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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
I just had the opportunity to review the most recent release, Wooden Music, from Mick Kolassa and it's chocked full of of blues talent. Opening with shuffle, Educated By The Blues, Mick Kolassa on vocal and guitar lays down a cool melody, with Doug MacLeod and Jeff Jensen on guitar, Carl Casperson on bass, Tom Lonardo on drums, Rick Steff on piano and featuring Eric Hughes on harmonica. Up-tempo, If I Told You, has a swampy rhythm with Jensen on guitar, Casperson on bass, Lonardo on drums and Vince Johnson on harmonica. Very nice. Over My Shoulder is a cool little tune with a saunter. With solid vocals by Kolassa and tight guitar melody by Jensen, this track has a great feel. Wrapping the release is country flavored, Gas Station Sushi, with Kolassa on vocal, kazoo and guitar, with straight up slide from Jensen and Lonardo on drums. This is a cool closer for a characteristic Kolassa release.
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I just had the opportunity to review the most recent release, For The Feral Heart, by Mick Kolassa, and it's got a solid mix of blues, Latin and pop track. Opening with Running To You, Kolassa on vocal and guitar leads the way with a galloping rhythm by Andrew McNeil on drums and Bill Ruffino on bass. Jeff Jensen on guitar, and Rick Steff on keys round out the mix for this solid opener. A redo of Dave Mason's Feeling Alright really has a great feel with it's creeping "Season of the Witch" sensability. Steff's key work is spot on and Jensen's guitar work hypnotic with key backing vocals by Tullie Brae. Very nice. Easy flowing, Love Ain't Supposed To Make You Cry is another track to watch with really sumptuous guitar lead by Jensen, reminicent of the late Peter Green early in his career. Very nice. Love In My Size is a strong acoust ballad with a grat melody. Kolassa on acoustic guitar and vocal is nicely highlighted by Jensen on slide guitar really making this track stand out. Wrapping the release is classic pop track, As Time Goes By, with a traditional arrangement. Accompanied by Ruffino on bass, Steff on piano, Tom Leonardo on drums, a simple finish.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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For your convenience, you can click the title of this post above to be taken to a site where this cd can be purchased - Happy Listening
I just had the opportunity to review the most recent release, They Call Me Uncle Mick!, from Mick Kolassa and he's assembles a great group of musicians for his most recent set. Opening with Bo Carter's clever, My Pencil Won't Write No More, Kolassa on lead vocal and guitar, is joined by Eric Hughes on harmonica, Jeff Jensen on guitar, Tom Leonard on drums, Carl Caspersen on bass, and Rick Steff on piano for s super rag style opener. Original track, Used To Be, has a real nice bluesy feel with a solid strut. Steff's piano work, and with the addition of Doug McLeod on guitar has a cool acoustic groove. Slow shuffle, Why, another original by Kolassa, has a real nice feel, with some of Kolassa's best vocals and nice guitar work by Jensen and complimentary harmonica work by Hughes. Wrapping the release is country rocker, The Cheese Song, a simple story song nicely adorned by Curtis Gill on slide guitar.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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For your convenience, you can click the title of this post above to be taken to a site where this cd can be purchased - Happy Listening
