Jeff Berlin - Jacksongs - New Release Review

 I just had the opportunity to review the most recent release, Jacksongs, by Jeff Berlin and it's a really nice tribute to Jack Bruce's music. Opening with Creamed, Berlin on bass and keys is joined by Ron Hembly on lead vocal, John Cowan on vocal, Gabriela Sinagra on backing vocals, Bruce Guttridge on drums and John McCracken on guitars with Alex Lifeson on solo guitar. The track begins with Politician and flows through White Room and Tales of Brave Ulysses  among others with strong guitar work and of course prominent bass work. Very nice opener. One of my favorite Mountain tracks, and another Bruce penned track, Theme From and Imaginary Western is up next and features Hemby on lead vocal who really does a strong job of covering Bruce's beautiful vocal melody with Pat Coil on Hammond and Berlin on keys and bass (including a real nice solo) with guest Eric Johnson on guitar solo and Gregg Bissonette on drums. Excellent. Another of Bruce's beautiful melodies, One Without a Word, again showcases Hemby on lead vocal and with the illustrious Bill Frisell on guitar and with super finesse by Mariano Agustoni on piano and Coil again on Hammond with firm drum work by Bruce Guttridge. Smiles Story and Morning Grins is a cool, rhythmic track and provides a vehicle for a string of bass solos by a who's who of today's music scene including Berlin, Tony Levin (stick), Billy Sheehan, Michael League, Mark King, Ron Carter, Marcus Miller, Nathan East, and Geddy Lee. Traintime Train was written by Berlin and is a really nice addition with a great bass lines, outstanding guitar soloing by Johnny Hiland, strong harmonica by Pat Bergeson and with Gumbi Ortiz on lead vocal and percussion. This is a really nice release with a lot of heavy bass work as well as great featured artists. 

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So What - Marcus Miller

Marcus Miller (born William Henry Marcus Miller Jr., June 14, 1959, Brooklyn, New York) is an American jazz composer, producer, and multi-instrumentalist. Miller is best known as a bassist, working with trumpeter Miles Davis, pianist Herbie Hancock, singer Luther Vandross, and saxophonist David Sanborn, as well as maintaining a prolific solo career. Miller is classically trained as a clarinetist and also plays keyboards, saxophone and guitar.
Miller was born in 1959 and raised in a musical family that includes his father, William Miller (a church organist and choir director) and jazz pianist Wynton Kelly. By 13, Marcus was proficient on clarinet, piano and bass guitar, and already writing songs. Two years later he was working regularly in New York City, eventually playing bass and writing music for jazz flautist Bobbi Humphrey and keyboardist Lonnie Liston Smith. Miller soon became a first call session musician, gracing well over 500 albums, a short list of which includes Michael Jackson, Herbie Hancock, Mariah Carey, Wayne Shorter, McCoy Tyner, Frank Sinatra, Dr. John, Aretha Franklin, Elton John, Grover Washington Jr., Donald Fagen, Bill Withers, Chaka Khan, LL Cool J, Me'shell Ndegé Ocello and Flavio Sala.
Miller spent approximately 15 years performing as a sideman or session musician, observing how band leaders operated. During that time he also did a lot of arranging and producing. He was a member of the Saturday Night Live band 1978-1979. He wrote the intro to Aretha Franklin's 'I Wanna Make It Up To You'. He has played bass on over 500 recordings including those of Luther Vandross, Grover Washington Jr., Roberta Flack, Carly Simon, McCoy Tyner, Bryan Ferry and Billy Idol. He won the "Most Valuable Player" award, (awarded by NARAS to recognize studio musicians) three years in a row and was subsequently awarded "player emeritus" status and retired from eligibility. In the nineties, Miller began to make his own records, putting a band together to take advantage of touring opportunities.

Miller's proficiency on his main instrument, the bass guitar, is generally well-regarded. Not only has Miller been involved in the continuing development of the technique known as "slapping", particularly his "thumb" technique, but his fretless bass technique has also served as an inspiration to many, and he has taken the fretless bass into musical contexts and genres previously unexplored. The influences of some of the previous generation of electric bass players, such as Larry Graham, Stanley Clarke, and Jaco Pastorius, are audible in Miller's playing. Early in his career, Miller was accused of being simply imitative of Pastorius, but has since more fully integrated the latter's methodology into his own sound.

Miller has an extensive discography, and tours frequently and widely in Europe and Japan.

Between 1988 and 1990 he appeared in the first season and again toward the end as both the musical director and also as the house band bass player in the Sunday Night Band during the two seasons of the acclaimed music performance program Sunday Night on NBC late-night television.

As a composer, Miller wrote "Tutu" for Miles Davis, a piece that defined Davis's career in the late 1980s, and was the title track of Davis's album Tutu, upon which Miller wrote all the songs with only two exceptions, and one of those was co-written with Davis. He also composed "Chicago Song" for David Sanborn and co-wrote "'Til My Baby Comes Home", "It's Over Now", "For You to Love", and "Power of Love" for Luther Vandross. Miller also wrote "Da Butt", which was featured in Spike Lee's School Daze.
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