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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
I just had the opportunity to review the most recent release, Memphis Calling, from Emma Wilson, and it's got that hot 60's Memphis sound. Opening with A Small World, with Emma Wilson on lead vocals and Kirk Smothers on sax, Marc Franklin on trumpet, Charles Hodges on organ, Leroy Hodges on bass and Steve Potts on drums. This is a solid opener. Soulful, I Still Love You, is really a nice showcase for Wilson on vocal with it's pared back instrumentation. Kicked up, Drug, has a real nice funky beat with a solid bass line by Leroy, drums by Potts, electric piano by Archie Turner, and Franklin and Smothers really sassing it up on horns. Joe Restivo gets the floor on guitar, laying down the blues on Hoochie Coochie Mama. A low slung version of Morganfield's centerpiece, Wilson really carries it nicely and Charles on organ adds just the right heat. Wrapping the release is soul classic, Since I Fell For You, with Wilson dialing it down over light guitar by Restivo, Leroy and Potts. I really like Charles organ solo on this track giving it the air it needs for a strong closer.
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I just had the opportunity to review the most recent release, Madeleine, from Mississippi Heat and it a packed solid with blues and blues drenched music. Opening with driving blues rocker, Silent Too Long, Brian Quinn on bass and Terrence Williams set the pace, with Giles Corey laying down some hot guitar riffs and great lead vocals by Carl Weathersby, B3 by Chris Cameron and excellent harmonica riffs by Pierre Lacocque. Solid opener. On Chicago style blues, Uninvited Guest, guitar master Lurrie Bell has the mic and lead guitar duties. With Kenny Smith on drums, this track sets up nicely to showcase Lacocque's harmonica mastery. Daneshia Hamilton really takes charge with excellent vocals on Ridin' On A Hit with backing vocals by Nanette Frank, Diane Madison and Mae Koen. With a super bass line by Quinn and strong harmonica work by Lacocque, this is one of my favorite tracks on the release. Michael Dotson gets the spotlight on Everybody Do Something with excellent vocals and strong slide guitar. An extended harmonica solo on this track by Lacocque really adds a super edge. Very cool. Title track, Madeleine, is an excellent instrumental, lead by the melodic improvisation of Lacocque on harmonica. Bell adds a really nice lead guitar solo of his own over the backing of Quinn, Cameron on piano and Kenny Smith on drums. Excellent! Wrapping the release is shuffle, Trouble with the rich vocal lead of Inetta Visor. A great walking bass line by Quinn, fluid harmonica work by Lacocque, Cameron on B3 and strong backing vocal by Frank, Madison and Koen makes this an excellent closer for a strong release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Fight The Good Fight, from Vaneese Thomas, and it's a great mix of R&B and soul. Opening with powerful track, Raise The Alarm, with it's hi stepping Al green styling really gets this release amped up. Thomas has a great voice and plays keys with Wayne Warnecke on drums and bass, Al Orlo on guitars, Jon Cobert on organ, Marc Frankiln on trumpet, Kirk Smothers on bari sax, Lannie McMillan on tenor sax, and with Emily Bindiger and Kati Mac, this track is a home run. My radio choice for the release is Same Blood Same Bone, a soulful track with excellent lead by Thomas and beautiful backing vocals by Lisa Fisher, a hot guitar solo by Orlo and punchy horns. Very nice. Ballad, Time to Go Home has a gospel richness... Thomas' vocal over Orlo on acoustic guitar and mandolin and the addition of Joe Mennonna on Accordion. Wrapping the release is soulful ballad, Lost In The Wilderness. A strong showcase for the versatility of Thomas' voice and the inclusion of Scott Sharrard on pedal steel as well as lush backing vocals by James Williams and Thomas, this is an excellent closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Leave The light On, from The Love Light Orchestra and it's quite good. Opening with soul track, Time Is fading Fast, front man, John Nemeth on lead vocal sounds great. With it's Memphis sound, dominated by horns by Marc Franklin and Scott Thompson on trumpet, Jason Yasinsky on trombone, Art Edmaiston on tenor sax and with some outrageous alto sax by Kirk Smothers and including Joe Restivo on