Nola Blues Records artist: Matt Guitar Murphy - True Blues Brother - The Legacy of Matt "Guitar Murphy" - New Release Review

 I just had the opportunity to review the most recent release, True Blues Brother- The Legacy of Matt "Guitar Murphy" by Matt Guitar Murphy and it's a great assemblage of music that Matt was working on at the time of his death in 2018 featuring music by artists he either played with or influenced along with some special guests. Opening with Matt's Boogie, Murphy leads the way on this instrumental with  a super guitar rhythm /solo lead and joined by Bruce Bears on organ, Ricky "King" Russell on guitar, Bob Worthington on bass and Fran Christina on drums. Solid opener. Deadric Malone's I Feel Alright Again is a super shuffle featuring Brian Templeton on vocal, Nick Adams on guitar, Collin Tilton on tenor sax, Johnny Juxo on keys, Dean Cassell on bass and Christina on drums. Christine Ohlman really belts out the lead on Something's Got a Hold On Me, and Etta James favorite, with Cliff Goodwin and Russell on guitar, Worthington on bass and Christina on drums. Phil Diiorio is upfront on vocal on Willie Dixon's I Can't Quit You Baby and James Montgomery on harmonica adds really nice balance. Troy Mercy takes a different approach on his bluesy guitar solo that adds nicely to the track. Disc 2 opens with Matt's Shuffle and Murphy strolling on guitar. A cool organ solo by Bruce Bears leads to a real nice laid back solo by Murphy. Willie Dixon's, Evil, is a real nice contribution with Craig Rawding on lead vocal and some stellar guitar work by Bob Margolin, Jerry Portnoy on harmonica, Chuck Leavell on piano and Christina on drums. Memphis Slim's Lonesome, has a great feel with Christina on vocal and drums, Duke Robillard laying down some hot riffs, Greg Piccolo on sax, Al Copley on piano and Marty Ballou on bass. Joe Beard is upfront on vocal and guitar on Muddy's Let Me Hang Around with Chris Beard on guitar, Billy Boy Arnold on harmonica,  bass and Kenny "Beedy Eyes" Smith on drums. Very cool. Wrapping the release is Beard on guitar and vocal and Arnold on harmonica on You Wasn't Doin' Too Bad, a really stripped down, delta style blues. This is an excellent closer for a solid release. 

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Severn Records artists: The Original Blues Brothers Band - The Last Shade of Blue Before Black - New Release Review

I just had the opportunity to review the most recent release, The Last Shade Of Blue Before Black, by The Original Blues Brothers Band and it's great! Opening with Jimmy Reed's Baby What You Want Me To Do, Bobby "Sweet Soul" Harden with Tommy "Pipes" McDonnell on harp and vocals and Rob "The Honeydripper" Paparozzi on harp and vocals take center stage with super harmony and John Tropea plays terrific guitar soloing backed by Tom Malone on trumpet, Baron Raymonde on alto sax, Eric "The Red" Udel on bass, Lee "Funkytime" Finkelstein on drums, Leon "The Lion" Pendarvis on organ, Rusty "Cloudmeister" Cloud on clav, Wurlitzer and piano. High stepping, Cherry Street, features McDonnell on lead vocals, Birch Johnson on trombone and Raymonde really rips on alto sax. Eddie Floyd is up on lead vocals on slinky, On Saturday A Night, and guest Tom Malone on bari sax  and with tight, warm horn backing. Harden takes the lead on funky, Itch and Scratch. This is a mover with hot horn work pushing all the way and snappy drum work over the funky bass line by Udel. Joe Louis Walker had the lead on Willie Dixon's Don't Go No Further. This track has a great groove with Rob Paparozzi on chromatic harp and featuring a cool harp solo by Tommy McDonnell. This track is saturated with soulful horns punctuated by Steve Howard's trumpet solo and a  classic guitar solo by Matt "Guitar' Murphy. A hot version of James Brown's Sex Machine is lead by Paul Shaffer on lead vocal and piano with David Spinozza on guitar and Tom Malone on trumpet. New Orleans flavored, Your Feet's Too Big has Paparozzi on lead vocal and harp. The horn work throughout is super with standout solos on this track by Cloud on piano and Lou Marini on clarinet. Excellent! Dr. John is front and center on Qualified with his distinctive vocal and piano styling. With Birch Johnson on trombone, Baron Raymonde on alto sax, Lou Marini on bari and tenor sax solos, this is one of my favorites on the release. Title track, The Last Shade Of Blue Before Black has a real nice Johnny Guitar Watson bluesy R&B feel featuring Lou Marini on lead vocal. This is a super closer with Tropea featured with some ultra tasty guitar and a sultry tenor sax solo by Marini. Excellent! 

