Cleopatra Records artist: Junior Wells - Blues Legend - New Release Review

 

I just had the opportunity to review the most recent release, Blues Legend, by Junior Wells, and it's terrific. This is a compilation of vintage singles from the 50's and 60's and includes the entire gamut. Opening with Cut That Out, Junior Wells trademark harp sound is front and center with his vocal, joined by Johnny Jones on piano, Louis Myers on guitar, Dave Myers on bass and Odie Payne on drums. Excellent! Well's most notable track, Hodo Man (HooDoo Man) is on deck with Wells paired with Elmore James on his infamous slide guitar. Early In the Morning features the great Otis Spann on piano pushing Wells to the limit with Muddy Waters on guitar, Willie Dixon on bass  and Odie Payne on drums... What a lineup! On Lawdy! Lawdy! Wells harp seems to float on air, Spann on piano is excellent and of course the entire band really rocks. Syl Johnson adds guitar flair to Two Headed Woman over an active bass line by Dave Myers.  Slow blues, I Could Cry is a really great single with strong vocals by Wells and excellent guitar lead by Johnson. Lafayette Leake on piano really adds nicely to this classic with the mighty Earl Hooker on guitar. Another great Wells track pairs him with Earl Hooker and Leake on piano. This is a classic jam and one not to miss. Another of Wells' most loved tracks, Messin With The Kid features Hooker and Leroy Gibson on guitar, Jarrett Gibson and Donald Hankins on sax, Fred Bellow on drums. Classic! Hooker pulls out the slide on I'm A Stranger, adding a real nice tension against Leake on piano and Johnny Walker on organ, Bobby Little on drums and Earnest Johnson on bass. Boogie track I Need Me A Car, features Hooker on guitar, Johnny Walker on organ and cool vocals by Wells. The rest of the players are unknown. Wrapping the release is a swinging cover of What's I Say with Wells on vocal, Little Brother Montgomery on piano, Otis Rush on guitar, Jack Myers on bass, and Fred Below on drums. This really is an excellent set and if you don't have the full Wells catalog you need this one! 

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Cleopatra Blues: Junior Wells - Blues Brothers - New Release Review

 I just had the opportunity to review the most recent release, Blues Brothers by Junior Wells and featuring many contemporary blues players. Opening with low slung, Blues Hit Big Town, Colin James weighs in on lead guitar with Wells on Harp. Good Morning Little School Girl lines up Pat Travers on guitar and James Montgomery on harp. I really like Montgomery's work and his interweaving with Travers on this track is tight. One of Well's most loved classics, Messin' With the Kid gets a rework with Tyler Bryant on guitar and his open tone with just the right amount of reverb works really nicely. Baby, Scratch My Back features Albert Castiglia and I always like his style. He doesn't overplay but his notes all count. Very nice. Eric Gales is featured on Lovey Dovey, Lovey One and his confident attack on this shuffle really works nicely. One of my favorite tracks on the release is Snatch It Back And Hold It, featuring Joe Louis Walker. His guitar work is fluid and fleet with just the right bend. Wrapping the release is Hoodoo Man Blues again with Walker on guitar. Walker really is a great fit for this track with his soulful trem bends and tasty fills. This is a strong closer for a very cool release. 

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Cleopatra Blues artist: Shirley King - Blues For A King - New Release Review

I just had the opportunity to review the most recent release, Blues For A King, from BB King's daughter, Shirley King and it's jam packed with blues and legends. Opening with Joe Louis Walker's All Of My Lovin' , King is up front on lead vocal backed by Walker on guitar and Jurgen Engler on guitar, bass and drums. Holding firm on a R&B setup, King sets a straight 60's styling radio track. With super guitar work by Elvin Bishop under King's bluesy vocals, I Did You Wrong has a cool shuffle beat and a tight bottom. An unexpected rock gem, Steve Winwood's Can't Find My Way Home features Martin Barre with some excellent guitar and is one of my favorites and also possibly King's best vocal effort on the release. Gallow Pole maintains it's folk roots but with a rock edge and underlying guitar work by Harvey Mandel with really is a strong compliment. A rework of a Jr Wells track features vocal and harp by Wells, adding guitar by Walker, bass by Engler and strong vocal leads by King. Very cool. Wrapping the release is Etta James' At last using the conventional arrangement and featuring Kings own vocals. With the addition of Steve Cropper on guitar, a solid closer. 