guitar, Gerald Stephens on piano, Tim Goodwin on bass, and Earl Lowe on drums, this is a great opener. Blues shuffle, Come On Moon has a really great feel with excellent guitar work by Restivo and warm horn backing by Franklin, Yasinsky, Edmaiston, Smothers and Paul McKinney on trumpet. On Lowell Fulson's 3 O'Clock Blues, Restivo really steps out on one of my favorite tracks on the release. His paced guitar soloing, and of course the excellent vocals of Nemeth accented by Thompson and Franklin really push this track over the edge. Excellent! Nemeth's vocals on Tricklin' Down are really super with strong horn backing and really nice guitar again by Restivo making this another of my personal favorites. Wrapping the release is swing track, Follow The Queen with power brass and shining vocals by Nemeth. Edmaiston really wails on sax and the band pulls together for a power punch... big band style. This is a real nice release with a lot of horsepower. Excellent closer for a really strong release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Wasted Youth, from Mick Kolassa, and it's chocked full of hot contemporary blues players doing what they do best. Opening with blues rocker, Throwing Away These Blues, Kolassa on vocal and guitar leads the way with James Cunningham on drums, Tullie Brae on backing vocal, Rick Steff on piano, Jeff Jensen on guitar, Bill Ruffino on bass and Marc Franklin on trumpet. Solid opener. Title track, Wasted Youth, has a thunder bass line by Ruffino and with Doug McMinn on drums, Brad Webb lays in some real nice slide work and Eric Hughes adds some real nice harmonica. Funky rocker, I Can't Get Enough gives Anthony Paule a nice chance to show his stuff and Kirk Smothers blows a real nice sax solo topping the track off. Victor Wainwright plays a real clean piano on Feeling Sorry For Myself, a cool blues track with just the right amount of sway. Brandon Santini adds his superlative harmonica tone to My Mind Doesn't Wander, an easy blues rocker. Slow blues, Pieces of my Past has a real nice pace and Jensen plays a soulful lead solo on guitar over his rich chords. Very nice. Wrapping the release is Edge of a Razor, an acoustic blues featuring Albert Castiglia on slide guitar. Very nice closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Live On Beale Street: A Tribute To Bobby "Blue" Bland. from Rodd Bland and the Members Only Band and it's terrific! Opening with R&B track, Up And Down World, Chris Stephenson has the lead on vocal and keys, with Rodd Bland on drums, Jackie Clark on bass, Harold Smith on guitar, Marc Franklin and Scott Thompson on trumpet and Kirk Smothers on sax. Great opener. Ashton Riker is on lead vocal on St. James Infirmary and really works it. I've always like this track and this remake works really nicely. Jerome Chism has the mic on R&B track, I Wouldn't Treat a Dog (The Way You Treated Me) with a particularly strong drum rhythm and tight horn backing. Chism's vocals work perfectly on this track and I really like the activity of Bland on drums who really pushes the beat. Excellent! Slower blues, Soon As The Weather Breaks, is one of my favorites on the release with punched horns and suspenseful organ work by Stephenson and really tasty guitar soloing by Smith. Blands' drum work is really tight and strong without being overly showy. Very nice. Wrapping the release is funky blues, Get Your Money Where You Spend Your Time, with Chism on lead vocal. Clark and Bland really have a fun time with this one creating an amazing bottom and the interplay between Stephenson on keys and Thompson, Franklin and Smothers is magic with a particularly nice sax solo by Smothers and a hot bass workout by Clark to close the set. This is a really exciting release with only one flaw...it ends to fast.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Express Connection, from Tomislav Goluban and it's a cool blues rocker. Opening with title track, Express Connection, eastern European harmonica player, Tomislav Goluban flexes his muscle on this hard driving blues rocker with Jeff Jensen on guitar, David Green on drums, Rick Steff on keys and Bill Ruffino on bass. A solid ballad, Pale Blue Eyes has a real nice melody featuring Goluban on lead vocal and cool reverb soaked guitar by Jensen and Mark Johnson on slide and Kelly Zirbes on backing vocal. Blues shuffle, Extra Boom really sits nicely in the groove and Goluban works the Chicago styling nicely on harmonica. Steff lays in a cool electronic keyboard solo and Jensen follows with some cool riffs of his own. Blues rocker, No Future In Your Past, has great pace and features Kirk Smothers on sax, Marc Franklin on trumpet and Zibes on backing vocals. Wrapping the release is Beast Walk with a cool organ melody by Steff with horn backing by Smothers and Franklin and alternating guitar intervals by Jensen and Johnson as well as some high riding harmonica work by Goluban. This is a cool release with an eastern look at the blues. Cool.