Jet Black Blues - Blind Willie Dunn's Gin Bottle Four

Eddie Lang (October 25, 1902 – March 26, 1933) was an American jazz guitarist, regarded as the Father of Jazz Guitar. He played a Gibson L-4 and L-5 guitar, providing great influence for many guitarists, including Django Reinhardt Lang was born Salvatore Massaro, the son of an Italian-American instrument maker in Philadelphia, Pennsylvania. At first, he took violin lessons for 11 years. In school he became friends with Joe Venuti, with whom he would work for much of his career. He was playing professionally by about 1918, playing violin, banjo, and guitar. He worked with various bands in the USA's north-east, worked in London (late 1924 to early 1925), then settled in New York City. Lang was the first important jazz guitarist. He was effectively able to integrate the guitar into 1920s jazz recordings. He played with the bands of Joe Venuti, Adrian Rollini, Roger Wolfe Kahn and Jean Goldkette in addition to doing a large amount of freelance radio and recording work. On February 4, 1927, Lang featured in the recording of "Singin' the Blues" by Frankie Trumbauer and His Orchestra featuring Bix Beiderbecke on cornet. Lang traded guitar licks while Beiderbecke soloed on cornet, in a landmark jazz recording of the 1920s. In 1929, he joined Paul Whiteman's Orchestra, and can be seen and heard in the movie The King of Jazz. In 1930, Lang played guitar on the original recording of the jazz and pop standard "Georgia On My Mind", recorded with Hoagy Carmichael and His Orchestra. Joe Venuti and Bix Beiderbecke also played on this recording. When Bing Crosby left Whiteman, Lang went with Crosby as his accompanist, and can be seen with him in the 1932 movie Big Broadcast. Lang also played under the pseudonym Blind Willie Dunn on a number of blues records with Lonnie Johnson. Lang died following a tonsillectomy in New York City in 1933 at the age of thirty. He had been urged by Crosby to have the tonsillectomy so that he might have speaking parts in Crosby's films. Lang's voice was chronically hoarse, and it was hoped that the operation would remedy this. It is unclear exactly what the cause of death was, but it is thought that uncontrolled bleeding played a role. Author James Sallis claims that he died when he developed an embolism while still under anesthetic and never regained consciousness. If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

Another Night To Cry - Lonnie Johnson

Alonzo "Lonnie" Johnson (February 8, 1899 – June 16, 1970) was an American blues and jazz singer/guitarist and songwriter who pioneered the role of jazz guitar and is recognized as the first to play single-string guitar solos.[3] Johnson was not only one of the few black blues musicians invited to be 'guest featured' on a number of jazz recording sessions, he was also one of the only classic 1920's blues artists to have a revived a high-charting career after WWII.
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Guitar Blues - Eddie Lang and Lonnie Johnson

Eddie Lang (October 25, 1902 – March 26, 1933) was an American jazz guitarist, regarded as the Father of Jazz Guitar. He played a Gibson L-4 and L-5 guitar, providing great influence for many guitarists, including Django Reinhardt
Lang was born Salvatore Massaro, the son of an Italian-American instrument maker in Philadelphia, Pennsylvania. At first, he took violin lessons for 11 years. In school he became friends with Joe Venuti, with whom he would work for much of his career. He was playing professionally by about 1918, playing violin, banjo, and guitar. He worked with various bands in the USA's north-east, worked in London (late 1924 to early 1925), then settled in New York City.

Lang was the first important jazz guitarist. He was effectively able to integrate the guitar into 1920s jazz recordings. He played with the bands of Joe Venuti, Adrian Rollini, Roger Wolfe Kahn and Jean Goldkette in addition to doing a large amount of freelance radio and recording work.

On February 4, 1927, Lang featured in the recording of "Singin' the Blues" by Frankie Trumbauer and His Orchestra featuring Bix Beiderbecke on cornet. Lang traded guitar licks while Beiderbecke soloed on cornet, in a landmark jazz recording of the 1920s.

In 1929, he joined Paul Whiteman's Orchestra, and can be seen and heard in the movie The King of Jazz. In 1930, Lang played guitar on the original recording of the jazz and pop standard "Georgia On My Mind", recorded with Hoagy Carmichael and His Orchestra. Joe Venuti and Bix Beiderbecke also played on this recording.

When Bing Crosby left Whiteman, Lang went with Crosby as his accompanist, and can be seen with him in the 1932 movie Big Broadcast. Lang also played under the pseudonym Blind Willie Dunn on a number of blues records with Lonnie Johnson.

Lang died following a tonsillectomy in New York City in 1933 at the age of thirty. He had been urged by Crosby to have the tonsillectomy so that he might have speaking parts in Crosby's films. Lang's voice was chronically hoarse, and it was hoped that the operation would remedy this. It is unclear exactly what the cause of death was, but it is thought that uncontrolled bleeding played a role.

It s Too Late To Cry - Lonnie Johnson

Alonzo "Lonnie" Johnson (February 8, 1899 – June 16, 1970) was an American blues and jazz singer/guitarist and songwriter who pioneered the role of jazz guitar and is recognized as the first to play single-string guitar solos. Johnson was not only one of the few black blues musicians invited to be 'guest featured' on a number of jazz recording sessions, he was also one of the only classic 1920's blues artists to have a revived a high-charting career after WWII.

Too Late To Cry - Lonnie Johnson

Alonzo "Lonnie" Johnson (February 8, 1899 – June 16, 1970) was an American blues and jazz singer/guitarist and songwriter who pioneered the role of jazz guitar and is recognized as the first to play single-string guitar solos. Johnson was not only one of the few black blues musicians invited to be 'guest featured' on a number of jazz recording sessions, he was also one of the only classic 1920's blues artists to have a revived a high-charting career after WWII.
Lonnie Johnson's early recordings are the first guitar recordings that display a single-note soloing style with use of string bending and vibrato. While it cannot be proven that this contains the influence of earlier players who did not record, it is the origin of Blues and Rock solo guitar. Johnson's influence is obvious in Django Reinhardt, T-Bone Walker and virtually all electric blues guitar players.

One of Elvis Presley's earliest recordings was Johnson's blues ballad, "Tomorrow Night" written by Sam Coslow and Will Grosz, which was also recorded by LaVern Baker. In 1957, it was also recorded by Jerry Lee Lewis.

In the liner notes for Biograph, Dylan describes his encounters with Johnson in New York City. "I was lucky to meet Lonnie Johnson at the same club I was working and I must say he greatly influenced me. You can hear it in that first record. I mean Corrina, Corrina...that's pretty much Lonnie Johnson. I used to watch him every chance I got and sometimes he'd let me play with him. I think he and Tampa Red and of course Scrapper Blackwell, that's my favorite style of guitar playing."
Also, Bob Dylan wrote about the performing method he learned from Robert Johnson in Chronicles, Vol. 1. Dylan thinks Robert Johnson had learned a lot from Lonnie. Also some of Robert's songs are seen as new versions of songs recorded by Lonnie.
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Another Night To Cry - Lonnie Johnson

Alonzo "Lonnie" Johnson (February 8, 1899 – June 16, 1970) was an American blues and jazz singer/guitarist and songwriter who pioneered the role of jazz guitar and is recognized as the first to play single-string guitar solos. Johnson was not only one of the few black blues musicians invited to be 'guest featured' on a number of jazz recording sessions, he was also one of the only classic 1920's blues artists to have a revived a high-charting career after WWII.

Yes, I believe that is Willie Dixon on Bass.
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