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Third Man Records: Ann Arbor Blues Festival 1969 - Various Artists - New Release Review

I just had the opportunity to review the most recent 2 cd release, Ann Arbor Blues Festival 1969 from Third Man Records and it's terrific! Opening with Dirty Mother For You, a classic by Roosevelt Sykes, this classic track really gets the ball rolling with his suggestive language and his classic piano style. JB Hutto and his Hawk do a terrific Too Much Alcohol with Hutto's dynamic slide work. An excellent contribution by Jimmy Dawkins, I Wonder Why shows exactly why his nickname was Fast Fingers. Luther Allison and the Blue Nebulae play a super log take on Everybody Must Suffer/Stone Crazy and really gives his guitar a workout... makes you sweat just listening to it. Excellent! Another really fat guitar laden track is Otis Rush and So Many Roads. This is an excellent closer for disc one.

Disc 2 opens with Muddy Waters and Long Distance Call. Muddy's vocals are super and he has that crying slide work, backed by Paul Oscher on harp. Very nice. Charlie Musselwhite really brings the tempo up with Movin and Groovin, a super harp boogie. Of particular interest is Shirley Griffith's delta style rendition of Jelly Jelly Blues accompanying himself on acoustic guitar. Very strong. T-Bone Walker performs his classic, Stormy Monday and a nice long 10 minute plus guitar duet with Luthur Allison. Must be heard. Big Mama Thornton performs her classic, Ball and Chain, supported by T-Bone Walker. I mean, what else could you ask for...really? Sam Lay performs Key To The Highway with Luther Tucker another stellar track with excellent piano by possibly Skip Rose. When you think this is winding down you get the triple whammy. Lightnin' Hopkins on Mojo Hand with Luther Tucker, James Cotton blowing the walls down on Off The Wall with Luther Tucker and Bill Nugent on sax and Lastly... Son House... Son House...  on Death Letter Blues. I was born far too early. This concert is totally off the hook. Thankfully it is released by Third Man. Excellent!

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Blues Legend Junior Wells “Box of Blues” 6CD Set To Be Released By Cleopatra Blues

Blues Legend Junior Wells “Box of Blues” 6CD Set To Be Released By Cleopatra Blues

Includes vintage studio recordings from 1953 to 1979 of Wells' best loved tracks PLUS never before released live material from 1983 to 1997!

Los Angeles -  Cleopatra Blues is releasing a gorgeous 6CD box set celebrating a true blues legend, the “Sexy Bitch” himself, Junior Wells! The release includes vintage studio recordings from 1953 to 1979 of Wells' best loved tracks such as “Messin' With The Kid,” “She's A Sweet One,” “Little By Little” and more PLUS never before released live material from 1983 to 1997!

Packaged in a custom made, genuine wood cigar box with 48-page booklet of extensive liner notes by music journalist Dave Thompson and rare photos plus a mini harmonica that really works!

Track List:

DISC 1: Stylin' & Profilin'

1. Lovey Dovey Lovey One

2. Little By Little

3. Come On In This House

4. Messin’ With The Kid

5. She’s A Sweet One

6. I Need Me A Car

7. I’m A Stranger

8. So Tired

9. Universal Rock

10. Two Headed Woman

11. I Could Cry

12. The Things I’d Do For You

13. Love Me

DISC 2: Slippin' & Slidin'

1. One Day (Every Goodbye Ain’t Gone)

2. Galloping Horses A Lazy Mule

3. Prison Bars All Around Me

4. You Sure Look Good To Me

5. It Hurts Me Too

6. Better Cut That Out

7. Please Throw This Poor Dog A Bone

8. Blues Hit Big Town

9. Hoodoo Man Blues

10. Snatch It Back And Hold It

11. Good Morning Little Schoolgirl

12. I Just Want To Make Love To You

13. Stop Breaking Down

14. Trouble Don’t Last

DISC 3: Shuckin' & Jivin'

1. Key To The Highway

2. Mystery Train

3. Goin’ Down Slow

4. I Don’t Know

5. It’s A Man Down There

6. Worried Life Blues

7. Juke

8. Baby, Scratch My Back

9. Love With A Feeling

10. I’ll Get You Too

11. When The Cat’s Gone The Mice Play

12. You Don’t Care

13. Cha Cha Cha In Blue (Cut My Toenail)

DISC 4: Reelin' & Rockin'

