Showing posts with label Little Feat. Show all posts
Showing posts with label Little Feat. Show all posts
Friday, November 2, 2012
Apolitical Blues - Mark Wenner and Little Feat
Monday, March 12, 2012
All That You Dream - Bill Payne and Little Feat
Bill Payne (born March 12, 1949, Waco, Texas, USA) co-founded, with Lowell George, the American rock band Little Feat. He is considered by many other piano rock musicians, including Elton John, to be one of the finest American piano rock and blues music artists. In addition to his trademark barrelhouse blues piano, he is noted for his work on other keyboard instruments, particularly the Hammond B3 organ. Payne is also an accomplished songwriter whose credits include co-writing, with Lowell George, the Little Feat classic, "Oh, Atlanta."
Payne has worked and recorded with other musicians including J. J. Cale, Doobie Brothers, Emmylou Harris, Bryan Adams, Pink Floyd, Bob Seger, Toto, Linda Ronstadt, Jackson Browne, James Taylor, Bonnie Raitt, Helen Watson, Stevie Nicks, Shocking Edison, and Stephen Bruton. He was a guest performer on Bonnie Raitt's album Sweet Forgiveness in 1977, and wrote its track, "Takin' My Time."
Paul Barrere and Bill Payne played several live concerts with Phil Lesh and Friends, from 10/21/99 to 10/31/99, on 3/10/00, and from 6/21/00 to 7/30/00.
Following the death of Little Feat drummer Richie Hayward on August 12, 2010, Payne is the only member of the group remaining from the original four-piece line-up.
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Sunday, May 29, 2011
Fat Man in the Bathtub - Little Feat
Undoubtedly one of the tastiest contemporary slide guitar players...Lowell George!!
Lowell Thomas George (April 13, 1945 – June 29, 1979) was an American singer-songwriter, multi-instrumentalist, and producer, who was the main guitarist and songwriter for the rock band Little Feat
Lowell George was born in Hollywood, California the son of Willard H. George, a furrier who raised chinchillas and supplied furs to the movie studios.
George's first instrument was the harmonica. At the age of 6 he appeared on the Ted Mack's Original Amateur Hour performing a duet with his older brother, Hampton. At Hollywood High School Lowell took up the flute in the school marching band and orchestra. He started to play guitar at age 11, continued with the harmonica, and later learned to play the saxophone and sitar. He played guitar with fellow schoolmate, and future bandmate, Paul Barrere.
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Wednesday, May 25, 2011
Chesepeake Bay Blues Fest - Blues Ace Reporting
Blues Aficionado Allen "Blues Ace" Anthony was on the scene for the festival as usual and brought us some great photos as well as short commentary. The picture of 
Motor City Josh is of him (left) and his brother bringing the house down at the end of their set. What a pleasant surprise that band was! I had no idea how good that guy was.
Mac Arnold made his guitar out of a gas can. While it’s more of a guitar than many of Super Chikan’s glorified Diddley Bows, it also sounds it’s best when played with a slide rather than any primitive attempts at fretting notes or chords. (More to come on Mac Arnold). He spent a lot of time in the LA music scene for much of his career and has semi-retired back to South Carolina where he bases his band, Plateful of Blues. Another interesting thing about him is that he grew up with James Brown and played in high school bands with “The Godfather of Soul.”
John Mayall played a nice set. Did 3 songs off the Bluesbreakers “Beano” albums. Parchman Farm, and a few others. Also did a song, L&M Blues, aka Ridin’ On The L&M, which I know from other blues artists covers of it. But he introduced it as being a Lionel Hampton composition which I did not know.
Little Feat is always interesting every time I’ve seen them and this was no exception. They called out Nighthawks harpist Mark Wenner to play a couple songs, in particular Dixie Chicken, which is what they were playing when the photo was taken. First time I ever heard them play Dixie Chicken “stand-alone.” All of the half dozen times I’ve seen them they have morphed Dixie Chicken into a medley of some sort which almost always included Tripe Face Boogie. But this was about a 12-14 minute rendition of Dixie Chicken by itself. Their set was cut short by the demands that Kenny Wayne Shepherd take the stage at exactly his scheduled time. Fred Tackett looked like he was ready to break the band into Feats Don’t Fail Me Now as an encore, but they swept their carcases off the stage promptly. They even said, “We’d like to play one more but our time is up.” They were having fun and the crowd was heavily into it.
Then Kenny Wayne came on and played a standard set.
