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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Showing posts with label Mesa/Bluemoon Recordings. Show all posts
Showing posts with label Mesa/Bluemoon Recordings. Show all posts

Wednesday, November 20, 2024

Mesa / Blue Moon Recordings artist: Bill Banfield's Jazz Urbane - Take Time To Listen - New Release Review


 I just had the opportunity to review the most recent release, Take Time To Listen, from Bill Banfield's Jazz Urbane, and it's warm and bluesy. Opening with This Time, a solid track featuring Bill Banfield on a big box guitar, milking all of the rich tone on each chord as he picks himself up and down the fretboard. A nice melody and nice articulation make this a strong opener. Gershwin's Summertime is lushly presented with a slight flavor of Latin with rolled picking and rhythm. Joseph Kosma's classic Autumn Leaves also has a Spanish flavor with strong phrasing and plucked melody followed by rich chords. Very nice. Elton John's Your Song is a cool change up with plenty of finger picked runs and chord reinforced phrasing. Song For Earl is a soulful tribute to Earl Klugh with parallel octave hits and fleet fingering. Wrapping the release is an adventurous romp on Churchill's Someday My Prince Will Come, a certain classic with deep roots. A total rework and new arrangement gives this track a fresh face and makes it a cool closer. 


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Friday, August 28, 2015

Dulcie Taylor and Friends Soar Like "Wind Over Stone" on New CD, Coming September 25 from Mesa/Bluemoon Recordings





Dulcie Taylor and Friends Soar Like Wind Over Stone on New CD, Coming September 25 from Mesa/Bluemoon Recordings

Key CD Release Shows Announced

ATASCADERO, CA – Mesa/Bluemoon Recordings proudly announces a September 25 release date for Wind Over Stone, the new CD from Central California Coast-based singer/songwriter Dulcie Taylor and FriendsProduced by George Nauful and Tyson Leonard, and mixed by Keith Olsen (legendary producer/engineer for Fleetwood Mac, Ozzie Osbourne, Pat Benatar, Rick Springfield, Carlos Santana, etc.), Wind Over Stone was recorded at Colorado Studios in Atascadero, California.

Dulcie Taylor will celebrate the new album with several CD release shows, including September 13 in Arroyo Grande, Cal., as part of their “Concerts in the Park” series from 2:00 – 5:00 PM. Taylor will not only headline that show, but will also emcee the entire event concert lineup. Other key dates include a concert at Boo Boo Records in San Luis Obispo on September 26, at 5:00 PM; October 10 at the Jade Festival in Big Sur; and October 28 at the Wine & Song Concert Series in South Pasadena.

Dulcie Taylor (lead vocals, acoustic guitar, dulcimer, percussion) is joined throughout the new album by many of the same “friends” who backed her critically-acclaimed last effort, Only Worn One Time released in 2014. They include George Nauful (guitar, keyboards, backing vocals and lead vocal on “Amy” and “I Wanna Ride”); Tony Recupido acoustic guitar, backing vocals and lead vocal on “Reasons Why” and “Joyful News”); Tim Pierce and Nina Gerber (guitars); Tyson Leonard (mandolin and violin); Aaron Porter (keyboards and accordion); Bob Gross and Randy Tico (bass); and Tom Lackner, Tracy Morgan and Scott Breadman (drums, percussion).      

Together, Dulcie Taylor and Friends weave a magical spell throughout the 14 tracks on Wind Over Stone, whether on the 13 originals (most either written or co-written by Taylor) or the lone standout cover song, a gorgeous reading of the Supremes/Motown classic, “My World Is Empty Without You.”

The tone of the new disc is set by the album’s lead-off track, “Not Here, Not Today,” inspired by some of her American heroes. “I’ve always thought about what motivated the American people who revolted against English rule,” Taylor says. “These people came to America because they wanted new ways of living. Thinking about people still holding to their beliefs when their feet were freezing and they didn’t have any shoes, makes me realize this country was founded by people who wanted freedom, period.

“And Rosa Parks – my goodness. This soft-spoken woman of conviction who, in 1955, refused a bus driver’s order to give up her seat in the “colored section” to a white passenger. When the driver told her he would have her arrested, she quietly said, ‘You may do so.’ No profanity, just quiet, steely conviction. Freedom, period.

“Lastly, Flight 93 – this is what gave me the idea for the whole song. Thinking about those people who, through their cell phones, knew that the Twin Towers and the Pentagon had been hit, and by the direction they were going, figured their plane was probably headed for the White House. They knew the risk they were taking but they decided that if the plane was going down, it was going down where they wanted it to. Freedom, period.”