Live In Osaka, Japan - 1997

1. Messin’ With The Kid

2. Take Off Your Shoes

3. Little By Little

4. Hoodoo Man Blues

5. The Train

6. You Gotta Love Her With A Feeling

7. Sweet Sixteen

8. What My Momma Told Me

9. Little Red Rooster

10. Today I Started Loving You Again

DISC 5: Pushin' & Shovin'

Live In The Netherlands – 1987

1. Everything Gonna Be Alright

2. Driving Wheel

3. Who’s Making Love

4. Messin’ With The Kid

5. Ships On The Ocean / Champagne & Reefer

Live In Philadelphia, PA – 1983

6. Trouble No More

7. What My Momma Told Me

8. I Got A Bag Of My Own

9. I Got You (I Feel Good)

DISC 6: Bobbin' & Weevin'

Live In Rochester, NY – 1994

1. Broke And Hungry

2. My Younger Days

3. Little Red Rooster

4. Got My Mojo Workin’

5. Little By Little

6. Today I Started Loving You Again

Live In Boulder, CO – 1995

7. Help Me

Buy the 6CD Box Set: https://cleorecs.com/store/shop/junior-wells-box-of-blues-6-cd/

Blues Legend Junior Wells’ Estate Entrusted to Cleopatra Records

Los Angeles - The estate of Blues Harp Legend Junior Wells has been entrusted to L.A. based record label Cleopatra Records in a newly announced arrangement.  

The deal was made between Cleopatra owner Brian Perera, represented by the law offices of Evan S. Cohen, and executor Martin Salzman, on behalf of Junior Wells’ daughter Regina Brown and includes sound recordings as well as publishing from Wells’ wide ranging catalog between his first recordings in the 1950s until his death in 1998.  

In addition to the sound recordings and publishing which includes unreleased masters, Cleopatra also purchased a variety of personal artifacts from the Blues legend, including his harmonicas, performance outfits, hats, canes, notes, photos and  personal  journals.

“We’re very excited to enter into this deal and be a part of the one of the all time icons in American Blues history, “ said Perera.  “We intend to keep the Junior Wells legacy alive with a variety of releases as well as merchandise and branding partnerships in the years to come.” Look for releases from Junior Wells and other blues artists such as Eric Gales, Shuggie Otis, and Harvey Mandel on the newly launched Cleopatra Blues imprint.

Junior Wells, real name Amos Wells Blakemore Jr. (December 9, 1934 – January 15, 1998), was an American Chicago Blues vocalist, harmonica player and recording artist.  In addition to his many solo recordings on labels such as States, Chief, Profile, Delmark, Vanguard and Telarc, Wells was also known for his collaborations in  performances as well as recordings with artists such as Buddy Guy, Muddy Waters, Earl Hooker, Bonnie Raitt, Van Morrison and the Rolling Stones.

Junior Wells is a member of the Blues Hall of Fame.  His albums, Hoodoo Man Blues (1966), It’s My Life Baby (1966) and Blues Hit Big Town (1977), as well as his single “Messin’ With The Kid (1960),” are in the Blues Hall of Fames in the Classics of Blues Recording category.  He has also received several honors and awards from the Blues Hall of Fame including, Best Historical Album and Traditional Blues Album of the Year.