I just had the opportunity to review the most recent release, Uncle Mick's Christmas Album, by Mick Kolassa, and it's quite entertaining. Opening with Mariah Carey's, All I Want For Christmas, and I think its a real solid cover. Never been crazy about pop music and Kolassa's slow bluesy approach with Jeff Jensen on lead guitar, Bill Ruffino on bass, Rick Steff on keys and James Cunningham on drums gives this track a new, fresher life. Original track, The Best Christmas Ever, is up next with a funky R&B approach. Kolassa on lead vocal and with warm backing vocals by Reba Russell and Susan Marshall over cool piano and organ work by Steff set a nice stage and pinched down guitar soloing by Jensen adds spice. Johnny Moore's Merry Christmas Baby really gives Jensen a chance to show some real nice riffs both bluesy and jazzy making it one of my favorites on the release. Tom tom laden rhythm gives Jingle Bells and whole new face. Get far enough from the music that you can't hear the words and I defy you to determine that it's Jingle Bells. This swampy, Dr Joh like approach is really cool and again, Jensen's guitar work adds real shine to the apple. Very nice. Wrapping the release is a Jensen/Kolassa original, Beale Street Christmas Jam, a hot shuffle ala Gatemouth Brown style. Jensen always has great riffs, and here he's complimented by Marc Franklin on trumpet (solo), Cunningham on drums (solo), Ruffino on bass (solo), Eric Hughes on harmonica (solo). This track will get your foot tapping. Excellent closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Wasted Youth, from Mick Kolassa, and it's chocked full of hot contemporary blues players doing what they do best. Opening with blues rocker, Throwing Away These Blues, Kolassa on vocal and guitar leads the way with James Cunningham on drums, Tullie Brae on backing vocal, Rick Steff on piano, Jeff Jensen on guitar, Bill Ruffino on bass and Marc Franklin on trumpet. Solid opener. Title track, Wasted Youth, has a thunder bass line by Ruffino and with Doug McMinn on drums, Brad Webb lays in some real nice slide work and Eric Hughes adds some real nice harmonica. Funky rocker, I Can't Get Enough gives Anthony Paule a nice chance to show his stuff and Kirk Smothers blows a real nice sax solo topping the track off. Victor Wainwright plays a real clean piano on Feeling Sorry For Myself, a cool blues track with just the right amount of sway. Brandon Santini adds his superlative harmonica tone to My Mind Doesn't Wander, an easy blues rocker. Slow blues, Pieces of my Past has a real nice pace and Jensen plays a soulful lead solo on guitar over his rich chords. Very nice. Wrapping the release is Edge of a Razor, an acoustic blues featuring Albert Castiglia on slide guitar. Very nice closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, If You Can't Be Good, Be Good At It!, by Mick Kolassa and I think it's his best release yet. Opening with I Can't Help Myself, a R&B style track with a light funky beat featuring Kolassa on lead vocal and acoustic guitar, Jeff Jensen on electric guitar, Bill Ruffino on bass, John Blackmon on drums, Rick Steff on keys, Marc Franklin on trumpet, and Kirk Smothers on sax, this is a solid opener. With deep gospel richness, James Taylor's Lo and Behold has great guitar underpinnings and super vocal by Yullie Brae. Rocking title track, If You Can't Be good, Be Good At It! is clever and has solid guitar riffs by Jensen, and power horn work by Franklin and Smothers. My favorite track on the release, A Good Day For the Blues, features nice guitar work by David Dunavent and Jensen and some of Kolassa's best vocal work on the release. Smooth blues ballad, Slow and Easy Love gives Jensen a wide road to really lay down on lead guitar and he capitalizes nicely over the warm organ bed of Rick Steff. Howlin' Wolf's Who's Been Talking? has a super Latin (read Santana) rhythm and features Dunavent and Jensen again on guitar with super backing by Willie Hall on drums and Weston Caldwell on percussion. Very nice! Wrapping the release is acoustic ballad, She Kept Her Head Up with it's easy rhythm and cool melody over reverb saturated guitar lead and tight drum rhythms by John Blackmon.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Postcard from Beale Street, by Eric HughesBand and it contains a variety of music styles and turns. Opening with shuffle, Ain't Whipped Yet, Hughes is upfront on lead vocal and sweaty slide with Walter Hughes on backing guitar and vocal, Leo Goff on bass, and Brian Aylor on drums. Great guitar tones by Eric give this track a great spice. Oh, Booze! has a terrific, early Beale feel with solid vocals by Eric, with trumpet by Marc Franklin, Kirk Smothers on sax and Mick Kolassa on tussolin, spoons and backing exclamations. Ballad, Homesick Angel is the definite radio track on the release with a strong melody, solid backing vocals and