Queens native Little Mike grew up on the very competitive New York City music scene. He started playing harp at age 14 and took up piano two years later. His first brush with the blues came while hearing John Lee Hooker at Carnegie Hall and later listening to a Paul Butterfield record.
After that Little Mike couldn't get enough. If a blues show was in New York City, Mike was there, especially when the Chicago players came to town. His favorite was Muddy Waters. "I used to go and see Muddy anytime he was within 150 miles of New York," he said. "He is easily the biggest influence on the band and my playing. And if it's not Muddy himself then it's the great guys he always picked to play with him, like Pinetop Perkins and Otis Spann on the piano or Little Walter and James Cotton on harp."
Another musician Mike greatly admired was Paul Butterfield, who would regularly come and see Mike's band perform. He liked their old "Chess sound" and took Mike under his wing. Mike says, "He helped me become less of a blues purist, and more of a music purist. Paul opened up my playing and taught me to put my blues in other music forms, to make it very personal." Other influences cited include Chuck Berry, Bo Diddley, the Rolling Stones, Jimmy Reed, Eddie Taylor, Sonny Boy Williamson, and Walter Horton.
After leading a series of bands as a teenager, Mike formed the Tornadoes in 1978. At age 22, Mike was leading one of the busiest and toughest blues bands in New York City. Whenever a visiting blues artist came to town and needed a band, Little Mike and the Tornadoes usually got the call, backing artists such as Walter Horton, Otis Rush, Bo Diddley, Lightning Hopkins, and Big Mama Thornton. Mike's reputation led to the band's touring as the backing unit for blues legends such as Pinetop Perkins, Hubert Sumlin, and Jimmy Rogers.
Little Mike and the Tornadoes proudly describe themselves as a "working class band" that plays blues with a rock 'n' roll edge. "We all come from working class families and tough, working class neighborhoods," says Mike. "Working class people have always been our biggest supporters." Music luminaries who have sat in with the band include Robert Cray, Jaco Pastorius, Kim Wilson, Jorma Kaukonen, James Cotton, Los Lobos' Cesar Rosas and David Hidalgo, Stevie Ray Vaughan, and Taj Majal.
In 1988, Mike played on and produced Pinetop Perkin's first domestic release, After Hours. The following year he did the same for Hubert Sumlin's Heart & Soul. Both recordings are available on Blind Pig.
In 1990, Blind Pig released the first solo album by Little Mike and the Tornadoes, Heart Attack, which Mike also produced. It features all original songs and guest appearances by Perkins, Sumlin, Butterfield, Ronnie Earl, and Big Daddy Kinsey. The album thrust the band out into the spotlight, where they began to tour almost non-stop across North America and Europe, establishing themselves as true road warriors.
Little Mike's success led to a 1992 follow-up release entitled Payday. The material is once again all original and draws upon Mike's blue-collar upbringing and experience. Says Little Mike, "It's the best thing I've ever done. Best writing, best playing, and best producing. I think I'm finally getting the hang of this."
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I just received a copy of Forgive Me, a release by Little Mike and the Tornadoes and its super! Little Mike Markowitz (vocal and Harp) has assembled a crew of players and together they make a great crew. Opelousas is a really cool instrumental track featuring Troy Nahumko on guitar and Sonny Rhodes on steel. This is a loping Elmore James/Freddie King style track with plenty of room for guitar soloing and Little Mike brings it on harp. Wait A Minute Baby is another track in the Texas groove but pushed with horns and featuring some cool organ work by Jim McKaba. Nothin' I Wouldn't Do has a bit more of the soul sound and isagain backed with the horns giving it an authentic soul sound. Warren King plays a light jazzy guitar solo on this track as well. Tell Me Baby comes out of the gate rompin'. Rhodes plays some cool steel (slide) riffs on this track and Cam Robb (drums) and Chris Brzezicki (bass) keep the bottom on track. Little Mike shows his chops on this track and his vocals are just right. Walked All The Way really gets that Texas groove that SRV made so popular and Nahumko plays a cool extended riff on this track with horns punching the track along. Fool Too Long is a cool easy swing blues lending itself nicely to Nahumko's guitar style. This may be my favorite track on the release. You Don't Love Me is a slow, smooth blues track with sliding guitar chords keeping the melody as Little Mike sings the story line and McKaba plays some really nice piano. Nahumko gets down in the mud and digs out some dirty riffs on this track making it a real nice track as well. Forgive Me Baby (along the lines of Trouble No More)gets the Chicago sound cookin' with solo contributions from McKaba, Nahumko and Little Mike. Traveling Blues has a bit more of a boogie rhythm driven by McKaba and Robb. Little Mike takes a nice solo on this track leaving the door open for some chicken pickin, blues style, from Nahumko.