Delmark Records artist: Junior Wells - Southside Blues Jam - New Release Review

I just received the newest release, Southside Blues Jam, by Junior Wells and it's great! This is another in a series of reissues from Delmark with in this case 6 additional tracks. This release was recorded in December '69-January '70 at Theresa's Blues Bar and one could only have wished to be at one of these shows! Opening with Sonny Boy Williamson's Stop Breaking Down, Spann hits the first key and Wells unleashes that monster voice. It's really great to hear this band featuring the kings of Chicago blues (Wells, Guy, Myers, Spann, Earnest Johnson and Fred Bellow). Wells has such control and composure with Spann who is one of my personal favorites. Excellent! I Could Have Had Religion is up next and Spann is right there! This track comes and goes so quickly but Spann in crystal clear and Wells has the blues in the palm of his hand. Willie Dixon's Just Make Love To Me (I Just Wanna Make Love To You) is right down in the groove and Spann is stellar. Wells really digs down and Buddy is heard scampering over the vocals with his guitar riffs. Spann steps out with a great intro on one of my favorites, Lend Me Your Love. Wells' vocals are focused and direct and Otis really kicks it on an extended solo. Guy plays some of his notorious riffs, rough and raw. An almost perfect track. On Morganfield's Long Distance Call, Wells pulls out the harp and quietly coaxes riffs from Spann and Guy. Excellent! On Williamson's In My Younger Days, Wells plays a cool intro and Spann keeps a solid piano base under Wells' vocals. Of course a perfect track for Wells to blow it out, that he does and a full out romp starts with Louis Myers adding really nice guitar riffs to the mix. Guy takes the mic on Trouble Don't Last and consequently adds more of his own distinctive guitar riffs in echo to his own vocals. It is a such a great thing to hear Guy and Spann together with Guy singing and Wells on harp. Guy takes a bit more of an extended solo on this track as well. Excellent! The next 7 tracks weren't a part of the original release and are a terrific bonus here. It's Too Late Brother cooks with Wells riding high on vocal and terrific harp work. Myers is just perfect on guitar on this track with an almost jazz attack and Spann plays low on the keyboard creating a super dynamic. At over 6 minutes, this is a cool jam. Warmin' Up is a cool little clip of Spann and Guy jamming. At only about a minute long, a well worthy addition with hot riffs! Love My Baby has a strong Morganfield feel and Guy cuts loose nicely on this track. Spann's signature is ever present and these are not just extras...these tracks are great! An alternate take on I Could Have Had Religion is up next and Wells really sings over the top. At over 7 minutes this turns into a super jam with Wells vocal improv, Spann, Guy, Below and Johnson. Morganfield's Rock Me is up next and Wells sets a really nice groove. Spann's signature is so pure and evident that you wonder how anyone ever listened to Chicago blues without him. Wells rips loose on his harp against a fairly quiet background creating a super dynamic. Got To Play The Blues is a seven plus minute track with a funky blues feel. Myers holds down the guitar spot on this track and Spann and Wells trade riffs. This is an excellent release of materials for both enthusiasts and seasoned listeners. There is also included a 16 page liner notes and super photos from Bob Koester. Also of note is that this is the final studio recording of Spann.

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Ian Stewart - Junior Wells - Keith Richards - Ronnie Wood

Ian Andrew Robert Stewart (18 July 1938 – 12 December 1985) was a Scottish keyboardist, co-founder of The Rolling Stones and inductee to the Rock and Roll Hall of Fame. He was dismissed from the line-up in May 1963 but he remained as road manager and pianist. Born at Kirklatch Farm, Pittenweem, East Neuk, Fife, Scotland, and raised in Sutton, Surrey, Stewart (often called Stu) started playing piano when he was six. He took up the banjo and played with amateur groups on both instruments. Stewart, who loved rhythm & blues, boogie-woogie, blues and big-band jazz, was first to respond to Brian Jones's advertisement in Jazz News of 2 May 1962 seeking musicians to form a rhythm & blues group. Mick Jagger and Keith Richards joined in June, and the group, with Dick Taylor on bass and Mick Avory on drums, played their first gig under the name The Rollin' Stones at the Marquee Club on 12 July 1962. Richards described meeting Stewart thus: "He used to play boogie-woogie piano in jazz clubs, apart from his regular job. He blew my head off too, when he started to play. I never heard a white piano player play like that before." By January 1963, Bill Wyman and Charlie Watts had joined, replacing a series of bassists and drummers. Stewart had a job at Imperial Chemical Industries. None of the other band members had a telephone; Stewart said, "[My] desk at ICI was the headquarters of the Stones organisation. My number was advertised in Jazz News and I handled the Stones' bookings at work." He also bought a van to transport the group and their equipment to their gigs. In early May 1963, the band's manager, Andrew Loog Oldham, said Stewart should no longer be onstage, that six members were too many for a popular group and that the older, burly, and square-jawed Stewart did not fit the image.[8] He said Stewart could stay as road manager and play piano on recordings. Stewart accepted this demotion. Richards said: "[Stu] might have realized that in the way it was going to have to be marketed, he would be out of sync, but that he could still be a vital part. I'd probably have said, 'Well, fuck you', but he said 'OK, I'll just drive you around.' That takes a big heart, but Stu had one of the largest hearts around." Stewart loaded gear into his van, drove the group to gigs, replaced guitar strings and set up Watts' drums the way he himself would play them. "I never ever swore at him," Watts says, with rueful amazement. He also played piano and occasionally organ on most of the band's albums in the first decades, as well as providing criticism. Shortly after Stewart's death Mick Jagger said: "Stu was the one guy we tried to please. We wanted his approval when we were writing or rehearsing a song. We'd want him to like it." Stewart contributed piano, organ, marimbas and/or percussion to all Rolling Stones albums released between 1964 and 1986, except for Beggars Banquet. Stewart was not the only keyboard player who worked extensively with the band: Jack Nitzsche, Nicky Hopkins, Billy Preston, and Ian McLagan all supplemented his work. Stewart played piano on numbers of his choosing throughout tours in 1969, 1975–76, 1978 and 1981–82. Stewart favoured blues and country rockers, and remained dedicated to boogie-woogie and early rhythm & blues. He refused to play in minor keys, saying: "When I'm on stage with the Stones and a minor chord comes along, I lift my hands in protest. Stewart contributed to Led Zeppelin's "Rock and Roll" from Led Zeppelin IV and "Boogie with Stu" from Physical Graffiti, two numbers in traditional rock and roll vein, both featuring his boogie-woogie style. Another was Howlin' Wolf's 1971 The London Howlin' Wolf Sessions album, featuring Eric Clapton, Ringo Starr, Klaus Voorman, Steve Winwood, and Bill Wyman and Charlie Watts. He also played piano and organ on the 1982 Bad to the Bone album of George Thorogood and the Destroyers. Moreover, he performed with Ronnie Lane in a televised concert. In 1981 Stewart and Charlie Watts contributed to the song "Bad Penny Blues", which appeared on the album, These Kind of Blues by The Blues Band. Stewart also played with Rocket 88. Stewart contributed to The Rolling Stones' 1983 Undercover, and was present during the 1985 recording for Dirty Work (released in 1986). In early December 1985, Stewart began having respiratory problems. On 12 December he went to a clinic to have the problem examined; he suffered a heart attack and died in the waiting room If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, -  ”LIKE” ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorite band!