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Severn Records Announces October 6 Release Date for New CD from The Original Blues Brothers Band featuring Steve Cropper & "Blue Lou" Marini, "The Last Shade of Blue Before Black"

Severn Records Announces October 6 Release Date for New CD from The Original Blues Brothers Band featuring Steve Cropper & “Blue Lou” Marini,

The Last Shade of Blue Before Black

Special Guests Include Eddie Floyd, Joe Louis Walker, Paul Shaffer, Dr. John, Matt “Guitar”Murphy and

Joe Morton

ANNAPOLIS, MD – Severn Records announces an October 6 release date for The Last Shade of Blue Before Black, the new album from the legendary Original Blues Brothers Band, featuring guitarist Steve Cropper and sax player “Blue Lou” Marini, with special guests Eddie Floyd, Joe Louis Walker, Paul Shaffer, Dr. John, Matt “Guitar” Murphy and Joe Morton.

“Had anyone told me in 1978 that in 2017 I would still be traveling around the world and playing with the Blues Brothers’ Band, I would have said they were out of their minds,” says “Blue Lou” Marini. “But, amazingly here we are with a new CD and still playing all over the world. This album is a true labor of love and I’m so proud of the organic way it came about. We really wanted to honor our history and to include some of our favorite musicians that we’ve worked with and loved over the years.  We have the legends, Eddie Floyd and Dr. John, plus our original band leader, Paul Shaffer and the great bluesman Joe Louis Walker.

“We also have Tom ‘Bones’ Malone playing and arranging, and cameos from Matt ‘Guitar’ Murphy and Joe Morton, a star from our second movie. We are also thrilled to have former members David Spinozza on guitar, Birch Johnson on trombone, and my steady sub, Baron Raymonde on alto sax.”

The Last Shade of Blue Before Black was produced by Lou Marini, Steve Cropper and The Original Blues Brothers Band and recorded at IWII Studios in Hoboken, NJ, by Jay Messina.

“We wanted to present some new original material and do some tunes that hearkened to our past,” declares Marini. “This is a live CD, with everyone recording at once, mostly first or second takes and live vocals and solos. The only overdubs were some baritone sax parts and a few minor fixes. We were blessed with a fantastic studio that suited us so well, IIWII in Hoboken, New Jersey, and the world’s greatest engineer and friend to all, Jay Messina.

Essentially begun as a one-time musical skit that debuted on NBC-TV’s Saturday Night Live” in 1978 and fronted by John Belushi and Dan Aykroyd as Jake and Elwood Blues, the band became an overnight sensation, spawning numerous TV appearances, hit albums, two blockbuster movies and global touring.  

“I think the power and joy of this great band that has been playing together for so many years is evident,” states Marini. “We love each other and love making music together. Everyone played their asses off on this CD and none more so than our wonderful bassist, Eric Udel. Eric died tragically in September from a fall here in NYC. He was a great musician and a sunny, funny man whom we all loved. We dedicate this album to him as well as our other fallen and still greatly missed brothers, Donald ‘Duck’ Dunn” and Alan ‘Mr. Fabulous’ Rubin.

“I’ve often said that the OBBB is the world’s greatest part-time job because of you, our fans. We’ve gotten to see the world and enjoy it in your company. We’ve eaten and drank with you, especially the latter, and you have treated us like kings. Enjoy this music and for God’s sake, PLAY IT LOUD!”

The Original Blues Brothers Band are: Steve “The Colonel” Cropper - guitar; John “Smokin’ John” Tropea – guitar; Eric “The Red” Udel – bass; Lee “Funkytime” Finkelstein – drums; Leon “The Lion” Pendarvis – organ; Rusty “Cloudmeister” Cloud - clavinet, Wurlitzer, piano and organ; Steve “Catfish” Howard – trumpet; Larry “Trombonious” Farrell – trombone; Lou “Blue Lou” Marini – saxophones; Bobby “Sweet Soul” Harden – vocals; Tommy “Pipes” McDonnell - vocals and harmonica; and Rob “The Honeydripper” Paparozzi - vocals and harmonica.