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, If You Can't Be Good, Be Good At It!, by Mick Kolassa and I think it's his best release yet. Opening with I Can't Help Myself, a R&B style track with a light funky beat featuring Kolassa on lead vocal and acoustic guitar, Jeff Jensen on electric guitar, Bill Ruffino on bass, John Blackmon on drums, Rick Steff on keys, Marc Franklin on trumpet, and Kirk Smothers on sax, this is a solid opener. With deep gospel richness, James Taylor's Lo and Behold has great guitar underpinnings and super vocal by Yullie Brae. Rocking title track, If You Can't Be good, Be Good At It! is clever and has solid guitar riffs by Jensen, and power horn work by Franklin and Smothers. My favorite track on the release, A Good Day For the Blues, features nice guitar work by David Dunavent and Jensen and some of Kolassa's best vocal work on the release. Smooth blues ballad, Slow and Easy Love gives Jensen a wide road to really lay down on lead guitar and he capitalizes nicely over the warm organ bed of Rick Steff. Howlin' Wolf's Who's Been Talking? has a super Latin (read Santana) rhythm and features Dunavent and Jensen again on guitar with super backing by Willie Hall on drums and Weston Caldwell on percussion. Very nice! Wrapping the release is acoustic ballad, She Kept Her Head Up with it's easy rhythm and cool melody over reverb saturated guitar lead and tight drum rhythms by John Blackmon.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Postcard from Beale Street, by Eric HughesBand and it contains a variety of music styles and turns. Opening with shuffle, Ain't Whipped Yet, Hughes is upfront on lead vocal and sweaty slide with Walter Hughes on backing guitar and vocal, Leo Goff on bass, and Brian Aylor on drums. Great guitar tones by Eric give this track a great spice. Oh, Booze! has a terrific, early Beale feel with solid vocals by Eric, with trumpet by Marc Franklin, Kirk Smothers on sax and Mick Kolassa on tussolin, spoons and backing exclamations. Ballad, Homesick Angel is the definite radio track on the release with a strong melody, solid backing vocals and tight accompaniment. Straight up acoustic blues ballad, Blackberry Patch has Eric on lead vocal and slide resonator over Walter on guitar. Simple and solid. Blues rocker, Waiting For That Day has a super boogie (woogie) feel with a great bass line by Goff, organ by Steff and harmonica by Eric. Possibly my favorite track on the release. Wrapping the release is It's 4:20 Somewhere, a bouncy track with a nice mixture of harmonica, guitar and slide with an almost Klezmer sound. Cool closer for an interesting release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Real Street, from Tad Robinson and it's jam packed with R&B soul music. Opening with Changes, a real nice "Al Green" flavored track, Tad Robinson shows what much of the world already knows... he's a great singer with poise and style. Backed by Charles Hodges on Hammond, Leroy Hodges on bass, Howard Grimes on drums, Joe Restivo on guitar, Kevin Anker on piano, Mark Franklin on trumpet, and Kirk Smothers on sax, this is a great opener. Bluesy ballad, Search Your Heart is really strong and Robinson's exceptionally smooth vocals, backed by Devin Thompson on vocals and the warm Hammond work of Hodges and with a crisp guitar solo by Restivo make this one of my favorites on the release. Excellent! Another really bluesy track, Love In The Neighborhood has a great R&B style but checks off the blues box nicely with soulful vocals and harmonica by Robinson and solid guitar lead by Restivo. My favorite track on the release is soulful, Wishing Well Blues with ultra soulful vocals by Robinson and just the right weave of instrumentation over Anker's funky keyboard work and JG Watson/WW Washington style guitar playing. Excellent! Wrapping the release is slinky, Long Way Home with a real nice bass line by Leroy. Robinson has an unbelievable sense for soul music and the sound that this unit puts together is lush and inviting. Highly recommended.