Messin' With The Kid - Junior Wells

Junior Wells (December 9, 1934 – January 15, 1998), born Amos Wells Blakemore Jr., was an American Chicago blues vocalist, harmonica player, and recording artist. Wells, who was best known for his performances and recordings with Muddy Waters, Earl Hooker, and Buddy Guy, also performed with Bonnie Raitt, The Rolling Stones, and Van Morrison Junior Wells was born in Memphis, Tennessee, United States, and raised in West Memphis, Arkansas, though other sources report that his birth was in West Memphis. Initially taught by his cousin, Junior Parker, and Sonny Boy Williamson II, Wells learned how to play the harmonica by the age of seven with surprising skill. He moved to Chicago in 1948 with his mother after her divorce and began sitting in with local musicians at house parties and taverns. Wild and rebellious but needing an outlet for his talents, he began performing with The Aces (guitarist brothers Dave and Louis Myers and drummer Fred Below) and developed a more modern amplified harmonica style influenced by Little Walter. In 1952, he made his first recordings, when he replaced Little Walter in Muddy Waters' band and appeared on one of Muddy's sessions for Chess Records in 1952. His first recordings as a band leader were made in the following year for States Records. In the later 1950s and early 1960s he also recorded singles for Chief Records and its Profile Records subsidiary, including "Messin' with the Kid", "Come on in This House", and "It Hurts Me Too", which would remain in his repertoire throughout his career. His 1960 Profile single "Little by Little" (written by Chief owner and producer Mel London) reached #23 in the Billboard R&B chart, making it the first of two Wells' singles to enter the chart. Junior Wells worked with guitarist Buddy Guy in the 1960s, and featured Guy on guitar when he recorded his first album, Hoodoo Man Blues for Delmark Records. Wells and Guy supported the Rolling Stones on numerous occasions in the 1970s. Although his albums South Side Blues Jam (1971) and On Tap (1975) proved he had not lost his aptitude for Chicago blues, his 1980s and 1990s discs were inconsistent. However, 1996's Come On in This House was an intriguing set of classic blues songs with a rotating cast of slide guitarists, among them Alvin Youngblood Hart, Corey Harris, Sonny Landreth and Derek Trucks. Wells made an appearance in the film Blues Brothers 2000, the sequel to The Blues Brothers, which was released in 1998. Wells continued performing until he was diagnosed with cancer in the summer of 1997. That fall, he suffered a heart attack while undergoing treatment, sending him into a coma. Wells died in Chicago, after succumbing to lymphoma on January 15, 1998, and was interred in the Oak Woods Cemetery, Chicago. Wells was mentioned in the Steppenwolf song, "Tighten Up Your Wig", in which the lyrics explicitly state that they copied the music from Junior Wells' tune, "Messing with the Kid". If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, -  ”LIKE” ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorite band!