tight accompaniment. Straight up acoustic blues ballad, Blackberry Patch has Eric on lead vocal and slide resonator over Walter on guitar. Simple and solid. Blues rocker, Waiting For That Day has a super boogie (woogie) feel with a great bass line by Goff, organ by Steff and harmonica by Eric. Possibly my favorite track on the release. Wrapping the release is It's 4:20 Somewhere, a bouncy track with a nice mixture of harmonica, guitar and slide with an almost Klezmer sound. Cool closer for an interesting release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Blind Lemon Sessions, from Mick Kolassa and its a cool retrospective of classic, traditional and new tracks, all done in an acoustic environment. Opening with Lonnie Johnson's Jelly Roll Baker, Mick Kolassa on guitar and lead vocal, Seth Hill on bass and Eric Hughes on harmonica. Clean and easy, a solid opener. On Bob Carlton's tune Keep On Truckin' (The Ja-Da Song, later made popular by Blind Boy Fuller and Hot Tuna as Keep On Truckin') Kolassa takes the Hot Tuna route adding Alice Hansen on violin giving it a nice, rural feel. Up next is a cover of Jace Everett's Bad Things, the theme song for HBO Series, True Blood. I gotta admit, Everett hit a homer with this track and although Kolassa's voice isn't as cool as Everett's, this is a cool cover and with the addition of guitar by David Dunavent, a real nice job. With some real nice violin work by Hansen, Kolassa covers classic, St. James Infirmary. Not pulling in any drama and playing it straight as an acoustic blues featuring violin, Maybe my favorite on the release. Lennon and McCartney's Help is the surprise on the release, with an acoustic, non pop, approach. Although it's introspective slant is totally different and somewhat more digestible than the original pop track, it remains fresh and interesting with only Kolassa and Hansen on violin. Wrapping the release is The Space Between Us, a Kolassa original ballad. Pure vocal with only acoustic guitar backing, a simple closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, 149 Delta Ave, from Mick Kolassa and the Taylor Made Blues Band and the talent is thick. Opening with I Can't Slow Down, a 2 steppin rocker, Mick Kolassa on lead vocal is backed by David Dunavent on guitars, Leo Goff on bass, Lee Andrew Williams on drums, Chris Stephenson on keys and Susan Marshall and Daunielle Hill on backing vocal this is a cool opener. Eric Hughes joins on US 12 to Highway 49, a smart shuffle with solid harp work. Cotton Road is one of my favorites on the release with roots in chain gang work songs. Toronzo Cannon adds some really smart guitar lead and wailing backing vocals make this track rich with feel. Pullin Me Down has a creeping R&B blues style with solid bass work from Goff, crisp guitar soloing by Jeff Jensen and includes tight trumpet and sax work by Marc Franklin and Kirk Smothers. Very nice. A funky version of Ashford and Simpson's I Don't Need No Doctor has a real nice groove and the trumpet work of Franklin is bright. Alternating solos by Franklin, Smothers, Jensen and Stephensen really fill out the track. Wrapping the release is an interesting remake of classic Stuff Smith track, the Viper. Kolassa's vocals work well and with Suavo Jones on trombone, Alice Hansen on Stuff Smith's part (violin), Mike Wilson on Puccalo, and Marc Franklin on trumpet, this is a terrific closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Dragonfly, from Long Tall Deb and Colin John and I really like it. Opening with On The Way Down, an eerie blues track, Deb and Colin John sing in duet over cool, thick, slide guitar breaking into a driving "brick" like anthem. John really winds up on electric guitar under Deb's vocals making for an exceptional opener. Title track, Dragonfly, is a cool Duane Eddy, western surf style track with fanned chords, vibrato and tom toms. Excellent! Slinky ballad, I'll Be The One, features some of Deb's best vocals on the release with a soulful style and a nice rhythm. This is the radio track for the release with a strong melodic line, nice guitar work by John and complimented by Jimmy Castoe on drums, Nate Hofman on organ, and Melvin Powe on bass. Another track with a western twist is Remember Why, with great baritone guitar work by John and snappy drum work by Jo El. Horizontal Lightning is a particularly seductive track with a Spanish flair. The track has a dark, smoky feel and Deb's vocals, coupled with nicely stylized guitar work by John certainly make this really pop. Very nice. Wrapping the release is a return on Dragonfly, with the guitar really popping and the Spanish overtones really dressed. This is a really special release and one you should definitely check out.