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, 149 Delta Ave, from Mick Kolassa and the Taylor Made Blues Band and the talent is thick. Opening with I Can't Slow Down, a 2 steppin rocker, Mick Kolassa on lead vocal is backed by David Dunavent on guitars, Leo Goff on bass, Lee Andrew Williams on drums, Chris Stephenson on keys and Susan Marshall and Daunielle Hill on backing vocal this is a cool opener. Eric Hughes joins on US 12 to Highway 49, a smart shuffle with solid harp work. Cotton Road is one of my favorites on the release with roots in chain gang work songs. Toronzo Cannon adds some really smart guitar lead and wailing backing vocals make this track rich with feel. Pullin Me Down has a creeping R&B blues style with solid bass work from Goff, crisp guitar soloing by Jeff Jensen and includes tight trumpet and sax work by Marc Franklin and Kirk Smothers. Very nice. A funky version of Ashford and Simpson's I Don't Need No Doctor has a real nice groove and the trumpet work of Franklin is bright. Alternating solos by Franklin, Smothers, Jensen and Stephensen really fill out the track. Wrapping the release is an interesting remake of classic Stuff Smith track, the Viper. Kolassa's vocals work well and with Suavo Jones on trombone, Alice Hansen on Stuff Smith's part (violin), Mike Wilson on Puccalo, and Marc Franklin on trumpet, this is a terrific closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Wisdom & Decay, from Jeff Jensen and it's flavorful. Opening with Little Milton's I'm Living Off The Love You Give, you get a strong sense of soul from Jensen's hometown of Memphis. With Jensen on guitar and vocal, this band is packed with sound featuring Bill Ruffino on bass, David Green on drums, Chris Stephenson on organ, and a powerful dose of horns from Kirk Smothers on sax and Marc Franklin on trumpet. 2000 Days has a sensitive Latin rhythm and James Cunningham on percussion. A nicely phrased guitar solo by Jensen gives this track a nice boost. With a formula that made the Doobies popular, Jensen hits that smooth rhythmic groove, pumped up by horns, clean melodic guitar riffs and backed by Reba Russell on vocal. With a slinky Latin feel, Downtown, has a firm bass edge by Ruffino, muted trumpet and simmering guitar lead giving the track a fiery feel. Bob Dylan's Tonight I'll Be Staying Here With You takes a solid clue from early Jeff Beck material with Bobby Tench but with a strong remake, this track is really strong. Rich backing vocals and some of the best vocals I've heard from Jensen make this one of my favorite tracks on the release. His guitar soloing is inspired and the horn work soulful. Very nice. Wrapping the release is The Water Jam/Something In The Water Revised which takes a basic melody and with tight percussion, rich organ and vibrant Spanish flavored electric guitar and punches it up with horns. This is adventuresome and a solid track to wrap a cool release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Love Lives On, from Dana Fuchs and it's a soul drenched release that could have been done by Stax. Opening with Backstreet Baby, a R&B track with just a taste of southern rock, Fuchs winds it up with her distinctive vocals and Reverend Charles Hodges on organ, Jack Daley on bass, Steve Potts on drums, and Kirk Smothers and Marc Franklin on horns. On high stepper, Nobody's Fault But Mine, Fuchs gets into a groove that could have been created by the Queen of Soul herself. Punched up Smothers and Franklin, this track is hot. Sittin' On has solid radio styling with a super melody and balanced instrumental backing and featuring a nice steel solo by Eric Lewis. Ballad, Faithful Sinner, has a strong melody and with the firm horn work of Smothers and Franklin and soothing keyboard work of Glen Patscha, a solid radio entry. Ready To Rise is another of my choices with cool conga work by Felix Hernandez and slick guitar riffs by Jon Diamond. Fight My Way is a stand out track with a totally acoustic approach. Fuchs vocals are crisp and clear, backed by acoustic guitar, and Lewis on mandolin and steel. Very nice. Wrapping the release is Johnny Cash's Wheel Of Fire. Fuchs takes a nice approach on this classic, maintaining it's country roots but in a sensuous way. Her expressive vocals, coupled