The Last Shade of Blue Before Black Track Listing and Additional Credits

1. Baby, What You Want Me To Do - Music & lyrics by Jimmy Reed (Conrad Music/The Seeds of Reed Music, BMI) Arranged by Lou Marini Bobby, Tommy and Rob-vocals, John Tropea-guitar solo, Rob Paparozzi-harp, Tom Malone-trumpet, Baron Raymonde-alto sax

2. Cherry Street - Music & lyrics by Delbert McClinton, Kevin McKendree & Gary Nicholson (East Folks Music, BMI/ASCAP). Arranged by Lou Marini Tommy “Pipes’ McDonnell-lead vocal, Birch Johnson-trombone, Baron Raymonde-alto sax & solo

3. On a Saturday Night - Music & lyrics by Eddie Floyd & Steve Cropper (Irving Music, BMI) Arranged by Tom Malone Eddie Floyd-lead vocal, Tom Malone-baritone sax

4. Itch and Scratch - Music & lyrics by Ronald Hayes & Toby King (Gulf Coast Music LLC) Arranged by Lou Marini and The Original Blues Brothers Band Bobby “Sweet Soul” Harden-lead vocal, Rob, Tommy & Rusty-background vocals, Baron Raymonde-alto sax

5. Don’t Go No Further - Music & lyrics by Willie Dixon (Hoochie Coochie Music, BMI) Horn arr. by Lou Marini, rhythm arr. by The Original Blues Brothers Band Joe Louis Walker-lead vocal, Rob Paparozzi-chromatic harp, Tommy McDonnell harp solo, Steve Howard-trumpet solo, Matt “Guitar” Murphy-guitar solo

6. You Left the Water Running - Music & lyrics by Dan Penn, Rick Hall & Oscar Franks (Screen Gems-EMI       Music, Inc., BMI.)  Arranged by Tom Malone Bobby “Sweet Soul” Harden-lead vocal, Tommy, Rob & Lou-background vocals, Lou Marini-tenor sax solo, Tom Malone-baritone sax, David Spinozza-acoustic guitar

7. Don’t Forget About James Brown - Music & lyrics by Eddie Floyd (Irving Music, BMI) Arranged by Leon Pendarvis Eddie Floyd & Tommy “Pipes” McDonnell-lead vocals, Baron Raymonde-alto sax, Tom Malone-baritone sax, Larry Farrell-trombone solo

8. Sex Machine - Music & lyrics by James Brown, Bobby Byrd & Ronald Lenhoff (Dynatone    Publishing Co., BMI.) Arranged by Paul Shaffer & Tom Malone Paul “The Shiv” Shaffer-lead vocal and piano solo, David Spinozza-guitar, Tom Malone-trumpet

9. Your Feet’s Too Big - Music by Fred Fisher, lyrics by Ada Benson with extra lyrics by Fats Waller   (Morley Music Co/Sony ATV Tunes LLC, ASCAP) Arranged by Lou Marini and The Original Blues Brothers Band Rob Paparozzi-lead vocal & bass harmonica, Rusty Cloud-piano solo, Lou Marini-clarinet

10. 21^st Century Baby - Music & lyrics by Rob Paparozzi (Robodripper Tunes, SESAC) Arranged by John Tropea Rob Paparozzi-lead vocal, Baron Raymonde-alto sax, Tom Malone-trumpet & baritone sax

11. Blues in My Feet - Music & lyrics by Rusty Cloud (Stousefouse Music, BMI) Rusty Cloud-lead vocal, Tom Malone-baritone sax, Rob Paparozzi-harp solo

12. Qualified - Music & lyrics by Jessie Hill & Malcom Rebennack (Warner-Tamerlane Publishing OBO Skull Music, ASCAP) Arranged by Lou Marini Dr. John “The Nite Tripper”-lead vocal and piano, Bobby, Tommy, Rob & Rusty -background vocals, Birch Johnson-trombone, Baron Raymonde-alto sax, Lou Marini-baritone sax & tenor sax solo

13. I Got My Mojo Working - Music and lyrics by Preston Foster (ARC Music/Dare Music, Inc., BMI)      Arranged by Lou Marini Rob Paparozzi, Bobby Harden, Joe Morton & Tommy McDonnell-lead vocals, The Original Blues Brothers Band-background vocals, Rusty Cloud-organ solo,     Tom Malone-trumpet