Ray Manzarek-Roy Rogers was very good by my estimation but I don’t think too many people got as excited by them as I did. Manzarek at one point played an instrumental solo of The Crystal Ship that was the highlight of their set. They also did Riders On the Storm where Manzarek sang and the crowd loved that but it was just OK. He also announced some kind of 40th anniversary of Jim Morrison’s death concert in Paris next month where they were going to play.
Roy Rogers did not have his guitar coming through the PA like it should have. It was weak so it’s hard to tell how good he was really. It was the only issue I had with the sound production for the whole two days of the festival.
Ronnie Baker Brooks damn near stole the whole show. He was terriffic! Way better than Lonnie Brooks was a couple years back. Looking forward to seeing him on the Cruise.
The Lee Boys were great. It’s a band of all family, either brothers or nephews, cousins, and uncles. They call their music “Sacred Steel” which is a base of gospel with generous portions of blues, jazz, mixed with part soul, r&b, and country. It’s is much like Robert Randolph. This band is basically a top notch rhythm section in support of their centerpiece, keystone, and focal point, Roosevelt “The Dr.” on pedal steel and lap slide guitar. I got to say, in a head-cuttin’ contest with the Devil on pedal steel, and my soul on the line, I might take Roosevelt over anybody alive including Robert Randolph! That dude was awesome.
Motor City Josh is of him (left) and his brother bringing the house down at the end of their set. What a pleasant surprise that band was! I had no idea how good that guy was.
Mac Arnold made his guitar out of a gas can. While it’s more of a guitar than many of Super Chikan’s glorified Diddley Bows, it also sounds it’s best when played with a slide rather than any primitive attempts at fretting notes or chords. (More to come on Mac Arnold). He spent a lot of time in the LA music scene for much of his career and has semi-retired back to South Carolina where he bases his band, Plateful of Blues. Another interesting thing about him is that he grew up with James Brown and played in high school bands with “The Godfather of Soul.”
John Mayall played a nice set. Did 3 songs off the Bluesbreakers “Beano” albums. Parchman Farm, and a few others. Also did a song, L&M Blues, aka Ridin’ On The L&M, which I know from other blues artists covers of it. But he introduced it as being a Lionel Hampton composition which I did not know.
Little Feat is always interesting every time I’ve seen them and this was no exception. They called out Nighthawks harpist Mark Wenner to play a couple songs, in particular Dixie Chicken, which is what they were playing when the photo was taken. First time I ever heard them play Dixie Chicken “stand-alone.” All of the half dozen times I’ve seen them they have morphed Dixie Chicken into a medley of some sort which almost always included Tripe Face Boogie. But this was about a 12-14 minute rendition of Dixie Chicken by itself. Their set was cut short by the demands that Kenny Wayne Shepherd take the stage at exactly his scheduled time. Fred Tackett looked like he was ready to break the band into Feats Don’t Fail Me Now as an encore, but they swept their carcases off the stage promptly. They even said, “We’d like to play one more but our time is up.” They were having fun and the crowd was heavily into it.
Then Kenny Wayne came on and played a standard set.
Ray Manzarek-Roy Rogers was very good by my estimation but I don’t think too many people got as excited by them as I did. Manzarek at one point played an instrumental solo of The Crystal Ship that was the highlight of their set. They also did Riders On the Storm where Manzarek sang and the crowd loved that but it was just OK. He also announced some kind of 40th anniversary of Jim Morrison’s death concert in Paris next month where they were going to play.
Roy Rogers did not have his guitar coming through the PA like it should have. It was weak so it’s hard to tell how good he was really. It was the only issue I had with the sound production for the whole two days of the festival.
Ronnie Baker Brooks damn near stole the whole show. He was terriffic! Way better than Lonnie Brooks was a couple years back. Looking forward to seeing him on the Cruise.
The Lee Boys were great. It’s a band of all family, either brothers or nephews, cousins, and uncles. They call their music “Sacred Steel” which is a base of gospel with generous portions of blues, jazz, mixed with part soul, r&b, and country. It’s is much like Robert Randolph. This band is basically a top notch rhythm section in support of their centerpiece, keystone, and focal point, Roosevelt “The Dr.” on pedal steel and lap slide guitar. I got to say, in a head-cuttin’ contest with the Devil on pedal steel, and my soul on the line, I might take Roosevelt over anybody alive including Robert Randolph! That dude was awesome.
Sunday, May 1, 2011
Apolitical Blues - Little Feat
This is a really cool treat. Little Feat with the outrageous Lowell George (fat guy in bibs ... now gone) on slide and Mick Taylor. Now Little Feat has a great band, but with Lowell George they were unbelievable... and Mick Taylor too!
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Cool...dog!
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