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Double Standards, from Mick Kolassa and it's packed full of stars and blues standards. Opening with Willie Dixon's 600 Pounds of Heavenly Joy, Kolassa is joined by Sugaray Rayford on vocal with solid Latin rhythm by James Cunningham on drums. With Kolassa on guitar and vocal, Bill Ruffino on bass, Chis Stephenson on organ, and Colin John on guitar, very solid opener. Heather Crosse joins on lead vocal for another Dixon hit, I JustWant To Make Love To You. With her sultry vocals and Eric Hughes on harp, this is a real cool track. With it's jazzy club feel, Annika Chambers really shows on Fever. Her vocals are rich and deep caressed in a warm bed of Jensen's guitar tone. Alice Hasan's violin contributions to Tas Cru and Kolassa's rework of Jimmie Cox's Nobody Knows You When You're Down And Out is really nice. Another particularly warm spot is Erica Brown's vocal lead on Dixon's Spoonful. Jensen lays down a real nice guitar section on this track as well. Another Latin influenced track, Early In The Morning, features David Dunavent on guitar. Stylistic and cool. The most guitar intensive track, Outside Woman Blues really gives Jeff Jensen the opportunity to show off on guitar and he does a real nice job. Wrapping the release is Ain't Nobody's Business featuring excellent vocals by Chambers, Gracie Curran, Erica Brown and Jeff Jensen. This is a super closer for a real solid release benefitting the Blues Foundation's HART Fund and Generation Blues programs.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, You Can't Do That, by Mick Kolassa & Mark Telesca and it's quite entertaining. The concept, to take classic Beatles compositions and remake them in a new style as a group is cool... I mean possibly the greatest pop band of all time. Opening with I'll Cry Instead, the arrangement has a casual New Orleans strut and features a muted trumpet by Marc Franklin. With a creative blues bottom, early Beatles track, I Feel Fine takes on new air with suspenseful bass lines and bluesy harmonica work by Eric Hughes. One of my favorite tracks on the release is the sorrowful rework of Fixing A Hole. Telesca's vocals and stylistic acoustic guitar lead really hits. Very nice. Just the flatting of key notes in Lady Madonna transforms it from a springy pop tune into a New Orleans flavored track with soulful fiddle work by Tommy Borroughs and snappy drumming by James Cunningham. Very cool. Wrapping the release is a vibrant bluegrass rendition of She Came In Through The Bathroom Window with really cool mandolin lead by Tommy Boroughs. Excellent closer for a cool release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just received the most recent release, Ghosts of the Riverside Hotel, from Mick Kolassa. A cornucopia of blues like last years release by Kolassa, "Michissippi Mick" , the net proceeds will go to The Blues Foundation and Generation Blues. Opening with Hank Williams' Ramblin' Man, Kolassa on lead vocal and guitar, Jeff Jensen on Lead guitar, Bill Ruffino on bass, Robinson Bridgeforth on drums and Chris Stephenson on organ, this is an interesting track with march like rudiments and tasty guitar work. Slow swinging blues track, Grapes & Greens, featured nice electric guitar and slide work from Jensen and Eric Hughes on harp coupled with solid lead vocals by Kolassa. Lou Singer's depression era, One Meatball, gets a light reggae rhythm treatment under the vocal harmonizing by Reba Russell and bright piano passages by Victor Wainwright. I Always Meant To Love You is a swinging 12 bar with some real jazzy riffs from Jensen, complimented nicely by Kirk Smothers on sax and Wainwright on piano. Lighthearted Trouble, written by Todd Snider, has a cool swing. Kolassa's vocals are spot on, Santini