14. The Last Shade of Blue Before Black - Music & lyrics by Lou Marini (Hip Pickles Music ASCAP) Arranged by Lou Marini and The Original Blues Brothers Band Lou Marini-lead vocal, Bobby, Tommy, Rob & Rusty-background vocals, John Tropea-guitar solo, Lou Marini-tenor sax solo

Matt guitar Boogie - Billy Stepney with Matt Guitar Murphy

Chess drummer featured with Matt Guitar Murphy, Muddy Waters, Little Walter and Sonny Boy Williamson. If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

I Know The Blues - Memphis Slim

Memphis Slim (September 3, 1915 – February 24, 1988) was an American blues pianist, singer, and composer. He led a series of bands that, reflecting the popular appeal of jump blues, included saxophones, bass, drums, and piano. A song he first cut in 1947, "Every Day I Have the Blues", has become a blues standard, recorded by many other artists. He made over 500 recordings.
Memphis Slim's birth name was John Len Chatman, and he was born in Memphis, Tennessee, United States. His father Peter Chatman sang, played piano and guitar, and operated juke joints, and it is now commonly believed that he took the name to honor his father when he first recorded for Okeh Records in 1940. Although he started performing under the name Memphis Slim later that same year, he continued to publish songs under the name Peter Chatman.

He spent most of the 1930s performing in honky-tonks, dance halls, and gambling joints in West Memphis, Arkansas, and southeast Missouri. He settled in Chicago in 1939, and began teaming with Big Bill Broonzy in clubs soon afterward. In 1940 and 1941 he recorded two songs for Bluebird Records that became part of his repertoire for decades, "Beer Drinking Woman," and "Grinder Man Blues." These were released under the name "Memphis Slim," given to him by Bluebird's producer, Lester Melrose. Slim became a regular session musician for Bluebird, and his piano talents supported established stars such as John Lee "Sonny Boy" Williamson, Washboard Sam, and Jazz Gillum. Many of Slim's recordings and performances until the mid-1940s were with guitarist and singer Broonzy, who had recruited Slim to be his piano player after Joshua Altheimer's death in 1940.

After World War II, Slim began leading bands that, reflecting the popular appeal of jump-blues, generally included saxophones, bass, drums, and piano. With the decline of blues recording by the majors, Slim worked with the emerging independent labels. Starting in late 1945, he recorded with trios for the small Chicago-based label Hy-Tone. With a lineup of alto saxophone, tenor sax, piano, and string bass (Willie Dixon played the instrument on the first session), he signed with the Miracle label in the fall of 1946. One of the numbers recorded at the first session was the ebullient boogie "Rockin' the House," from which his band would take its name. Slim and the House Rockers recorded mainly for Miracle through 1949, enjoying commercial success. Among the songs they recorded were "Messin' Around" (which reached number one on the R&B charts in 1948 and "Harlem Bound." In 1947, the day after producing a concert by Slim, Broonzy, and Williamson at New York City's Town Hall, folklorist Alan Lomax brought the three musicians to the Decca studios and recorded with Slim's on vocal and piano. Lomax presented sections of this recording on BBC radio in the early 1950s as a documentary titled The Art of the Negro, and later released an expanded version as the LP Blues in the Mississippi Night. In 1949, Slim expanded his combo to a quintet by adding a drummer; the group was now spending most of its time on tour, leading to off-contract recording sessions for King in Cincinnati and Peacock in Houston.

One of Slim's 1947 recordings for Miracle, released in 1949, was originally titled "Nobody Loves Me". It has become famous as "Every Day I Have the Blues." The tune was recorded in 1950 by Lowell Fulson, and subsequently by a raft of artists including B. B. King, Elmore James, Ray Charles, Eric Clapton, Natalie Cole, Ella Fitzgerald, Jimi Hendrix, Mahalia Jackson, Sarah Vaughan, Carlos Santana, John Mayer and Lou Rawls. Joe Williams recorded it in 1952 for Checker; his remake from 1956 (included in Count Basie Swings, Joe Williams Sings) was inducted in the Grammy Hall of Fame in 1992.

