & Bob Corritore and it's a great dose of contemporary Chicago style blues. Opening with Keep A-Driving, Primer on vocal and guitar really does a nice job of setting the stage with Corritore supporting nicely and with solid piano work by Bob Welch, Kedar Roy on bass and June Core on drums. With a bit of boogie built in, Knockin' On Your Door, with Primer again leading on vocal gives Corritore a nice chance to spread a bit with great harp tones and Primer's guitar work is tight and well phrased. Lil Son Jackson's Gambling Blues is one of my favorite tracks on the release with quick paced acoustic guitar and fleet fingered lead by Primer and a fatter harp part by Corritore. Primer's own, Little Bitty Woman falls right from the Muddy Waters tree with a bouncy, Chicago blues pace, riding harp and Waters like slide work by Primer. Very cool. Slow blues, Walking The back Street Crying is one Primer and Corritore can both sink their teeth into with super vocal and instrumentals throughout. Sonny Boy's My Imagination gives Corritore a nice time in the spotlight and his harp is A1. Primer's vocals are of course spot on but this track is here for Bob to shine and he really does a nice job. Another favorite is Left Me With A Broken Heart featuring Billy Flynn on guitar, Ben Levin on piano, Mike Hightower on bass and Brian Fahey on drums. Corritore's harp work is particularly expressive and I always like Flynn's guitar styling. Very nice. Wrapping the release is Ain't Gonna Be No Cuttin' Loose with a driving shuffle pace and featuring a real nice solo by Corritore. Flynn again works the guitar nicely working with Corritore to a powerful ending. Solid release. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

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VizzTone Label Group artists: Chris James & Patrick Rynn - Trouble Don't Last - New Release Review

I just received the newest release, Trouble Don't Last, from Chris James and Patrick Rynn and it's a fresh look at Chicago style blues with a stripped down approach. Opening with Shameless, James leads off on guitar and lead vocal, Rynn on bass, Rob Stone on harp and June Core on drums. With it's quick steady pace, Stone and James each take real nice solos making this a great opener. Next up is Calvin Frazier's classic, Lilly Mae. James' vocals on this track are super and Aki Kumar shows why he is so requested as a guest harp player. Rynn drives this track on bass as Kumar and James solo. Excellent! Freddie King track, Lonesome Whistle Blues, (written by Toombs, Teat, Moore) is in full swing with Kumar and Stone trading riffs with James on vocal and guitar. Walking bass by Rynn and tight drumming by Core makes this one of my favorite tracks on the release. Digging down in the groove, Going Down To The Ocean, is another real smart track. James has both the vocal and guitar skills to carry off this type of stripped down feel and with only Rynn on bass and Core on drums, takes total command of the track. Complimented nicely by Kumar's excellent harp work, this track really grinds. Title track, Trouble Don't Last has a lighter, contemporary Piedmont style with Kumar adding to it's fresh feel. This track has that train feel without being driven by the harp but with a trace giving it a new approach and James' vocals being are manly but not heavy as associated with most more classic blues tracks. Very nice! An old Robert C Smith track, Don't Drive Me Away maintains a good track of it's Mississippi root without sounding like a cover. The stripped down nature of the band helps considerably in it's success as does James' particular guitar and vocal styling on this track. Uptempo blues track, Steady Goin' On, is a great harp rumble featuring Stone and Kumar. Solid foundation set by Core and Rynn gives James a great platform to throw down some of his best guitar work on the release, balancing the super harp duo. Excellent! One of the most compelling tracks on the release, A Good Idea At The Time, is strongly lyrical with rudimentary instrumentation. Stone adorns this simple track with pearls of harp and James dazzles the strings but it's the imagery that carries this track. Chicago track, Hard To Keep A Dollar, is a great story telling track with a bit of humor. Kumar has the harp on this track, getting great tone and James, Rynn and Core are musically tight. Wrapping the release is Sunnyland Slim's Roll, Tumble and Slip. With a Latin beat courtesy of Rynn and Core, the track has a cool uneven groove against the basic blues dynamics. Stone and Kumar both riff out on harp and Rynn really steps up on bass. This is a great closer for a fresh new Chicago sound release!

   

If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”