takes a real nice harp solo on this track and Jensen throws in a few country influenced riffs of his own. Nothing Left To Lose(Robin's Blues) is a smooth jazzy blues ballad featuring Smothers on melodic sax. Kolassa's most serious vocal of the release are restrained but well placed and pointers by Smothers and Jensen are perfectly executed. Very nice! If I Ain't Fishin' has a cool pace with Wainwright and Hughes teaming up with tension against the calm. Randy Newman's, Mama Told Me Not To Come, made popular by Three Dog Night, gets a modified Chicago blues remake and a totally different type of cover. Kolassa uses an almost spoken delivery and Santini really wails on this one giving it it's best showing to my ears. On Whiskey Woman, Cole Layman trades lead guitar lines with Jensen and Logan Lyman lays down some cool funk bass. Chris Stephenson's organ solo punches up the track eliciting nice guitar soloing and even more pluckiness from Layman. Walkin' (Dead) Blues capitalizes on the current zombie obsession. With an Elmore James basic track, Kolassa gets the band cranked up with his frantic vocal antics. Santini gets his harp rolling hard and Jensen kicks out his best set of riffs on the release. Tongue in cheek but the hottest track on the release! Following a Magic Sam format, Mama's Got A Mojo, is a cool track with shimmery guitar soloing by Jensen over solid organ work by Stephenson. Real nice! Wrapping the release is Delta Town featuring Watermelon Slim on dobro and harp. Bridgeforth and Ruffino give the track a bit more structure and Kolassa leads the way. This is quite an enjoyable release with a bit of something for most blues lovers.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
I just received a copy of the newest release, Michissippi Mick, from Mick Kolassa and it's got a lot of personality. Opening with New Beale Street Blues, vocalist/guitarist Mick Kolassa plays it easy but spunky with a nice rolling blues track featuring Eric Hughes on harp. Blues Are All Around You is a blues rocker featuring particularly stiff guitar riffs from Jeff Jensen backed by Chris Stephenson on organ, Bill Ruffino on bass and Doug McMinn on drums. Classic blues track, The Letter, has a slow easy pace and Kolassa and backing vocalist Reba Russell do a really nice job reworking this track. Stephenson really fills out the spiritual nature created by the vocalists. Nice job! One of personal favorites on the release, Reefer Man, has a ramblin' country sound with a light bouncy feel. Kolassa's vocals are perfect for this track complimented by Bill Rufino and Victor Wainwright weighs in with some really nice piano work. Johnny Mercer track, Blues In The Night, has a cool easy blues feel and Kolassa's vocals are right in the groove. Standout dixieland trumpet by Dedrick Davis is featured on this track. Burned That Bridge is a super cool boogie number and Ruffino and Doug McMinn have it all in the palm of their hands. Wainwright really sticks on piano and Brandon Santini steps up with so nice harp riffs. Land Of The Crossroads has a swampy sound featuring mostly vocal chants and Harp work by Brandon Santini. Baby's Got Another Lover is a great slow blues track featuring strong vocals and nice guitar work from Jeff Jensen. Certainly one of the standout tracks on the release. Blues rock track, Blowtorch Love, has a little funk to its step, Santini and Jensen trading lead instrumental roles. Redd Velvet comes on strong as a powerful 2nd lead vocalist on this track. WPD is a casual blues rocker with a twisted sense of humor. A solid rhythm and some flashy riffs make this a cool pop track. Time Ain't On My Side has an easy swing gate with Santini on harp. Wainwright is on guy you can always count on too contribute large and here he steps up with some really fat piano work. Wrapping the release is Jimmie Rodgers track Mississippi Rivers Blues done in a fairly traditional style (including yodel). This track has a real earthiness to it is a particularly friendly way to part with a comfortable release. Also worth mentioning is that 100% of the gross proceeds of this album will go to the Blues Foundation split between the Hart Fund and Generation Blues .
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