with slow yet warm steel work of Lewis makes this an excellent closer for a solid release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, The Love Light Orchestra featuring John Nemeth and it's a super R&B show. Opening with See Why I Love You super vocalist John Nemeth leads this super group of Marc Franklin on trumpet, Scott Thompson on trumpet, Jason Yasinsky on trumpet, Art Edmalston on tenor sax, Kirk Smothers on bari sax, Jon Restino on guitar, Gerald Stephens on piano, Tim Goodwin on bass and Earl Lowe on drums. Edmalston cranks out a real nice solo on this one punched up by the tight trumpet work making it a terrific opener. Blues shuffle, Bad Breaks has terrific swagger with excellent guitar lead by Restivo and a nice tenor solo by Edmalston. Excellent! Nemeth's vocals are really nice on every track but none better than bluesy ballad, I've Been Wrong So Long, really enriched by warm sax work and punchy trumpet. Very nice. Another shuffle, Sometimes plays Nemeth's vocals in call and response with Restino's slick guitar riffs. Stephens gets a real nice opportunity to lay out the keys and Edmalston gets the chance to throw down a squealer of his own. Very cool. Lonesome and High has great guitar lead with Nemeth's vocals riding high. The horn section here lacks nothing with depth and warmth. A cool track and one of the best on the release. One of my favorite tracks on the release is Singing ForMy Supper, with great incredible style. The horn section really pops on this one and Restino's soloing is emotional and fluid. Wrapping the release is Al Green's Love and Happiness, a great closer. This band has great style and all the talent you could ask for. The people who were lucky enough to see this show live at Bar DKDC in Memphis were damn lucky.
Super job!
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just received the newest release, Age Don't Mean A Thing, from Robert Finley and it's a powerful new soul release. Opening with high stepping Memphis groove, I Just Want To Tell You, Robert Finley wastes no time establishing that his talent far exceeds his professional experience. An extremely soulful vocalist, Finley traveled north to Memphis to work with members of the Bo-Keys. Players include a who’s who of the Memphis soul scene including drummer Howard Grimes (Al Green, Otis Clay, Syl Johnson, OV Wright), Marc Franklin (Bobby “Blue” Bland), Jimbo Mathus (Elvis Costello), Al Gamble (St. Paul & The Broken Bones, the Hold Steady, Alex Chilton), Kirk Smothers (Jim Lauderdale, Buddy Guy), Reba Russell (U2, BB King), Harold Thomas (James Carr) and Daunielle Hill (Solomon Burke). With full soul backing vocals and Al Gamble's B3 rolling this is a great opener. On title track, Age Don't Mean A Thing, Finley really sings with gut wrenching authority. This track is exceptional with almost spiritual organ work by Gamble and essential underpinnings by Mathus. R&B track, Let Me Be Your Everything, is saturated with horn work by Kirk Smothers and trumpet by Marc Franklin and super backing vocals by Russell and Hill. Slowing down to a smoldering simmer, It's Too Late, puts Finley back upfront with nicely blended backing vocals by Russell and Hill. This is a really nice track and one that could easily hit the radio hard. Solid soul track, Snake In My Grass, has a nicely anchored melody with Finley's vocals drawing out the emotions, complimented by Smothers and Franklin. Very nice. James Brown like, Come On, gets a super groove cooking pressing you to get on your feet. With warm vocals and horn punctuating over a wah wah and funky bass work, how can you not love this! 70's pop track, Make It With You, written by David Gates, is given a really soulful overdo with light guitar rhythm, shimmery organ and Finley's powerful vocals. Very nice. You Make Me Want To Dance has a real Al Green kind of feel and you automatically feel that bounce starting in your head. Russell, Thomas and Hill really warm up the background on this track and Smothers and Franklin work is tight. Super. Wrapping the release is excellent soul track, Is It Possible To Love 2 People. With warm sax work by Smothers, nicely placed guitar riffs by Mathus, tom tom work by Grimes, B3 by Gamble and tight punctuation by Franklin, this track leaves you with nothing but wanting more. Excellent release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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