Help Me - Junior Wells

Junior Wells (December 9, 1934 – January 15, 1998), born Amos Wells Blakemore Jr., was an American Chicago blues vocalist, harmonica player, and recording artist. Wells, who was best known for his performances and recordings with Muddy Waters, Earl Hooker, and Buddy Guy, also performed with Bonnie Raitt, The Rolling Stones, and Van Morrison
Junior Wells was born in Memphis, Tennessee, United States, and raised in West Memphis, Arkansas, though other sources report that his birth was in West Memphis. Initially taught by his cousin, Junior Parker, and Sonny Boy Williamson II, Wells learned how to play the harmonica by the age of seven with surprising skill. He moved to Chicago in 1948 with his mother after her divorce and began sitting in with local musicians at house parties and taverns. Wild and rebellious but needing an outlet for his talents, he began performing with The Aces (guitarist brothers Dave and Louis Myers and drummer Fred Below) and developed a more modern amplified harmonica style influenced by Little Walter. In 1952, he made his first recordings, when he replaced Little Walter in Muddy Waters' band and appeared on one of Waters' sessions for Chess Records in 1952. His first recordings as a band leader were made in the following year for States Records. In the later 1950s and early 1960s he also recorded singles for Chief Records and its Profile Records subsidiary, including "Messin' with the Kid", "Come on in This House", and "It Hurts Me Too", which would remain in his repertoire throughout his career. His 1960 Profile single "Little by Little" (written by Chief owner and producer Mel London) reached #23 in the Billboard R&B chart, making it the first of two Wells' singles to enter the chart.

Junior Wells worked with guitarist Buddy Guy in the 1960s, and featured Guy on guitar when he recorded his first album, Hoodoo Man Blues for Delmark Records. Wells and Guy supported the Rolling Stones on numerous occasions in the 1970s. Although his albums South Side Blues Jam (1971) and On Tap (1975) proved he had not lost his aptitude for Chicago blues, his 1980s and 1990s discs were inconsistent. However, 1996's Come On in This House was an intriguing set of classic blues songs with a rotating cast of slide guitarists, among them Alvin Youngblood Hart, Corey Harris, Sonny Landreth and Derek Trucks. Wells made an appearance in the film Blues Brothers 2000, the sequel to The Blues Brothers, which was released in 1998.

Wells continued performing until he was diagnosed with cancer in the summer of 1997. That fall, he suffered a heart attack while undergoing treatment, sending him into a coma. Wells died in Chicago, after succumbing to lymphoma on January 15, 1998, and was interred in the Oak Woods Cemetery, Chicago.
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Delmark Records : Hoodoo Man Blues - Junior Well's Chicago Blues Band - New release review

They have finally done it!! Delmark has released Hoodoo Man Blues which is considered by most blues aficionados to be one of the best blues recordings of all time. Now I know if you're like me you already have the original vinyl but this is that and much more. This release has an additional 14 tracks and really puts you into the studio. Recorded in 1965 it was the first studio recording to capture a working Chicago blues band doing their stage show without time constraints of the "singles" market. I mean the holy grail...Buddy Guy and Junior Wells in original form with Jack Myers on Bass and Billy Warren on Drums!! This new digipak re-issue contains 17 performances including 3 alternate takes and 4 never before released performances. There is one completely unissued song, " I Ain't Stranded", in which Buddy playing through a Leslie speaker has influenced guitarists through the time and still today! Also included is a 16 page booklet containing eight never before published photos from the session.
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This is a must have release for Chicago Blues fans...but you already know that.

Oh, and it's also available on LP!!

Get it now!!

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I Wish I Knew Then What I Know Now - Junior Wells

Junior Wells (December 9, 1934 – January 15, 1998), born Amos Wells Blakemore Jr., was a blues vocalist and harmonica player and recording artist based in Chicago, who was also famous for playing with Muddy Waters, Buddy Guy, Bonnie Raitt, The Rolling Stones and Van Morrison.
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