Other songs on Wind Over Stone touch on a wide variety of topics, including love and romance in all their incarnations.

In “Cherokee,” Taylor discourses on the physical changes this country has gone through over the years. “America is still a beautiful country, but some parts are changed forever. I’ve often thought about how beautiful it must have been before the waves of immigration. Deer on Manhattan Island, running free? And when I look at the portraits of our Native American Indians, I’ve always been so impressed by their faces – the determination, the strength. Two qualities that all people need. I love the conveniences of modern life as much as anybody, but I do know a lot of beauty has been lost arriving at this place. Everything has a price, doesn’t it?”

In the song, “Prayers,” Taylor revisits her upbringing. “I was raised by a church-going single Southern Baptist Mother; she didn’t send us to church, she took us,” she remembers. “We always had Family Bible time before going off to bed, each of us reading something from a “Child’s Story of the Bible.” I was the baby and I remember how happy I was when I could read aloud too, just like my older sisters. I realize now what a wonderful way it was to send a child off to bed, with the voices of my sisters and my mother in my head. Then, I would say my prayers with her. My mother stressed the love and forgiveness side of things, something I will always be grateful for.”

Poetry has been a main inspiration throughout Taylor’s songwriting, and in “I Take it Back,” she references one of the best. “Sometimes in the heat of the moment, a person can say things they REALLY shouldn’t say, and too much as well,” Taylor offers. “This is a song about a woman who’s let her mouth get away from her. As Carl Sandburg so beautifully said -

‘Look out how you use proud words.
When you let proud words go, it is not easy to call them back.
They wear long boots, hard boots; they walk off proud; they can't hear you calling--
Look out how you use proud words.’”

The album’s closing song, “Love Like Yours and Mine,” carries a universal message. “This song was inspired by the belief that one’s home needs to be a place of love and acceptance,” Taylor states. “And if a person lives long enough to be old and dream back through the years, you want to have had a true love to remember and be grateful for.”

For information, visit www.dulcietaylor.com and www.mesabluemoon.com. Dulcie’s Facebook page is located at https://www.facebook.com/dulcietaylor.

Previous Quotes on Dulcie Taylor’s Music

“It’s already been a good year for singer-songwriter Dulcie Taylor, seeing as how she’s won her second consecutive New Times Music Award as Best Songwriter 2014. How appropriate, given the finely etched songs on her fifth album, Only Worn One Time, replete with reflections on mortality, heartbreak, self-reliance, self-doubt, commitment and similar weighty topics relevant to the real world on a daily basis … she seems poised to take a whole different kind of journey next time around. It’ll be worth waiting for, guaranteed.” – Deep Roots Magazine

“Dulcie Taylor writes from the heart. Filled with provocative imagery, universal sentiment and hopeful (yet oftentimes sad) story-songs, her folksy Americana comes to the fore with the help of some master instrumentalists.” – Aquarian Weekly

“Taylor has a sharp eye for details that helps to elevate her songs above the norm.” – Icon Magazine

Dulcie Taylor Tour Dates

8/29     Asuncion Wine Bar – Paso Robles, CA
9/01     Picking Up the Tempo (Live on KCBX) – San Luis Obispo, CA
9/03     Socrates – Atascadero, CA
9/06     Ragged Point – Big Sur, CA
9/13     Arroyo Grande Concerts in the Park (2-5 PM) – Arroyo Grande, CA
9/19     Wild Horse Winery – Paso Robles, CA
9/20     Luna Red – San Luis Obispo, CA
9/23     Paso Robles Golf Club – Paso Robles, CA
9/25     Costa de Oro Winery – Santa Maria, CA
9/26     Boo Boo Records (CD Release Show - 5:00 PM) – San Luis Obispo, CA
9/27     Shell Café – Pismo Beach, CA
10/02   Cheren Ranch (CD Release Show) - Atascadero, CA
10/03   Sea Pines – Morro Bay, CA
10/04   Otter Rock Café – Morro Bay, CA
10/10   Jade Festival – Big Sur, CA
10/11   Sea Venture – Pismo Beach, CA
10/12   Cambria Pines – Cambria, CA
10/17   The Pour House – Paso Robles, CA
10/18   Ragged Point – Big Sur, CA
10/23   1880 Union Hotel - Los Alamos, CA
10/24   Chateau Lettau Winery – Paso Robles, CA
10/25    Luna Red, San Luis Obispo, CA
10/28   Wine & Song Concert Series – South Pasadena, CA
10/31   Vina Robles Winery – Paso Robles, CA