Early in 1950, Miracle succumbed to financial troubles, but its owners regrouped to form the Premium label, and Slim remained on board until the successor company faltered in the summer of 1951. His February 1951 session for Premium saw two changes in the House Rockers' lineup: Slim started using two tenor saxophones instead of the alto and tenor combination, and he made a trial of adding guitarist Ike Perkins. His last session for Premium kept the two-tenor lineup but dispensed with the guitar. During his time with Premium, Slim first recorded his song "Mother Earth."

Slim made just one session for King, but the company bought his Hy-Tone sides in 1948 and acquired his Miracle masters after it failed in 1950. He was never a Chess artist, but Leonard Chess bought most of the Premium masters after the failure.

After a year with Mercury Records, Slim signed with United Records in Chicago; the A&R man, Lew Simpkins, knew him from Miracle and Premium. The timing was propitious, because he had just added Matt "Guitar" Murphy to his group. He remained with United through the end of 1954, when the company began to cut back on blues recording.

Slim's next steady relationship with a record company had to wait until 1958, when he was picked up by Vee-Jay. In 1959 his band, still featuring Matt "Guitar" Murphy, cut LP Memphis Slim at the Gate of the Horn, which featured a lineup of his best known songs, including "Mother Earth," "Gotta Find My Baby," "Rockin' the Blues," 'Steppin' Out," and "Slim's Blues."

Slim first appeared outside the United States in 1960, touring with Willie Dixon, with whom he returned to Europe in 1962 as a featured artist in the first of the series of American Folk Festival concerts organized by Dixon and promoter Willie Dixon that brought many notable blues artists to Europe in the 1960s and 1970s. The duo released several albums together on Folkways Records, including, Memphis Slim and Willie Dixon at the Village Gate with Pete Seeger, in 1962. That same year, he moved permanently to Paris and his engaging personality and well-honed presentation of playing, singing, and storytelling about the blues secured his position as the most prominent blues artist for nearly three decades. He appeared on television in numerous European countries, acted in several French films and wrote the score for another, and performed regularly in Paris, throughout Europe, and on return visits to the United States. In the last years of his life, he teamed up with respected jazz drummer George Collier. The two toured Europe together and became friends. After Collier died in August 1987, Slim appeared in public very little.

Two years before his death, Slim was named a Commander in the Ordre des Arts et des Lettres by the Ministry of Culture of the Republic of France. In addition, the U.S. Senate honored Slim with the title of Ambassador-at-Large of Good Will.
Memphis Slim grave

Memphis Slim died on February 24, 1988, of renal failure in Paris, France, at the age of 72. He is buried at Galilee Memorial Gardens in Memphis, Tennessee.

In 1989, he was posthumously inducted into the Blues Hall of Fame.
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Murphy Boogie - Matt Guitar Murphy

Here's Matt "Guitar" Murphy with the Willie Dixon Band.Matt "Guitar" Murphy (born December 29, 1929) is an American blues guitarist
Matt Murphy was born in Sunflower, Mississippi, United States, and was educated in Memphis, where his father worked at the Peabody Hotel. Murphy played with Howlin' Wolf in 1948; harpist Little Junior Parker was also in the band at the time
By 1952, Murphy was in Chicago, where he began his long association with Memphis Slim by playing on his dates for United Records and Vee-Jay Records, including the album, At The Gate of Horn (1959).
Murphy did not have a band of his own until 1982, but played with many famous bands.
Murphy can be seen in the films The Blues Brothers and Blues Brothers 2000, where he plays Aretha Franklin's hen-pecked husband. Work thereafter with The Blues Brothers turned him into one of the best-known blues guitarists in the United States.

Murphy's signature model guitar is manufactured by Cort Guitars.

Murphy has been less active since he suffered a stroke on stage while performing in Nashville in 2003 — he finished his set performing with one hand. A benefit was mounted by notable musicians of Memphis and Nashville. Murphy now resides in Miami, Florida. He has been playing in Florida with two young proteges Tim O'Donnell and Darrell Raines, and performed with his nephew Floyd in the Florida Keys during 2009.

He has been on the comeback trail with a reunion performance with James Cotton at the 2010 Chicago Blues Festival. A September 2011 release took place of a 1986 live recording from the 40 Watt Club in Athens, Georgia. Patton Biddle recorded the show live, and Floyd Murphy Jr, Matt's nephew, played the drums along with Howard Eldride on vocals
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